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Sample records for 17th century painting

  1. Pigment characterization of important golden age panel paintings of the 17th century

    NASA Astrophysics Data System (ADS)

    Pięta, Ewa; Proniewicz, Edyta; Szmelter-Fausek, Bożena; Olszewska-Świetlik, Justyna; Proniewicz, Leonard M.

    2015-02-01

    Samples were obtained from two world-famous 17th century panel paintings of the Gdańsk school of panting: 'Seven Acts of Charity' (1607, in St. Mary's Church in Gdańsk, Poland) by Anton Möller and 'Angelic Concert' (1611, in Diocesan Museum in Pelplin, Poland) by Hermann Han. Micro-Raman spectroscopy (MRS), optical microscopy (OM), and X-ray fluorescence (XRF) spectroscopy studies of the samples were performed to characterize the pigments present in the individual painting layers (a rich palette of white, black, blue, red, and yellow pigments) and the pictorial techniques used by the artists.

  2. Pigment characterization of important golden age panel paintings of the 17th century.

    PubMed

    Pięta, Ewa; Proniewicz, Edyta; Szmelter-Fausek, Bożena; Olszewska-Świetlik, Justyna; Proniewicz, Leonard M

    2015-02-01

    Samples were obtained from two world-famous 17th century panel paintings of the Gdańsk school of panting: 'Seven Acts of Charity' (1607, in St. Mary's Church in Gdańsk, Poland) by Anton Möller and 'Angelic Concert' (1611, in Diocesan Museum in Pelplin, Poland) by Hermann Han. Micro-Raman spectroscopy (MRS), optical microscopy (OM), and X-ray fluorescence (XRF) spectroscopy studies of the samples were performed to characterize the pigments present in the individual painting layers (a rich palette of white, black, blue, red, and yellow pigments) and the pictorial techniques used by the artists.

  3. Acupuncture points & use of moxibustion, found in the popular literature & paintings of 17th century Japan.

    PubMed

    Omura, Y

    1984-01-01

    Acupuncture and moxibustion have long been an integral part of Far Eastern oriental medicine. Moxibustion and acupuncture cannot be discussed without each other since both use the same acupuncture point locations and nomenclatures. In the late 17th century, the famous travel diary of Basho, a Japanese master of haiku poetry, made reference to personal use of moxibustion on one of the well-known acupuncture points, stomach 36. Recently, the author found 2 paintings of a 17th century Kyoto geisha house and its surroundings in the Boston Museum of Fine Arts, painted in realistic color by Moronobu, the originator of the Ukiyoe style and a contemporary of Basho. Part of the scene depicts some professional porters at work; on their legs are white scars at some of the well-known acupuncture points, including stomach 36 and spleen 6. The scars appear to be the result of moxibustion. This may indicate the common use of moxibustion on well-known acupuncture points of the lower extremities in late 17th century Japan for professional porters and for people making extensive journeys. Further support of the relatively widespread use of acupuncture and moxibustion is even found in the popular, non-medical literature of late 17th century Japan. In one of the short stories about the life of average people, written by the novelist Saikaku, the details of a young woman giving moxibustion on the back of a young man is realistically described with illustrations. Reports written by some of the foreign physicians who visited Japan during this period were published, describing these methods with illustrations.(ABSTRACT TRUNCATED AT 250 WORDS) PMID:6152509

  4. Teaching Science in Art: Technical Examination of 17th-Century Dutch Painting as Interdisciplinary Coursework for Science Majors and Nonmajors

    ERIC Educational Resources Information Center

    Uffelman, Erich S.

    2007-01-01

    Two linked courses examining conservation science and art history of 17th-century Dutch painting are described. The two courses have been taught on campus and, most recently, as study-abroad courses in collaboration with the Center for European Studies, Universiteit Maastricht, The Netherlands. The highly interdisciplinary courses are intense, yet…

  5. Microscopy and Microanalysis of an Extreme Case of Salt and Biodegradation in 17th Century Wall Paintings.

    PubMed

    Gil, Milene; Martins, Maria Rosário; Carvalho, Maria Luisa; Souto, Cátia; Longelin, Stephane; Cardoso, Ana; Mirão, José; Candeias, António Estevão

    2015-06-01

    The present study characterizes the main deterioration mechanisms affecting the early 17th frescoes of Casa de Fresco, the only known example in Portugal of a semi-underground leisure room richly decorated with a balcony over a water well. Frescoes from the vault are at risk due to salt weathering and biodeterioration. The aim of the research was identification of the deterioration materials, determination of their origin, and their effect on the frescoes before future intervention. Scanning electron microscopy with an energy-dispersive X-ray detector (SEM-EDS) was used to determine salt morphology and microanalysis. The mineralogical characterization was performed by X-ray powder diffraction, complemented with µ-Raman and µ-Fourier transform infrared spectroscopy. Biological assessment was evaluated with optical microscopy and SEM-EDS. Bacterial and fungal isolation and identification were performed using standard culture media and methods according to Bergey's Manual of Systematic Bacteriology and from the Compendium of Soil Fungi. The results show that Ca and Ca-Mg carbonates from the paint renderings are the predominant salt species affecting the site. Bacterial strains from the genera Bacillus and Pseudomonas and fungal strains from the Cladosporium spp. and Penicillium spp. were isolated in the salt formations, within and between the mortar layers. Azurite, malachite, and smalt paint layers are the most affected by the weathering conditions. PMID:26149345

  6. DIMMING OF THE 17TH CENTURY SUN

    SciTech Connect

    Foukal, Peter; Ortiz, Ada; Schnerr, Roald

    2011-06-01

    Reconstructions of total solar irradiance (TSI) rely mainly on linear relations between TSI variation and indices of facular area. When these are extrapolated to the prolonged 15th-17th century Spoerer and Maunder solar activity minima, the estimated solar dimming is insufficient to explain the mid-millennial climate cooling of the Little Ice Age. We draw attention here to evidence that the relation departs from linearity at the lowest activity levels. Imaging photometry and radiometry indicate an increased TSI contribution per unit area from small network faculae by a factor of 2-4 compared with larger faculae in and around active regions. Even partial removal of this more TSI-effective network at prolonged minima could enable climatically significant solar dimming, yet be consistent with the weakened but persistent 11 yr cycle observed in Be 10 during the Maunder Minimum. The mechanism we suggest would not alter previous findings that increased solar radiative forcing is insufficient to account for 20th century global warming.

  7. [Discovery of blood cells in the 17th century].

    PubMed

    Doubek, M

    2001-07-01

    Landmark works of the 17th century concerning observations of blood cells are quoted in the article. "Simple" and successively "compound" microscopes made their appearance in the late 16th century and early 17th century. In 1656, Frenchman Pierre Borel, physician-in-ordinary to the King Louis XIV, who first applied the microscope to medicine described a type of "worn" found in human blood. In 1657, Athanasius Kircher, a Jesuit priest and scientist from Germany, examined blood from plague victims, and described "worms" of plague. In 1661, 1664 and 1665, the blood cells were discerned by Marcello Malpighi. In 1678, the red blood corpuscles was described by Jan Swammerdam of Amsterdam, a Dutch naturalist and physician. The first complete account of the red cells was made by Anthony van Leeuwenhoek of Delft in the last quarter of the 17th century.

  8. Characterization of the deterioration of bone black in the 17 th century Oranjezaal paintings using electron-microscopic and micro-spectroscopic imaging techniques

    NASA Astrophysics Data System (ADS)

    van Loon, Annelies; Boon, Jaap J.

    2004-10-01

    A whitish deterioration product was observed on the dark paint in a number of large-scale oil paintings that are part of the Oranjezaal interior decoration in the Royal Palace Huis ten Bosch (The Hague). The whitened areas of a painting by Pieter Soutman dating from 1648 were micro-sampled and compared with "healthy" black paint using different analytical imaging techniques. The dark paint was identified as bone black in linseed oil with a lead drier added. Microscopic images of the cross-section revealed a white top layer of 10-20 μm in the black paint layer. Imaging the cross-section surface with scanning electron microscopy with energy dispersive X-ray analysis (SEM-EDX) and specular reflection Fourier transform infrared (FTIR) showed homogeneous distributions of phosphate, phosphorus and calcium over the black and the white degraded bone black. X-ray diffraction (XRD) showed the presence of calcium phosphate hydrate (Ca 3(PO 4) 2· xH 2O), monetite (CaHPO 4) with possibly some poorly crystalline or amorphous hydroxyapatite (Ca 5(OH)(PO 4) 3). The EDX maps of lead and carbon, however, showed some discontinuity between the degraded and non-degraded bone black. There was an increase in the lead concentration in the white top layer, and a slight decrease of carbon. Transmission FTIR demonstrated that aromatic network polymers from the carbon black are markedly diminished in the white deterioration product. It is proposed that the carbonized organic matter in the bone black is vulnerable to photo bleaching in the presence of a lead catalyst under these circumstances.

  9. Scientific Misconduct and Theft: Case Report from 17th Century

    PubMed Central

    Fatović-Ferenčić, Stella

    2008-01-01

    Gjuro Armen Baglivi was one of the most famous medical authorities of the 17th century. Apart from his numerous books and publications, several extensive collections of his correspondence have been preserved and are available in libraries around the world. They provide new information about the 17th century scientific culture and place of Baglivi’s work in the scientific European context. Also, they shed light on his personality more than other writings intended for the public eye. In this paper I will present the case of a theft of intellectual property, which Baglivi described in one of his letters to Jean Jacques Manget. PMID:18293461

  10. Old Masters' lead white pigments: investigations of paintings from the 16th to the 17th century using high precision lead isotope abundance ratios.

    PubMed

    Fortunato, G; Ritter, A; Fabian, D

    2005-06-01

    White lead (2PbCO(3).Pb(OH)(2)), a common component in 17c. artists' painting materials, was singled out to investigate the potential of lead isotope abundance ratios in the field of authentication and origin assignment. Paintings by Peter Paul Rubens, Anthony van Dyck and other Old Masters of the Northern and Southern schools were chosen for this study. An interdisciplinary approach was chosen using both analytical instrumental methods, art technological and art historical knowledge. Minute samples taken from paintings from selected art collections worldwide were investigated using mass spectrometry, scanning electron microscopy (SEM) and energy-dispersive X-ray spectroscopy (EDX). The high precision lead isotope abundance ratios were measured by multiple collector inductively coupled plasma mass spectrometry (MC-ICP-MS). The determination of the calcium matrix influence with respect to possible bias effects to the isotope ratios gave clear decision support, to whether a result lies within the stated combined measurement uncertainty of the result, to eliminate time-consuming matrix separations. The scatter plots of the measured isotope abundance ratios for the painting pigments from P. P. Rubens, A. van Dyck and other Flemish painters exhibit a very narrow distribution forming a cluster. The range of the measured ratio (206)Pb/(204)Pb amounts to 0.55% and for the ratio (207)Pb/(204)Pb to 0.2%. The comparison of the data to cis-alpine (Italian) sample pigments from paintings from the same time period reveals a clear distinction between the two fields. With respect to the lead isotope data originating from the ores it is assumed that the pigment isotope ratio distribution can be explained by very distinct origin of raw materials. Presumably, no mixing of different lead ores from Europe took place. The comparison of the measured white lead isotope ratio values (Flemish paintings) and the data from ore samples led to the unexpected conclusion that local ores were not

  11. Harvard Humanities Students Discover the 17th Century Online

    ERIC Educational Resources Information Center

    Howard, Jennifer

    2007-01-01

    This article profiles Harvard professor Stephen Greenblatt's new course, "Travel and Transformation in the Early 17th Century." The product of an intense, months-long collaboration between computing specialists, graduate students, librarians, and scholars, the course makes innovative use of all the tools and technical know-how a major university…

  12. The concept of pain in the 17th century.

    PubMed

    Procacci, P; Maresca, M

    1992-01-01

    The 17th century is very important in the history of sensation and pain. Philosophers, as Descartes, Hobbes, Spinoza, defined a new philosophy of science. Physicians of the iatro-chemical school introduced the first principles of biochemistry, tied to the sensations. Physicians of the iatro-mechanical school postulated a really modern concept: the importance of nerve juices in sensibility and pain.

  13. Anatomy and anatomists in Tuscany in the 17th century.

    PubMed

    Orlandini, Giovanni E; Paternostro, Ferdinando

    2010-01-01

    The 17th century was characterized by a real revolution in the field of scientific research due to the introduction of the experimental method, promoted by Galileo Galilei who was the most representative scientist of this period. Therefore, medical disciplines, particularly Anatomy, underwent innovative and deep changes shattering traditional culture and representing the background for the modern science. In this fermenting period, Tuscany played a significant role since numerous distinguished scientists were gathered by Medici Grand Dukes (especially Ferdinando the 2nd and Cosimo the 3rd) at Pisa University and at their court in Florence. Among them, it must be mentioned Giovanni Alfonso Borelli, creator of iathromechanics, Marcello Malpighi, founder of microscopic Anatomy, Francesco Redi, who denied the insect spontaneous generation, Nils Steensen who continued in Florence his anatomical studies on lymph nodes and salivary glands while setting also the bases of modern geology. Moreover, at the end of the 17th century, the anatomical wax modelling techniques arose and developed in Florence thanks to the work of Gaetano Zumbo (or Zummo), capable of creating some real masterpieces, still very well preserved and collected in the Museum of Natural Sciences "La Specola". PMID:21287970

  14. Anatomy and anatomists in Tuscany in the 17th century.

    PubMed

    Orlandini, Giovanni E; Paternostro, Ferdinando

    2010-01-01

    The 17th century was characterized by a real revolution in the field of scientific research due to the introduction of the experimental method, promoted by Galileo Galilei who was the most representative scientist of this period. Therefore, medical disciplines, particularly Anatomy, underwent innovative and deep changes shattering traditional culture and representing the background for the modern science. In this fermenting period, Tuscany played a significant role since numerous distinguished scientists were gathered by Medici Grand Dukes (especially Ferdinando the 2nd and Cosimo the 3rd) at Pisa University and at their court in Florence. Among them, it must be mentioned Giovanni Alfonso Borelli, creator of iathromechanics, Marcello Malpighi, founder of microscopic Anatomy, Francesco Redi, who denied the insect spontaneous generation, Nils Steensen who continued in Florence his anatomical studies on lymph nodes and salivary glands while setting also the bases of modern geology. Moreover, at the end of the 17th century, the anatomical wax modelling techniques arose and developed in Florence thanks to the work of Gaetano Zumbo (or Zummo), capable of creating some real masterpieces, still very well preserved and collected in the Museum of Natural Sciences "La Specola".

  15. The low countries - 16th/17th century.

    PubMed

    De Broe, M E; De Weerdt, D L; Ysebaert, D K; Vercauteren, S R; De Greef, K E; De Broe, L C

    1999-01-01

    Andreas Vesalius and Jan Baptist Van Helmont are the two major personalities who contributed substantially and in a different way to the early development of renal anatomy/physiology of the 16th/17th century in the Southern Low Countries. The importance of A. Vesalius' publication 'de humani corporis fabrica libri septem' cannot be overestimated. The kidney was an intriguing organ to Vesalius, the function of which he could not fully grasp. J.B. Van Helmont was the first to demonstrate the importance of the measurement of the specific gravity of the urine and relating it to physiological and pathophysiological conditions. He made accurate clinical observations supported by autopsy examinations concerning the role of the kidney in the generation of dropsy. PMID:10213829

  16. Application of matrix-assisted laser desorption and ionization time of flight mass spectrometry to the study of the proteinaceous binders in paint: blue paint composition in the series "The Life of Virgin" by Alonso Cano (17th century) as a case study.

    PubMed

    Romero-Pastor, Julia; Natalia Navas, Natalia Navas; Rodríguez-Simón, Luís; Lario-Simón, Antonio; Kuckova, Stepanka; Manzano, Eloísa

    2015-01-01

    The identification of proteinaceous materials in paint constituents provides very valuable information regarding the techniques used by the painter and the most suitable procedures for conserving and restoring their works. Although the analysis of proteinaceous materials is nowadays a common task when dealing with works of art, the reliable detection and identification of protein traces is still complicated, particularly when very small samples can be taken that may contain a mixture of different organic materials (oils, waxes, resins, gums etc.). We therefore proposed a proteomic approach to investigate protein materials in paintings at trace levels in order to obtain a better understanding of the painter's technique. After trypsin digestion of the paint samples, mass spectra were obtained by matrix-assisted laser desorption and ionization time of flight mass spectrometry (MALDI-TOF-MS) and they were compared with the Mascot database and with theoretical digested proteins. This study contributes to the knowledge about the technique used by Alonso Cano (Granada, Spain, 1601-1667), one of the most original and brilliant artists from the Spanish Golden Age (17th century), in the series called the Life of the Virgin (six paintings), part of the iconographic program about the life of the Virgin Mary, nowadays seen in the main chapel of Granada Cathedral. The objective of the present study was to test the use of proteinaceous material, mainly egg yolk, in the paint used by Cano, as suggested in previous research, although this would have been unusual at that time when most artists used oil paints. Based on the results of the analysis here presented, the use of protein in the binding media can most likely be excluded.

  17. Nostalgia in the Army (17th-19th Centuries).

    PubMed

    Battesti, Michèle

    2016-01-01

    People died from nostalgia in the army in the 17th-19th centuries. The term 'nostalgia', created by the doctor Johannes Hofer (1669-1752), from Mulhouse, came from the Germanic Heimweh, or 'homesickness'. It affected the young people enrolled in the army, such as Swiss mercenaries. Longing for their native land, they were consumed by an ongoing desire to return home. If it was impossible to do so, they sank into 'a sadness accompanied with insomnia, anorexia and other unpleasant symptoms' that could lead to death. Nostalgia became classified as a disease during the last quarter of the 18th century and ravaged the French army during the Revolution and the Napoleonic wars. However, as soon as the wars ended, it ceased to exist in the army (except the colonial army). It was removed from the nosology in the first half of the 19th century. Rapidly explained as an example of a misdiagnosis or a confusion between 'connection and cause', nostalgia needs to be assessed in regard to the medical debate between 'alienists' and 'organicists'. Creating much concern, nostalgia needs to be considered in the historical context of a society destabilized by modernity, with some individuals uprooted by the sudden transition from civil society to military life. It raises questions about the role that the army played in the creation of the French national union. Nostalgia may have also covered psychic traumatisms later designated as combat fatigue, war neurosis, or post-traumatic stress disorder.

  18. Nostalgia in the Army (17th-19th Centuries).

    PubMed

    Battesti, Michèle

    2016-01-01

    People died from nostalgia in the army in the 17th-19th centuries. The term 'nostalgia', created by the doctor Johannes Hofer (1669-1752), from Mulhouse, came from the Germanic Heimweh, or 'homesickness'. It affected the young people enrolled in the army, such as Swiss mercenaries. Longing for their native land, they were consumed by an ongoing desire to return home. If it was impossible to do so, they sank into 'a sadness accompanied with insomnia, anorexia and other unpleasant symptoms' that could lead to death. Nostalgia became classified as a disease during the last quarter of the 18th century and ravaged the French army during the Revolution and the Napoleonic wars. However, as soon as the wars ended, it ceased to exist in the army (except the colonial army). It was removed from the nosology in the first half of the 19th century. Rapidly explained as an example of a misdiagnosis or a confusion between 'connection and cause', nostalgia needs to be assessed in regard to the medical debate between 'alienists' and 'organicists'. Creating much concern, nostalgia needs to be considered in the historical context of a society destabilized by modernity, with some individuals uprooted by the sudden transition from civil society to military life. It raises questions about the role that the army played in the creation of the French national union. Nostalgia may have also covered psychic traumatisms later designated as combat fatigue, war neurosis, or post-traumatic stress disorder. PMID:27035922

  19. A combined Raman microscopy, XRF and SEM-EDX study of three valuable objects - A large painted leather screen and two illuminated title pages in 17th century books of ordinances of the Worshipful Company of Barbers, London

    NASA Astrophysics Data System (ADS)

    Chaplin, Tracey D.; Clark, Robin J. H.; Martinón-Torres, Marcos

    2010-07-01

    Raman microscopy has been used to identify the pigments decorating three valuable items owned by the Worshipful Company of Barbers (established in 1308 in London), one being a large leather screen dating to before 1712, the other two being illuminated title pages of books of ordinances of the Company dating to 1605 and 1658. Pigments which could not be fully characterised by this technique (particularly the green paints) have also been subject to XRF or SEM-EDX analysis. The combined analytical approach has shown that the pigments identified on all three items are typical of those in use as artists' pigments in the 17th C and include azurite, indigo, vermilion, red lead, pink and yellow lakes, verdigris, lead white, calcite (and chalk), gypsum, carbon-based black, and gold and silver leaf. However in the case of the screen alone, restoration in the 1980s has been carried out with different pigments - haematite, phthalocyanine green, rutile, and a mixture of azurite, malachite and barium sulfate. This work constitutes the first in-depth study of painted leatherwork and demonstrates that the palette used for this purpose is similar to that used on other works of art of the same date. It has also allowed the original colour schemes of the decorations to be determined where pigment degradation has occurred. The combined analysis has also provided a more complete understanding of the materials used for, or on, objects to which access is limited.

  20. Aspects of negative numbers in the early 17th century

    NASA Astrophysics Data System (ADS)

    Thomaidis, Yannis

    1993-03-01

    This paper argues that the questions, posed by researchers in the field of didactics of mathematics, require new historical research which mainly concerns the problems related to the emergence and evolution of concepts. Motivated by recent historico-didactical studies on negative numbers, the author explores two different types of problems through which these numbers started being used systematically in mathematics. The first problem deals with the correspondence between the terms of an arithmetical and a geometrical progression, which constitutes the theoretical basis of logarithms; the second deals with the application of algebraic syntactical ruies in the theory of equations. In the specific context of these problems, concepts, such as ‘negative logarithm’ or ‘negative root’, were established in the early 17th century, long before the appearance of a general concept of ‘negative quantity’ in mathematical textbooks. The analysis of these problems reveals the conventional character of negative numbers and poses certain questions about the meaning of the various concrete models, traditionally employed in their teaching (via temperature, debits and credits, etc.). Recent, large-scale empirical research has shown a major percentage of failure in understanding negative numbers and their operations; this fact is related to the meanings attributed to negative numbers during their introduction at school. The matter of revising traditional teaching models is considered in connection with a constructive learning hypothesis; there is a need for new problem-situations, which entirely justify the meaning of the concept that must be used and constructed by the pupil and allow a fruitful interaction with it. The case of negative numbers provides an illuminating example of the role historical problems can play in the creation of situations like these.

  1. Portuguese tin-glazed earthenware from the 17th century. Part 1: Pigments and glazes characterization

    NASA Astrophysics Data System (ADS)

    Vieira Ferreira, L. F.; Casimiro, T. M.; Colomban, Ph.

    2013-03-01

    Two sherds representative of the Portuguese faience production of the first and second halves of the 17th century were studied carefully with the use of non-invasive spectroscopies, namely: Ground State Diffuse Reflectance Absorption (GSDR), micro-Raman, Fourier-Transform Infrared (FT-IR), Laser Induced Luminescence (LIL) and Proton Induced X-ray (PIXE). These results were compared with the ones obtained for a Chinese Ming porcelain, Wanli period (16th/beginning of the 17th centuries), which served as an influence for the initial Lisbon's faience production. By combining information of the different non-destructive spectroscopic techniques used in this work, it was possible to conclude that: Co3O4 (Co II and Co III) can be found in the silicate matrix and is the blue pigment in the "Especieiro" sample (1st half of the 17th C.). Cobalt olivine silicate (Co2SiO4, Co II only) was clearly identified as the blue pigment in "Aranhões" sample (2nd half of the17th C.) - 824 cm-1 band in the micro-Raman-spectrum. Cobalt aluminate (CoAl2O4, Co II only) is the blue pigment in the Wanli plate - 203 and 512 cm-1 bands in the micro-Raman spectrum. The blue pigment in the 1st half 17th century of Lisbon's production was obtained by addition of a cobalt ore in low concentrations, which gives no specific Raman signature, because of complete dissolution in the glass. However, in most cases of the 2nd half 17th century, the Raman signature was quite evident, from a cobalt silicate. These findings point to the use of higher temperature kilns in the second case.

  2. My Experience with Alcohol, a 17th-Century Mathematician, and a Personal Decision

    ERIC Educational Resources Information Center

    Eaton, Dennis R.; Rector, Sheila M.

    2009-01-01

    This writing shares the first author's personal experience with alcohol, the negative consequences of his choices, and the ultimate answering of the question, "Am I an alcoholic and should I drink again?" The decision-making process and the eventual answer come from Blaise Pascal, a 17th-century mathematician. This process is explained and…

  3. Native American Games & European Religious Attitudes in the 16th & 17th Centuries.

    ERIC Educational Resources Information Center

    Eisen, George

    Some aspects of the white-Indian relationship are reflected in the writings of 16th and 17th century observers of Indian pastimes. The Noble Savage image was apparently accepted by French colonists as a consequence of an intellectual disappointment in the contemporary societies. In an age of absolutism and religious intolerance, the picture of the…

  4. Concurrent phenomena of science and history in the 17th century and their essential interdependence.

    PubMed Central

    Bloch, H.

    1992-01-01

    The explanation for the explosion of science in the 17th century lies in history and medical historiography. Without this approach, it becomes fantasy, accidents, or success stories. Sigerist grasped the essential interdependence of science and history, and had no need for devised reasons or speculation. He realized that once the dark night of the Middle Ages was over, the sciences arose with undreamt of force and accelerated development. The advances in astronomy, mathematics, mechanics, and experimental science benefitted a society developing in seafaring, manufacture, and trade in the 17th century. Sigerist's views make the scientific explosion understandable in human and social terms. He did not overlook the capabilities of some extraordinary individuals, such as Paracelsus (1493-1541), to shape the course of medicine, nor the importance of the mechanistic philosophy in the 17th century. Man makes history and science; hence, we find concurrent phenomena of history and science essentially interdependent. The spirit of experimental science of 17th century England was inspired by the new needs of commercial enterprise for more means of transportation and communication. Likewise, the interest in the mechanics of the pump for waterworks and for the drainage of swamps led Harvey to think of the heart as a pump, and to explain the circulation of the blood in terms of its functioning. PMID:1608066

  5. Construction of a 17th Century Telescope: An Experiment in the History of Astronomy.

    ERIC Educational Resources Information Center

    Gainer, Michael K.

    1981-01-01

    Describes the construction of a 17th-century telescope using old lenses and compares observations using this instrument with Galileo's observations. Describes experiments with modern eyepieces, the educational value of the activity, and given recommendations for construction of similar telescopes. (JN)

  6. Nonmilitary applications of the rocket between the 17th and 20th centuries

    NASA Technical Reports Server (NTRS)

    Sharpe, M. R.

    1977-01-01

    Nonmilitary uses of the rocket through history were investigated. It was found that through the 17th century rockets were used in whaling as harpoon drives. In later years, rockets were used in lifesaving and in commercial signalling at sea. Rocket utilization was traced up to the present application of sending the first men to the moon.

  7. Solutions To the Problem of Impact in the 17th and 18th Centuries and Teaching Newton's Third Law Today.

    ERIC Educational Resources Information Center

    Gauld, Colin

    1998-01-01

    Compares the ideas of young people about Newton's third law, focusing on youth of today and youth of the 17th and 18th centuries. Examines the use of Newton's third law in understanding impact phenomena in the 17th and 18th centuries. Contains 46 references. (DDR)

  8. John Hall and his epileptic patients--epilepsy management in early 17th century England.

    PubMed

    Betts, T; Betts, H

    1998-10-01

    John Hall, a physician, practised in Stratford in the early 17th century and was the son-in-law of William Shakespeare. During his career he kept records of his patients (in Latin) which he may have been preparing for publication when he died. Despite his instruction for them to be destroyed some were later translated into English and published by another physician. The case records were popular and have recently been reprinted with a commentaryl. We have searched the case records for descriptions of epilepsy and examined the treatments offered (and the attitudes to) this condition in early 17th century England. Treatment consisted of standard remedies ('fumes' of hartshorn and extracts of peony) related to the Galenic system of medicine, plus individual remedies. Interestingly, there is no evidence that the condition was stigmatized. PMID:9808119

  9. Tropical mathematics and the financial catastrophe of the 17th century. Thermoeconomics of Russia in the early 20th century

    NASA Astrophysics Data System (ADS)

    Maslov, V. P.

    2010-03-01

    In the paper, an example is presented concerning relationships (which cannot be neglected) between mathematics and other sciences. In particular, the relationship between the tropical mathematics and the humanitarian-economic catastrophe of 17th century (related to slavery of Africans) is considered. The notion of critical state of economy of the 19th century is introduced by using the refined Fisher equation. A correspondence principle for thermodynamics of fluids and economics of the 19th century is presented.

  10. Visualizing the 17th century underpainting in Portrait of an Old Man by Rembrandt van Rijn using synchrotron-based scanning macro-XRF

    NASA Astrophysics Data System (ADS)

    Alfeld, Matthias; Siddons, D. Peter; Janssens, Koen; Dik, Joris; Woll, Arthur; Kirkham, Robin; van de Wetering, Ernst

    2013-04-01

    In 17th century Old Master Paintings, the underpainting generally refers to the first sketch of a composition. The underpainting is applied to a prepared ground using a monochrome, brown oil paint to roughly indicate light, shade and contours. So far, methods to visualize the underpainting—other than in localized cross-sections—have been very limited. Neither infrared reflectography nor neutron induced autoradiography have proven to be practical, adequate visualization tools. Thus, although of fundamental interest in the understanding of a painting's genesis, the underpainting has virtually escaped all imaging efforts. In this contribution we will show that 17th century underpainting may consist of a highly heterogeneous mixture of pigments, including copper pigments. We suggest that this brown pigment mixture is actually the recycled left-over of a palette scraping. With copper as the heaviest exclusive elemental component, we will hence show in a case study on a Portrait of an Old Man attributed to Rembrandt van Rijn how scanning macro-XRF can be used to efficiently visualize the underpainting below the surface painting and how this information can contribute to the discussion of the painting's authenticity.

  11. Transient uplift after a 17th-century earthquake along the kuril subduction zone

    USGS Publications Warehouse

    Sawai, Y.; Satake, K.; Kamataki, T.; Nasu, H.; Shishikura, M.; Atwater, B.F.; Horton, B.P.; Kelsey, H.M.; Nagumo, T.; Yamaguchi, M.

    2004-01-01

    In eastern Hokkaido, 60 to 80 kilometers above a subducting oceanic plate, tidal mudflats changed into freshwater forests during the first decades after a 17th-century tsunami. The mudflats gradually rose by a meter, as judged from fossil diatom assemblages. Both the tsunami and the ensuing uplift exceeded any in the region's 200 years of written history, and both resulted from a shallow plate-boundary earthquake of unusually large size along the Kuril subduction zone. This earthquake probably induced more creep farther down the plate boundary than did any of the region's historical events.

  12. The place of the 17th century in Jung's encounter with China.

    PubMed

    Cambray, Joe

    2005-04-01

    After recounting several dreams and related alchemical interests of Jung's tied to the 17(th) century, a contextualizing look at select scientific and philosophical developments of that century is presented. Several precursors of the contemporary debates on the mind/body relation are noted, with special reference to the work of Antonio Damasio. This in turn leads to a reconsideration of the work of the 17(th) century polymath Gottfried Wilhelm Leibniz, which Jung read as a major precursor to his formulation of synchronicity (via Leibniz's concept of 'pre-established harmony'). Leibniz was the first philosopher to articulate the mind/body relationship in terms of supervenience, sharing an accord with those contemporary philosophers and scientists who see the mind as being an emergent property of the body-brain. Similarly, these ideas are also consistent with a reformulation of synchronicity in terms of emergence. Tracing Leibniz's interest in China reveals another set of links to Jung and to emergentism. Jung's use of Taoist concepts in developing the synchronicity principle is well known. According to scholars, Leibniz was the first major Western intellect to study the I-Ching, through the assistance of a Jesuit missionary in Beijing, Fr. Joachim Bouvet. Some details of the Leibniz-Bouvet correspondence are discussed here. Despite Helmut Wilhelm's presenting aspects of this correspondence at an Eranos conference, Jung does not appear to have integrated it into his writing on synchronicity--a possible reason for this omission is suggested.

  13. Too Little too Soon: The Literature of Deaf Education in 17th-Century Britain (Part II).

    ERIC Educational Resources Information Center

    Hoolihan, Christopher

    1985-01-01

    The article describes the growth in literature on deaf education in 17th century Britain. Noted is the work of John Wallis, William Holder, George Dalgarno, Anton Deusing, and Johann Conrad Amman. (CL)

  14. Food flora in 17th century northeast region of Brazil in Historia Naturalis Brasiliae

    PubMed Central

    2014-01-01

    Background This article reports historical ethnobotany research conducted from a study of the work Historia Naturalis Brasiliae (Natural History of Brazil), authored by Piso and Marcgrave and published in 1648, with main focus on Caatinga of northeast region of Brazil. Methods Focusing the content analysis on the section dedicated to plant species with multiple uses, Marcgrave's contribution to the aforementioned work, this research had the following objectives: the retrieval of 17th century knowledge about the food uses of the flora in the northeast region of Brazil, including the taxonomic classifications; the identification of plant parts, their modes of consumption and the ethnic group of consumers; and the verification of the use of these species over time. Results The use of 80 food species at the time of the publication of the work is indicated, some of which are endemic to the Caatinga, such as “umbu” (Spondias tuberosa Arruda), “mandacaru” (Cereus jamacaru DC.) and “carnauba” (Copernicia cerifera Mart.). It is noticeable that among the species listed by Marcgrave, some species still lack current studies indicating their real nutritional value. The present study is an unprecedented work because it introduces, in a systematic way, the food plants described in a study of 17th century Brazil. Conclusions Finally, this study makes information about plants consumed in the past accessible, aiming to provide material for studies that could develop new food products today. PMID:24965737

  15. Chilean Analog for 17th-Century Uplift Along the Southern Kuril Trench

    NASA Astrophysics Data System (ADS)

    Atwater, B. F.; Ikeda, Y.; Satake, K.

    2002-12-01

    What caused a meter or so of widespread uplift in eastern Hokkaido in the last decades of the 17th century A.D.? Coasts along the Kamchatka, Kuril, and Japan Trenches lack documented modern analogs for uplift this large and geologically fast. But a meter of uplift, in 1960-1990, raised shorelines inland from the seismic rupture plane of the 1960 Chile earthquake. By this Chilean analogy, Hokkaido's 17th-century uplift may have occurred aseismically-during minutes of precursory slip and also during decades of postseismic creep, all downdip from the seismic rupture surface. Hokkaido's area of 17th-century uplift extends at least 50 km along the southern Kuril Trench. It includes the estuaries Akkeshi-ko and Hichirippu, on the Pacific coast, and Furen-ko and Onneto, on the Okhotsk Sea. At each estuary, intertidal and subtidal flats rose with respect to tide level; wetland plants colonized the emerging land; and peaty wetland deposits thereby covered mud and sand of the former flats. Such evidence for uplift was first reported by Sawai and coworkers, who identified at least three uplift events from the past 2500 years at Akkeshi-ko [Quat. Res. 56, 231-241, 2001]. The youngest of the uplift events probably began in the 1660s or 1670s, as dated by tephra layers. The uplift probably exceeded 1/2 m (inferred from paleoecology) without far exceeding 1 m (estimated by comparing early descriptions of Akkeshi-ko). Though this evidence permits the Hokkaido uplift to have been coseismic or aseismic or both, depths to the subducting Pacific plate probably preclude seismic rupture of the plate boundary directly beneath the uplifted area. These depths exceed 50 km and also exceed depths of seismic coupling inferred from continuous GPS [Mazzotti et al., JGR 105, 13159-13177, 2000; Ito et al., EPSL 176, 117-130, 2000]. When Hokkaido's plate boundary ruptured in earthquakes of Mw 8.1 (in 1952) and 7.8 (1973), the ruptures occurred offshore at depths less than 50 km, and the adjoining

  16. [Vitalism and mechanism: their meanings in the milieu of the 17th and 18th centuries].

    PubMed

    Hwang, S I

    1993-01-01

    The views on the life in the early modern period (the 17th and 18th centuries) with their socio-cultural backgrounds and their meanings at that time were discussed in this paper. Those views discussed here were the dualistic, mechanistic one of Rene Descartes (1596-1650), the animistic, vitalistic one of Georg Ernst Stahl (1660-1734), and the monistic, mechanistic one of Julien Offray de la Mettrie (1709-1751). Author stressed that the processes of their view formation were influenced by the wide range of the various political and religious factors as well as the scientific, medical facts and opinions at that time, and that not only the contents of the views but also their historical contexts should be pursued in the study on the medical thoughts.

  17. In the sign of Galileo: pictorial representation in the 17th-century Copernican debate.

    PubMed

    Remmert, Volker R

    2003-03-01

    After Galileo had discovered the four moons of Jupiter in 1609 he became increasingly convinced that the Copernican, heliocentric system of the world was correct. However, this ran against the opinions of the Church and a large number of contemporary astronomers and natural philosophers. The ensuing development culminated in the condemnation of the Copernican system by the Church in 1616 and of Galileo himself, who had propagated the Copernican system in his Dialogue Concerning the Two Chief World Systems (1632), in 1633. Nevertheless, there was a constant debate about the right world system during the whole 17th century. Pictorial representation played an important role in it and the illustrations used as book frontispieces were a significant medium for the dispute.

  18. [Chemistry of life: ferments and fermentation in 17th-century iatrochemistry].

    PubMed

    Clericuzio, Antonio

    2003-01-01

    The concepts of ferment and fermentation played an important, though heretofore neglected, role in 17th-century physiology. Though these notions can be found in ancient philosophy and medicine, as well as in medieval medicine, they became integral part of the chemical medicine that was advocated by Paracelsus and his school. Paracelsians made fermentation a central concept in their successful effort to give chemical foundation to medicine. Jean Baptiste van Helmont and Sylvius used the concepts of ferment and fermentation to explain a variety of physiological processes in human body. Corpuscular philosophers like Robert Boyle and Thomas Willis reinterpreted these notions in corpuscular terms and separated the concept of ferment from that of fermentation. In the second half of the seventeenth century, physiologist tried to explain fermentation by means of chemical reactions, as for instance acid -alkali, and ruled out the notion of ferment as superfluous to their investigations. At the end of hte seventeenth century fermentation attracted the interest of physicists like Johannes Bernoulli and Isaac Newton, who tried to explain fermentative processes in terms of matter and motion (Bernoulli) and short-range forces (Newton). George Ernst Stahl devoted a work to fermentation: the Zymotechnia. He explained fermentation as the outcome of the reactions of molecules formed of saline, oily and earthy corpuscles with particles of water. He saw fermentation as a mechanical process, i.e. as collision of different kinds of corpuscles.

  19. [Chemistry of life: ferments and fermentation in 17th-century iatrochemistry].

    PubMed

    Clericuzio, Antonio

    2003-01-01

    The concepts of ferment and fermentation played an important, though heretofore neglected, role in 17th-century physiology. Though these notions can be found in ancient philosophy and medicine, as well as in medieval medicine, they became integral part of the chemical medicine that was advocated by Paracelsus and his school. Paracelsians made fermentation a central concept in their successful effort to give chemical foundation to medicine. Jean Baptiste van Helmont and Sylvius used the concepts of ferment and fermentation to explain a variety of physiological processes in human body. Corpuscular philosophers like Robert Boyle and Thomas Willis reinterpreted these notions in corpuscular terms and separated the concept of ferment from that of fermentation. In the second half of the seventeenth century, physiologist tried to explain fermentation by means of chemical reactions, as for instance acid -alkali, and ruled out the notion of ferment as superfluous to their investigations. At the end of hte seventeenth century fermentation attracted the interest of physicists like Johannes Bernoulli and Isaac Newton, who tried to explain fermentative processes in terms of matter and motion (Bernoulli) and short-range forces (Newton). George Ernst Stahl devoted a work to fermentation: the Zymotechnia. He explained fermentation as the outcome of the reactions of molecules formed of saline, oily and earthy corpuscles with particles of water. He saw fermentation as a mechanical process, i.e. as collision of different kinds of corpuscles. PMID:15311436

  20. Radiological Diagnosis of Congenital Diaphragmatic Hernia in 17th Century Korean Mummy

    PubMed Central

    Kim, Yi-Suk; Lee, In Sun; Jung, Go-Un; Kim, Myeung Ju; Oh, Chang Seok; Yoo, Dong Su; Lee, Won-Joon; Lee, Eunju; Cha, Soon Chul; Shin, Dong Hoon

    2014-01-01

    Congenital diaphragmatic hernia (CDH) is a birth defect of the diaphragm resulting in pulmonary sequelae that threaten the lives of infants. In computed tomography (CT) images of a 17th century middle-aged male mummy (the Andong mummy), we observed that the abdominal contents had protruded into the right thoracic cavity through the diaphragmatic defect, accompanied by a mediastinal shift to the left. On autopsy, the defect in the right posterolateral aspect of the diaphragm was reconfirmed, as was the herniation of the abdominal organs. The herniated contents included the right lobe of the liver, the pyloric part of the stomach, a part of the greater omentum, and the right colic flexure connecting the superior part of the ascending colon and the right part of the transverse colon. Taking our CT and autopsy results together, this case was diagnosed as the Bochdalek-type CDH. Herein we make the first ever report of a CT-assisted diagnosis of a pre-modern historical case of CDH. Our results show the promising utility of this modality in investigations of mummified human remains archaeologically obtained. PMID:24988465

  1. A possible case of cherubism in a 17th-century Korean mummy.

    PubMed

    Hershkovitz, Israel; Spigelman, Mark; Sarig, Rachel; Lim, Do-Sun; Lee, In Sun; Oh, Chang Seok; May, Hila; Boaretto, Elisabetta; Kim, Yi-Suk; Lee, Soong Deok; Peled, Nathan; Kim, Myeung Ju; Toledano, Talya; Bar-Gal, Gila Kahila; Shin, Dong Hoon

    2014-01-01

    Cherubism is a benign fibro-osseous disease of childhood limited specifically to the maxilla and mandible. The progressive replacement of the jaw bones with expansile multilocular cystic lesions causes eventual prominence of the lower face, and hence the classic "cherubic" phenotype reflecting variable extents of jaw hypertrophy. Histologically, this condition has been characterized as replacement of the normal bone matrix with multicystic pockets of fibrous stroma and osteoclastic giant cells. Because of radiographic features common to both, primarily the presence of multiloculated lucencies with heterogeneous "ground-glass" sclerosis on CT imaging, cherubism was long mistaken for a craniofacial subtype of fibrous dysplasia. In 1999, however, the distinct genetic basis for cherubism was mapped to chromosome 4p16.3 and the SH-3 binding protein SH3BP2. But while there are already three suspected cases of fibrous dysplasia amongst archaeological populations, no definitive cases of cherubism have yet been reported in historical populations. In the current study we describe micro- and macro-structural changes in the face of a 17th century Joseon Dynasty Korean mummy which may coincide with the clinic-pathologic and radiologic features of cherubism.

  2. A Possible Case of Cherubism in a 17th-Century Korean Mummy

    PubMed Central

    Spigelman, Mark; Sarig, Rachel; Lim, Do-Sun; Lee, In Sun; Oh, Chang Seok; May, Hila; Boaretto, Elisabetta; Kim, Yi-Suk; Lee, Soong Deok; Peled, Nathan; Kim, Myeung Ju; Toledano, Talya; Bar-Gal, Gila Kahila

    2014-01-01

    Cherubism is a benign fibro-osseous disease of childhood limited specifically to the maxilla and mandible. The progressive replacement of the jaw bones with expansile multilocular cystic lesions causes eventual prominence of the lower face, and hence the classic “cherubic” phenotype reflecting variable extents of jaw hypertrophy. Histologically, this condition has been characterized as replacement of the normal bone matrix with multicystic pockets of fibrous stroma and osteoclastic giant cells. Because of radiographic features common to both, primarily the presence of multiloculated lucencies with heterogeneous “ground-glass” sclerosis on CT imaging, cherubism was long mistaken for a craniofacial subtype of fibrous dysplasia. In 1999, however, the distinct genetic basis for cherubism was mapped to chromosome 4p16.3 and the SH-3 binding protein SH3BP2. But while there are already three suspected cases of fibrous dysplasia amongst archaeological populations, no definitive cases of cherubism have yet been reported in historical populations. In the current study we describe micro- and macro-structural changes in the face of a 17th century Joseon Dynasty Korean mummy which may coincide with the clinic-pathologic and radiologic features of cherubism. PMID:25093864

  3. The "System of Chymists" and the "Newtonian Dream" in Greek-Speaking Communities in the 17th-18th Centuries

    ERIC Educational Resources Information Center

    Bokaris, Efthymios P.; Koutalis, Vangelis

    2008-01-01

    The acceptance of new chemical ideas, before the Chemical Revolution of Lavoisier, in Greek-speaking communities in the 17th and 18th centuries did not create a discourse of chemical philosophy, as it did in Europe, but rather a "philosophy" of chemistry as it was formed through the evolution of didactic traditions of Chemistry. This…

  4. Re-estimated fault model of the 17th century great earthquake off Hokkaido using tsunami deposit data

    NASA Astrophysics Data System (ADS)

    Ioki, Kei; Tanioka, Yuichiro

    2016-01-01

    Paleotsunami researches revealed that a great earthquake occurred off eastern Hokkaido, Japan and generated a large tsunami in the 17th century. Tsunami deposits from this event have been found at far inland from the Pacific coast in eastern Hokkaido. Previous study estimated the fault model of the 17th century great earthquake by comparing locations of lowland tsunami deposits and computed tsunami inundation areas. Tsunami deposits were also traced at high cliff near the coast as high as 18 m above the sea level. Recent paleotsunami study also traced tsunami deposits at other high cliffs along the Pacific coast. The fault model estimated from previous study cannot explain the tsunami deposit data at high cliffs near the coast. In this study, we estimated the fault model of the 17th century great earthquake to explain both lowland widespread tsunami deposit areas and tsunami deposit data at high cliffs near the coast. We found that distributions of lowland tsunami deposits were mainly explained by wide rupture area at the plate interface in Tokachi-Oki segment and Nemuro-Oki segment. Tsunami deposits at high cliff near the coast were mainly explained by very large slip of 25 m at the shallow part of the plate interface near the trench in those segments. The total seismic moment of the 17th century great earthquake was calculated to be 1.7 ×1022 Nm (Mw 8.8). The 2011 great Tohoku earthquake ruptured large area off Tohoku and very large slip amount was found at the shallow part of the plate interface near the trench. The 17th century great earthquake had the same characteristics as the 2011 great Tohoku earthquake.

  5. Plastic surgery in 17th century Europe. case study: Nicolae Milescu, the snub-nosed.

    PubMed

    Dumbravă, Daniela; Luchian, Stefan

    2013-01-01

    The rising and the existence of plastic and aesthetic surgery in early modern Europe did not have a specific pattern, but was completely different from one nation to another. Colleges of Physicians could only be found in some places in Europe; different Parliaments of Europe's nations did not always elevate being a surgeon to the dignity of a profession, and being a surgeon did not always come with corporate and municipal privileges, or with attractive stipends. Conversely, corporal punishments for treacherous surgeons were ubiquitous. Rhinoplasty falls into the category of what Ambroise Paré named "facial plastic surgery". The technique is a medical source from which many histories derive, one more fascinating than the other: the history of those whose nose was cut off (because of state betrayal, adultery, abjuration, or duelling with swords), the history of those who invented the surgery of nose reconstruction (e.g. SuSruta-samhita or Tagliacozzi?), the history of surgeries kept secret in early modern Europe (e.g. Tropea, Calabria, Leiden, Padua, Paris, Berlin), and so on. Where does the history of Nicolae Milescu the Snub-nosed fall in all of this? How much of this history do the Moldavian Chronicles record? Is there any "scholarly gossip" in the aristocratic and diplomatic environments at Constantinople? What exactly do the British ambassadors learn concerning Rhinoplasty when they meet Milescu? How do we "walk" within these histories, and why should we be interested at all? What is their stike for modernity? Such are the interrogations that this article seeks to provoke; its purpose is to question (and eventually, synchronise) histories, and not exclusively history, both in academic terms but also by reassessing the practical knowledge of the 17th century. PMID:24502038

  6. Identification of resinous materials on 16th and 17th century reverse-glass objects by gas chromatography/mass spectrometry

    NASA Astrophysics Data System (ADS)

    Baumer, Ursula; Dietemann, Patrick; Koller, Johann

    2009-07-01

    Objects of hinterglasmalerei, reverse-glass paintings, are painted on the back side of glass panels. Obviously, the paint layers are applied in reverse order, starting with the uppermost layer. The finished hinterglas painting is viewed through the glass, thus revealing an impressive gloss and depth of colour. The binding media of two precious objects of hinterglasmalerei from the 16th and 17th century have been identified as almost exclusively resinous. Identification was performed by a special optimised analysis procedure, which is discussed in this paper: solvent extracts are analysed by gas chromatography/mass spectrometry, both with and without derivatisation or hydrolysis. In an additional step, oxalic acid is added to the methanol extracts prior to injection. This attenuates the peaks of the non-acidic compounds, whereas the acids elute with good resolution. The non-acidic compounds are emphasised after injection of the underivatised extracts. This approach minimises compositional changes caused by the sample preparation and derivatisation steps. Chromatograms of aged samples with a very complex composition are simplified, which allows a more reliable and straightforward identification of significant markers for various materials. The binding media of the hinterglas objects were thus shown to consist of mixtures of different natural resins, larch turpentine, heat-treated Pinaceae resin or mastic. Typical compounds of dragon's blood, a natural red resin, were also detectable in red glazes by the applied analysis routine. Identification of the binding media provides valuable information that can be used in the development of an adequate conservation treatment.

  7. [The apothecaries of the quartier de la Harpe in Paris in the 16th and 17th centuries].

    PubMed

    Warolin, Christian

    2015-09-01

    Large families of apothecaries, some of them very famous, lived in the Quartier de la Harpe in Paris, on the left bank of Seine, from the 16th to the 17th century. The study confirms a well-established fact that apothecaries practised endogamy, in others words marriage within the same social class. The biographical research includes ten apothecaries, most of whom lived in the rue Saint-André-des-Arts.

  8. Union catalogue of printed books of 15th, 16th and 17th centuries in European astronomical observatories.

    NASA Astrophysics Data System (ADS)

    Grassi, G.

    This catalogue deals with the scientific subjects of that historical period such as astronomy, astrology, chemistry, mathematics, physics, historia naturalis and so forth, and contains extremely rare volumes such as the first printed editions of the eminent Arab, Latin, Greek and Persian scientists Albumasar, Albohazen Aly, Aristoteles, Ptolemaeus, Pliny the Elder and Ulugh Beig. In addition the catalogue contains the first works of such great astronomers of the 16th and 17th centuries as Copernicus, Kepler, Clavius, Regiomontanus, Sacrobosco, Mercator, Newton, Gassendi, Galilei and Hevelius, just to quote the most representative ones. The catalogue is followed by a chronological index and an index of printers and publishers.

  9. Non Destructive Investigation on the 17th/18th Century Sicilian Jewellery Collection at the Messina Regional Museum Using Mobile Raman Equipment

    NASA Astrophysics Data System (ADS)

    Barone, G.; Bersani, D.; Jehlicka, J.; Lottici, P. P.; Mazzoleni, P.; Raneri, S.; Vandenabeele, P.; Di Giacomo, C.; Larinà, G.

    2014-06-01

    A handheld Raman spectrometer operating at 785 nm was used for the in situ analysis of the gems present in the 17th/18th century Sicilian jewelry collection preserved in the Messina Regional Museum (Italy).

  10. Acute traumatic death of a 17th century general based on examination of mummified remains found in Korea.

    PubMed

    Lee, In Sun; Lee, Eun-Joo; Park, Jun Bum; Baek, Seung Hee; Oh, Chang Seok; Lee, Soong Deok; Kim, Yi-Suk; Bok, Gi Dae; Hong, Jung Won; Lim, Do-Sun; Shin, Myung Ho; Seo, Min; Shin, Dong Hoon

    2009-06-01

    Recently, we examined one of the most perfectly preserved mummies of the Joseon Dynasty (1392-1910) ever found in Korea. The individual was an elderly man and a high-ranking general who had lived sometime during the 16th or 17th century in Korea. When computerized tomography (CT) radiographs were taken, a fracture line was observed on the left side of the mandible. A post-factum dissection also provided crucial clues to the cause of death. First of all, blood clots were still evident at the fracture site, indicating that the mandibular fracture had occurred just before death. Second, we also found feces exclusively in the sigmoid colon or rectum, but not in the stomach, small intestine or colon. This told us that our subject had not eaten anything during his final 2 days (even though there was no indication that he would have had any difficulty eating during that time). Therefore, we presume that this case might not be one of chronic or wasting disease, but rather a case of sudden death. By virtue of the varied specialties of the researchers involved in this study, we were able to piece together a partly very clear and partly very plausible story for our 17th century mummy subject. Considering the high level of preservation of remains and artifacts found in lime soil mixture barrier (LSMB) tombs, not to mention the rich supplementary information available from historical documents, similarly successful studies are promised in forthcoming days and years. PMID:19345566

  11. Flash flood occurrences since the 17th century in steep drainage basins in southern Italy.

    PubMed

    Petrucci, Olga; Pasqua, A Aurora; Polemio, Maurizio

    2012-11-01

    The historical floods that have occurred since the seventeenth century were collected for a study area in southern Italy. Damages caused by floods, rainfall and the main anthropogenic modifications are discussed all together. The aim was to assess whether the frequency of floods is changing and, if so, whether these changes can be attributed to either rainfall and/or anthropogenic modifications. In 4 % of cases, mainly occurred in past centuries, floods damaged people. Hydraulic works, roads and private buildings were the more frequently damaged elements (25, 18 and 14 % of the cases, respectively). The annual variability of rainfall was discussed using an annual index. Short duration-high intensity rainfalls were characterized considering time series of annual maxima of 1, 3, 6, 12, and 24 h and daily rainfall. The rainfall shows a decreasing trend, in terms of both the annual maximum of short duration and the annual amount. The population has been progressively increasing since the sixteenth century, except during the years following the catastrophic 1908 earthquake. The rate of population growth has been very high since the second half of the twentieth century; the urbanized areas greatly increased, especially following the second half of the twentieth century. At the same time, the trend of damaging floods has been increasing, especially since the seventies. The analysis indicates that, despite a rainfall trend favourable towards a reduction in flood occurrence, floods damage has not decreased. This seems to be mainly the effect of mismanagement of land use modifications.

  12. Modern Ratio: The Ultimate Arbiter in 17th Century Native Dreams.

    ERIC Educational Resources Information Center

    Pomedli, Michael

    Seventeenth century Jesuit analysis of Indian attitudes toward dreams was largely negative. While Indians looked on their dreams as ordinances and oracles, the Jesuits criticized reliance on such irrational messages. Jesuit critiques fell into three categories: the dream as a sign of diabolical possession, the dream as illusion purporting to be…

  13. Anatomical Confirmation of Computed Tomography-Based Diagnosis of the Atherosclerosis Discovered in 17th Century Korean Mummy

    PubMed Central

    Kim, Myeung Ju; Kim, Yi-Suk; Oh, Chang Seok; Go, Jai-Hyang; Lee, In Sun; Park, Won-Kyu; Cho, Seok-Min; Kim, Soon-Kwan; Shin, Dong Hoon

    2015-01-01

    In the present study on a newly discovered 17th century Korean mummy, computed tomography (CT) revealed multiple aortic calcifications within the aortic wall that were indicative of ancient atherosclerosis. The CT-based findings were confirmed by our subsequent post-factum dissection, which exhibited possible signs of the disease including ulcerated plaques, ruptured hemorrhages, and intimal thickening where the necrotic core was covered by the fibrous cap. These findings are strong indicators that the mummy suffered from aortic atherosclerosis during her lifetime. The present study is a good example of how CT images of vascular calcifications can be a useful diagnostic tool in forming at least preliminary diagnoses of ancient atherosclerosis. PMID:25816014

  14. Late Holocene history of Chaitén Volcano: new evidence for a 17th century eruption

    USGS Publications Warehouse

    Lara, Luis E.; Moreno, Rodrigo; Amigo, Álvaro; Hoblitt, Richard P.; Pierson, Thomas C.

    2013-01-01

    Prior to May 2008, it was thought that the last eruption of Chaitén Volcano occurred more than 5,000 years ago, a rather long quiescent period for a volcano in such an active arc segment. However, increasingly more Holocene eruptions are being identified. This article presents both geological and historical evidence for late Holocene eruptive activity in the 17th century (AD 1625-1658), which included an explosive rhyolitic eruption that produced pumice ash fallout east of the volcano and caused channel aggradation in the Chaitén River. The extents of tephra fall and channel aggradation were similar to those of May 2008. Fine ash, pumice and obsidian fragments in the pre-2008 deposits are unequivocally derived from Chaitén Volcano. This finding has important implications for hazards assessment in the area and suggests the eruptive frequency and magnitude should be more thoroughly studied.

  15. Finding ancient parasite larvae in a sample from a male living in late 17th century Korea.

    PubMed

    Shin, D H; Chai, J Y; Park, E A; Lee, W; Lee, H; Lee, J S; Choi, Y M; Koh, B J; Park, J B; Oh, C S; Bok, G D; Kim, W L; Lee, E; Lee, E J; Seo, M

    2009-06-01

    Parasitological examination of samples from tombs of the Korean Joseon Dynasty (1392-1910) could be helpful to researchers in understanding parasitic infection prevalence in pre-industrial Korean society. Whereas most of our previous parasitological studies revealed the presence of ancient parasite eggs in coprolites of Korean mummies, a sample from a man living in late 17th century Korea proved to be relatively unique in possessing what appeared to be several species of parasite larvae. The larvae identified included Strongyloides stercoralis and Trichostrongylus spp., along with eggs of Ascaris lumbricoides, Trichuris trichiura, and Paragonimus westermani. Since ancient parasite larvae retain enough morphology to make proper species identification possible, even after long burial times, the examination of parasite larvae within ancient samples will be conducted more carefully in our future work. PMID:19071966

  16. Venetian Rule and Control of Plague Epidemics on the Ionian Islands during 17th and 18th Centuries

    PubMed Central

    Konstantinidou, Katerina; Mantadakis, Elpis; Sardi, Thalia; Samonis, George

    2009-01-01

    During the 17th and 18th centuries, measures were taken by the Venetian administration to combat plague on the Ionian Islands. At that time, although the scientific basis of plague was unknown, the Venetians recognized its infectious nature and successfully decreased its spread by implementing an information network. Additionally, by activating a system of inspection that involved establishing garrisons along the coasts, the Venetians were able to control all local movements in plague-infested areas, which were immediately isolated. In contrast, the neighboring coast of mainland Greece, which was under Ottoman rule, was a plague-endemic area during the same period. We conclude that even in the absence of scientific knowledge, close observation and social and political measures can effectively restrain infectious outbreaks to the point of disappearance. PMID:19116047

  17. Defining "natural product" between public health and business, 17th to 21st centuries.

    PubMed

    Stanziani, Alessandro

    2008-07-01

    The historical definition of a natural product stands at the crossroads of business, health, and the symbolic order of things. Until the end of the 19th century, "natural product" was a synonym of perishable. The emergency of organic chemistry made perishability be replaced with "toxicity". Nowadays, genetics is provoking a radical change in the notion and practises of "natural product". However, these concerns are never entirely opposed to "naturality" as a synonym for sacred and symbolic order. Traceability is largely based upon kosher practices and the association between organic and good for health is hardly based upon sound scientific arguments.

  18. [The debate on the generation of imperfect plants in the 17th and 18th centuries].

    PubMed

    Ottaviani, Alessandro

    2003-01-01

    18th-century discussions on the generation of imperfect plants were often linked with the question of their position in the natural world, namely as whether they were part of the vegetable or mineral realm. As attested by the work of Joseph Gaertner, Johann Jakob Dillen, Pier Antonio Micheli and René-Antoine Ferchault de Réaumur, as well as of Antonio Vallisneri, and Lazzaro Spallanzani, the different images of nature - continuity and discontinuity - adopted by naturalists influenced their solution to this question.

  19. [Relations between equilibrium and dynamics at the turn of the 17th and 18th centuries].

    PubMed

    Schmit, Christophe

    2014-01-01

    This article investigates the reception of Galileo and Descartes' principles of statics in the works of some French scientists in the second half of seventeenth century, tracing their importance for the genesis of a concept of force. Through an examination of the link between statics and dynamics--especially concerning the phenomena of collision and the motion of falling bodies--it will be shown, first, that these principles of statics actually contributed to the genesis of dynamics; secondly, that the authors examined in this article managed to unify the various fields of mechanics by building a common axiomatic basis, and, thirdly, that there exists a conceptual identity between actions in engines and actions in dynamic phenomena. The evidence brought fourth in this articles challenges the view according to which statics, and more particularly the law of the lever, was an obstacle for the development of dynamics, and particularly for the conceptualization of force. PMID:25577927

  20. [Relations between equilibrium and dynamics at the turn of the 17th and 18th centuries].

    PubMed

    Schmit, Christophe

    2014-01-01

    This article investigates the reception of Galileo and Descartes' principles of statics in the works of some French scientists in the second half of seventeenth century, tracing their importance for the genesis of a concept of force. Through an examination of the link between statics and dynamics--especially concerning the phenomena of collision and the motion of falling bodies--it will be shown, first, that these principles of statics actually contributed to the genesis of dynamics; secondly, that the authors examined in this article managed to unify the various fields of mechanics by building a common axiomatic basis, and, thirdly, that there exists a conceptual identity between actions in engines and actions in dynamic phenomena. The evidence brought fourth in this articles challenges the view according to which statics, and more particularly the law of the lever, was an obstacle for the development of dynamics, and particularly for the conceptualization of force.

  1. Apothecary activity in Dubrovnik Dominican Monastery from 17th to the beginning 19th century.

    PubMed

    Krasic, Stjepan

    2011-01-01

    The origin of the Dominican monastery pharmacy is not clear, but sources suggest that it had operated from the eve of the great earthquake in Dubrovnik in 1667 to the beginning of the 19th century. Its last pharmacist, praised for his competence, passed away in 1803, leaving no one behind The prior travelled all the way to Naples to find a competent pharmacist in his stead, but never returned. Story has it that on the way back, the abbot and the pharmacist lost their lives in a shipwreck. The French army occupied the town in 1806, and the monastery was turned into a military camp. Following the retreat of the French army in 1814, the monastery was returned to the Dominicans, but the pharmacy was never restored. PMID:22047479

  2. [Principles of order in the color systems of the 17th century. (Franciscus Aguilonius--Athanasius Kircher--Isaac Newton)].

    PubMed

    Jaeger, W

    1984-04-01

    Since Aristotle there have been two colour order systems: The first is according to the subjective luminosity of colours, and the second is that which is found in the rainbow. Almost all the medieval concepts of colour order were based on the subjective luminosity of colours. At the beginning of the 17th century Franciscus Aguilonius still described the traditional sequence according to subjective luminosity: white, yellow, red, blue and black in his colour order system. - Athanasius Kircher demonstrated two sequences: The first was the same as Aguilonius 's, completed by lists of symbolic qualities attributed to the respective colours; The second was the sequence of the prismatic spectrum; red, orange, yellow, green and blue. Violet was still missing from his spectrum. For that reason the idea of arranging the colours in a closed circle did not occur to him. - Isaac Newton added violet to the prismatic spectrum. Hence he was able to bring the ends of the spectrum together, forming a colour circle. He completed the colours of his spectrum "with those purple hues which, although not present in the spectrum, were familiar to painters and dyers , and in this way closed up the colour-circle into a band returning on itself" (W. Ostwald). Thus he combined the perceptual concept of the colour wheel, containing pairs of complementary colours, with the physical concept of the prismatic spectrum.

  3. [Genealogical study of the Pijart dynasty, goldsmiths or apothecaries in Paris in the 16th and 17th centuries].

    PubMed

    Warolin, Christian

    2007-10-01

    The Pijart dynasty, established in Paris during the 16th and 17th centuries, included apothecaries and goldsmiths who had a common ancestor, Michel Pijart, warden of the goldsmith's guild (garde de l'orfèvrerie) in 1507. He was married to Jehanne Daumont and died 23rd July 1524. This couple had four sons, all goldsmiths, Pierre, Michel, Jehan and Nicolas. Pierre married twice. His first wife, Philippe Dusseau, was the sister of a famous apothecary. Only their eldest son, François, chose the profession of apothecary; the other three, Jacques, Jehan and Philibert, all followed their father's profession. By his second marriage to Marie de Mézières, Pierre had two sons, Claude the elder and Claude the younger, who both became goldsmiths. Thus, the goldsmith's trade became the favoured profession of the Pijart family. Professional endogamy prevailed in this dynasty, after the fashion of merchants belonging to the six most prestigious guilds (Six-Corps de métiers). Goldsmiths and apothecaries retained strong family ties, demonstrated by family reunions (baptisms, betrothals, etc.). It is undisputable that the renown of this dynasty is based on the fame of its goldsmiths. However, through marriage, the Pijart's developed links with other families of apothecaries, of which the most outstanding were the Boulduc's. PMID:18348497

  4. Floods of the Lower Tisza from the late 17th century onwards: frequency, magnitude, seasonality and great flood events

    NASA Astrophysics Data System (ADS)

    Kiss, Andrea

    2016-04-01

    The present paper is based on a recently developed database including contemporary original, administrative, legal and private source materials (published and archival) as well as media reports related to the floods occurred on the lower sections of the Tisza river in Hungary, with special emphasis on the area of Szeged town. The study area is well-represented by contemporary source evidence from the late 17th century onwards, when the town and its broader area was reoccupied from the Ottoman Turkish Empire. Concerning the applied source materials, the main bases of investigation are the administrative (archival) sources such as town council protocols of Szeged and county meeting protocols of Csanád and Csongrád Counties. In these (legal-)administrative documents damaging events (natural/environmental hazards) were systematically recorded. Moreover, other source types such as taxation-related damage accounts as well as private and official reports, letters and correspondence (published, unpublished) were also included. Concerning published evidence, a most important source is flood reports in contemporary newspapers as well as town chronicles and other contemporary narratives. In the presentation the main focus is on the analysis of flood-rich flood-poor periods of the last ca. 330 years; moreover, the seasonality distribution as well as the magnitude of Tisza flood events are also discussed. Another important aim of the poster is to provide a short overview, in the form of case studies, on the greatest flood events (e.g. duration, magnitude, damages, multi-annual consequences), and their further impacts on the urban and countryside development as well as on (changes in) flood defence strategies. In this respect, especially two flood events, the great (1815-)1816 and the catastrophic 1879 flood (shortly with causes and consequences) - that practically erased Szeged town from the ground - are presented in more detail.

  5. The ``System of Chymists'' and the ``Newtonian dream'' in Greek-speaking Communities in the 17th-18th Centuries

    NASA Astrophysics Data System (ADS)

    Bokaris, Efthymios P.; Koutalis, Vangelis

    2008-06-01

    The acceptance of new chemical ideas, before the Chemical Revolution of Lavoisier, in Greek-speaking communities in the 17th and 18th centuries did not create a discourse of chemical philosophy, as it did in Europe, but rather a “philosophy” of chemistry as it was formed through the evolution of didactic traditions of Chemistry. This “philosophical” chemistry was not based on the existence of any academic institutions, it was focused on the ontology of principles and forces governing the analysis/synthesis of matter and formulated two didactic traditions. The one, named “the system of chymists”, close to the Boylean/Cartesian tradition, accepted, contrary to Aristotelianism, the five “chymical” principles and also the analytical ideal, but the “chymical” principles were not under a conceptual and experimental investigation, as they were in Europe. Also, a crucial issue for this tradition remained the “mechanical” principles which were under the influence of the metaphysical nature of the Aristotelian principles. The other, close to the Boylean/Newtonian tradition, was the integrated presentation of the Newtonian “dream”, which maintained a discursive attitude with reference to the “chemical attractions”-“chemical affinities” and actualised the mathematical atomism of Boscovich, according to which the elementary texture of matter could be causally explained within this complex architecture of mathematical “ punkta”. In this tradition also coexisted, in a discursive synthesis, the “chemical element” of Lavoisier and the arguments of the new theory and its opposition to the phlogiston theory, but the “chemical affinities” were under the realm of the “physical element” as “metaphysical point”.

  6. Mycobacterium tuberculosis complex detection in human remains: tuberculosis spread since the 17th century in Rio de Janeiro, Brazil.

    PubMed

    Jaeger, Lauren Hubert; Leles, Daniela; Lima, Valdirene dos Santos; da Silva, Laura da Piedade; Dias, Ondemar; Iñiguez, Alena Mayo

    2012-06-01

    Paleogenetic analysis for tuberculosis (TB) was conducted on bone and sediment samples dating from the 17th to 19th centuries from the archeological site of Nossa Senhora do Carmo Church in Rio de Janeiro, Brazil. Forty samples were analyzed, corresponding to 32 individuals from 28 burials, 22 of primary type and 6 of secondary type. The samples were collected following strict paleogenetic investigation guidelines and submitted to ancient DNA (aDNA) extraction. In order to detect TB infection, aDNA hybridizations with the molecular targets of Mycobacterium tuberculosis complex (MTC) IS6110 and IS1081 were applied. Additionally, the ancestry of individuals was assessed by human mitochondrial DNA (mtDNA) analysis of hypervariable segment I (HVS-I) sequence polymorphisms. The results of aDNA hybridizations demonstrated varying levels of MTC intensity in 17/32 individuals (53.1%), using the IS6110 target. The IS1081 MTC target showed lower sensitivity, confirming TB positivity in 10/32 (31.2%) individuals. The mtDNA analysis allowed the recovery of HVS-I sequences in 23/32 individuals (71.8%). The majority of these individuals (21/23, 91.3%) were of European ancestry, especially in primary burials. Haplogroups U, J, V, T, K, N, H and R, were identified with haplogroup U being the most frequent at 6/23 (26.1%). African and Amerindian mtDNA haplogroups were observed in two individuals in secondary burials. In spite of the ecclesiastic and aristocratic bias of the population of the study, human ancestry analysis revealed the prominent contribution of Europeans in the introduction or spread of TB in the New World.

  7. Hydrometeorological extremes reconstructed from documentary evidence for the Jihlava region in the 17th-19th centuries

    NASA Astrophysics Data System (ADS)

    Dolak, Lukas; Brazdil, Rudolf; Chroma, Katerina; Valasek, Hubert; Belinova, Monika; Reznickova, Ladislava

    2016-04-01

    Different documentary evidence (taxation records, chronicles, insurance reports etc.) is used for reconstruction of hydrometeorological extremes (HMEs) in the Jihlava region (central part of the recent Czech Republic) in the 17th-19th centuries. The aim of the study is description of the system of tax alleviation in Moravia, presentation of utilization of early fire and hail damage insurance claims and application of the new methodological approaches for the analysis of HMEs impacts. During the period studied more than 400 HMEs were analysed for the 16 estates (past basic economic units). Late frost on 16 May 1662 on the Nove Mesto na Morave estate, which destroyed whole cereals and caused damage in the forests, is the first recorded extreme event. Downpours causing flash floods and hailstorms are the most frequently recorded natural disasters. Moreover, floods, droughts, windstorms, blizzards, late frosts and lightning strikes starting fires caused enormous damage as well. The impacts of HMEs are classified into three categories: impacts on agricultural production, material property and the socio-economic impacts. Natural disasters became the reasons of losses of human lives, property, supplies and farming equipment. HMEs caused damage to fields and meadows, depletion of livestock and triggered the secondary consequences as lack of seeds and finance, high prices, indebtedness, poverty and deterioration in field fertility. The results are discussed with respect to uncertainties associated with documentary evidences and their spatiotemporal distribution. Archival records, preserved in the Moravian Land Archives in Brno and other district archives, create a unique source of data contributing to the better understanding of extreme events and their impacts.

  8. [Scholarly life in the late 17th century: the Giessen professor of medicine Michael Bernhard Valentini (1657-1729)].

    PubMed

    Enke, Ulrike

    2007-01-01

    Towards the end of the 17th century the university of Giessen was--compared to, for example, Leipzig or the newly founded university of Halle--a rather small university in terms of student numbers. Situated in a provincial town of about 5,000 inhabitants and far away from the capital, Darmstadt, the university was a firmly denominational, i.e. orthodox Lutheran, counter-foundation against the neighbouring university of Marburg in Calvinist Hesse-Kassel. This paper describes under what circumstances Michael Bernhard Valentini (1657-1729), a typical and well-known scholar in his time, became successful and influential in the early Enlightenment. Born in 1657 as the son of a university servant (Pedell) and therefore underprivileged, he succeeded in becoming dean of the medical faculty and eventually rector of Giessen University. He was professor of Physica naturalis as well as of medicine and gained importance and influence by establishing experimental physics in Giessen. Numerous publications, not only in medicine but also in natural history and about curiosities, attracted the attention of many scientific societies whose membership he obtained. Valentini had studied philosophy and medicine in Giessen at a time when the curricula in medicine and natural philosophy were still taught in the traditional scholastic manner. After having worked as a medical practitioner, he made an educational tour through Western Europe in 1686, during which he met Robert Boyle in London. In 1687 Valentini became professor of physics in Giessen. In the same year, he bought several physical instruments--including an air pump from the Musschenbroek workshop in Leiden, at that time a centre of technical and scientific innovation. Thanks to Valentini Giessen became the third university in Germany (after Altdorf and Marburg) that offered the "new" experimental physics in its curriculum. PMID:18196757

  9. Quantifying early 17th century changes in Chesapeake Bay estuarine carbon dynamics from James River, VA oyster geochemistry

    NASA Astrophysics Data System (ADS)

    Grimm, B. L.; Spero, H. J.; Harding, J. M.

    2012-12-01

    same shells provide seasonal signals and also show an offset from modern that is consistent with drought conditions during the early 17th century. These high fidelity records allow for a direct, high-resolution comparison of the residence time of carbon in the environment immediately prior to European colonization and during the first century of land use change in mid-Atlantic North America.

  10. Glacier length fluctuations in southern Norway back to the 17th century based on historical data: opposite behaviour compared to the Alps?

    NASA Astrophysics Data System (ADS)

    Nussbaumer, S. U.; Luterbacher, J.; Nesje, A.; Wanner, H.; Zumbühl, H. J.

    2009-04-01

    The understanding of past and present glacier variations is a key task for evaluating current climate change. Historical and proxy-records have documented a partly asynchronous evolution in temperature, precipitation and glacial variations between European regions during the Little Ice Age (LIA), with the causes of these temporal anomalies yet being poorly understood. The comparison between the Alps and Scandinavia allows an assessment of the spatial distribution of glacier fluctuations in the studied areas during the last few centuries. Here we present temporally high-resolved glacier reconstructions for southern Norway covering the period back to the 17th century, based on newly discovered historical material. Length changes were determined by the interpretation of high-quality historical documents such as drawings, paintings, prints, photographs, maps and written sources that are abundant for selected glaciers in the area (Folgefonna, Jostedalsbreen). Historical material is only available in adequate quantity for those glaciers which drew the attention of travellers, scientists and artists through their reputation and scenic attraction, reflecting also the glacier perception at that time. A critical quality check of the documentary data was necessary in order to get reliable information on past glacier extents. The glacier extents obtained were finally compared with existing moraine findings in the glacier forefield. Results from outlet glaciers from Folgefonna (Bondhusbreen, Buerbreen) and Jostedalsbreen (Briksdalsbreen, Bøyabreen, Suphellebreen, Bergsetbreen, Nigardsbreen, Lodalsbreen) indicate a highly different glacier evolution compared to the Alps. According to the historical record, the maximum glacier extent occurred at Folgefonna at around 1890, and at Jostedalsbreen at around 1750, respectively. In the Alps, existing glacier length records (e.g. for Unterer Grindelwaldgletscher, Switzerland, or Mer de Glace, France) show glacier advances around 1600

  11. Determination of droughts and high floods of the Bermejo River (Argentina) based on documentary evidence (17th to 20th century)

    NASA Astrophysics Data System (ADS)

    Prieto, M. R.; Rojas, F.

    2015-10-01

    This study reconstructs a series of droughts and high flow volumes of the Bermejo River from the 17th to 20th century based on a content analysis of historic documentary evidence, which is calibrated with instrumental climate data. The historic data series shows an increase in the frequency of extraordinarily high waters beginning in the 19th century and a significant decrease in extreme droughts beginning in 1890. The data are compared to variations in the Mendoza River for the same period, which show that there was a long-standing lack of correlation between the rivers.

  12. [The beginnings of the nursing profession : the complementary relationship between secular caregivers and hospital nuns in France in the 17th and 18th centuries].

    PubMed

    Diebolt, Evelyne

    2013-06-01

    The words used for designating the caregivers are ambiguous. Little by little, the word "nurse" becomes widely used, mainly in the feminine form due to the need of specialized staff. Health care structures are developing in the 17th and 18 centuries, the remains of which you can find in today hospitals (Salpêtrière hospital, Hôtel-Dieu hospital in Paris). The government of Louis XIV cares for the poor sick people, the vagabonds and the beggars. It opens new general hospitals as it will be the case later in all Europe. In the 17th century, the staff of the general hospital in Paris is entirely secular. The Paris general hospital is headed by the magistrates of Paris Parliament. The healthcare institutions employ both secular and religious staff for example the Hotel Dieu in Paris and the one in Marseilles. In the 17th century, there are 2000 secular caregivers in France. The order of the "Filles de la Charité" (grey sisters) is not submitted to the rule of enclosure. They renew their vows every year. For their founders Vincent de Paul and Louise de Marcillac, their monastery should be the cells of the sick, their cloister should be the rooms of the hospitals or the streets of the town. The secular or religious caregivers are excellent in the apothecary and they open a network of small dispensaries. It improves the health of the French population and allows fighting against the epidemics. This activity allowed some women to have a rewarding activity and a social status of which they were apparently satisfied.

  13. Portuguese tin-glazed earthenware from the 17th century. Part 2: A spectroscopic characterization of pigments, glazes and pastes of the three main production centers.

    PubMed

    Vieira Ferreira, L F; Ferreira, D P; Conceição, D S; Santos, L F; Pereira, M F C; Casimiro, T M; Ferreira Machado, I

    2015-01-01

    Sherds representative of the three Portuguese faience production centers of the 17th century - Lisbon, Coimbra and Vila Nova were studied with the use of mostly non-invasive spectroscopies, namely: ground state diffuse reflectance absorption (GSDR), micro-Raman, Fourier-transform infrared (FT-IR) and proton induced X-ray (PIXE) or X-ray fluorescence emission (XRF). X-ray diffraction (XRD) experiments were also performed. The obtained results evidence a clear similarity in the pastes of the pottery produced Vila Nova and some of the ceramic pastes from Lisbon, in accordance with documental sources that described the use of Lisbon clays by Vila Nova potters, at least since mid 17th century. Quartz and Gehlenite are the main components of the Lisbon's pastes, but differences between the ceramic pastes were detected pointing out to the use of several clay sources. The spectroscopic trend exhibited Coimbra's pottery is remarkably different, Quartz and Diopside being the major components of these pastes, enabling one to well define a pattern for these ceramic bodies. The blue pigment from the Lisbon samples is a cobalt oxide that exists in the silicate glassy matrix, which enables the formation of detectable cobalt silicate microcrystals in most productions of the second half of the 17th century. No micro-Raman cobalt blue signature could be detected in the Vila Nova and Coimbra blue glazes. This is in accordance with the lower kiln temperatures in these two production centers and with Co(2+) ions dispersed in the silicate matrix. In all cases the white glaze is obtained with the use of tin oxide. Hausmannite was detected as the manganese oxide mineral used to produce the purple glaze (wine color "vinoso") in Lisbon. PMID:25965511

  14. Portuguese tin-glazed earthenware from the 17th century. Part 2: A spectroscopic characterization of pigments, glazes and pastes of the three main production centers.

    PubMed

    Vieira Ferreira, L F; Ferreira, D P; Conceição, D S; Santos, L F; Pereira, M F C; Casimiro, T M; Ferreira Machado, I

    2015-01-01

    Sherds representative of the three Portuguese faience production centers of the 17th century - Lisbon, Coimbra and Vila Nova were studied with the use of mostly non-invasive spectroscopies, namely: ground state diffuse reflectance absorption (GSDR), micro-Raman, Fourier-transform infrared (FT-IR) and proton induced X-ray (PIXE) or X-ray fluorescence emission (XRF). X-ray diffraction (XRD) experiments were also performed. The obtained results evidence a clear similarity in the pastes of the pottery produced Vila Nova and some of the ceramic pastes from Lisbon, in accordance with documental sources that described the use of Lisbon clays by Vila Nova potters, at least since mid 17th century. Quartz and Gehlenite are the main components of the Lisbon's pastes, but differences between the ceramic pastes were detected pointing out to the use of several clay sources. The spectroscopic trend exhibited Coimbra's pottery is remarkably different, Quartz and Diopside being the major components of these pastes, enabling one to well define a pattern for these ceramic bodies. The blue pigment from the Lisbon samples is a cobalt oxide that exists in the silicate glassy matrix, which enables the formation of detectable cobalt silicate microcrystals in most productions of the second half of the 17th century. No micro-Raman cobalt blue signature could be detected in the Vila Nova and Coimbra blue glazes. This is in accordance with the lower kiln temperatures in these two production centers and with Co(2+) ions dispersed in the silicate matrix. In all cases the white glaze is obtained with the use of tin oxide. Hausmannite was detected as the manganese oxide mineral used to produce the purple glaze (wine color "vinoso") in Lisbon.

  15. [The beginnings of the nursing profession : the complementary relationship between secular caregivers and hospital nuns in France in the 17th and 18th centuries].

    PubMed

    Diebolt, Evelyne

    2013-06-01

    The words used for designating the caregivers are ambiguous. Little by little, the word "nurse" becomes widely used, mainly in the feminine form due to the need of specialized staff. Health care structures are developing in the 17th and 18 centuries, the remains of which you can find in today hospitals (Salpêtrière hospital, Hôtel-Dieu hospital in Paris). The government of Louis XIV cares for the poor sick people, the vagabonds and the beggars. It opens new general hospitals as it will be the case later in all Europe. In the 17th century, the staff of the general hospital in Paris is entirely secular. The Paris general hospital is headed by the magistrates of Paris Parliament. The healthcare institutions employ both secular and religious staff for example the Hotel Dieu in Paris and the one in Marseilles. In the 17th century, there are 2000 secular caregivers in France. The order of the "Filles de la Charité" (grey sisters) is not submitted to the rule of enclosure. They renew their vows every year. For their founders Vincent de Paul and Louise de Marcillac, their monastery should be the cells of the sick, their cloister should be the rooms of the hospitals or the streets of the town. The secular or religious caregivers are excellent in the apothecary and they open a network of small dispensaries. It improves the health of the French population and allows fighting against the epidemics. This activity allowed some women to have a rewarding activity and a social status of which they were apparently satisfied. PMID:23923734

  16. [The magic universe of cures: the role of magic practices and witchcraft in the universe of 17th century Mato Grosso].

    PubMed

    Sá, Mario

    2009-01-01

    The article analyzes the role of healing agents played by practitioners of magic and witchcraft in Mato Grosso society during the 17th century. It observes that magic and witchcraft were developed as competitors, alternatives or associated with other forms of healing (official and lay). It points out how such roles contributed to the process of subjugating its practitioners, especially Africans, Indians and their descendents, and were appropriated as an opportunity for survival in the colonial slave society. The pastoral visit made by Bruno Pinna in 1785 to Cuiabá and nearby areas served as the principal source of knowledge regarding the practices and practitioners of magic and witchcraft.

  17. Traces and echoes of De Architectura by Marcus Vitruvius Pollio in the work of Xu Guangqi in 17th century China

    NASA Astrophysics Data System (ADS)

    Cigola, Michela; Fang, Yibing

    2016-03-01

    This study aims to investigate the role played by Xu Guangqi (1562-1633), minister of the Ming Dynasty, in the development of European scientific and technical knowledge in China between the 16th and 17th centuries by analyzing a book of Western technology that he wrote, namely, Taixi Shuifa ( On Western Hydraulics). Several Western books related to machine knowledge are searched to trace the source of the illustrations in Taixi Shuifa. We found that Archimedes' screw and Ctesibius' machine, which are included in Vitruvius' De Architectura volumes, also appear in the work of Xu Guangqi.

  18. [[The apothecaries of the district of Les Halles in Paris in the 17th century. Molière's ancestors in Les Halles].

    PubMed

    Warolin, Christian

    2016-03-01

    Les Halles were created by King Louis VI at the begining of the 12th century as a central market for food and trade. Apothecaries conducted their trade there from that time. In the 17th century, eleven apothecaries were established in this district, bordered on the south by the rue Saint-Honoré, on the east by the rue Saint-Denis, on the west by the rue de la Tonnellerie, and the north by the rue Montmartre. Their biographies have been analysed, and the data that has been collected has enabled their précise location to be fixed on a map of 1700. Molière's ancestors, both maternal (the Cressé family) and paternal (the Pocquelin's), lived in this district. Details of their relationships with their apothecary neighbours have been revealed.

  19. [[The apothecaries of the district of Les Halles in Paris in the 17th century. Molière's ancestors in Les Halles].

    PubMed

    Warolin, Christian

    2016-03-01

    Les Halles were created by King Louis VI at the begining of the 12th century as a central market for food and trade. Apothecaries conducted their trade there from that time. In the 17th century, eleven apothecaries were established in this district, bordered on the south by the rue Saint-Honoré, on the east by the rue Saint-Denis, on the west by the rue de la Tonnellerie, and the north by the rue Montmartre. Their biographies have been analysed, and the data that has been collected has enabled their précise location to be fixed on a map of 1700. Molière's ancestors, both maternal (the Cressé family) and paternal (the Pocquelin's), lived in this district. Details of their relationships with their apothecary neighbours have been revealed. PMID:27281935

  20. [Concepts and findings in dentistry in medical dissertations from the 16th, 17th and 18th centuries].

    PubMed

    Lorber, C G

    1977-12-01

    This historical paper deals with medical dissertations from the second half of the 18th century which deal with stomatology. 30 of the 100 consulted dissertations were translated from latin with great differences in scientific content and style, because they dated from the 16th to the 18th century. The views of normal anatomy and physiology of that time are described. Strange views were held on the embryological development. Apart from toothache, dentitio difficilis in children, aphtous stomatitis, cleft palates and the respective therapies were described. The scientific content of those dissertations was way backward when compared to contemporary text book literature.

  1. Teaching Huygens in the Rue Huygens: Introducing the History of 17th-Century Mathematics in a Junior Secondary School.

    ERIC Educational Resources Information Center

    Hallez, Maryvonne

    1992-01-01

    Recounts teaching mathematics to junior high school students in France in the context of seventeenth-century mathematics history. Examines extracts of original works by Leibniz on the origin of calculus and of Huygens on continued fractions. Investigates historical puzzles and a variety of mathematical problems arising out of the texts. (MDH)

  2. The Roots of Separate and Unequal: The Virginia and West Virginia Heritage--17th to 20th Century.

    ERIC Educational Resources Information Center

    Higginbotham, A. Leon

    Analyses of the Brown decision often overstate its importance. For centuries before it was handed down, white Americans regarded blacks as inferior. During the time of slavery, white men (including those of apparent stature, such as Jefferson and Lincoln) felt that for some reason society could do to black people that which it could not do to any…

  3. Historical and Metallurgical Characterization of a "Falchion" Sword Manufactured in Caino (Brescia, Italy) in the Early 17th Century A.D.

    NASA Astrophysics Data System (ADS)

    Tonelli, G.; Faccoli, M.; Gotti, R.; Roberti, R.; Cornacchia, G.

    2016-08-01

    A historical and metallurgical characterization of a "falchion" sword manufactured in Caino (Brescia, northern Italy) and dating from the early 17th century was performed to understand the manufacture methods of a Renaissance sword. At first, a set of size measurements was carried out to look for the existence of constant and/or recurring macroscopic sizes, which would indicate a standardized production, or of any type of proportionality between different parts of a sword, which would prove an intentional design activity. Light optical microscopy, scanning electron microscopy, energy-dispersive x-ray spectroscopy, quantometer analyses, and Vickers microhardness tests were then employed to analyze the microstructure and obtain the mechanical properties. All the metallurgical work is supported by an accurate study on the chemical composition of both metal-matrix and nonmetallic inclusions, which allowed for rebuilding and evaluating the efficiency of the whole production process.

  4. Historical and Metallurgical Characterization of a "Falchion" Sword Manufactured in Caino (Brescia, Italy) in the Early 17th Century A.D.

    NASA Astrophysics Data System (ADS)

    Tonelli, G.; Faccoli, M.; Gotti, R.; Roberti, R.; Cornacchia, G.

    2016-04-01

    A historical and metallurgical characterization of a "falchion" sword manufactured in Caino (Brescia, northern Italy) and dating from the early 17th century was performed to understand the manufacture methods of a Renaissance sword. At first, a set of size measurements was carried out to look for the existence of constant and/or recurring macroscopic sizes, which would indicate a standardized production, or of any type of proportionality between different parts of a sword, which would prove an intentional design activity. Light optical microscopy, scanning electron microscopy, energy-dispersive x-ray spectroscopy, quantometer analyses, and Vickers microhardness tests were then employed to analyze the microstructure and obtain the mechanical properties. All the metallurgical work is supported by an accurate study on the chemical composition of both metal-matrix and nonmetallic inclusions, which allowed for rebuilding and evaluating the efficiency of the whole production process.

  5. Herbal treatment of the urinary system diseases based on 16(th) and 17(th) century herbals in Poland.

    PubMed

    Ostrowski, Janusz; Rutkowski, Boleslaw

    2016-02-01

    The medicinal use of herbs is a principal achievement of human ingenuity. The most renowned doctors of antiquity: Hippocrates, Dioscorides, Theophrastus, Pliny the Elder and Galen mentioned herbs in their works. The first printed herbal was published in Mainz in 1485. Outstanding scientists e.g. Otto Brunfels, Hieronymus Bock, Leonard Fuchs and Andreo Mattiola published herbals in the 16th century. Polish doctors also contributed to the development of herbal treatment. The first work: Of Herbs and their Potency by Stefan Falimirz, published in 1534, triggered other publications in the 16th century, the age of herbals. In 1542, Hieronymus Spiczynski published a herbal: Of Local and Overseas Herbs and their Potency. Then, in 1568, Marcin Siennik published his: Herbal, which is the Description of Local and Overseas Herbs, their Potency and Application. In 1595, Marcin of Urzedow published: The Polish Herbal, the Books of Herbs. Completed in mid-16th century, it was only published 22 years after his death. The last work discussed is Herbal Known in Latin as published in 1613 by Simon Syrenius a graduate of Ingolstadt and Padua universities and lecturer at the Academy of Krakow. The work was Europes most complete elaboration on herbal treatment. The herbs described in the herbals worked as diuretics, demulcents, analgesics, relaxants and preventives of kidney stones. Published in Polish, they are still to be found in Poland. All the works presented herein are held by the Library of the Seminary of Wloclawek, and the Ossolinski National Institute in Wroclaw. PMID:26913886

  6. The Appearance of the Medicean Moons in 17th Century Charts and Books—How Long Did It Take?

    NASA Astrophysics Data System (ADS)

    Mendillo, Michael

    2010-01-01

    Galileo's talents in perspective and chiaroscuro drawing led to his images of the Moon being accepted relatively quickly as the naturalistic portrayal of a truly physical place. In contrast to his resolved views of the Moon, Galileo saw the satellites of Jupiter as only points of light (as with stars). He thus used star symbols in Sidereus Nuncius (1610) for the moons, in constrast to an open disk for Jupiter. In this paper, I describe methods used in subsequent decades to portray objects that could not be seen in any detail but whose very existence challenged the scholastic approach to science. Within fifty years, the existence of the moons was such an accepted component of astronomy that they were depicted in the highly decorative “textbook” Atlas Coelestis seu Harmonia Macrocosmica by Andreas Cellarius (1660). Other symbolic methods, ranging from the routine to the dramatic, were used in subsequent centuries to portray the moons. Actual photographs using ground-based telescopes were not possible until the 20th century, just years before cameras on spaceflight missions captured the true details of the Medicean Stars.

  7. An example of health education in the early 17th century: Naturall and artificial Directions for Health by William Vaughan.

    PubMed

    Charlton, Anne

    2005-12-01

    In 1600, William Vaughan, a Doctor of Civil Laws, published the first edition of his health education manual entitled Naturall and artificial Directions for Health. In all, seven editions appeared over the next 33 years. Changes were made to the title and contents, but the same six general areas were covered in each, i.e. (1) Air, fire and water, (2) Food and drink, (3) Sleep and early rising, (4) Evacuations, (5) Infirmities and death, and (6) Restoration of health. Although Vaughan was writing before the scientific revolution, and had to base his advice on the current theories of the four humours, miasma, stars and the supernatural, research over the intervening four centuries has proven many of his messages to be correct, e.g. clean air and water, a balanced diet, olive oil, low animal fat, red wine, fibre, exercise, and avoiding tobacco use, to mention but a few. In Vaughan's day, these messages were new to many readers and the method of health education used was simply to present the information for people to act on. Behavioural research carried out in the last century has changed the approach to health education by involving decision-making processes, self-efficacy building and social support. PMID:15857908

  8. Composition of Façon de Venise glass from early 17th century London in comparison with luxury glass of the same age

    NASA Astrophysics Data System (ADS)

    Cagno, S.; De Raedt, I.; Jeffries, T.; Janssens, K.

    SEM-EDX and LA-ICP-MS analyses were performed on a set of early 17th century London glass fragments. The samples originate from two archaeological sites (Aldgate and Old Broad Street) where glass workshops were active in this period. The great majority of the samples are made of soda glass. Two distinct compositional groups are observed, each typical of one site of provenance. The samples originating from the Old Broad Street excavation feature a silica-soda-lime composition, with a moderate amount of potash. The samples from Aldgate are richer in potassium and feature higher amounts of trace elements such as Rb, Zr and Cu. The distinction between the two groups stems from different flux and silica sources used for glassmaking. A comparison with different European glass compositions of that time reveals no resemblance with genuine Venetian production, yet the composition of the Old Broad Street glass shows a close similarity to that of fragments produced `à la façon de Venise' in Antwerp at the end of the 16th century. This coincides with historical sources attesting the arrival of glassworkers from the Low Countries in England and suggests that a transfer of technology took place near the turn of the century.

  9. Post 17th-century changes of European PAH emissions recorded in high-altitude Alpine snow and ice.

    PubMed

    Gabrieli, Jacopo; Vallelonga, Paul; Cozzi, Giulio; Gabrielli, Paolo; Gambaro, Andrea; Sigl, Michael; Decet, Fabio; Schwikowski, Margit; Gäggeler, Heinz; Boutron, Claude; Cescon, Paolo; Barbante, Carlo

    2010-05-01

    The occurrence of organic pollutants in European Alpine snow/ice has been reconstructed over the past three centuries using a new online extraction method for polycyclic aromatic hydrocarbons (PAH) followed by liquid chromatographic determination. The meltwater flow from a continuous ice core melting system was split into two aliquots, with one aliquot directed to an inductively coupled plasma quadrupole mass spectrometer for continuous trace elements determinations and the second introduced into a solid phase C18 (SPE) cartridge for semicontinuous PAH extraction. The depth resolution for PAH extractions ranged from 40 to 70 cm, and corresponds to 0.7-5 years per sample. The concentrations of 11 PAH were determined in dated snow/ice samples to reconstruct the atmospheric concentration of these compounds in Europe for the last 300 years. The PAH pattern is dominated by phenanthrene (Phe), fluoranthene (Fla), and pyrene (Pyr), which represent 60-80% of the total PAH mass. Before 1875 the sum of PAH concentration (SigmaPAH) was very low with total mean concentrations less than 2 ng/kg and 0.08 ng/kg for the heavier compounds (SigmaPAH*, more than four aromatic rings). During the first phase of the industrial revolution (1770-1830) the PAH deposition showed a weak increase which became much greater from the start of the second phase of the industrial revolution at the end of 19th Century. In the 1920s, economic recession in Europe decreased PAH emissions until the 1930s when they increased again and reached a maximum concentration of 32 ng/kg from 1945 to 1955. From 1955 to 1975 the PAH concentrations decreased significantly, reflecting improvements in emission controls especially from major point sources, while from 1975 to 2003 they rose to levels equivalent to those in 1910. The Fla/(Fla+Pyr) ratio is often used for source assignment and here indicates an increase in the relative contribution of gasoline and diesel combustion with respect to coal and wood burning

  10. [Thomas Bartholin, theological anatomy in the 17th century --religion and science in Danish history of medicine].

    PubMed

    Mønster-Kjaer, Inge

    2009-01-01

    It is commonly accepted, that the Reformation heavily influenced scientific thinking in Europe. But in many historical accounts, this effect is presented as a fundamental break at the beginning of the 16th century with previous ideas and methods. In this view, scientists turned their back on explanations based on religion and began deliberately and determinedly to pull society away from the church. After studying Bartholin's writings, particularly some of the less well known texts such as his treatises on biblical medicine, I have come to the conclusion, that he in fact saw himself primarily as a theologian. For him anatomy was merely a tool, and so it had been for scientist all over Europe from its gradual evolvement as a field of study from Antiquity to the Renaissance. It had been a tool to illustrate the greatness and perfection of God's Creation in artistic ways, a tool to prove sanctity, a tool to establish causes of death in both judicial and medical contexts etc.

  11. Modeling Regional Climate Responses to 17th-20th Century Land Use Change over the Southeastern United States

    NASA Astrophysics Data System (ADS)

    Alder, J. R.; Hostetler, S. W.; Reker, R. R.; Loveland, T. R.; Bernhardt, C. E.; Thompson, R.; Sundquist, E. T.; Willard, D. A.

    2015-12-01

    Regional climate change is the combined response to global and regional radiative forcing, circulation and interactions between the atmosphere and Earth surface. A potentially key component of regional climate change derives from natural and human-caused land use and land-use change (LULC) and related atmosphere-surface feedbacks. In the first step of disentangling and quantifying the effect of LULC over the southeastern United States, we conducted a series of simulations with the RegCM4 regional climate model which includes the Biosphere Atmosphere Transfer Scheme (BATS) surface physics package. Land use and vegetation types determine the specified values of a number of biophysical and physical parameters in BATS such as albedo, roughness length, stomatal resistance, and rooting depth. We ran four simulations in which we specified BATS land use types derived from harmonized reconstructions for 1650, 1850, 1920 and Landsat-based observations for 1992 (Steyaert and Knox, 2008). The simulations were run over a model domain comprising a 20 km × 20 km horizontal grid and 23 atmospheric levels for the period 1990-2000. The boundary conditions for the simulations were derived from the NCAR-NCEP Reanalysis and the NOAA Optimum Interpolated Sea Surface Temperature global data sets. Depending on the time periods considered, the simulations indicate regionally coherent patterns of April-September changes in surface radiation, warming and cooling of up to 2 °C or more, substantial changes in soil moisture and atmospheric humidity associated with conversion of native vegetation to agriculture and agriculture back to forest, draining of wetlands and marshes, and urbanization. Extensive draining of wetlands in the lower Mississippi Valley during the 20th century induced a robust feedback with the atmosphere which suppressed convective summertime precipitation. Our joint analysis of LULC classes and the model simulations suggests a need to be able to disaggregate land use to a

  12. Genotyping Yersinia pestis in Historical Plague: Evidence for Long-Term Persistence of Y. pestis in Europe from the 14th to the 17th Century.

    PubMed

    Seifert, Lisa; Wiechmann, Ingrid; Harbeck, Michaela; Thomas, Astrid; Grupe, Gisela; Projahn, Michaela; Scholz, Holger C; Riehm, Julia M

    2016-01-01

    Ancient DNA (aDNA) recovered from plague victims of the second plague pandemic (14th to 17th century), excavated from two different burial sites in Germany, and spanning a time period of more than 300 years, was characterized using single nucleotide polymorphism (SNP) analysis. Of 30 tested skeletons 8 were positive for Yersinia pestis-specific nucleic acid, as determined by qPCR targeting the pla gene. In one individual (MP-19-II), the pla copy number in DNA extracted from tooth pulp was as high as 700 gene copies/μl, indicating severe generalized infection. All positive individuals were identical in all 16 SNP positions, separating phylogenetic branches within nodes N07_N10 (14 SNPs), N07_N08 (SNP s19) and N06_N07 (s545), and were highly similar to previously investigated plague victims from other European countries. Thus, beside the assumed continuous reintroduction of Y. pestis from central Asia in multiple waves during the second pandemic, long-term persistence of Y. pestis in Europe in a yet unknown reservoir host has also to be considered. PMID:26760973

  13. Quantification of the Early Small-Scale Fishery in the North-Eastern Baltic Sea in the Late 17th Century

    PubMed Central

    Verliin, Aare; Ojaveer, Henn; Kaju, Katre; Tammiksaar, Erki

    2013-01-01

    Historical perspectives on fisheries and related human behaviour provide valuable information on fishery resources and their exploitation, helping to more appropriately set management targets and determine relevant reference levels. In this study we analyse historical fisheries and fish trade at the north-eastern Baltic Sea coast in the late 17th century. Local consumption and export together amounted to the annual removal of about 200 tonnes of fish from the nearby sea and freshwater bodies. The fishery was very diverse and exploited altogether one cyclostome and 17 fish species with over 90% of the catch being consumed locally. The exported fish consisted almost entirely of high-valued species with Stockholm (Sweden) being the most important export destination. Due to rich political history and natural features of the region, we suggest that the documented evidence of this small-scale fishery should be considered as the first quantitative summary of exploitation of aquatic living resources in the region and can provide a background for future analyses. PMID:23861914

  14. Genotyping Yersinia pestis in Historical Plague: Evidence for Long-Term Persistence of Y. pestis in Europe from the 14th to the 17th Century.

    PubMed

    Seifert, Lisa; Wiechmann, Ingrid; Harbeck, Michaela; Thomas, Astrid; Grupe, Gisela; Projahn, Michaela; Scholz, Holger C; Riehm, Julia M

    2016-01-01

    Ancient DNA (aDNA) recovered from plague victims of the second plague pandemic (14th to 17th century), excavated from two different burial sites in Germany, and spanning a time period of more than 300 years, was characterized using single nucleotide polymorphism (SNP) analysis. Of 30 tested skeletons 8 were positive for Yersinia pestis-specific nucleic acid, as determined by qPCR targeting the pla gene. In one individual (MP-19-II), the pla copy number in DNA extracted from tooth pulp was as high as 700 gene copies/μl, indicating severe generalized infection. All positive individuals were identical in all 16 SNP positions, separating phylogenetic branches within nodes N07_N10 (14 SNPs), N07_N08 (SNP s19) and N06_N07 (s545), and were highly similar to previously investigated plague victims from other European countries. Thus, beside the assumed continuous reintroduction of Y. pestis from central Asia in multiple waves during the second pandemic, long-term persistence of Y. pestis in Europe in a yet unknown reservoir host has also to be considered.

  15. Genotyping Yersinia pestis in Historical Plague: Evidence for Long-Term Persistence of Y. pestis in Europe from the 14th to the 17th Century

    PubMed Central

    Seifert, Lisa; Wiechmann, Ingrid; Harbeck, Michaela; Thomas, Astrid; Grupe, Gisela; Projahn, Michaela; Scholz, Holger C.; Riehm, Julia M.

    2016-01-01

    Ancient DNA (aDNA) recovered from plague victims of the second plague pandemic (14th to 17th century), excavated from two different burial sites in Germany, and spanning a time period of more than 300 years, was characterized using single nucleotide polymorphism (SNP) analysis. Of 30 tested skeletons 8 were positive for Yersinia pestis-specific nucleic acid, as determined by qPCR targeting the pla gene. In one individual (MP-19-II), the pla copy number in DNA extracted from tooth pulp was as high as 700 gene copies/μl, indicating severe generalized infection. All positive individuals were identical in all 16 SNP positions, separating phylogenetic branches within nodes N07_N10 (14 SNPs), N07_N08 (SNP s19) and N06_N07 (s545), and were highly similar to previously investigated plague victims from other European countries. Thus, beside the assumed continuous reintroduction of Y. pestis from central Asia in multiple waves during the second pandemic, long-term persistence of Y. pestis in Europe in a yet unknown reservoir host has also to be considered. PMID:26760973

  16. Reconstructing hydroclimatic variability of the Bermejo River (Subtropical Andes of Argentina-Bolivia) through Archival Documents - 17th to 20th centuries

    NASA Astrophysics Data System (ADS)

    Del Rosario Prieto, M.; Cueto, C.

    2009-09-01

    The purpose of this paper is to use climatic history for contributing to the general objectives of the IAI -CRN II-047 Project. It will reconstruct, from archival documents, the hydroclimatic variability occurring in the high basin of the Bermejo River during the last centuries and its effects on the floods and swellings in the middle basin. The Río Bermejo in the Southern Andes, is a binational (Argentina-Bolivia) river that contributes the largest proportion of the sediment load to the La Plata basin. Its headwaters are in the Subtropical Andes, near Tarija, Bolivia (22?00'14"S, 64?57'38"W). The main headwater tributaries are the Río Grande de Tarija, in Bolivia and the Iruya and San Francisco Rivers in Argentina. When the river abandons the mountain and turns eastwards (Gran Chaco), it acquires the characteristics of typical lowland rivers, widens its course, and occupies a large, low sedimentary plain with vast floodland areas. Quite often during very high sediment discharge the main river avulses and changes its course, creating big alluvial plains that are occupied for many years. Administrative documents from the colonial and republican periods have provided useful information to reconstruct climate and hydrology of the region. Documents from the Archivo General de Indias in Seville, Archivo Nacional de Bolivia and Archivo General de la Nación (Argentina) have been used to identify extreme floods and swellings in the high and middle-basin of the Rio Bermejo from the 17th century to the first decades of the 20th century. Old maps of the region, reports from annals, chronicles, priests' and travelers' descriptions were also used. Diaries written by the military, explorers and government officials in charge of discovering and taking possession of the territory also provide important sources of information. The archival documents show abrupt hydrological changes in response to the climatic fluctuations in the headwaters region. These records document

  17. [Louis XIV's Ginseng: Shaping of Knowledge on an Herbal Medicine in the Late 17th and the Early 18th Century France].

    PubMed

    Lee, Hye-Min

    2016-04-01

    This article aims to investigate the shaping of knowledge and discourse on ginseng, especially among physicians and botanists, since its introduction to France from the 17th century until the early 18th century. In France, knowledge on herbal medicine, including that of ginseng, was shaped under the influence of the modern state's policy and institution: mercantilism and the Académie royale des sciences. The knowledge of herbal medicine developed as an important part of the mercantilist policy supported systematically by the Académie. The East Asian ginseng, renowned as a panacea, was first introduced into France in the 17th century, initially in a roundabout way through transportation and English and Dutch publications of travel tales from various foreign countries. The publication activity was mainly conducted by Thévenot company with the intention to meet the needs of French mercantilism promoted by Colbert. It also implied interests on medicine in order to bolster the people's health. The Thévenot company's activity thus offered vital information on plants and herbs abroad, one of which was ginseng. Furthermore, with Louis XIV's dispatching of the Jesuit missionaries to East Asia, the Frenchmen were able to directly gather information on ginseng. These information became a basis for research of the Académie. In the Académie, founded in 1666 by Colbert, the king's physicians and botanists systematically and collectively studied on exotic plants and medical herbs including ginseng. They were also key figures of the Jardin du Roi. These institutions bore a striking contrast to the faculty of medicine at the University of Paris which has been a center of the traditional Galenic medicine. The research of the Académie on ginseng was greatly advanced, owing much to the reports and samples sent from China and Canada by Jartoux, Sarrazin, and Lapitau. From the early 18th century, the conservative attitude of the University of Paris, which was a stronghold of

  18. [Louis XIV's Ginseng: Shaping of Knowledge on an Herbal Medicine in the Late 17th and the Early 18th Century France].

    PubMed

    Lee, Hye-Min

    2016-04-01

    This article aims to investigate the shaping of knowledge and discourse on ginseng, especially among physicians and botanists, since its introduction to France from the 17th century until the early 18th century. In France, knowledge on herbal medicine, including that of ginseng, was shaped under the influence of the modern state's policy and institution: mercantilism and the Académie royale des sciences. The knowledge of herbal medicine developed as an important part of the mercantilist policy supported systematically by the Académie. The East Asian ginseng, renowned as a panacea, was first introduced into France in the 17th century, initially in a roundabout way through transportation and English and Dutch publications of travel tales from various foreign countries. The publication activity was mainly conducted by Thévenot company with the intention to meet the needs of French mercantilism promoted by Colbert. It also implied interests on medicine in order to bolster the people's health. The Thévenot company's activity thus offered vital information on plants and herbs abroad, one of which was ginseng. Furthermore, with Louis XIV's dispatching of the Jesuit missionaries to East Asia, the Frenchmen were able to directly gather information on ginseng. These information became a basis for research of the Académie. In the Académie, founded in 1666 by Colbert, the king's physicians and botanists systematically and collectively studied on exotic plants and medical herbs including ginseng. They were also key figures of the Jardin du Roi. These institutions bore a striking contrast to the faculty of medicine at the University of Paris which has been a center of the traditional Galenic medicine. The research of the Académie on ginseng was greatly advanced, owing much to the reports and samples sent from China and Canada by Jartoux, Sarrazin, and Lapitau. From the early 18th century, the conservative attitude of the University of Paris, which was a stronghold of

  19. [Spanish authors in the ideal library of G. Naudé (1627): a European view of the Spanish culture and science at the beginning of the 17th century].

    PubMed

    Muñoz, Evaristo álvarez

    2010-01-01

    This article aims to analyze a European view of the 17th century Spanish culture. Naudé's "Advis pour dresser une bibliothèque" (1627) - translated twice into English: "Instructions concerning erecting of a library" (1661) and "Advice on establishing a library" (1950) - represents a wide set of bibliographic recommendations that constitute, among many other things, an excellent observatory of the Spanish culture in such a delicate time.

  20. [Pierre and Philippe Ranquet, father and son, apothecaries in rue Saint-Honoré, Paris in the 17th century, suppliers to the duchess of Vendôme].

    PubMed

    Warolin, Christian

    2008-05-01

    This research concerns two apothecaries in Paris living in the rue Saint-Honoré in the 17th century. Pierre Ranquet, father of Philippe Ranquet, was apothecary to the Duchess of Mercoeur and her daughter the Duchess of Vendôme, members of the nobility. Philippe was a member of the community of apothecary-grocers of Paris, keeping shop and dispensing drugs to a large clientele in the Saint-Honoré district, including many noblemen and women. He became supplier to the Duchess of Vendôme following the death of his father in 1652. PMID:19069198

  1. Archaeological Remains Accounting for the Presence and Exploitation of the North Atlantic Right Whale Eubalaena glacialis on the Portuguese Coast (Peniche, West Iberia), 16th to 17th Century

    PubMed Central

    Teixeira, António; Venâncio, Rui; Brito, Cristina

    2014-01-01

    The former occurrence of the North Atlantic right whale Eubalaena glacialis on the Portuguese coast may be inferred from the historical range of that species in Europe and in NW Africa. It is generally accepted that it was the main prey of coastal whaling in the Middle Ages and in the pre-modern period, but this assumption still needs firming up based on biological and archaeological evidence. We describe the skeletal remains of right whales excavated at Peniche in 2001–2002, in association with archaeological artefacts. The whale bones were covered by sandy sediments on the old seashore and they have been tentatively dated around the 16th to 17th centuries. This study contributes material evidence to the former occurrence of E. glacialis in Portugal (West Iberia). Some whale bones show unequivocal man-made scars. These are associated to wounds from instruments with a sharp-cutting blade. This evidence for past human interaction may suggest that whaling for that species was active at Peniche around the early 17th century. PMID:24505251

  2. Archaeological remains accounting for the presence and exploitation of the North Atlantic right whale Eubalaena glacialis on the Portuguese Coast (Peniche, West Iberia), 16th to 17th Century.

    PubMed

    Teixeira, António; Venâncio, Rui; Brito, Cristina

    2014-01-01

    The former occurrence of the North Atlantic right whale Eubalaena glacialis on the Portuguese coast may be inferred from the historical range of that species in Europe and in NW Africa. It is generally accepted that it was the main prey of coastal whaling in the Middle Ages and in the pre-modern period, but this assumption still needs firming up based on biological and archaeological evidence. We describe the skeletal remains of right whales excavated at Peniche in 2001-2002, in association with archaeological artefacts. The whale bones were covered by sandy sediments on the old seashore and they have been tentatively dated around the 16th to 17th centuries. This study contributes material evidence to the former occurrence of E. glacialis in Portugal (West Iberia). Some whale bones show unequivocal man-made scars. These are associated to wounds from instruments with a sharp-cutting blade. This evidence for past human interaction may suggest that whaling for that species was active at Peniche around the early 17th century. PMID:24505251

  3. What could you do with 400 years of biological history on african americans? Evaluating the potential scientific benefit of systematic studies of dental and skeletal materials on African Americans from the 17th through 20th centuries

    PubMed Central

    Jackson, Latifa; Cross, Christopher; Clarke, Cameron

    2016-01-01

    Objectives How important is it to be able to reconstruct the lives of a highly diverse, historically recent macroethnic group over the course of 400 years? How many insights into human evolutionary biology and disease susceptibilities could be gained, even with this relatively recent window into the past? In this article, we explore the potential ramifications of a newly constructed dataset of Four Centuries of African American Biological Variation (4Cs). Methods This article provides initial lists of digitized variables formatted as SQL tables for the 17th and 18th century samples and for the 19th and 20th century samples. Results This database is dynamic and new information is added yearly. The database provides novel opportunities for significant insights into the past biological history of this group and three case study applications are detailed for comparative computational systems biology studies of (1) hypertension, (2) the oral microbiome, and (3) mental health disorders. Conclusions The 4Cs dataset is ideal for interdisciplinary “next generation” science research and these data represent a unique step toward the accumulation of historically contextualized Big Data on an underrepresented group known to have experienced differential survival over time. Am. J. Hum. Biol. 28:510–513, 2016. © 2016 The Authors American Journal of Human Biology Published byWiley Periodicals, Inc. PMID:26749025

  4. History of health in the Indian Ocean: care, prevention, teaching, and research from the 17(th) to the mid-20th century.

    PubMed

    Aubry, P; Gaüzère, B-A

    2016-05-01

    In 1498, the Portuguese crossed the Cape of Good Hope. It was not until the period of 1633 and 1666, dates of the founding, respectively, of the Compagnie de l'Orient and the Compagnie des Indes orientales, that the way was definitively opened for trade between France and India. Because so many sailors developed scurvy after voyages that lasted 4 to 5 months, the French settled on Bourbon Island (Réunion) and Ile de France (Mauritius), to provide them with medical care. Created in 1689 by Louis XIV, the Navy Health Service was responsible for health in the colonies until it was replaced in 1890 by the Colonial Health Service. European medicine began its slow diffusion around the Indian Ocean in Pondicherry (India). The naval doctors reported their experiences in the Archives de médecine navale (1864-1889), and the colonial doctors afterwards in the Archives de médecine navale et coloniale (1890-1896). The health system in Madagascar developed strongly during 19(th) and 20(th) centuries, and the subsequent development of health care in the other Indian Ocean islands became closely linked to that of Madagascar. On Bourbon, the two navy hospitals in Saint-Paul and Saint-Denis treated only naval and military personnel. The colony had no hospital providing care for civilians and poor people until three civilian doctors opened a maison de santé (health house) in 1846.

  5. History of health in the Indian Ocean: care, prevention, teaching, and research from the 17(th) to the mid-20th century.

    PubMed

    Aubry, P; Gaüzère, B-A

    2016-05-01

    In 1498, the Portuguese crossed the Cape of Good Hope. It was not until the period of 1633 and 1666, dates of the founding, respectively, of the Compagnie de l'Orient and the Compagnie des Indes orientales, that the way was definitively opened for trade between France and India. Because so many sailors developed scurvy after voyages that lasted 4 to 5 months, the French settled on Bourbon Island (Réunion) and Ile de France (Mauritius), to provide them with medical care. Created in 1689 by Louis XIV, the Navy Health Service was responsible for health in the colonies until it was replaced in 1890 by the Colonial Health Service. European medicine began its slow diffusion around the Indian Ocean in Pondicherry (India). The naval doctors reported their experiences in the Archives de médecine navale (1864-1889), and the colonial doctors afterwards in the Archives de médecine navale et coloniale (1890-1896). The health system in Madagascar developed strongly during 19(th) and 20(th) centuries, and the subsequent development of health care in the other Indian Ocean islands became closely linked to that of Madagascar. On Bourbon, the two navy hospitals in Saint-Paul and Saint-Denis treated only naval and military personnel. The colony had no hospital providing care for civilians and poor people until three civilian doctors opened a maison de santé (health house) in 1846. PMID:27412971

  6. "The Ancient Master Painted like Me"

    ERIC Educational Resources Information Center

    Chiu, Son-Mey

    2009-01-01

    By following their wonderful ideas or critical exploration, three eighth graders learned how to do traditional Chinese painting, which is taught by copying old masters' work from the Ming Dynasty in the 17th century. The standard manual, which most learners have been using for these three hundred years, is the "Mustard Seed Garden Manual of…

  7. Sangye Gyatso (1653-1705) and the medical paintings of Tibet.

    PubMed

    Chen, Thomas S N; Chen, Peter S Y

    2015-08-01

    Sangye Gyatso played a major role in the politics of 17th century Tibet, and was the originator of the medical paintings that encompassed the full scope of Tibetan medicine.The depictions became an important aid in medical education, and was heavily influenced by Buddhist thinking. The paintings arose in a visual culture dominated by religious art.

  8. A Multi-Analytical Approach for the Evaluation of the Efficiency of the Conservation-Restoration Treatment of Moroccan Historical Manuscripts Dating to the 16th, 17th, and 18th Centuries.

    PubMed

    Hajji, Latifa; Boukir, Abdellatif; Assouik, Jamal; Kerbal, Abdelali; Kajjout, Mohamed; Doumenq, Pierre; De Carvalho, Maria Luisa

    2015-08-01

    The most critical steps during the conservation-restoration treatment applied in Moroccan libraries are the deacidification using immersion in a saturated aqueous calcium hydroxide (Ca(OH)2) solution and the consolidation of degraded manuscripts using Japanese paper. The present study aims to assess the efficiency of this restoration method using a multi-analytical approach. For this purpose, three ancient Arabic Moroccan manuscript papers dating back to the 16th, 17th, and 18th centuries were investigated to characterize the paper support and make a comparative study between pre-restoration and post-restoration states. Three structural and molecular characterization techniques including solid-state nuclear magnetic resonance spectroscopy on (13)C with cross-polarization and magic-angle spinning nuclear magnetic resonance ((13)C CP-MAS NMR), attenuated total reflectance Fourier transform infrared spectroscopy (ATR FT-IR), and X-ray diffraction (XRD) were used to elucidate the cellulose main features, to identify the inorganic composition of the papers, and to study the crystallinity of the samples. Inductively coupled plasma atomic emission spectrometry (ICP-AES) allowed us to obtain a qualitative and quantitative characterization of the mineral fillers used in the manufacturing of the papers. Scanning electron microscopy coupled to energy dispersive spectrometry (SEM-EDS) ascertained the state of conservation of the different papers and helped us to study the elemental composition of the samples. After restoration, it was shown that the deacidification improved the stability of papers by providing an important alkaline buffer, as demonstrated using FT-IR and energy dispersive spectrometry (EDS) results. However, XRD and ICP-AES did not confirm the pertinence of the treatment for all samples because of the unequal distribution of Ca on the paper surface during the restoration. The consolidation process was studied using SEM analysis; its effectiveness in restoring

  9. From Sun King to Royal Twilight: Painting in Eighteenth Century France from the Musee Picardie, Amiens.

    ERIC Educational Resources Information Center

    Johnson, Mark M.

    2000-01-01

    Focuses on the traveling exhibition from the Musee de Picardie in Amiens, France, called "From the Sun King to the Royal Twilight: Painting in Eighteenth Century France," that provides an overview of French paintings from the reign of Louis IV to the fall of the monarchy. (CMK)

  10. [The Piscine Probatica, a painted canvas of the Hotel-Dieu of Rheims, documentation of an epidemic at the end of the 15th century].

    PubMed

    Ségal, Alain

    2011-01-01

    The Piscina Probatica theme is the highly distinctive iconography in an impressive painted canvas from the ancient Rheims hôtel-Dieu, dating back to the late 15th or early 16th century. In the first place, it is interesting to note that the actual site of the pool has been located, so that archaeological findings bring confirmation to testament scriptures. Through the choice of the painted-canvas medium, and thanks to his great pictorial skill, the anonymous Rheims artist has given us a document of exceptional value, concerning the signs and symptoms of an illness which wrought havoc in the Rheims area in his own lifetime, namely ignis plaga or "mal des ardents". Other great artists of the same period, such as J. Bosch, have testified to the horror of the illness. As a matter-of-fact, the illness has been fully documented, from the 17th century onwards, and the medical expert H.A. Tessier, also acting as an agricultural expert, has demonstrated that ergotized rye is responsible for the fatal condition known as ergotism, and for the heavy toll it has levied on human lives in the course of centuries. PMID:22073758

  11. 19th Century Plains Indian Robe Painting: Wearable Art Form.

    ERIC Educational Resources Information Center

    McMaster, Gerald R.

    1983-01-01

    The Indians of the Great Plains of North America once wore some of the most magnificent works of art in the form of bison robes that were painted in a variety of modes. These forms of expression have become obsolete and their function has been replaced by new materials. (Availability: CHEA National Office, 151 Slater Street, Ottawa, Ontario K1P…

  12. Visual Preferences of Young School Children for Paintings from the 20th Century

    ERIC Educational Resources Information Center

    Kuscevic, Dubravka; Kardum, Goran; Brajcic, Marija

    2014-01-01

    The aim of this study was to investigate the differences of young school children in the visual preferences of paintings from the 20th century. The study was conducted at 4 elementary schools around Split, Croatia. A total of 200 children participated in the study, of which 87 were girls and 113 were boys aged 6-10 years. Visual preference testing…

  13. 17th Annual School Construction Report, 2012

    ERIC Educational Resources Information Center

    Abramson, Paul

    2012-01-01

    The 2012 "School Planning & Management"'s 17th Annual School Construction Report reports over the last two years although school construction had fallen from previous highs, the pipeline of projects funded before the recession was still full. And so, in 2009 total construction was a solid $16.4 billion. But the pipeline is not being…

  14. Court dwarfs: an overview of European paintings from fifteenth to eighteenth century.

    PubMed

    Guaraldi, Federica; Prencipe, Nunzia; Gori, Davide; di Giacomo, Stellina; Ghigo, Ezio; Grottoli, Silvia

    2012-12-01

    Since antique times, dwarfs have been commonly employed at court, mostly as servants, entertainers, or personal attendants upon noble women and noblemen. Their presence at European Renaissance courts was very common, as demonstrated by their presence alongside to their masters or mistress in several artworks of that period. Aim of our paper is to derive clinical information regarding the type of dwarfism affecting people living and acting at European courts from an overview of paintings dating fifteenth to the eighteenth century.

  15. Fourier Transform Infrared (FT-IR) Microspectroscopy of 20th Century Russian Oil Paintings: Problem of Dating.

    PubMed

    Balakhnina, Irina A; Brandt, Nikolay N; Chikishev, Andrey Yu; Grenberg, Yurii I; Grigorieva, Irina A; Kadikova, Irina F; Pisareva, Svetlana A

    2016-07-01

    Analysis of the IR spectra of samples from 230 Russian oil paintings of the 20th century is used to propose a procedure for the threshold estimation of the age of paintings based on measured parameters (intensity ratios of spectral bands). The bands of compounds that are formed upon interaction of pigment (zinc white) with oil are used for dating.

  16. Preparing for a New Century of Learning: Technology, Education, and the Internet. ICTE Tampa 1999: International Conference on Technology and Education Proceedings (17th, Tampa, Florida, October 10-13, 1999).

    ERIC Educational Resources Information Center

    1999

    The overarching focus of the International Conference on Technology and Education (ICTE) Tampa 1999 conference was "Preparing for a New Century of Learning: Technology, Education, and the Internet." Twelve themes supported this focus: "Implementation in the Classroom"; "Educational Tools"; "Information Technology and Educational Policy";…

  17. Study of a XVIII century hand-painted Chinese wallpaper by multianalytical non-destructive techniques

    NASA Astrophysics Data System (ADS)

    Pessanha, S.; Guilherme, A.; Carvalho, M. L.; Cabaço, M. I.; Bittencourt, K.; Bruneel, Jean L.; Besnard, Marcel

    2009-06-01

    In this work, hand-painted wallpaper belonging to a private Portuguese collection was analyzed in order to identify the pigments used. The analyzed artwork was an extraordinary XVIII century Chinese wallpaper that depicts exotic birds and flowers, which was painted with considerable accuracy and expertise. Thorough, in situ, X-ray fluorescence analyses were performed on nearly all the wallpaper. Since the elemental content of several colors was consistent for the four papered walls, strategic micro-samples were taken and analyzed by confocal Raman spectroscopy to further identify the pigments used. Pigments such as yellow ochre, lead white and barium white, vermilion, carmine, azurite and malachite were identified. Optical microscopy was used to analyze the fibers in the paper support, and fibers such as kozo, ramie and hemp or linen were identified.

  18. Non-destructive testing of an original XVI century painting on wood by ESPI system

    NASA Astrophysics Data System (ADS)

    Arena, G.; Paturzo, M.; Fatigati, G.; Grilli, M.; Pezzati, L.; Ferraro, P.

    2015-03-01

    Electronic Speckle Pattern Interferometry (ESPI), a non-contact and non-destructive optical techniques, was employed for assessing the conservation state of a XVI Century painting on wood (72x88x1,9 cm). By a long term analysis, the whole structure alterations, induced by the room temperature and relative humidity variations, were evaluated. Measurement of the whole painting structural bends was achieved. Local flaws and hidden detachments of pictorial layers from the support, which cannot be recognized by traditional art-restorer methods, were also revealed. This work was prevalently aimed at achieving a simple approach, in the laboratory practice, to get an intuitively user-friendly method for art conservators, not accustomed to high-tech or math based methods. The results demonstrate that ESPI can largely improve the traditional art conservation survey techniques.

  19. An analytical Raman spectroscopic study of an important english oil painting of the 18th Century

    NASA Astrophysics Data System (ADS)

    Edwards, Howell G. M.; Vandenabeele, Peter; Jehlicka, Jan; Benoy, Timothy J.

    2014-01-01

    An opportunity was afforded to analyse pigment specimens from an unrestored oil painting in the style of the English School of the mid-18th Century prior to conservation being undertaken. Raman spectroscopy was adopted to characterise the pigments and indicated the presence of a novel red pigment which was assigned to the complex chromium mineral, hemihedrite, in addition to other interesting materials found in combination. This is the first recorded identification of hemihedrite spectral signals in an art context in a range of mineral pigments that are otherwise typical of this period and some hypotheses are presented to explain its presence based on its occurrence with associated mineral pigments. It is suggested that the presence of powdered glass identified in certain areas of the painting enhanced the reflectivity of the pigment matrix.

  20. Technique and palette of XIIIth century painting in the monastery of Mileseva

    NASA Astrophysics Data System (ADS)

    Zorba, T.; Pavlidou, E.; Stanojlovic, M.; Bikiaris, D.; Paraskevopoulos, K. M.; Nikolic, V.; Nikolic, P. M.

    2006-06-01

    The monastery of Mileseva is one of the most important Serbian spiritual centers, and being a Romanesque type building, is nowadays mainly known for its frescoes. The first group of frescoes were produced in the 1230s. In the second half of the sixteenth century, the church was repainted with a new layer of frescoes of which only fragments have survived. These frescoes were damaged in a fire, but they happened to save (acting as a protective layer) the earlier and more valuable paintings from the thirteenth century. The fresco examined in the present study is in the southern part of the area under the dome and belongs to the XIII century fresco. The materials and techniques used for church iconography were determined by means of several micro-analytical techniques. The strong presence of the characteristic peaks of calcite (1407, 872 cm-1), in all FTIR spectra obtained from the substrate, as well as from painted layers confirms the use of the fresco technique for the construction of the wall painting. The combination of FTIR micro-spectroscopy and SEM-EDS elemental microanalysis revealed the existence of lapis lazuli in blue colours and green earth (celadonite) in green colours. In a sample taken from an angel halo, three different layers were found. With SEM-EDS elemental microanalysis it was verified that the first is a metallic layer of thickness 10 12 μm containing pure silver, while the third (2 3 μm) is gold. As was found by FTIR spectra animal glue was used to stick gold on the silver surface. The method of occurrence of the first and thicker silver sheets is still a puzzle, and we believe that it was applied from the beginning in the hagiography and then covered by the gold sheet for aesthetic reasons.

  1. Fine particles and carbon monoxide from wood burning in 17th-19th century Danish kitchens: Measurements at two reconstructed farm houses at the Lejre Historical-Archaeological Experimental Center

    NASA Astrophysics Data System (ADS)

    Ryhl-Svendsen, Morten; Clausen, Geo; Chowdhury, Zohir; Smith, Kirk R.

    2010-02-01

    Carbon monoxide (CO) and particulate matter (PM 2.5) were measured in two reconstructed Danish farmhouses (17-19th century) during two weeks of summer. During the first week intensive measurements were performed while test cooking fires were burned, during the second week the houses were monitored while occupied by guest families. A masonry hearth was located in the middle of each house for open cooking fires and with heating stoves. One house had a chimney leading to the outside over the hearth; in the other, a brickwork hood led the smoke into an attic and through holes in the roof. During the first week the concentration of PM 2.5 averaged daily between 138 and 1650 μg m -3 inside the hearths and 21-160 μg m -3 in adjacent living rooms. CO averaged daily between 0.21 and 1.9 ppm in living areas, and up to 12 ppm in the hearths. Highest concentrations were measured when two fires were lit at the same time, which would cause high personal exposure for someone working in the kitchens. 15 min averages of up to 25 400 μg m -3 (PM 2.5) and 260 ppm CO were recorded. WHO air quality guidelines were occasionally exceeded for CO and constantly for PM 2.5. However, air exchange and air distribution measurements revealed a large draw in the chimney, which ensured a fast removal of wood smoke from the hearth area. The guest families were in average exposed to no more than 0.21 ppm CO during 48 h. Based on a hypothetical time-activity pattern, however, a woman living in this type of house during the 17-19th century would be exposed to daily averages of 1.1 ppm CO and 196 μg m -3 PM 2.5, which exceeds WHO guideline for PM 2.5, and is comparable to what is today observed for women in rural areas of developing countries.

  2. Problema vizual'noj registratsii nablyudenij v opticheskoj astronomii XVII-XVIII vekov %t Problem of visual registration of observations in optical astronomy in the 17th-18th centuries

    NASA Astrophysics Data System (ADS)

    Ivanov, Kostantin V.

    This paper attempts to explain the growth of optical astronomy as a result of more general social and cultural change in European life during the two post-Renaissance centuries. It shows how the introduction of optical instruments into astronomical work was accompanied (and partly conditioned) by a few nonastronomical practices, such as collecting unusual things and their images, producing illusionary effects by means of optical devices, manufacturing pictures that could disturb the common visual perception, etc. The paper draws particular attention to the practices of manipulation with visual images that could help to introduce "illusionary" optical knowledge into making "true" drawings from natural objects, including celestial ones. In this way, the formation of new astronomical language can be understood as closely connected to the explicit formulation of technological instructions and legal rules for making copies from natural objects, as well as the general development of printing production and broadening of the market of printed illustrations. These often not enough co-ordinated practices stipulated the shift of optical astronomy into a significant part of seigniorial culture, where it obtained recognition as an essentially new and elite knowledge, associated with particular technological vigilance. During the transition of European monarchies into the absolutist social order, astronomy, on a level with other court services, assumed a shape of professional occupation supplied with certain monetary salaries, a stable position in official hierarchy, and supreme privileges. This was the way by which astronomy merged with the other natural studies and became one of the publicly recognised scientific disciplines.

  3. Athanasius Kircher: The 17th Century Science at the Crossroads

    NASA Astrophysics Data System (ADS)

    Buonanno, R.

    2011-06-01

    Athanasius Kircher, who entered the Society of Jesus in 1628, is a peculiar scientist who is in love with everything he sees and with everything he thinks he sees. He is a non-Galilean scientist whose general attitude is not obscurantism but rather a defense of established faith. He arrives in Rome in the fall of 1633 when he is in his thirties. Even if at the epoch Kircher has already written some of his many books, it is amazing that Galileo does not even quote him in the letters he will wrote in the rest of his life. In spite of having stridden along a minor scientific path, opposite of that shown by Galileo, it is nonetheless surprising to find out that Athanasius Kircher was gifted with remarkable intuition, and was in some cases even decades in advance with respect to the age he lived in.

  4. [Jan Swammerdam, physician and naturalist of the 17th century].

    PubMed

    Hoerni, Bernard

    2015-01-01

    Jan Swammerdam (1637-1680) was a physician and a naturalist who clarified some details of human anatomy and who made many microscopic observations on insects and their metamorphosis. His life was marked by spirituality and a malaria which caused his death and prevented him from publishing his works which were edited after a long delay.

  5. Historical evolution of oil painting media: A rheological study

    NASA Astrophysics Data System (ADS)

    de Viguerie, Laurence; Ducouret, Guylaine; Lequeux, François; Moutard-Martin, Thierry; Walter, Philippe

    2009-09-01

    Rheology is the science of flow, which is a phenomenon found in every painting operation, such as decorative paintings or protective coatings. In this article, the principles of rheology as applied to paintings and coatings are recalled in a first part and the rheological criteria required in the paint industry presented. Indeed, different flow behaviours leads to different finishes. The same procedure and techniques as in industry can be employed to explain some evolutions in oil painting aspects over the centuries. The first recipes for oil painting indicate the use of treated oil, resins and spirits. This article deals with the evolution of the composition of these systems as media for oil painting, according to rheological clues. During the Renaissance period, the media used were Newtonian or slightly shear thinning and allowed one a perfect levelling. Then techniques changed, paints became more opaque with less addition of oil/resin media, and brushstrokes appeared visible. Some preparations containing lead, oil and mastic resin, whose flow behaviour is closed to those required in industry, may have appeared during the 17th century and are still used and sold today. To cite this article: L. de Viguerie et al., C. R. Physique 10 (2009).

  6. Surface-enhanced Raman spectroscopy analysis of house paint and wallpaper samples from an 18th century historic property.

    PubMed

    Harroun, S G; Bergman, J; Jablonski, E; Brosseau, C L

    2011-09-01

    Conservation efforts for heritage buildings require a substantial knowledge of the chemical makeup of materials that were used throughout the lifetime of the property. In particular, conservators are often concerned with the identification of colorants used in both interior and exterior wall treatments (paint, wallpaper, etc.) in order to gain perspective into how the building may have appeared during a certain time period in its existence. Ideally, such an analysis requires a technique that provides molecular level information as to the identity of the colorant as well as other sample components (binders, fillers, etc.), which is useful for dating purposes. In addition, the technique should be easily applied to paint layer samples which can be extremely thin and fragile. Herein we report the surface-enhanced Raman spectroscopy (SERS) analysis of paint and wallpaper samples taken from exterior and interior surfaces of a historic building. Several pigments were identified in the samples, which ranged from early inorganic pigments (lead white, barium sulfate, calcium carbonate, anhydrous chromium(III) oxide) which have been used in house paints for centuries, to a more modern pigment (phthalocyanine blue), developed in the middle of the 20th century. This analysis highlights the usefulness of SERS in such a conservation effort, and demonstrates for the first time pigment identification in house paints and wallpaper using SERS, which has far-reaching implications not only in the field of conservation, but also in forensics, industrial process control, and environmental health and safety. PMID:21267481

  7. Surface-enhanced Raman spectroscopy analysis of house paint and wallpaper samples from an 18th century historic property.

    PubMed

    Harroun, S G; Bergman, J; Jablonski, E; Brosseau, C L

    2011-09-01

    Conservation efforts for heritage buildings require a substantial knowledge of the chemical makeup of materials that were used throughout the lifetime of the property. In particular, conservators are often concerned with the identification of colorants used in both interior and exterior wall treatments (paint, wallpaper, etc.) in order to gain perspective into how the building may have appeared during a certain time period in its existence. Ideally, such an analysis requires a technique that provides molecular level information as to the identity of the colorant as well as other sample components (binders, fillers, etc.), which is useful for dating purposes. In addition, the technique should be easily applied to paint layer samples which can be extremely thin and fragile. Herein we report the surface-enhanced Raman spectroscopy (SERS) analysis of paint and wallpaper samples taken from exterior and interior surfaces of a historic building. Several pigments were identified in the samples, which ranged from early inorganic pigments (lead white, barium sulfate, calcium carbonate, anhydrous chromium(III) oxide) which have been used in house paints for centuries, to a more modern pigment (phthalocyanine blue), developed in the middle of the 20th century. This analysis highlights the usefulness of SERS in such a conservation effort, and demonstrates for the first time pigment identification in house paints and wallpaper using SERS, which has far-reaching implications not only in the field of conservation, but also in forensics, industrial process control, and environmental health and safety.

  8. 17th International Conference on Arabidopsis Research

    SciTech Connect

    Judith Bender

    2006-07-01

    The 17th International Conference on Arabidopsis Research was held at the University of Madison, Wisconsin from June 27- July 2, 2006. ICAR-2006 included approximately 625 scientists from across the world. The scientific program was of excellent quality featuring 73 talks, including 30 from invited speakers. There were also 6 community-organized workshops (facilitated by conference staff) featuring additional talks on topics including ‘Submitting data to long-term repositories,’ ‘TAIR introductory workshop,’ ‘Web services and demonstration,’ ‘Public engagement: broadening the impact of your research,’ ‘Systems biology approaches to analysis of metabolic and regulatory networks of Arabidopsis,’ and ‘Mechanotransduction in Arabidopsis.’ Approximately 440 posters were presented in general topic areas including, among others, Development, Modeling/Other Systems, Energy, Environment, and Genetic/Epigenetic mechanisms. Graduate students, postdoctoral researchers, junior faculty, and underrepresented minorities made up a significant portion of the oral presentations thereby promoting the training of young scientists and facilitating important career development opportunities for speakers. Several poster sessions provided an opportunity for younger participants to freely meet with more established scientists. The North American Arabidopsis Steering Committee (NAASC) continued its outreach effort and again sponsored two special luncheons to encourage personal and professional development of young scientists and also underrepresented minorities. The ‘Emerging Scientists Luncheon’ featured 10 graduate students selected on the basis of scientific excellence of their submitted research abstracts. The ‘Minority Funding Luncheon,’ featured 8 awardees selected by the NAASC through a widely-publicized application process. This luncheon was established specifically to provide an opportunity for underrepresented minorities, and/or scientists from

  9. The Lowland Rivers of The Netherlands - Geodiversity and Cultural Heritage on 19th and early 20th century Landscape Paintings

    NASA Astrophysics Data System (ADS)

    Jungerius, Pieter Dirk; van den Ancker, Hanneke; Moes, Constance

    2015-04-01

    One of the major Dutch landscapes is formed by lowland rivers. They divide the country in a southern and a northern part, both physically and culturally. We screened the freely available database of 19th and early 20th century paintings of Simonis & Buunk, www.simonis-buunk.com, looking for lowland river landscapes depicting geodiversity and cultural heritage relationships (See References for other landscapes). Emperor Napoleon declared The Netherlands as naturally belonging to his empire as its lands originated from muds originating in France and transported there by the big rivers. A description that may have given rise to the idea of the Netherlands as a delta, but from a geomorphological perspective The Netherlands consists of series of river plains of terrestrial origin, of which the north-western part are subsiding and invaded by the sea. Now, the rivers Meuse and Rhine (including its branches Waal and IJssel) meander through ever larger river plains before reaching the North Sea. They end in estuaries, something one would not expect of rivers with catchments discharging a large part of Western Europe. Apart from the geological subsidence, the estuaries might be due to human interference, the exploitation of peat and building of dikes since the 11th century, heavy storms and the strong tidal currents. Archaeological finds show Vikings and Romans already used the river Rhine system for trading and transporting goods. During the Roman Empire the Rhine was part of The Limes, the northern defence line of the empire. Romans already influenced the distribution of water over the different river branches. Since the middle of the 19th century groins and canalization drastically changed the character of the rivers. The 19th and early 20th century landscape paintings illustrate this change as well as changes in land use. Examples of geodiversity and cultural heritage relationships shown: - meanders and irregular banks disappear as river management increases, i.a. bends

  10. Soap bubbles in paintings: Art and science

    NASA Astrophysics Data System (ADS)

    Behroozi, F.

    2008-12-01

    Soap bubbles became popular in 17th century paintings and prints primarily as a metaphor for the impermanence and fragility of life. The Dancing Couple (1663) by the Dutch painter Jan Steen is a good example which, among many other symbols, shows a young boy blowing soap bubbles. In the 18th century the French painter Jean-Simeon Chardin used soap bubbles not only as metaphor but also to express a sense of play and wonder. In his most famous painting, Soap Bubbles (1733/1734) a translucent and quavering soap bubble takes center stage. Chardin's contemporary Charles Van Loo painted his Soap Bubbles (1764) after seeing Chardin's work. In both paintings the soap bubbles have a hint of color and show two bright reflection spots. We discuss the physics involved and explain how keenly the painters have observed the interaction of light and soap bubbles. We show that the two reflection spots on the soap bubbles are images of the light source, one real and one virtual, formed by the curved surface of the bubble. The faint colors are due to thin film interference effects.

  11. High Life: 17th Annual Residence Hall Construction Report

    ERIC Educational Resources Information Center

    Agron, Joe

    2006-01-01

    Residence hall construction continues to be a priority for colleges and universities. With enrollments on the upswing, higher-education institutions are spending more and building larger facilities to entice students to live on campus. This article presents the findings of "American School & University's" 17th annual Residence Hall Construction…

  12. Changes in the geodiversity of Dutch peatlands inferred from 19th and 20th century landscape paintings

    NASA Astrophysics Data System (ADS)

    Jungerius, Pieter Dirk; van den Ancker, Hanneke; Wevers, Nina

    2013-04-01

    Geodiversity is the natural and cultural range of geological, geomorphological and soil features. We analysed the large database of 19th and early 20th century paintings of Simonis and Buunk (www.Simonis-Buunk.com) to track changes in the geodiversity of Dutch peatlands since pre-photographic times. Peat dominated in two of the eight main landscapes of the Netherlands: the Lowland peats in the Holocene west and the Highland peats in the sandy Pleistocene eastern parts. Painters were mainly attracted by the lowland peats. Since more than thousand years, peat plays a major role in Dutch military security, economy, ecology and cultural life. Natural variety and cultural use resulted in a geodiversity that is unique in Europe. There are more than 100 place names with 'veen' (= peat), and surnames with 'veen' are common. Proof of the exploitation of peat for salt and fuel exists from the Roman times onwards. In the 9th century, peatlands were drained and reclaimed for growing wheat. Already in the 11th century, it was necessary to build dikes to prevent flooding, to control waterlevels to avoid further oxidation, and to convert landuse to grassland. But subsidence continued, and in the 14th century windmills were needed to drain the lands and pump the water out. In the 16th century industrial peat exploitation fuelled the rise of industries and cities. All this draining and digging caused the peat surface to shrink. The few remaining living peats are conserved by nature organisations. Geodiversity and landscape paintings In the peat landscapes, popular painting motives were high water levels, the grasslands of the 'Green Heart', the winding streams and remaining lakes. The paintings of landscapes where peat had been removed, show watermanagement adaptations: wind mills, different water levels, canals made for the transport of fuel, bridges, tow paths and the 'plassen', i.e. the lakes left after peat exploitation. The droogmakerijen (reclaimed lakes), now 2 to 5 m below

  13. A multi-analytical study of the fifteenth century mural paintings of the Batalha Monastery (Portugal) in view of their conservation

    NASA Astrophysics Data System (ADS)

    Valadas, S.; Candeias, A.; Dias, C.; Schiavon, N.; Cotovio, M.; Pestana, J.; Gil, M.; Mirão, J.

    2013-12-01

    The systematic characterization of the painting's palette and technique applied on the execution of the mural paintings of the Batalha Monastery (Batalha, Leiria, Portugal) is presented. These are the oldest mural paintings known in Portugal (apart from Roman frescoes) and represent the beginning of an artistic Portuguese tradition that continues until the nineteenth century. The aim of the study was to identify for the first time by adopting a multi-analytical physico-chemical approach of the pigments, binder, and alteration products (white veils, crusts, and pigment alteration) of these unique works of arts in order not only to better understand the painting technique, but also to support a conservation-restoration intervention that took place from April to August 2010. Micro-sampling of paint layers was performed on representative areas of the paintings. The characterization of the pigments and binders was carried out by microscopy and microanalysis of cross sections using optical microscopy, scanning electron microscopy coupled with energy dispersive X-ray spectrometry (SEM-EDS), micro-FTIR, and micro X-ray diffraction. The combined analysis of the paintings allowed the identification of the painting's palette: Vermillion (HgS) and red ochre for the reds, yellow ochres for the yellows, green earths and malachite for the greens, azurite for the blues, and carbon for the blacks. The use of the pigment is dependent of the motive painted while the most expensive materials were used in the most important iconographic motives. Alteration of malachite was identified in darkened layers in green areas of the paintings. White veil areas on the surface of the paintings were identified as calcite from precipitation/dissolution processes due to water run-off on the sacristy dome ceiling and walls.

  14. Chemical fingerprinting of ready-mixed house paints of relevance to artistic production in the first half of the twentieth century. Part I: Inorganic and organic pigments.

    PubMed

    Gautier, Gwénaëlle; Bezur, Anikó; Muir, Kimberley; Casadio, Francesca; Fiedler, Inge

    2009-06-01

    This study reports the multi-analytical investigation of ready-mixed house paints used by artists such as Pablo Picasso (1881-1973) in the first half of the twentieth century. The pigment composition of paint swatches on four historic paint sample cards from the Art Institute of Chicago reference collection was characterized by thorough screening using Fourier transform infrared (FT-IR) and X-ray fluorescence (XRF) spectroscopies, followed by Raman spectroscopy when necessary. Spectroscopic investigations highlighted the dominance of zinc-based whites, the consistent choice of particular pigments or their mixtures, as well as the avoidance of others to achieve the various hues on the sample cards. Notable findings included the documentation of strong spectroscopic signatures of metal soaps. Given the similarities in composition of early twentieth century artists' and house paints, the results indicate that the identification of house paints in works by Pablo Picasso and others must be based on a combination of parameters rather than the detection of a single chemical marker. Results have been applied to the case study of Picasso's 1935 sculpture Figure (AIC 1988.428), which incorporates direct evidence of the use of house paint by the artist.

  15. Shades of green in 15th century paintings: combined microanalysis of the materials using synchrotron radiation XRD, FTIR and XRF

    NASA Astrophysics Data System (ADS)

    Salvadó, Nati; Butí, Salvador; Cotte, Marine; Cinque, Gianfelice; Pradell, Trinitat

    2013-04-01

    A representative selection of green paintings from fifteenth century Catalonia and the Crown of Aragon are analyzed by a combination of synchrotron radiation microanalytical techniques including FTIR, XRD, and XRF. The green pigments themselves are found to be a mixture of copper acetates/basic copper acetates and basic copper chlorides. Nevertheless, a broader range of green shades were obtained by mixing the green pigment with yellow, white, and blue pigments and applied forming a sequence of micrometric layers. Besides the nature of the pigments themselves, degradation and reaction products, such as carboxylates, formates and oxalates were also identified. Some of the copper based compounds, such as the basic copper chloride, may be either part of the original pigment or a weathering product. The high resolution, high brilliance, and small footprint of synchrotron radiation proved to be essential for the analysis of those submillimetric paint layers made of a large variety of compounds heterogeneous in nature and distribution and present in extremely low concentrations.

  16. Characterization of hidden defects of an original XVI century painting on wood by Electronic Speckle Pattern Interferometry

    NASA Astrophysics Data System (ADS)

    Arena, G.

    2015-03-01

    Electronic Speckle Pattern Interferometry, a non-contact and non-destructive optical diagnostic technique, was employed for evaluating the conservation state of a XVI century painting on wood. The whole structure alterations, induced by the laboratory temperature and relative humidity variations, were evaluated. Long-term analysis, by sequential recording and subsequent off-line processing of the fringes progression, was carried out. Local flaws and hidden detachments of pictorial layers from the support, which could not be recognized by traditional art-restorer survey methods, were also easily revealed. In such a case, a simple measurement approach was utilized, with the aim to get a user-friendly method for art conservators. The results demonstrate that the interferometry method can largely improve the traditional art conservation survey techniques.

  17. EDITORIAL The 17th Central European Workshop on Quantum Optics

    NASA Astrophysics Data System (ADS)

    Man'ko, Margarita A.

    2011-02-01

    . The uncertainty relations for photon quadratures were also checked for the thermal photon state using experimental values of optical tomograms and avoiding the reconstruction procedure of the Wigner function and its associated precision constrains. In the tomographic-probability representation of quantum mechanics and quantum optics, tomograms are used for the description of quantum states as an alternative to the wave function and density matrix. The purity, fidelity, entropy and photon temperature associated with quantum states are expressed in terms of tomograms. This provides the possibility of measuring these characteristics directly by taking optical tomograms and checking basic inequalities like entropic uncertainty relations, temperature-dependent quadrature uncertainty relations, etc. The better understanding that quantum states can be identified with measurable probability distributions like optical tomograms opens new prospects in quantum optics, for example, to check experimentally the uncertainty relations for higher quadrature momenta and to control the precision with which the fundamental inequalities of quantum mechanics are experimentally confirmed. This Topical Issue is a collection of papers presented at the 17th Central European Workshops on Quantum Optics (CEWQO10) held at the University of St Andrews, Scotland, UK, 6-11 June 2010. The other collaborators from different scientific centers who could not, due to different reasons, come to St Andrews but participated in the previous CEWQOs and plan to participate in future CEWQOs also contributed to this issue. The paper by Ulf Leonhardt and Natalia Korolkova, the CEWQO10 Organizers, opens this issue. The order of the following papers corresponds to the alphabetical order of the first author of the paper. The history of CEWQOs can be found in the Preface to the Proceedings of the 15th CEWQO (2009 Phys. Scr. T135 011005). The Proceedings of the 16th Central European Workshop on Quantum Optics (CEWQO09

  18. Characterization of glue sizing layers in Portuguese wood paintings from the 15th and 16th centuries by SEM secondary electron images and μ-FTIR.

    PubMed

    Antunes, Vanessa; J Oliveira, Maria; Vargas, Helena; Candeias, António; Seruya, Ana; Dias, Luís; Serrão, Vítor; Coroado, João

    2014-02-01

    According to treatises on 15th and 16th century paintings, artists dedicated particular attention to the sizing layer-consisting mainly of animal glue applied onto the wood support before further application of the ground layer. The stability of a painting mainly depends on the presence of a very cohesive sizing layer. However, the study of these layers has not received special attention from researchers. In this article we present a methodology for characterization of the sizing layer both chemically, by IR spectroscopy (Fourier transform infrared spectroscopy), and morphologically, by scanning electron microscopy (SEM). Secondary electron images obtained by SEM allow precise characterization of such layers. Painting reconstructions were used as references in development of the method to study the sizing layer in real painting samples. Presented herein are examples of this study on 15th and 16th century Portuguese paintings, particularly on the Triptych of S. Simão, from the Aveiro Museum, and S. Pedro, belonging to the Mercy of Tavira. PMID:24119396

  19. Characterization of glue sizing layers in Portuguese wood paintings from the 15th and 16th centuries by SEM secondary electron images and μ-FTIR.

    PubMed

    Antunes, Vanessa; J Oliveira, Maria; Vargas, Helena; Candeias, António; Seruya, Ana; Dias, Luís; Serrão, Vítor; Coroado, João

    2014-02-01

    According to treatises on 15th and 16th century paintings, artists dedicated particular attention to the sizing layer-consisting mainly of animal glue applied onto the wood support before further application of the ground layer. The stability of a painting mainly depends on the presence of a very cohesive sizing layer. However, the study of these layers has not received special attention from researchers. In this article we present a methodology for characterization of the sizing layer both chemically, by IR spectroscopy (Fourier transform infrared spectroscopy), and morphologically, by scanning electron microscopy (SEM). Secondary electron images obtained by SEM allow precise characterization of such layers. Painting reconstructions were used as references in development of the method to study the sizing layer in real painting samples. Presented herein are examples of this study on 15th and 16th century Portuguese paintings, particularly on the Triptych of S. Simão, from the Aveiro Museum, and S. Pedro, belonging to the Mercy of Tavira.

  20. Analysis of a seventeenth-century panel painting by reflection terahertz time-domain imaging (THz-TDI): contribution of ultrafast optics to museum collections inspection

    NASA Astrophysics Data System (ADS)

    Koch Dandolo, Corinna L.; Filtenborg, Troels; Skou-Hansen, Jacob; Jepsen, Peter Uhd

    2015-11-01

    Terahertz time-domain imaging (THz -TDI) has been applied for nondestructive visualization of a hidden painting and other subsurface composition layers of a seventeenth-century panel painting belonging to the National Gallery of Denmark. Plan-type and cross-sectional scans realized by THz have been compared with images obtained by X-radiography, thus helping in a deep understanding of the strengths and limitations of this technique for art diagnostic purposes and in defining its rule among the other complementary investigation tools for nondestructive inspection of art pieces.

  1. Technological Characterization of Wall Paintings from the A Mithraic Tomb Dated to 4th-5th Century AD, Gargaresc, Libya

    NASA Astrophysics Data System (ADS)

    Abd El Salam, S.; Maniatis, Y.

    2009-04-01

    The excavations of Gargaresc started in 1965 and were one of the most important archaeological sites in Tripoli because it includes a period of about 500 years starting from the 1stc. AD was and continuing until the 5th century AD. The Mithraic tomb is one of the most important outlying monuments of Oea, 200 yards south of the western end of Gargaresc oasis, on the left of the Tripoli-Zuara road between kilometers 5 & 6. The tomb is cut in an outcrop of soft sandstone. The wall paintings found were symbolic to the religion of that period; which contained a mixture of older religions and Christian, and presented the interaction between the artistic and religious elements of that time. Several optical, chemical and mineralogical methods were applied to identify the materials, composition and technology of the plasters and mortars, as well as, the pigments used in the tomb. These are: -OP: Optical microscopy was used as the initial examination of polished cross-sections to identify the structure and microstratigraphy of the plasters and mortars as well as the painted layers. -MCT: Micro-chemical tests were used to identify the type of the plasters and mortars- calcium aluminium silicate and water-soluble salt to identify sulphates, chlorides, carbonates, nitrites and nitrates. -SM: Standard methods for chemical analysis to identify the quantitative and qualitative nature of the plasters and mortars and their mixture. -SEM & EDS: Analytical Scanning electron microscope with energy dispersive x-ray analysis system to examine the micrmorphology and determine the chemical composition of the plasters, pigments and the inclusions. -XRD: X-ray powder diffraction to identify the mineralogical composition of the plasters, mortars and pigments. On the bases of all the data obtained, it was possible to establish the nature of the plasters, mortars and their binder. The examination and analysis gave a full picture about the materials and the approximate ratio of amount of

  2. JANNAF 17th Propulsion Systems Hazards Subcommittee Meeting. Volume 1

    NASA Technical Reports Server (NTRS)

    Cocchiaro, James E. (Editor); Gannaway, Mary T. (Editor); Rognan, Melanie (Editor)

    1998-01-01

    Volume 1, the first of two volumes is a compilation of 16 unclassified/unlimited technical papers presented at the 17th meeting of the Joint Army-Navy-NASA-Air Force (JANNAF) Propulsion Systems Hazards Subcommittee (PSHS) held jointly with the 35th Combustion Subcommittee (CS) and Airbreathing Propulsion Subcommittee (APS). The meeting was held on 7 - 11 December 1998 at Raytheon Systems Company and the Marriott Hotel, Tucson, AZ. Topics covered include projectile and shaped charge jet impact vulnerability of munitions; thermal decomposition and cookoff behavior of energetic materials; damage and hot spot initiation mechanisms with energetic materials; detonation phenomena of solid energetic materials; and hazard classification, insensitive munitions, and propulsion systems safety.

  3. 17th Space Photovoltaic Research and Technology Conference

    NASA Technical Reports Server (NTRS)

    Jenkins, Phillip (Compiler)

    2002-01-01

    The 17th Space Photovoltaic Research and Technology (SPRAT XVII) Conference was held September 11-13, 2001, at the Ohio Aerospace Institute (OAI) in Cleveland, Ohio. The SPRAT conference, hosted by the Photovoltaic and Space Environments Branch of the NASA Glenn Research Center, brought together representatives of the space photovoltaic community from around the world to share the latest advances in space solar technology. This year's conference continued to build on many of the trends shown in SPRAT XVI; the use of new high-efficiency cells for commercial use and the development of novel array concepts such as Boeing's Solar Tile concept. In addition, new information was presented on space environmental interactions with solar arrays.

  4. 17th Space Photovoltaic Research and Technology Conference

    NASA Astrophysics Data System (ADS)

    Jenkins, Phillip

    2002-10-01

    The 17th Space Photovoltaic Research and Technology (SPRAT XVII) Conference was held September 11-13, 2001, at the Ohio Aerospace Institute (OAI) in Cleveland, Ohio. The SPRAT conference, hosted by the Photovoltaic and Space Environments Branch of the NASA Glenn Research Center, brought together representatives of the space photovoltaic community from around the world to share the latest advances in space solar technology. This year's conference continued to build on many of the trends shown in SPRAT XVI; the use of new high-efficiency cells for commercial use and the development of novel array concepts such as Boeing's Solar Tile concept. In addition, new information was presented on space environmental interactions with solar arrays.

  5. Biological Warfare Plan in the 17th Century—the Siege of Candia, 1648–1669

    PubMed Central

    Thalassinou, Eleni; Poulakou-Rebelakou, Effie; Hatzakis, Angelos

    2015-01-01

    A little-known effort to conduct biological warfare occurred during the 17th century. The incident transpired during the Venetian–Ottoman War, when the city of Candia (now Heraklion, Greece) was under siege by the Ottomans (1648–1669). The data we describe, obtained from the Archives of the Venetian State, are related to an operation organized by the Venetian Intelligence Services, which aimed at lifting the siege by infecting the Ottoman soldiers with plague by attacking them with a liquid made from the spleens and buboes of plague victims. Although the plan was perfectly organized, and the deadly mixture was ready to use, the attack was ultimately never carried out. The conception and the detailed cynical planning of the attack on Candia illustrate a dangerous way of thinking about the use of biological weapons and the absence of reservations when potential users, within their religious framework, cast their enemies as undeserving of humanitarian consideration. PMID:26894254

  6. Biological Warfare Plan in the 17th Century—the Siege of Candia, 1648–1669.

    PubMed

    Thalassinou, Eleni; Tsiamis, Costas; Poulakou-Rebelakou, Effie; Hatzakis, Angelos

    2015-12-01

    A little-known effort to conduct biological warfare occurred during the 17th century. The incident transpired during the Venetian–Ottoman War, when the city of Candia (now Heraklion, Greece) was under siege by the Ottomans (1648–1669). The data we describe, obtained from the Archives of the Venetian State, are related to an operation organized by the Venetian Intelligence Services, which aimed at lifting the siege by infecting the Ottoman soldiers with plague by attacking them with a liquid made from the spleens and buboes of plague victims. Although the plan was perfectly organized, and the deadly mixture was ready to use, the attack was ultimately never carried out. The conception and the detailed cynical planning of the attack on Candia illustrate a dangerous way of thinking about the use of biological weapons and the absence of reservations when potential users, within their religious framework, cast their enemies as undeserving of humanitarian consideration. PMID:26894254

  7. Biological Warfare Plan in the 17th Century—the Siege of Candia, 1648–1669.

    PubMed

    Thalassinou, Eleni; Tsiamis, Costas; Poulakou-Rebelakou, Effie; Hatzakis, Angelos

    2015-12-01

    A little-known effort to conduct biological warfare occurred during the 17th century. The incident transpired during the Venetian–Ottoman War, when the city of Candia (now Heraklion, Greece) was under siege by the Ottomans (1648–1669). The data we describe, obtained from the Archives of the Venetian State, are related to an operation organized by the Venetian Intelligence Services, which aimed at lifting the siege by infecting the Ottoman soldiers with plague by attacking them with a liquid made from the spleens and buboes of plague victims. Although the plan was perfectly organized, and the deadly mixture was ready to use, the attack was ultimately never carried out. The conception and the detailed cynical planning of the attack on Candia illustrate a dangerous way of thinking about the use of biological weapons and the absence of reservations when potential users, within their religious framework, cast their enemies as undeserving of humanitarian consideration.

  8. A Mediterranean derecho: Catalonia (Spain), 17th August 2003

    NASA Astrophysics Data System (ADS)

    López, J. Manuel

    2007-02-01

    At approximately 6:10 UTC in the morning of 17th August 2003, a squall line developed over south Catalonia (the northeast region of Spain). During the next 9 h, the squall moved rapidly northeast and crossed Catalonia and the French regions of Languedoc-Roussillon and Province, damaging and uprooting hundreds of trees and blocking trains in the region. Wind gusts reached were recoded up to 52 m/s with evidence of F2 intensity damage. This case study shows the characteristics of a derecho (widespread convectively induced windstorm). Radar observations of the evolving squall line show signatures often correlated with damaging surface winds, including: Bow echoes, Rear inflow notches, Rear inflow jets, Medium altitude radial convergence, Narrow gradient of very marked reflectivity, Development of isolated cells ahead of the convective line, A band of convection off the northern end of the line known as a "warm advection wing". When examining the different surface observations, satellite, radar imagery and cloud-to-ground lightning data, this case shows many similarities to those investigated in the United States. The derecho is a hybrid case, but has many characteristics of warm season derechoes. This emanates from a mesoscale convective complex (MCC) moving along a quasi-stationary, low-level thermal boundary in an environment characterized by high potential instability and relatively strong mid-tropospheric winds.

  9. Sukias House and its wall paintings: Reflection of English

    NASA Astrophysics Data System (ADS)

    Samanian, Kouros

    Sukias House is one of the Armenian noble houses located in New Julfa Neighbourhood in Isfahan city in Iran and belongs to the Safavid period (1501-1736 AD). European itineraries who visited Isfahan in 16th and 17th centuries, existed literatures and conservation reports on the Armenian buildings in New Julfa particularly on Sukias house in conjunction with condition survey and in situ examination of the paintings were the main tools to study the Sukias House and its paintings. This indicates a strong connection of the house to Armenian and English people at the time of the paintings and support idea of the involvement of the British ambassador and his Armenian translator in building of Sukias House. The existence of English and Armenian inscriptions indicates a strong connection between Armenian and English people in decorating of the house using wall painting. In addition, the depicting of Queen Elizabeth in a tableau on the external walls increases the likelihood of this house having belonged to the English ambassador in Isfahan during the Safavid period. Alternatively, it may be that English people working in Isfahan for the East India Company lived there.

  10. Study of aging in oil paintings by 1D and 2D NMR spectroscopy.

    PubMed

    Spyros, Apostolos; Anglos, Demetrios

    2004-09-01

    Nuclear magnetic resonance spectroscopy is proposed as an efficient analytical tool in the study of painted artworks. The binding medium from two original oil paintings, dated from the early 20th and the late 17th century, was studied via high-resolution 1D and 2D NMR, establishing the advanced state of hydrolysis and oxidation of the oil paint. Studies of the solvent-extractable component from model samples of various drying oils, raw oil paints, and aged oil paints allowed the definition of several markers based on the integral ratios of various chemical species present in the 1H and 13C NMR spectra. These markers are sensitive to hydrolytic and oxidative processes that reflect the extent of aging in oil paintings. The rapidity, simplicity, and nondestructive nature of the proposed analytical NMR methodology represents a great advantage, since the usually minute sample quantities available from original artwork can be subsequently analyzed further by other analytical techniques, if necessary. PMID:15373425

  11. Case study of IR reflectivity to detect and document the underdrawing of a 19 th century oil painting

    NASA Astrophysics Data System (ADS)

    Dinwiddie, R. B.; Dean, S. W.

    2006-04-01

    There are a number of paintings in the McClung collection [East Tennessee History Center] by East Tennessee artists of some notoriety. In the cleaning process, curators had noticed that a painting attributed to Lloyd Branson is actually painted over a previous painting or drawing. This underdrawing is only partially visible with the naked eye. Infrared Reflectography was used to detect and document the underdrawing. The top painting is oriented in the portrait direction with the subject being an American Civil War general by the name of John P. McCown. The underdrawing is oriented in the landscape direction with the subject being a mill scene, complete with a water wheel. Contrast optimization through the use of filters and spatial resolution enhancement by assembling a mosaic from a set of close-up images will be discussed.

  12. Non-invasive identification of traditional red lake pigments in fourteenth to sixteenth centuries paintings through the use of hyperspectral imaging technique

    NASA Astrophysics Data System (ADS)

    Vitorino, T.; Casini, A.; Cucci, C.; Melo, M. J.; Picollo, M.; Stefani, L.

    2015-11-01

    The present paper, which focuses on the identification of red lake pigments, in particular madder, brazilwood, and cochineal, addresses the advantages and drawbacks of using reflectance hyperspectral imaging in the visible and near-infrared ranges as a non-invasive method of discrimination between different red organic pigments in cultural heritage objects. Based on reconstructions of paints used in the period extending from the fourteenth to the sixteenth century, prepared with as far as possible historical accuracy, the analyses by means of visible/near-infrared reflectance hyperspectral imaging were carried out with the objective of understanding the most significant differences between these vegetal- and animal-based red lake pigments. The paper discusses the results that were obtained on four original Italian and North European paintings and compared with those from the paint reconstructions, in order to demonstrate how the hyperspectral imaging technique can be usefully and effectively applied to the identification and mapping of red lake pigments in painted surfaces of interest in the conservation field.

  13. Onoufrios, the famous XVI's century iconographer, creator of the ``Berati School'': studying the technique and materials used in wall paintings of inscribed churches

    NASA Astrophysics Data System (ADS)

    Pavlidou, E.; Arapi, M.; Zorba, T.; Anastasiou, M.; Civici, N.; Stamati, F.; Paraskevopoulos, K. M.

    2006-06-01

    The study of the materials and techniques employed for wall painting, complementing the information from historical and aesthetic data, contributes to the integrated knowledge of the iconographer and his period. In the 16th century, regarding the iconography in the former Byzantine area, besides the School of Crete and Francos Catelanos and his school, a third artistic personality who also created his own school, Onoufrios, appeared in central Albania and expanded his activity as a painter to northern Greece as well as nearby areas, such as Ohrid. Inscriptions documenting the works of Onoufrios are found in some of the churches that he decorated with wall paintings: “St. Apostles” (1547) Kastoria Greece, “St. Nicolas” Shelcan Albania, “St. Paraskevi” (1554), Valsh Albania, while are attributed to him the church of “St. Theodores” in Berati, Albania (before 1547) and others. He is one of the best icon painters of the whole Balkan region, and the best painter that has ever worked in Albanian territory. Onoufrios managed to combine the local painting tradition with the best tradition of the eastern (Paleologian) and western (Italian) schools, resulting in a realistic and natural depiction. He is the creator of the “Berati School” that expanded to other parts of the peninsula. His individual character can be distinguished in the work of his students: his son Nikolaos (who inherited his style in painting), Onoufrios from Cyprus, etc. Based on careful observations, we extracted number of paint samples from wall paintings of three of the above mentioned churches. Ground and paint layers were examined using micro-FTIR, Optical Microscopy, TXRF and SEM-EDS, to characterize materials and methods used by the artist to create these works. Our findings in each church are discussed and compared with the others in order to understand how and with what material and resources the painter worked and how he developed his technique. The presence of calcium

  14. Analytical imaging studies of the migration of degraded orpiment, realgar, and emerald green pigments in historic paintings and related conservation issues

    DOE PAGES

    Keune, Katrien; Mass, Jennifer; Mehta, Apurva; Church, Jonathan; Meirer, Florian

    2016-04-21

    Yellow orpiment (As2S3) and red–orange realgar (As4S4) photo-degrade and the nineteenth-century pigment emerald green (Cu(C2H3O2)2·3Cu(AsO2)2) degrades into arsenic oxides. Because of their solubility in water, arsenic oxides readily migrate and are found throughout the multi-layered paint system. The widespread arsenic migration has consequences for conservation, and this paper provides better insight into the extent of the problem. Five paint samples containing orpiment, realgar or emerald green pigments deriving from paintings by De Heem (17th C), Van Gogh (19th C), Rousseau (19th C), an unknown 17th C northern European artist and an Austrian painted cupboard (19th C) were investigated using SEM/EDX,more » imaging ATR-FTIR and arsenic (As) K–edge μ-XANES to obtain the spatial distribution and chemical speciation of arsenic in the paint system. In all of the samples investigated arsenic had migrated throughout the multi-layered paint structure of the art object, from support to varnish. Furthermore, As5+-species were found throughout the entire paint sample. We hypothesize that arsenic trioxide is first formed, dissolves in water, further oxidizes to arsenic pentaoxide, and then reacts with lead, calcium and other ions and is deposited in the paint system as insoluble arsenates. Since the degradation of arsenic pigments such as orpiment, realgar and emerald green occurs through a highly mobile intermediate stage, it not only affects the regions rich in arsenic pigments, but also the entire object, including substrate and top varnish layers. Furthermore, because of this widespread potential for damage, preventing degradation of arsenic pigments should be prioritized and conservators should minimize exposure of objects containing arsenic pigments to strong light, large fluctuations in relative humidity and water-based cleaning agents.« less

  15. [The cultural, economic and social context of Ramazzini's Diatriba in the second half of the 17th century--in memory of Pericle Di Pietro on occasion of the third centenary of the publication of the final edition of the Diatriba (Padua, 1713)].

    PubMed

    Franco, G

    2013-01-01

    The paper aims at analyzing the development of Ramazzini's train of thought in Diatriba within the cultural, economic and social context of the Duchy of Modena in the second half of the seventeenth century. The period was characterized by a deep recession affecting every aspect of life in the territory: culture was mostly at the service of the court's image, the economy, mainly based on agriculture, was in crisis and many crafts depended on the demands of the nobility. The culture of the Este court had, however, little influence on Ramazzini's ideas, whereas social and economic aspects were the stimulus to his experimentalism via observation. In this context, Ramazzini was an illuminated nonconformist, who analysed the vulnerability of the population with an anthropological approach that embraced individuals, environment, social and economic status. PMID:23879061

  16. Examining the ground layer of St. Anthony from Padua 19th century oil painting by Raman spectroscopy, scanning electron microscopy and X-ray diffraction

    NASA Astrophysics Data System (ADS)

    Vančo, Ľubomír; Kadlečíková, Magdaléna; Breza, Juraj; Čaplovič, Ľubomír; Gregor, Miloš

    2013-01-01

    In this paper we studied the material composition of the ground layer of a neoclassical painting. We used Raman spectroscopy (RS) as a prime method. Thereafter scanning electron microscopy combined with energy dispersive spectroscopy (SEM-EDS) and X-ray powder diffraction (XRD) were employed as complementary techniques. The painting inspected was of the side altar in King St. Stephen's Church in Galanta (Slovakia), signed and dated by Jos. Chr. Mayer 1870. Analysis was carried out on both covered and uncovered ground layers. Four principal compounds (barite, lead white, calcite, dolomite) and two minor compounds (sphalerite, quartz) were identified. This ground composition is consistent with the 19th century painting technique used in Central Europe consisting of white pigments and white fillers. Transformation of lead white occurred under laser irradiation. Subdominant Raman peaks of the components were measured. The observed results elucidate useful partnership of RS and SEM-EDS measurements supported by X-ray powder diffraction as well as possibilities and limitations of non-destructive analysis of covered lower layers by RS.

  17. Development of a nondestructive method for underglaze painted tiles--demonstrated by the analysis of Persian objects from the nineteenth century.

    PubMed

    Reiche, Ina; Röhrs, Stefan; Salomon, Joseph; Kanngiesser, Birgit; Höhn, Yvonne; Malzer, Wolfgang; Voigt, Friederike

    2009-02-01

    The paper presents an analytical method developed for the nondestructive study of nineteenth-century Persian polychrome underglaze painted tiles. As an example, 9 tiles from French and German museum collections were investigated. Before this work was undertaken little was known about the materials used in pottery at that time, although the broad range of colors and shades, together with their brilliant glazes, made these objects stand out when compared with Iranian ceramics of the preceding periods and suggested the use of new pigments, colorants, and glaze compositions. These materials are thought to be related to provenance and as such appropriate criteria for art-historical attribution. The analytical method is based on the combination of different nondestructive spectroscopic techniques using microfocused beams such as proton-induced X-ray emission/proton-induced gamma-ray emission, X-ray fluorescence, 3D X-ray absorption near edge structure, and confocal Raman spectroscopy and also visible spectroscopy. It was established to address the specific difficulties these objects and the technique of underglaze painting raise. The exact definition of the colors observed on the tiles using the Natural Color System helped to attribute them to different colorants. It was possible to establish the presence of Cr- and U-based colorants as new materials in nineteenth-century Persian tilemaking. The difference in glaze composition (Pb, Sn, Na, and K contents) as well as the use of B and Sn were identified as a potential marker for different workshops. PMID:19030848

  18. Development of a nondestructive method for underglaze painted tiles--demonstrated by the analysis of Persian objects from the nineteenth century.

    PubMed

    Reiche, Ina; Röhrs, Stefan; Salomon, Joseph; Kanngiesser, Birgit; Höhn, Yvonne; Malzer, Wolfgang; Voigt, Friederike

    2009-02-01

    The paper presents an analytical method developed for the nondestructive study of nineteenth-century Persian polychrome underglaze painted tiles. As an example, 9 tiles from French and German museum collections were investigated. Before this work was undertaken little was known about the materials used in pottery at that time, although the broad range of colors and shades, together with their brilliant glazes, made these objects stand out when compared with Iranian ceramics of the preceding periods and suggested the use of new pigments, colorants, and glaze compositions. These materials are thought to be related to provenance and as such appropriate criteria for art-historical attribution. The analytical method is based on the combination of different nondestructive spectroscopic techniques using microfocused beams such as proton-induced X-ray emission/proton-induced gamma-ray emission, X-ray fluorescence, 3D X-ray absorption near edge structure, and confocal Raman spectroscopy and also visible spectroscopy. It was established to address the specific difficulties these objects and the technique of underglaze painting raise. The exact definition of the colors observed on the tiles using the Natural Color System helped to attribute them to different colorants. It was possible to establish the presence of Cr- and U-based colorants as new materials in nineteenth-century Persian tilemaking. The difference in glaze composition (Pb, Sn, Na, and K contents) as well as the use of B and Sn were identified as a potential marker for different workshops.

  19. Synthetic organic pigments of the 20th and 21st century relevant to artist's paints: Raman spectra reference collection

    NASA Astrophysics Data System (ADS)

    Scherrer, Nadim C.; Stefan, Zumbuehl; Francoise, Delavy; Annette, Fritsch; Renate, Kuehnen

    2009-08-01

    Some 170 organic pigments relevant to artist's paints have been collected from historic collections and modern manufacturers. The number includes multiples of the same pigment from different sources and comprises 118 different color indices (C.I.). All of them have been analysed with FTIR spectroscopy and 125 pigments (93 different C.I. No.s) of particular relevance to artist's paints have been characterised with Raman spectroscopy so far. The pigment collection encompasses the following pigment classes and subgroups: monoazo pigments represented by acetoacetic arylide yellow (hansa yellow), β-naphthol, BON, naphthol AS and benzimidazolone; disazo pigments with disazo condensation, diarylide, bisacetoacetarylide, pyrazolone; azo-azomethin metal complex pigments; non-azo, polycyclic pigments such as phthalocyanines, diketopyrrolo-pyrroles (DPP), perylenes and perinones, quinacridones, isoindolinones, polycarbocyclic anthraquinones and dioxanines. The selection of references was based on availability (historic collections) and current use in 16 acrylic, alkyd and oil-based artist's paints, and it covers pigment colors PY yellow (27 C.I. No.s), PR red (38), PO orange (9), PB blue (8), PV violet (6), PG green (3) and PBr brown (2). Besides peak tables and spectra patterns, flow charts based on color, pigment class, group and individual color index are presented to help identification of unknowns and mixed paint samples. While Raman could isolate all different C.I. numbers, multiple references of the same C.I. from different sources could not be distinguished.

  20. Using a 17th-Century Experiment as a Gateway to Critical Assessment of Scientific Reports

    ERIC Educational Resources Information Center

    Shodell, Michael

    2010-01-01

    It is certainly widely appreciated that there is much to be gained in the fertile crosstalk between science and history--whether bringing a historical perspective into the science classroom (Wieder, 2006) or a scientific perspective to the study of history (McElvaine, 2002; Smail, 2008). Perhaps the major impetus for using history in teaching…

  1. Chapter 8: the development of neurology and the neurological sciences in the 17th century.

    PubMed

    Isler, Hansruedi

    2010-01-01

    Circa 1660 several favorable factors, instrumental to the invention of neurology, converged at the University of Oxford. Animals and men were believed to have a material soul whose functions throughout the nervous system were accessible to research. In 1659 inductive methods were introduced in clinical medicine by Thomas Willis, the founder of English epidemiology and biochemistry. The Vertuosi,who later founded the Royal Society, performed chemical experiments in teams, and Willis, head of their laboratory, gained experience in teamwork. In 1658 J.J. Wepfer published his method of dye injection in cerebral vessels at autopsy, and Christopher Wren had already experimented with intravenous injections. William Petty had performed dissections at Leiden, training with Francis Sylvius's brain and comparative anatomy. Petty came to Oxford in 1650, began to study chemistry with Willis, and instructed him in Sylvius's methods of cerebral and comparative anatomy. Willis continued this work with a team of highly qualified colleagues, Wren included, and published the first monograph on brain anatomy, Cerebri anatome, in 1664. This Latin book, illustrated by Wren, came out in four editions in the first year, and was reprinted up to 1720. It contained a definition of reflex action, the recognition of the general functions of cortex, white matter, and brain tracts, a complete description of the autonomic nervous system, Willis's new term "Neurologia," and his promise to follow up with his "Psychologia." He presented the latter in 1672 as De anima brutorum, a book on the material soul of animals and man as the carrier of all functions of the nervous system. There was a physiological part, a textbook of neurophysiology, and a pathological part, a compendium of neurological and psychiatric syndromes, with early descriptions of myasthenia, restless legs, narcolepsy, dissociative and bipolar disease, and general paralysis of the insane. In 1667 he published a book on convulsive diseases, in which he described the blood-brain barrier, epileptic and hysterical brain disorders, and Parkinson's disease. Thus Willis recognized and presented the key themes of the future specialty.

  2. Genome-wide ancestry of 17th-century enslaved Africans from the Caribbean.

    PubMed

    Schroeder, Hannes; Ávila-Arcos, María C; Malaspinas, Anna-Sapfo; Poznik, G David; Sandoval-Velasco, Marcela; Carpenter, Meredith L; Moreno-Mayar, José Víctor; Sikora, Martin; Johnson, Philip L F; Allentoft, Morten Erik; Samaniego, José Alfredo; Haviser, Jay B; Dee, Michael W; Stafford, Thomas W; Salas, Antonio; Orlando, Ludovic; Willerslev, Eske; Bustamante, Carlos D; Gilbert, M Thomas P

    2015-03-24

    Between 1500 and 1850, more than 12 million enslaved Africans were transported to the New World. The vast majority were shipped from West and West-Central Africa, but their precise origins are largely unknown. We used genome-wide ancient DNA analyses to investigate the genetic origins of three enslaved Africans whose remains were recovered on the Caribbean island of Saint Martin. We trace their origins to distinct subcontinental source populations within Africa, including Bantu-speaking groups from northern Cameroon and non-Bantu speakers living in present-day Nigeria and Ghana. To our knowledge, these findings provide the first direct evidence for the ethnic origins of enslaved Africans, at a time for which historical records are scarce, and demonstrate that genomic data provide another type of record that can shed new light on long-standing historical questions.

  3. [Theriacs in charity books, during the 17th and the 18th centuries].

    PubMed

    Lafont, Olivier

    2010-10-01

    "Charity books" were books containing formulas of remedies, which were easy to prepare and not too expensive. Their purpose was to cure poor people who had not enough money to have access to official Medicine or who lived too far away from medicine doctors and apothecaries. They were then useful for charitable people such as country priests or charitable Ladies. Great Theriacs were very expensive and too difficult to prepare to be described in this kind of books for non-professional people. Simplified formulas were then proposed. They contained much less products and were quite cheaper. Some of these medicines are described in this article.

  4. Genome-wide ancestry of 17th-century enslaved Africans from the Caribbean

    PubMed Central

    Schroeder, Hannes; Ávila-Arcos, María C.; Malaspinas, Anna-Sapfo; Sandoval-Velasco, Marcela; Carpenter, Meredith L.; Moreno-Mayar, José Víctor; Sikora, Martin; Johnson, Philip L. F.; Allentoft, Morten Erik; Samaniego, José Alfredo; Haviser, Jay B.; Dee, Michael W.; Stafford, Thomas W.; Salas, Antonio; Orlando, Ludovic; Willerslev, Eske; Bustamante, Carlos D.; Gilbert, M. Thomas P.

    2015-01-01

    Between 1500 and 1850, more than 12 million enslaved Africans were transported to the New World. The vast majority were shipped from West and West-Central Africa, but their precise origins are largely unknown. We used genome-wide ancient DNA analyses to investigate the genetic origins of three enslaved Africans whose remains were recovered on the Caribbean island of Saint Martin. We trace their origins to distinct subcontinental source populations within Africa, including Bantu-speaking groups from northern Cameroon and non-Bantu speakers living in present-day Nigeria and Ghana. To our knowledge, these findings provide the first direct evidence for the ethnic origins of enslaved Africans, at a time for which historical records are scarce, and demonstrate that genomic data provide another type of record that can shed new light on long-standing historical questions. PMID:25755263

  5. Niels Stensen: a 17th century scientist with a modern view of brain organization.

    PubMed

    Parent, André

    2013-07-01

    In 1665 the Danish scholar Niels Stensen (1638-1686) reached Paris, where he pronounced a discourse on brain anatomy that was to orient neuroscientists for years to come. In his lecture, Stensen rejected ancient speculations about animal spirits and criticized René Descartes and his followers who, despite a poor knowledge of brain anatomy, elaborated complex models to explain the multifaceted function of what he considered the principal organ of the human mind. He advocated the need for studying the brain through a comparative, developmental and pathological convergent approach and called for appropriate dissection methods and accurate illustrations. His own careful anatomical studies permitted him to precisely depict many brain structures. After pioneering works in paleontology and geology, he devoted himself to theology. In 1677 Stensen converted from Lutheranism to Catholicism and, while working relentlessly as a bishop and apostolic vicar in Northern Europe, he died in self-imposed poverty at age 48.

  6. John Twysden and John Palmer: 17th-century Northamptonshire astronomers

    NASA Astrophysics Data System (ADS)

    Frost, M. A.

    2008-01-01

    John Twysden (1607-1688) and John Palmer (1612-1679) were two astronomers in the circle of Samuel Foster (circa 1600-1652), the subject of a recent paper in this journal. John Twysden qualified in law and medicine and led a peripatetic life around England and Europe. John Palmer was Rector of Ecton, Northamptonshire and later Archdeacon of Northampton. The two astronomers catalogued observations made from Northamptonshire from the 1640s to the 1670s. In their later years Twysden and Palmer published works on a variety of topics, often astronomical. Palmer engaged in correspondence with Henry Oldenburg, the first secretary of the Royal Society, on topics in astronomy and mathematics.

  7. Skin, muscle and joint disease from the 17th century: scurvy.

    PubMed

    Lau, Herman; Massasso, David; Joshua, Fredrick

    2009-12-01

    We report three cases of scurvy, with differing musculoskeletal presentations, from a tertiary teaching hospital in Sydney, Australia. Case 1 was a man with cerebral palsy who presented with knee swelling following a minor injury. In Case 2, a patient with thalassaemia major presented with purpuric rash, difficulty walking and distal thigh swelling and ecchymosis. Case 3 was a man with Down's syndrome who presented with acute ankle arthritis. Scurvy in Cases 1 and 3 were related to abnormal dietary preferences, whereas in Case 2, scurvy was thought to be related to thalassaemia. All three cases responded rapidly to vitamin C replacement. The subjects did not appear malnourished as they had adequate carbohydrate and protein intake.

  8. The Lecture as Experiential Education: The Cucumber in 17th-Century Flemish Art

    ERIC Educational Resources Information Center

    Blenkinsop, Sean; Nolan, Carrie; Hunt, Jasper; Stonehouse, Paul; Telford, John

    2016-01-01

    This article uses an unconventional format to problematize a common dichotomy found in the theory and practice of experiential education. The article comprises the contributions of five authors and begins with one author's description of a potential real-life scenario that provokes the question of whether an art history lecture might be understood…

  9. Genome-wide ancestry of 17th-century enslaved Africans from the Caribbean.

    PubMed

    Schroeder, Hannes; Ávila-Arcos, María C; Malaspinas, Anna-Sapfo; Poznik, G David; Sandoval-Velasco, Marcela; Carpenter, Meredith L; Moreno-Mayar, José Víctor; Sikora, Martin; Johnson, Philip L F; Allentoft, Morten Erik; Samaniego, José Alfredo; Haviser, Jay B; Dee, Michael W; Stafford, Thomas W; Salas, Antonio; Orlando, Ludovic; Willerslev, Eske; Bustamante, Carlos D; Gilbert, M Thomas P

    2015-03-24

    Between 1500 and 1850, more than 12 million enslaved Africans were transported to the New World. The vast majority were shipped from West and West-Central Africa, but their precise origins are largely unknown. We used genome-wide ancient DNA analyses to investigate the genetic origins of three enslaved Africans whose remains were recovered on the Caribbean island of Saint Martin. We trace their origins to distinct subcontinental source populations within Africa, including Bantu-speaking groups from northern Cameroon and non-Bantu speakers living in present-day Nigeria and Ghana. To our knowledge, these findings provide the first direct evidence for the ethnic origins of enslaved Africans, at a time for which historical records are scarce, and demonstrate that genomic data provide another type of record that can shed new light on long-standing historical questions. PMID:25755263

  10. Geodiversity and biodiversity interactions in the sand landscapes of the Netherlands on 19th and early 20th century landscape paintings

    NASA Astrophysics Data System (ADS)

    Jungerius, Pieter; van den Ancker, Hanneke

    2014-05-01

    Sand landscapes occupy about half of the territory of the Netherlands. Apart from an insignificant amount of Tertiary deposits, these sands are of Pleistocene and Holocene age. They include Saalian push moraines, Weichselian cover sands and Holocene drift sands. To these geological landscapes, cultural variants should be added such as the essen, i.e. a landscape with plaggen soils, and reclaimed lands (e.g. former moors). Not included are the coastal sands, which we dealt with in an earlier EGU contribution (van den Ancker & Jungerius 2012). Nature and man created a wide variety of sceneries that inspired painters in the 19th and early 20th century (Jungerius et al. 2012). Painter communities on the sandy soils flourished in Oosterbeek/Wolfheze, Laren/Blaricum, Nijkerk, Nunspeet/Elspeet, Hattem and Heeze. Many of the landscape paintings are found in the database of Simonis en Buunk that can be freely consulted on line (http//www.simonis&buunk.com). For this presentation we selected specimens that show geodiversity-biodiversity relationships, some of which have changed since. Painters of push moraines were attracted by the rolling terrain, the dry valleys and occasionally the colourful podzol soil profiles. Popular themes in the cover sands were the undulating relief and heathlands with herds of sheep, sandy footpaths and country roads with erosion phenomena. The dynamics of erosion captivated the painters of Holocene drift sand scenery, as did the bare fields of cultivated lands. Their paintings show the rural areas that since the beginning of the 20th century lost their traditional charm in large-scale re-allotment schemes and artificial nature-building project, that changed geodiversity-biodiversity relationships. Changes in the sandy terrains that can be inferred from the paintings are on a landscape scale, the scale of the landform and vegetation type, and are illustrated by changes in colour, pattern, structure and texture. Examples are: · active drift sands

  11. Non-Invasive Survey of Old Paintings Using Vnir Hyperspectral Sensor

    NASA Astrophysics Data System (ADS)

    Matouskova, E.; Pavelka, K.; Svadlenkova, Z.

    2013-07-01

    Hyperspectral imaging is relatively new method developed primarily for army applications with respect to detection of possible chemical weapon existence and as an efficient assistant for a geological survey. The method is based on recording spectral profile for many hundreds of narrow spectral band. The technique gives full spectral curve of explored pixel which is an unparalleled signature of pixels material. Spectral signatures can then be compared with pre-defined spectral libraries or they can be created with respect to application. A new project named "New Modern Methods of Non-invasive Survey of Historical Site Objects" started at CTU in Prague with the New Year. The project is designed for 4 years and is funded by the Ministry of Culture in the Czech Republic. It is focused on material and chemical composition, damage diagnostics, condition description of paintings, images, construction components and whole structure object analysis in cultural heritage domain. This paper shows first results of the project on painting documentation field as well as used instrument. Hyperspec VNIR by Headwall Photonics was used for this analysis. It operates in the spectral range between 400 and 1000 nm. Comparison with infrared photography is discussed. The goal of this contribution is a non-destructive deep exploration of specific paintings. Two original 17th century paintings by Flemish authors Thomas van Apshoven ("On the Road") and David Teniers the Younger ("The Interior of a Mill") were chosen for the first analysis with a kind permission of academic painter Mr. M. Martan. Both paintings oil painted on wooden panel. This combination was chosen because of the possibility of underdrawing visualization which is supposed to be the most uncomplicated painting combination for this type of analysis.

  12. Multivariate chemical mapping of pigments and binders in easel painting cross-sections by micro IR reflection spectroscopy.

    PubMed

    Rosi, Francesca; Federici, Arianna; Brunetti, Brunetto G; Sgamellotti, Antonio; Clementi, Sergio; Miliani, Costanza

    2011-03-01

    Paintings are composed of superimposed layers of inorganic and organic materials (pigments and binders). Knowledge of the stratigraphic sequence of these heterogeneous layers is fundamental for understanding the artist's painting technique and for conservation issues. In this study, micro-IR mapping experiments in reflection mode have been carried out on cross-sections taken from simulations of ancient easel paintings. The objective was to locate both organic binders and inorganic pigments. Chemical maps have been re-constructed using the common approach based on the integration of specific infrared bands. However, owing to the complexity of painting materials, this approach is not always applicable when dealing with broad and superimposed spectral features and with reststrahlen or derivative-like bands resulting from acquisition in reflection mode. To overcome these limitations, principal-component analysis has been successfully used for the re-construction of the image, extracting the relevant information from the complex full spectral data sets and obtaining reliable chemical distributions of the stratigraphy materials. Different pigment-binder combinations have been evaluated in order to understand limitations and strengths of the approach. Finally, the method has been applied for stratigraphic characterization of a cross-section from a 17th century wooden sculpture identifying both the original paint layer and the several overpaintings constituting the complex stratigraphy.

  13. Monet's painting under the microscope.

    PubMed

    Dredge, Paula; Wuhrer, Richard; Phillips, Matthew R

    2003-04-01

    An oil painting by Claude Monet, Port-Goulphar, Belle-Ile 1887 (collection of the Art Gallery of New South Wales), was examined to determine both the identity of the pigments used by the artist in this painting and his technique of mixing colors and laying paint on the canvas. The extremely complex construction of the painting was revealed by optical microscopy, scanning electron microscopy (SEM), energy dispersive X-ray analysis (EDS), and X-ray mapping (XRM) analysis of cross sections of paint flakes excised from damaged regions of Port-Goulphar, Belle-Ile. Nine different pigments were found on the painting. Many of the identified colors were modern pigments that became available only late in the 19th century as a result of scientific advances in pigment chemistry. Although similar colors were available in a natural mineral form, they lacked the vivid color of their manufactured counterparts. The use of these new synthetic metallic oxide colors by Monet accounts for the brilliance of his paintings. In addition, a separation between successive paint layers was observed in some areas of paint chip cross sections, indicating that oil-based paint was applied to paint that had dried, and consequently, Port-Goulphar, Belle-Ile was painted over a long period of time. This observation is contrary to the general perception of Monet's technique of painting freely and quickly. PMID:12639239

  14. Monet's Painting under the Microscope

    NASA Astrophysics Data System (ADS)

    Dredge, Paula; Wuhrer, Richard; Phillips, Matthew R.

    2003-04-01

    An oil painting by Claude Monet, Port-Goulphar, Belle-Ile 1887 (collection of the Art Gallery of New South Wales), was examined to determine both the identity of the pigments used by the artist in this painting and his technique of mixing colors and laying paint on the canvas. The extremely complex construction of the painting was revealed by optical microscopy, scanning electron microscopy (SEM), energy dispersive X-ray analysis (EDS), and X-ray mapping (XRM) analysis of cross sections of paint flakes excised from damaged regions of Port-Goulphar, Belle-Ile. Nine different pigments were found on the painting. Many of the identified colors were modern pigments that became available only late in the 19th century as a result of scientific advances in pigment chemistry. Although similar colors were available in a natural mineral form, they lacked the vivid color of their manufactured counterparts. The use of these new synthetic metallic oxide colors by Monet accounts for the brilliance of his paintings. In addition, a separation between successive paint layers was observed in some areas of paint chip cross sections, indicating that oil-based paint was applied to paint that had dried, and consequently, Port-Goulphar, Belle-Ile was painted over a long period of time. This observation is contrary to the general perception of Monet's technique of painting freely and quickly.

  15. The genesis of Jan Steens painting “As the old ones sing, so the young ones pipe” from the Gemäldegalerie Berlin

    NASA Astrophysics Data System (ADS)

    Denker, A.; Kleinert, K.; Laurenze-Landsberg, C.; Reimelt, M.; Schröder-Smeibidl, B.

    2011-09-01

    In collaboration with the research reactor of the Helmholtz-Zentrum Berlin für Materialien und Energie, the Gemäldegalerie Berlin is the only institute worldwide, which systematically employs the method of Neutron-Activation-Autoradiography to analyze paintings and painting techniques. To date more than 70 paintings were investigated with this effective, non-destructive, and exceptional method. It allows the visualization of structures and layers beneath the top surface and, in addition, enables the identification of elements contained in the pigments. The instrument B8 at the research reactor BER II is dedicated to this research. Jan Steen is one of the prolific artists from the 17th century. Like other artists from that time he produced several versions of one specific topic during life-time. The topic "As the old ones sing, so the young ones pipe" was painted by Jan Steen in 13 versions. The painting from the Gemäldegalerie is an exception in this series as it differs in style and content from the other oeuvres. The question arises: why did the artist deviate from his usual scheme? The possible answer is provided by X-ray images and neutron autoradiographs made of the painting, allowing insight into hidden paint layers and, therefore, in the genesis of the painting. Jan Steen did not simply change the composition of the room and the figures. He originally intended an altogether different topic. Assumedly it was supposed to be a so-called merry company, located in a generous, stately room. Many pieces of this sophisticated ambiance have been eliminated from the version visible today; others were modified and integrated into the composition of the new painting. Thus, Jan Steen commenced the topic "As the old ones sing, so the young ones pipe" from a different context.

  16. Mosquito Vector Control and Biology in Latin America - A 17th Symposium

    Technology Transfer Automated Retrieval System (TEKTRAN)

    The 17th Annual Latin America American symposium presented by the American Mosquito Control Association (AMCA) was held as part of the 73rd Annual Meeting in Orlando, FL, in April 2007. The principal objective, as for the previous 16 symposia, was to promote participation in the AMCA by vector cont...

  17. Computers in Libraries Annual Conference (17th, Washington, DC, March 13-15, 2002): Collected Presentations.

    ERIC Educational Resources Information Center

    Nixon, Carol, Comp.

    This book contains presentations from the 17th annual Computers in Libraries Conference. Topics covered include: chatting with a librarian; verbots for library Web sites; collaborative IT (Information Technology) planning at Montgomery County Public Library (Maryland); designing a local government taxonomy; Weblogs; new roles for librarians in…

  18. The drama of illumination: artist's approaches to the creation of HDR in paintings and prints

    NASA Astrophysics Data System (ADS)

    Parraman, Carinna

    2010-02-01

    For many centuries artists have considered and depicted illumination in art, from the effect of sunlight on objects at different times of the day, of shadows and highlights as cast by the moon, through indirect light as that through an open window or the artificial light of the candle or firelight. The presentation will consider artists who were fascinated by the phenomena of natural and artificial illumination and how they were able to render the natural world as a form of dynamic range through pigment. Artists have been long aware of the psychological aspects of the juxtaposition of colour in exploiting the optical qualities and arranging visual effects in painting and prints. Artists in the 16th century were attempting to develop an extended dynamic range through multi-colour, wood-block printing. Artists working at the height of naturalist realism in the 17th through the 19th century were fascinated by the illusory nature of light on objects. The presentation will also consider the interpretation of dynamic range through the medium of mezzotint, possibly the most subtle of printing methods, which was used by printers to copy paintings, and to create highly original works of art containing a dynamic range of tones.

  19. Characterization of porosity in a 19th century painting ground by synchrotron radiation X-ray tomography

    NASA Astrophysics Data System (ADS)

    Gervais, Claire; Boon, Jaap J.; Marone, Federica; Ferreira, Ester S. B.

    2013-04-01

    The study of the early oeuvre of the Swiss painter Cuno Amiet (1868-1961) has revealed that, up to 1907, many of his grounds were hand applied and are mainly composed of chalk, bound in protein. These grounds are not only lean and absorbent, but also, as Synchrotron radiation X-ray microtomography has shown, porous. Our approach to the characterization of pore structure and quantity, their connectivity, and homogeneity is based on image segmentation and application of a clustering algorithm to high-resolution X-ray tomographic data. The issues associated with the segmentation of the different components of a ground sample based on X-ray imaging data are discussed. The approach applied to a sample taken from "Portrait of Max Leu" (1899) by Amiet revealed the presence of three sublayers within the ground with distinct porosity features, which had not been observed optically in cross-section. The upper and lower layers are highly porous with important connectivity and thus prone to water uptake/storage. The middle layer however shows low and nonconnected porosity at the resolution level of the X-ray tomography images, so that few direct water absorption paths through the entire sample exist. The potential of the method to characterize porosity and to understand moisture-related issues in paint layer degradation are discussed.

  20. John Stirling and the Classical Approach to Style in 18th Century England.

    ERIC Educational Resources Information Center

    Moran, Michael G.

    Most 18th-century rhetoricians viewed style as the expression of a writer's individual character and thought, placing little emphasis on the lists of figures common in many 17th-century rhetorics. John Stirling and others, however, continued the 17th-century tradition that reduced rhetoric largely to style and emphasized classical figures of…

  1. Use of the LIBS method in oil paintings examination based on examples of analyses conducted at the Wilanow Palace Museum

    NASA Astrophysics Data System (ADS)

    Modzelewska, ElŻbieta; Pawlak, Agnieszka; Selerowicz, Anna; Skrzeczanowski, Wojciech; Marczak, Jan

    2013-05-01

    This paper describes the preliminary results of a study of the paint layers in 17th-century paintings belonging to the collection of the Wilanow Palace Museum. The works chosen for examination are of great importance to the Museum, as they might have been painted by court artists of King John III Sobieski. The aim of the study was therefore to determine the technological structure of the paintings, to determine the scope of conservation interventions and, above all, to gather comparative material that would serve to conduct further multidisciplinary attributive research. The presentation relates to studies in which laser-induced breakdown spectroscopy (LIBS) and optical microscopy were used as diagnostic tools. LIBS is based on the evaporation of a small amount of the material under investigation, and the generation of plasma which emits continuum and line radiation. The analysis of line radiation allows us to identify the elements appearing in the sample being investigated. The microscope pictures were taken using a Bresser Digital Hand Micro 1.3Mpx and the Hirox 8700 microscopes. The results obtained have confirmed the utility of the LIBS method in the study of artworks. They have also proven that it can be used as a method to complement microchemical analysis, as well as an method to identify and examine artworks from which samples cannot be taken, as it is micro-destructive and the analysis can be conducted directly on the object, without the need to take samples.

  2. 17th Edition of TOP500 List of World's Fastest SupercomputersReseased

    SciTech Connect

    Strohmaier, Erich; Meuer, Hans W.; Dongarra, Jack J.; Simon,Horst D.

    2001-06-21

    17th Edition of TOP500 List of World's Fastest Supercomputers Released MANNHEIM, GERMANY; KNOXVILLE, TENN.; BERKELEY, CALIF. In what has become a much-anticipated event in the world of high-performance computing, the 17th edition of the TOP500 list of the world's fastest supercomputers was released today (June 21). The latest edition of the twice-yearly ranking finds IBM as the leader in the field, with 40 percent in terms of installed systems and 43 percent in terms of total performance of all the installed systems. In second place in terms of installed systems is Sun Microsystems with 16 percent, while Cray Inc. retained second place in terms of performance (13 percent). SGI Inc. was third both with respect to systems with 63 (12.6 percent) and performance (10.2 percent).

  3. 17th Workshop on Crystalline Silicon Solar Cells and Modules: Materials and Processes; Workshop Proceedings

    SciTech Connect

    Sopori, B. L.

    2007-08-01

    The National Center for Photovoltaics sponsored the 17th Workshop on Crystalline Silicon Solar Cells & Modules: Materials and Processes, held in Vail, CO, August 5-8, 2007. This meeting provided a forum for an informal exchange of technical and scientific information between international researchers in the photovoltaic and relevant non-photovoltaic fields. The theme of this year's meeting was 'Expanding Technology for a Future Powered by Si Photovoltaics.'

  4. Mathematics and Mathematicians at Sapienza University in Rome (XVII-XVIII Century)

    ERIC Educational Resources Information Center

    Favino, Federica

    2006-01-01

    This article introduces some data regarding the teaching of mathematics in "La Sapienza" in the 17th century, with particular reference to the discipline's role in the statutes, the lecturers, the courses' programmes, the interest that Popes took in it. Specifically, it will focus on the changes that occured at the end of the 17th century, with…

  5. The identification of the pigments used to paint statues of Feixiange Cliff in China in late 19th century by micro-Raman spectroscopy and scanning electron microscopy/energy dispersive X-ray analysis

    NASA Astrophysics Data System (ADS)

    Jin, Pu-jun; Huang, Wei; Jianhua-Wang; Zhao, Gang; Wang, Xiao-ling

    2010-11-01

    The application of micro-Raman spectroscopy (μ-RS) and scanning electron microscopy (SEM)/energy dispersive X-ray spectrometer (EDS) to the research of pigments collected from Statues of Feixiange Cliff No. 67 and No. 69 niche of Tang Dynasty in China is reported. Five kinds of pigments were found in the experimental data, including black (carbon), white (gypsum + quartz), blue (lapis lazuli) and green (Paris green + Barium sulphate). After synthesized in 1814, Paris green was reported for a large import as a light and bright green pigment to paint architectures in China from the late 19th century. The analyzed blue pigment demonstrated the similar Raman spectra to the Lâjvardina blue glazed ceramics, which indicated lapis lazuli was an artificial product. This confirmed the painting of Feixiange Cliff in the early Republic of China as the historical record, and also reveals that some pigments were imported from abroad.

  6. 5. Photocopy of painting by Frank H. Taylor showing the ...

    Library of Congress Historic Buildings Survey, Historic Engineering Record, Historic Landscapes Survey

    5. Photocopy of painting by Frank H. Taylor showing the south part of the square, looking west. Painting, early 20th century - Washington Square Area Study, Sixth, Seventh, Walnut & Locust Streets, Philadelphia, Philadelphia County, PA

  7. Painted Pickup.

    ERIC Educational Resources Information Center

    Wheeler, Kimberly

    2001-01-01

    Discusses a six week art class project for elementary school children that lasted for six weeks. Explains that the students painted sunflowers in the style of Vincent van Gogh over the rust spots of a pickup truck. Reports that the painting served as great publicity for the art classes. (CMK)

  8. Monster Paintings

    ERIC Educational Resources Information Center

    Huggler, Silvia

    2010-01-01

    In this article, the author describes a unit on monsters wherein students were charged with painting an imaginary character and, in so doing, demonstrated mastery of expression, organization of space, control of paint media, and application of the elements of art. Students discovered how color and line could be used to convey expression. The media…

  9. Face Painting.

    ERIC Educational Resources Information Center

    Brooks, Diana

    1995-01-01

    Discusses the use of face painting as a technique for making the endangered species issue tangible for children while addressing the complexity of the issue. Children are "given" an animal of their own and are educated about the animal while having their faces painted to resemble the animal. (LZ)

  10. Painted Rhythms.

    ERIC Educational Resources Information Center

    Bastian, Duane

    1985-01-01

    In this art activity gifted students, ages 10 to 13, learn about internal and external rhythms and make a painting of an internal rhythm. The lesson can be expanded with a discussion of Kandinsky, Pollock, and other painters who have painted sound or have demonstrated rhythms. (RM)

  11. TH17, TH22 and TReg Cells Are Enriched in the Healthy Human Cecum

    PubMed Central

    Wolff, Martin J.; Leung, Jacqueline M.; Davenport, Michael; Poles, Michael A.; Cho, Ilseung; Loke, P'ng

    2012-01-01

    There is increasing evidence that dysregulation of CD4+ T cell populations leads to intestinal inflammation, but the regional distribution of these populations throughout the intestinal tract in healthy individuals remains unclear. Here, we show that TH17, TH22 and TReg cells are enriched in the healthy human cecum compared to the terminal ileum and sigmoid colon, whereas TH1 and TH2 cells do not significantly vary by location. Transcriptional profiling analysis of paired pinch biopsies from different regions of the intestine identified significant differences in the metabolic state of the terminal ileum, cecum, and sigmoid colon. An increased proportion of TH17 cells was positively associated with expression of resistin (RETN) and negatively associated with expression of trefoil factor 1 (TFF1). These results suggest that CD4+ T helper cells that are important in maintaining mucosal barrier function may be enriched in the cecum as a result of metabolic differences of the surrounding microenvironment. PMID:22829946

  12. Forming, transfer and globalization of medical-pharmaceutical knowledge in South East Asian missions (17th to 18th c.) - historical dimensions and modern perspectives.

    PubMed

    Anagnostou, Sabine

    2015-06-01

    From the 17th to the 18th centuries, missionaries in Southeast Asia dedicated themselves to providing and establishing a professional medical-pharmaceutical supply for the local population and therefore explored the genuine Materia medica for easily available and affordable remedies, especially medicinal plants. In characteristic medical-pharmaceutical compendia, which can be classified as missionary pharmacopoeias, they laid down their knowledge to advise others and to guarantee a professional health care. As their knowledge often resulted from an exchange with indigenous communities, these compendia provide essential information about traditional plant uses of Southeast Asian people. Individual missionaries such as the Jesuit Georg Joseph Kamel (1661-1706) not only strove to explore medicinal plants but performed botanical studies and even composed comprehensive herbals. The Jesuit missionaries in particular played roles in both the order's own global network of transfer of medicinal drugs and knowledge about the application, and within the contemporary local and European scientific networks which included, for example, the famous Royal Society of London. The results of their studies were distributed all over the world, were introduced into the practical Materia medica of other regions, and contributed significantly to the academization of knowledge. In our article we will explain the different intentions and methods of exploring, the resulting works and the consequences for the forming of the pharmaceutical and scientific knowledge. Finally, we will show the options which the works of the missionaries can offer for the saving of traditional ethnopharmacological knowledge and for the development of modern phytotherapeutics and pharmaceutical supply. The publication is based on a comprehensive study on the phenomenon of missionary pharmacy which has been published as a book in 2011 (Anagnostou, 2011a) and shows now the potential of historical medical

  13. Forming, transfer and globalization of medical-pharmaceutical knowledge in South East Asian missions (17th to 18th c.) - historical dimensions and modern perspectives.

    PubMed

    Anagnostou, Sabine

    2015-06-01

    From the 17th to the 18th centuries, missionaries in Southeast Asia dedicated themselves to providing and establishing a professional medical-pharmaceutical supply for the local population and therefore explored the genuine Materia medica for easily available and affordable remedies, especially medicinal plants. In characteristic medical-pharmaceutical compendia, which can be classified as missionary pharmacopoeias, they laid down their knowledge to advise others and to guarantee a professional health care. As their knowledge often resulted from an exchange with indigenous communities, these compendia provide essential information about traditional plant uses of Southeast Asian people. Individual missionaries such as the Jesuit Georg Joseph Kamel (1661-1706) not only strove to explore medicinal plants but performed botanical studies and even composed comprehensive herbals. The Jesuit missionaries in particular played roles in both the order's own global network of transfer of medicinal drugs and knowledge about the application, and within the contemporary local and European scientific networks which included, for example, the famous Royal Society of London. The results of their studies were distributed all over the world, were introduced into the practical Materia medica of other regions, and contributed significantly to the academization of knowledge. In our article we will explain the different intentions and methods of exploring, the resulting works and the consequences for the forming of the pharmaceutical and scientific knowledge. Finally, we will show the options which the works of the missionaries can offer for the saving of traditional ethnopharmacological knowledge and for the development of modern phytotherapeutics and pharmaceutical supply. The publication is based on a comprehensive study on the phenomenon of missionary pharmacy which has been published as a book in 2011 (Anagnostou, 2011a) and shows now the potential of historical medical

  14. Diagnosis of materials and effectiveness of Er:YAG laser cleaning as complementary treatment in a panel painting attributed to Lluís Borrassà (fifteenth century)

    NASA Astrophysics Data System (ADS)

    Andreotti, Alessia; Brown, William P.; Camaiti, Mara; Colombini, Maria Perla; DeCruz, Adele

    2016-06-01

    A fifteenth-century panel painting by Lluís Borrassà (1360-1425) was the object of a restoration at the North Carolina Museum of Art. A multi-analytical approach based on Fourier transform infrared spectroscopy (FTIR), scanning electron microscopy and gas chromatography-mass spectrometry (GC/MS) also coupled with a pyrolyzer was used to investigate the origin of the darkened coating obscuring the work of art in order to find a proper cleaning procedure. The results evidenced the presence of different restoration materials that constituted the superficial patina, which was difficult to remove by conventional solvent cleaning methods. The Er:YAG laser operating at 2.94 μm was tested as an innovative alternative method to the traditional solvent mixture and gels. Because of the presence of multilayers of over-painting and restoration materials, the Er:YAG laser also proved beneficial as a nondestructive and selective sampling tool. The organic material was collected by positioning a microscope glass coverslip (15 × 15 mm) on the painting surface, followed with laser ablation that removed the material, which condensed on the glass that was then submitted for the FTIR and GC-MS analyses. The acquired new knowledge of the characterized materials and optimization of the cleaning methods guided the conservators to choose the best restoration conditions and perform a safe and successful cleaning of the painting especially the blue pigment, which was covered with intractable restoration material. The Er:YAG was an efficient and safe method to remove these materials.

  15. Microscale radiocarbon dating of paintings

    NASA Astrophysics Data System (ADS)

    Hendriks, Laura; Hajdas, Irka; McIntyre, Cameron; Küffner, Markus; Scherrer, Nadim C.; Ferreira, Ester S. B.

    2016-03-01

    In this paper, radiocarbon dating of paintings using minimal sample sizes has been investigated, in an effort to address the problem of limited access to sample material in paintings. 14C analyses were conducted on signed and dated paintings from two Swiss artists of the twentieth century. The selected paintings dated from the 1930s and 1960s, provided the opportunity to evaluate the dating accuracy on paintings realized before and after 1950 AD when the 14C bomb peak was created, as a result of the nuclear tests conducted in the 1950/1960s. The work focused on the one hand on minimizing the size of the canvas sample required for accelerator mass spectrometer radiocarbon measurement on the gas ion source of the MICADAS and, on the other hand, on testing the possibility of dating the organic binder of the paint. Following careful characterization of the paint composition by X-ray fluorescence spectroscopy, Fourier transformed infrared spectroscopy, and Raman spectroscopy, paints containing no other carbon source than the natural organic binder were identified and dated.

  16. IPMC paints

    NASA Astrophysics Data System (ADS)

    Park, Il-Seok; Tiwari, Rashi; Kim, Kwang J.

    2008-03-01

    In this paper we are reporting a newely developed IPMC fabrication method, "IPMC Paint", which can be directly sprayed onto any complex surface. In order to fabricate the IPMC paint, liquid Nafion TM was used for the ionic conducting polymer instead of the typical film/sheet type Nafion TM. The viscosity of liquid Nafion TM was adjusted by adding Polyvinylpyrrolidone (PVP) to perform spray painting. Modified Nafion was sprayed onto the conducting substrate, Polyfoil TM which acts as base electrode layer. After three times spraying, ionic polymer layer has 45 μm thickness and 10 μm of surface roughness. Sensing tests show that IPMC paint sensor has more sensitivity (+/- 0.06 of producing voltage) than that of the typical IPMC (+/- 0.005 of producing voltage) when dynamic bending with 10 Hz frequency and 1.3 cm of displacement is applied to.

  17. Space Paint

    NASA Technical Reports Server (NTRS)

    1976-01-01

    Developed at Goddard, this improved inorganic paint may help protect coastal bridges subject to extreme corrosion from seawater spray. Potassium silicate formulated into a thin waterbase binder that sprays easily, adheres readily, and can be heavily loaded with zinc particles to provide uniform coverage in a single coat. Stanford Research Institute has measured an annual market in excess of $2 billion in painting highway bridges, utility pipelines, nuclear reactors, and railcar hoppers. Other suitable markets include offshore drilling facilities, railroad bridges, and ships.

  18. [Fermentation as the origin of life: discussions on blood in Italy in the late 17th century].

    PubMed

    Conforti, Maria

    2003-01-01

    The article examines the correspondence (1701) between the Neapolitan mathematician Giacinto De Cristofaro and Domennico Guglielmini, professor of theoretical medicine at Padua, on the role of blood and on the fermentative process in the 'origin' of life. The discussion is set against the background of the lively Italian medical debates and experimentations on the function and composition of the blood. Works by Marcello Malpighi, Giacomo Sandri, Giovanni Maria Lancisi, Giorgio Baglivi, Giovanbattista Morgagni and Nicola Cirillo - all of them taking into account Robert Boyle's Natural History of the Blood (1683-4) - show that blood composition and heart motion were described in different ways, ranging from the adoption of chemical theories and experimentation to that of strictly mechanical explanations. Different positions about the role of the blood and of its fermentative motion reflect different views about the relationship between matter and life.

  19. [The health of cardinal Gaston de Rohan. The sickness, the diplomat in the noble class of the 17th century?].

    PubMed

    Muller, Claude

    2011-01-01

    The few elements concerning health and medicine discovered during the exhaustive study of the numerous documents evoking the Rohan family are presented here. They concern essentially Gaston de Rohan (1674-1749). Born in Paris the 27th of June 1674, son of François de Rohan, Prince of Soubise, lieutenant-general of the French royal army, and of Anne Julienne de Rohan-Chabot, Gaston de Rohan was elected canon of the great-chapter in Strasbourg in 1690, then coadjutor of the Prince-bishop of Strasbourg in 1701. He became Prince-bishop of Strasbourg in 1704 and cardinal in 1712. He died in Paris the 19th of July 1749. The "gout" of the cardinal is omnipresent in the life of this man of the Church. Moreover, gout imposes upon the life of this statesman, preventing him from going to a given place which doesn't fill him with enthusiasm. His gout also allows to impose etiquette, since it obliges to go at the cardinal place, who receives. The illness becomes non diplomatic, but diplomacy. PMID:22400474

  20. 17th-Century Author Celebrated in Latin America Begins to Win the Attention of U.S. Scholars.

    ERIC Educational Resources Information Center

    Paul, Angus

    1988-01-01

    Increasing attention to women writers and to Latin American literature has helped focus attention on Sor Juana Ines de la Cruz, a nun who produced some of the most important poetry and prose of the 1600s. Her greatness is seen in the abundance, variety, and excellence of her writing. (Author/MSE)

  1. Spatial-temporal analysis on climate variation in early Qing dynasty (17th -18th century) using China's chronological records

    NASA Astrophysics Data System (ADS)

    Lin, Kuan-Hui Elaine; Wang, Pao-Kuan; Fan, I.-Chun; Liao, Yi-Chun; Liao, Hsiung-Ming; Pai, Pi-Ling

    2016-04-01

    Global climate change in the form of extreme, variation, and short- or mid-term fluctuation is now widely conceived to challenge the survival of the human beings and the societies. Meanwhile, improving present and future climate modeling needs a comprehensive understanding of the past climate patterns. Although historical climate modeling has gained substantive progress in recent years based on the new findings from dynamical meteorology, phenology, or paleobiology, less known are the mid- to short-term variations or lower-frequency variabilities at different temporal scale and their regional expressions. Enabling accurate historical climate modeling would heavily rely on the robustness of the dataset that could carry specific time, location, and meteorological information in the continuous temporal and spatial chains. This study thus presents an important methodological innovation to reconstruct historical climate modeling at multiple temporal and spatial scales through building a historical climate dataset, based on the Chinese chronicles compiled in a Zhang (2004) edited Compendium of Chinese Meteorological Records of the Last 3,000 Years since Zhou Dynasty (1100BC). The dataset reserves the most delicate meteorological data with accurate time, location, meteorological event, duration, and other phonological, social and economic impact information, and is carefully digitalized, coded, and geo-referenced on the Geographical Information System based maps according to Tan's (1982) historical atlas in China. The research project, beginning in January 2015, is a collaborative work among scholars across meteorology, geography, and historical linguistics disciplines. The present research findings derived from the early 100+ years of the Qing dynasty include the following. First, the analysis is based on the sampling size, denoted as cities/counties, n=1398 across the Mainland China in the observation period. Second, the frequencies of precipitation, cold-warm temperature, flood and drought with an index of social unrest are counted in an interval of a year, five years, ten years, and twenty years to gain their running mean(s) for every cites/counties to depict their temporal variations. Third, the cities and counties are divided into seven zones based on their meteorological and geographical characteristics, in order to interpret the regional expressions of the climate variations. Finally, the Ordinary Least Square regression model is used to estimate the coefficients among precipitation, temperature, flood and drought. Significantly, it is found that in general all these indices fluctuated in past 100+ years. However, the occurrence of drought and flood all have significant correlation with lower (colder) temperature (P=0.00) and also with precipitation (P<0.05). This implies that cold temperature tends to have higher meteorological extremes, and both flood and drought can occur approximately in the same year with abundant precipitation at different time. Among seven geographical zones, North China is found more vulnerable to the temperature changes considering these extreme weathers. Temperature change in Central and South China however are less significant. Central China on the other hand is more sensitive to the precipitation that are both correlated with drought and flood.

  2. [The apothecaries of the rue de l'Arbre-Sec in Paris in the 17th century].

    PubMed

    Warolin, Christian

    2014-06-01

    The mud tax imposed by the king in 1637 to pay for street-cleaning is a useful tool for identifying the people who were liable for the tax, their profession, and whether they were owners or tenants. The survey of the Rue de l'Arbre-Sec, a very old street in Paris close to the Louvre, reveals that seven apothecaries lived there in 1637. Two of them were particularly important: Hiérosme Lambert, who had an apothecary'shop near the church of Saint-Germain-l'Auxerrois, and Michel Dansse, apothecary to Queen Anne of Austria. The two families established links through the marriage of Marie Lambert, the daughter of Hiérosme Lambert and Marie Gauche, to Michel Dansse. One of their sons, Jean Dansse, was also apothecary to Anne of Austria and then to Queen Marie-Thérèse.

  3. 17TH Century Photometric Data in the Form of Telescopic Measurements of the Apparent Diameters of Stars by Johannes Hevelius

    NASA Astrophysics Data System (ADS)

    Graney, Christopher M.

    The book Mercurius in Sole Visus Gedani published in 1662 by Johannes Hevelius contains a table of magnitudes and apparent telescopic diameters of nineteen stars. The data fit to a simple model, suggesting that Hevelius produced what is essentially a table of surprisingly precise photometric data.

  4. An Example of Health Education in the Early 17th Century: "Naturall and Artificial Directions for Health" by William Vaughan

    ERIC Educational Resources Information Center

    Charlton, Anne

    2005-01-01

    In 1600, William Vaughan, a Doctor of Civil Laws, published the first edition of his health education manual entitled "Naturall and artificial Directions for Health". In all, seven editions appeared over the next 33 years. Changes were made to the title and contents, but the same six general areas were covered in each, i.e. (1) Air, fire and…

  5. [The apothecaries of the rue de l'Arbre-Sec in Paris in the 17th century].

    PubMed

    Warolin, Christian

    2014-06-01

    The mud tax imposed by the king in 1637 to pay for street-cleaning is a useful tool for identifying the people who were liable for the tax, their profession, and whether they were owners or tenants. The survey of the Rue de l'Arbre-Sec, a very old street in Paris close to the Louvre, reveals that seven apothecaries lived there in 1637. Two of them were particularly important: Hiérosme Lambert, who had an apothecary'shop near the church of Saint-Germain-l'Auxerrois, and Michel Dansse, apothecary to Queen Anne of Austria. The two families established links through the marriage of Marie Lambert, the daughter of Hiérosme Lambert and Marie Gauche, to Michel Dansse. One of their sons, Jean Dansse, was also apothecary to Anne of Austria and then to Queen Marie-Thérèse. PMID:25090837

  6. [The library of an early 17th century physician: the Canevari collection of the Berio Library in Genoa].

    PubMed

    Malfatto, Laura

    2005-01-01

    The Canevari Collection of the Berio Library in Genoa has about 2,400 works dating from the 1400s to the death of its first owner, the Genoese Demetrio Canevari (Genoa 1559 - Rome 1625), in 1625. The library of Demetrio Canevari was left to us thanks to his will which stipulates how his heirs are to maintain it and who or what institutions could claim ownership of it. The Canevari Collection is a scientific library that contains important medical texts such as the treatises on anatomy by Vesalio and Fabrizi d'Acquapendente or the ancient editions of Galeno and Avicenna. There are also numerous works in the fields of chemistry, botany, zoology and philosophy. The library is a testament of a critical period in the evolution of scientific thought. The catalogue of the Canevari Collection was published by Rodolfo Savelli in 1974. The manuscript catalogue of the library, written by Canevari himself is kept within the Opera Pia "Sussidio Canevari Demetrio" which was founded by Canevari to benefit his descendants.

  7. Leading a double life in 17th-century Oxford: Ralph Bathurst (1620-1704), physician-physiologist and cleric.

    PubMed

    Guy, Jean M

    2006-02-01

    Ralph Bathurst spent most of his working life in Trinity College, Oxford. Strongly influenced by William Harvey, he was a friend and colleague of Thomas Willis, Robert Boyle and many other eminent experimentalists. His intended career as an Anglican priest and theologian was frustrated during the Commonwealth. Instead, he trained as a physician and practised in Abingdon in Berkshire and in the Navy. His examination papers for the degrees of Bachelor and Doctor of Medicine survived and were printed many years after his death. This paper, summarizing the three Latin lectures on respiration given for his doctoral degree in 1654, throws light on the physiological research carried out in Oxford at that time. The lectures included clinical observations, the results of experiments performed by himself and others, and speculations on the chemistry of air in the era before Joseph Priestley. PMID:16435028

  8. [Folk medicine veterinary science in the level of paterfamilias literature of the 17th and 18th centuries].

    PubMed

    Krüger, H

    1993-06-01

    Paterfamilial literature in Germany marked the emergence of a literary category, with its householder writings being precursors of some of a farm management theory. Its pamphlets on veterinary medicine reflected latest knowledge in its time in farming. A number of economy housebooks is presented together with the authors in an attempt to give a somewhat closer account of this literature category in populist veterinary medicine. PMID:8339711

  9. Equatorial All Sky Imager Images from the Seychelles during the March 17th, 2015 geomagnetic storm.

    NASA Astrophysics Data System (ADS)

    Curtis, B.

    2015-12-01

    An all sky imager was installed in the Seychelles earlier this year. The Seychelles islands are located northeast of Madagascar and east of Somalia in the equatorial Indian Ocean. The all sky imager is located on the island of Mahe (4.6667°S, 55.4667°E geographic), (10.55°S, 127.07°E geomagnetic), with filters of 557.7, 620.0, 630.0, 765.0 and 777.4 nm. Images with a 90 second exposure from Seychelles in 777.4nm and 630.0nm from the night before and night of the March 17th geomagnetic storm are discussed in comparison to solar wind measurements at ACE and the disturbance storm time (Dst) index. These images show line-of-sight intensities of photons received dependent on each filters wavelength. A time series of these images sometimes will show the movement of relatively dark areas, or depletions, in each emission. The depletion regions are known to cause scintillation in GPS signals. The direction and speed of movement of these depletions are related to changes observed in the solar wind.

  10. 76 FR 70178 - Investment Advisers Act of 1940; In the Matter of Creative Investment Research, Inc., 1050 17th...

    Federal Register 2010, 2011, 2012, 2013, 2014

    2011-11-10

    ... From the Federal Register Online via the Government Publishing Office SECURITIES AND EXCHANGE COMMISSION Investment Advisers Act of 1940; In the Matter of Creative Investment Research, Inc., 1050 17th Street NW., Suite 1000, Washington, DC 20036; Notice of Intention to Cancel Registration Pursuant...

  11. 76 FR 67005 - Investment Advisers Act of 1940; In the Matter of Creative Investment Research, Inc., 1050 17th...

    Federal Register 2010, 2011, 2012, 2013, 2014

    2011-10-28

    ... From the Federal Register Online via the Government Publishing Office SECURITIES AND EXCHANGE COMMISSION Investment Advisers Act of 1940; In the Matter of Creative Investment Research, Inc., 1050 17th Street, NW., Suite 1000, Washington, DC 20036; Notice of Intention To Cancel Registration Pursuant...

  12. A summary of ground motion effects at SLAC (Stanford Linear Accelerator Center) resulting from the Oct 17th 1989 earthquake

    SciTech Connect

    Ruland, R.E.

    1990-08-01

    Ground motions resulting from the October 17th 1989 (Loma Prieta) earthquake are described and can be correlated with some geologic features of the SLAC site. Recent deformations of the linac are also related to slow motions observed over the past 20 years. Measured characteristics of the earthquake are listed. Some effects on machine components and detectors are noted. 18 refs., 16 figs.

  13. Paint and Pregnancy

    MedlinePlus

    ... are many other mixtures of paints used for industry, the arts, and hobbies. Years ago, lead and mercury were used in paint. How would I be exposed to the chemicals in paint? Exposure to paint can happen by: ...

  14. Assessment of soil-gas contamination at the 17th Street landfill, Fort Gordon, Georgia, 2011

    USGS Publications Warehouse

    Falls, W. Fred; Caldwell, Andral W.; Guimaraes, Wladmir G.; Ratliff, W. Hagan; Wellborn, John B.; Landmeyer, James E.

    2012-01-01

    Assessments of contaminants in soil gas were conducted in two study areas at Fort Gordon, Georgia, in July and August of 2011 to supplement environmental contaminant data for previous studies at the 17th Street landfill. The two study areas include northern and eastern parts of the 17th Street landfill and the adjacent wooded areas to the north and east of the landfill. These study areas were chosen because of their close proximity to the surface water in Wilkerson Lake and McCoys Creek. A total of 48 soil-gas samplers were deployed for the July 28 to August 3, 2011, assessment in the eastern study area. The assessment mostly identified detections of total petroleum hydrocarbons (TPH), and gasoline- and diesel-range compounds, but also identified the presence of chlorinated solvents in six samplers, chloroform in three samplers, 2-methyl naphthalene in one sampler, and trimethylbenzene in one sampler. The TPH masses exceeded 0.02 microgram (μg) in all 48 samplers and exceeded 0.9 μg in 24 samplers. Undecane, one of the three diesel-range compounds used to calculate the combined mass for diesel-range compounds, was detected in 17 samplers and is the second most commonly detected compound in the eastern study area, exceeded only by the number of TPH detections. Six samplers had detections of toluene, but other gasoline compounds were detected with toluene in three of the samplers, including detections of ethylbenzene, meta- and para-xylene, and octane. All detections of chlorinated organic compounds had soil-gas masses equal to or less than 0.08 μg, including three detections of trichloroethene, three detections of perchloroethene, three chloroform detections, one 1,4-dichlorobenzene detection, and one 1,1,2-trichloroethane detection. Three methylated compounds were detected in the eastern study area, but were detected at or below method detection levels. A total of 32 soil-gas samplers were deployed for the August 11–24, 2011, assessment in the northern study

  15. Dye Painting!

    ERIC Educational Resources Information Center

    Johnston, Ann

    This resource provides practical instructions for applying color and design directly to fabric. Basic information about the dye painting process is given. The guide addresses the technical aspects of fabric dye and color use and offers suggestions for fabric manipulation and dye application in order to achieve various design effects. This…

  16. Rock Paintings.

    ERIC Educational Resources Information Center

    Jones, Julienne Edwards

    1998-01-01

    Discusses the integration of art and academics in a fifth-grade instructional unit on Native American culture. Describes how students studied Native American pictographs, designed their own pictographs, made their own tools, and created rock paintings of their pictographs using these tools. Provides a list of references on Native American…

  17. Perspective Painting.

    ERIC Educational Resources Information Center

    Gray, Joni

    2002-01-01

    One fourth grade class studied Van Gogh by investigating his art and life on the computer, painting still lifes, then learning to draw in perspective, creating colorful images of their own bedrooms using Van Gogh's bedroom as a model. Students extended their learning by examining relevant literature and completing timelines, biographical reports,…

  18. Sedimentary deposits from the July 17th 2006 Java tsunami on the West Australian coastline

    NASA Astrophysics Data System (ADS)

    Prendergast, A. L.

    2007-05-01

    On July 17th 2006, an Mw = 7.7 earthquake south of Java generated a tsunami that devastated parts of the Javanese coast, killing more than 500 people. The tsunami also affected parts of the Western Australian coast. Within a week of the event, a post tsunami survey was carried out near Steep Point, Western Australia. Tsunami inundation and run-up were mapped on the basis of eyewitness accounts, debris lines, vegetation damage and the occurrence of recently deposited fish, starfish, corals and sea urchins well above high-tide mark. Eyewitnesses reported three waves in the tsunami wave train, the second being the largest. A topographic survey using kinematic GPS with accuracies of 0.02 metres in the horizontal and 0.04 metres in the vertical recorded inundation depths of between 1-2 m, inundation of up to 200 m inland, and a maximum recorded run-up of 7.9 m AHD (Australian Height Datum). The tsunami caused widespread erosion in the littoral zone, extensive vegetation damage, destroyed several campsites (including transporting a large vehicle ten metres inland) and deposited extensive sediment sheets over coastal dunes. At their seaward edge, these sediments are up to 14 cm thick, tapering landwards over approximately 200 m. The deposits are composed of moderately well sorted, medium grained silicic sand with some gravel and organic debris. A basal unconformity defines the boundary between tsunami sediments and underlying aeolian dune sand. Buried green vegetation stems with roots traceable to the lower dune unit occur within the tsunami deposit. No roots are present within the tsunami-deposited sediments. This is taken as evidence for the recent mobilisation of the sediments within the tsunami sediment sheet. Evidence for up to three individual waves is preserved as normally graded sequences mantled by layers of dark grey, organic-rich fine silty sand. Grainsize and microfossil analyses are in progress. Given the strong wind regimes in the area, and the similarity of

  19. Invitation to the 17th international congress on photosynthesis research in 2016: photosynthesis in a changing world.

    PubMed

    van Amerongen, Herbert; Croce, Roberta

    2016-02-01

    The 17th International Congress on Photosynthesis will be held from August 7 to 12, 2016 in Maastricht, The Netherlands. The congress will include an opening reception, 15 plenary lectures, 28 scientific symposia, many poster sessions, displays by scientific companies, excursions, congress dinner, social activities, and the first photosynthesis soccer world championship. See http://www.ps2016.com/ . The congress is organized as an official event of the International Society of Photosynthesis Research (see http://www.photosynthesisresearch.org/).

  20. PREFACE: 17th International Conference on Textures of Materials (ICOTOM 17)

    NASA Astrophysics Data System (ADS)

    Skrotzki, Werner; Oertel, Carl-Georg

    2015-04-01

    The 17th International Conference on Textures of Materials (ICOTOM 17) took place in Dresden, Germany, August 24-29, 2014. It belongs to the "triennial" series of ICOTOM meetings with a long tradition, starting in 1969 - Clausthal, 1971 - Cracow, 1973 - Pont-à-Mousson, 1975 - Cambridge, 1978 - Aachen, 1981 - Tokyo, 1984 - Noordwijkerhout, 1987 - Santa Fe, 1990 - Avignon, 1993 - Clausthal, 1996 - Xian, 1999 - Montreal, 2002 - Seoul, 2005 - Leuven, 2008 - Pittsburgh, 2011 - Mumbai, 2014 - Dresden. ICOTOM 17 was hosted by the Dresden University of Technology, Institute of Structural Physics. Following the tradition of the ICOTOM conferences, the main focus of ICOTOM-17 was to promote and strengthen the fundamental understanding of the basic processes that govern the formation of texture and its relation to the properties of polycrystalline materials. Nonetheless, it was the aim to forge links between basic research on model materials and applied research on engineering materials of technical importance. Thus, ICOTOM 17 provided a forum for the presentation and discussion of recent progress in research of texture and related anisotropy of mechanical and functional properties of all kinds of polycrystalline materials including natural materials like rocks. Particular attention was paid to recent advances in texture measurement and analysis as well as modeling of texture development for all kinds of processes like solidification, plastic deformation, recrystallization and grain growth, phase transformations, thin film deposition, etc. Hence, ICOTOM 17 was of great interest to materials scientists, engineers from many different areas and geoscientists. The topics covered by ICOTOM 17 were: 1. Mathematical, numerical and statistical methods of texture analysis 2. Deformation textures 3. Crystallization, recrystallization and growth textures 4. Transformation textures 5. Textures in functional materials 6. Textures in advanced materials 7. Textures in rocks 8. Texture

  1. PREFACE: 17th International Conference on Recent Progress in Many-Body Theories (MBT17)

    NASA Astrophysics Data System (ADS)

    Reinholz, Heidi; Boronat, Jordi

    2014-08-01

    These are the proceedings of the XVII International Conference on Recent Progress in Many-Body Theories, which was held from 8-13 September 2013 in Rostock, Germany. The conference continued the triennial series initiated in Trieste in 1978 and was devoted to new developments in the field of many-body theories. The conference series encourages the exchange of ideas between physicists working in such diverse areas as nuclear physics, quantum chemistry, lattice Hamiltonians or quantum uids. Many-body theories are an integral part in different fields of theoretical physics such as condensed matter, nuclear matter and field theory. Phase transitions and macroscopic quantum effects such as magnetism, Bose-Einstein condensation, super uidity or superconductivity have been investigated within ultra-cold gases, finite systems or various nanomaterials. The conference series on Recent Progress in Many-Body Theories is devoted to foster the interaction and to cross-fertilize between different fields and to discuss future lines of research. The topics of the 17th meeting were Cluster Physics Cold Gases High Energy Density Matter and Intense Lasers Magnetism New Developments in Many-Body Techniques Nuclear Many-Body and Relativistic Theories Quantum Fluids and Solids Quantum Phase Transitions Topological Insulators and Low Dimensional Systems. 109 participants from 20 countries participated. 44 talks and 61 posters werde presented. As a particular highlight of the conference, The Eugene Feenberg Memorial Medal for outstanding results in the field of many-body theory and The Hermann Kümmel Early Achievement Award in Many-Body Physics for young scientists in that field were awarded. The Feenberg Medal went jointly to Patrick Lee (MIT, USA) for his fundamental contributions to condensed-matter theory, especially in regard to the quantum Hall effect, to universal conductance uctuations, and to the Kondo effect in quantum dots, and Douglas Scalapino (UC Santa Barbara, USA) for his

  2. PREFACE: 17th International Conference on Microscopy of Semiconducting Materials 2011

    NASA Astrophysics Data System (ADS)

    Walther, T.; Midgley, P. A.

    2011-11-01

    This volume contains invited and contributed papers from the 17th international conference on 'Microscopy of Semiconducting Materials' held at Churchill College, University of Cambridge, on 4-7 April 2011. The meeting was organised under the auspices of the Institute of Physics and supported by the Royal Microscopical Society as well as the Materials Research Society of the USA. This conference series deals with recent advances in semiconductor studies carried out by all forms of microscopy, with an emphasis on electron microscopy and related techniques with high spatial resolution. This time the meeting was attended by 131 delegates from 25 countries world-wide, a record in terms of internationality. As semiconductor devices shrink further new routes of device processing and characterisation need to be developed, and, for the latter, methods that offer sub-nanometre spatial resolution are particularly valuable. The various forms of imaging, diffraction and spectroscopy available in modern microscopes are powerful tools for studying the microstructure, the electronic structure, the chemistry and also electric fields in semiconducting materials. Recent advances in instrumentation, from lens aberration correction in both TEM and STEM instruments, to the development of a wide range of scanning probe techniques, as well as new methods of signal quantification have been presented at this conference. Two examples of topics at this meeting that have attracted a number of interesting studies were: the correlation of microstructural, optical and chemical information at atomic resolution with nanometre-scale resolved maps of the local electrical fields in (In,Al)GaN based semiconductors and tomographic approaches to characterise ensembles of nanowires and stacks of processed layers in devices Figure 1 Figure 1. Opening lecture by Professor Sir Colin J Humphreys. Each manuscript submitted for publication in this proceedings volume has been independently reviewed and revised

  3. Painting models

    NASA Astrophysics Data System (ADS)

    Baart, F.; Donchyts, G.; van Dam, A.; Plieger, M.

    2015-12-01

    The emergence of interactive art has blurred the line between electronic, computer graphics and art. Here we apply this art form to numerical models. Here we show how the transformation of a numerical model into an interactive painting can both provide insights and solve real world problems. The cases that are used as an example include forensic reconstructions, dredging optimization, barrier design. The system can be fed using any source of time varying vector fields, such as hydrodynamic models. The cases used here, the Indian Ocean (HYCOM), the Wadden Sea (Delft3D Curvilinear), San Francisco Bay (3Di subgrid and Delft3D Flexible Mesh), show that the method used is suitable for different time and spatial scales. High resolution numerical models become interactive paintings by exchanging their velocity fields with a high resolution (>=1M cells) image based flow visualization that runs in a html5 compatible web browser. The image based flow visualization combines three images into a new image: the current image, a drawing, and a uv + mask field. The advection scheme that computes the resultant image is executed in the graphics card using WebGL, allowing for 1M grid cells at 60Hz performance on mediocre graphic cards. The software is provided as open source software. By using different sources for a drawing one can gain insight into several aspects of the velocity fields. These aspects include not only the commonly represented magnitude and direction, but also divergence, topology and turbulence .

  4. PREFACE: 17th International Conference on Textures of Materials (ICOTOM 17)

    NASA Astrophysics Data System (ADS)

    Skrotzki, Werner; Oertel, Carl-Georg

    2015-04-01

    The 17th International Conference on Textures of Materials (ICOTOM 17) took place in Dresden, Germany, August 24-29, 2014. It belongs to the "triennial" series of ICOTOM meetings with a long tradition, starting in 1969 - Clausthal, 1971 - Cracow, 1973 - Pont-à-Mousson, 1975 - Cambridge, 1978 - Aachen, 1981 - Tokyo, 1984 - Noordwijkerhout, 1987 - Santa Fe, 1990 - Avignon, 1993 - Clausthal, 1996 - Xian, 1999 - Montreal, 2002 - Seoul, 2005 - Leuven, 2008 - Pittsburgh, 2011 - Mumbai, 2014 - Dresden. ICOTOM 17 was hosted by the Dresden University of Technology, Institute of Structural Physics. Following the tradition of the ICOTOM conferences, the main focus of ICOTOM-17 was to promote and strengthen the fundamental understanding of the basic processes that govern the formation of texture and its relation to the properties of polycrystalline materials. Nonetheless, it was the aim to forge links between basic research on model materials and applied research on engineering materials of technical importance. Thus, ICOTOM 17 provided a forum for the presentation and discussion of recent progress in research of texture and related anisotropy of mechanical and functional properties of all kinds of polycrystalline materials including natural materials like rocks. Particular attention was paid to recent advances in texture measurement and analysis as well as modeling of texture development for all kinds of processes like solidification, plastic deformation, recrystallization and grain growth, phase transformations, thin film deposition, etc. Hence, ICOTOM 17 was of great interest to materials scientists, engineers from many different areas and geoscientists. The topics covered by ICOTOM 17 were: 1. Mathematical, numerical and statistical methods of texture analysis 2. Deformation textures 3. Crystallization, recrystallization and growth textures 4. Transformation textures 5. Textures in functional materials 6. Textures in advanced materials 7. Textures in rocks 8. Texture

  5. PREFACE: 17th International Conference on the Physics of Highly Charged Ions

    NASA Astrophysics Data System (ADS)

    2015-01-01

    The 17th edition of the International Conference on the Physics of Highly Charged Ions (HCI 2014) was held in San Carlos de Bariloche, in the southern region of Argentina known as Patagonia, from August 31 to September 5, 2014. This meeting corresponds to a series of HCI conferences, which has been held every other year since 1982 in cities in Europe, USA, Japan and China. This was the first time that the conference took place in Latin America. This edition was organized by a Local Committee made up of physicists mainly from the cities of Bariloche and Rosario and also from Buenos Aires and Bahía Blanca, all sites where research on Atomic Collisions is developed. The conference was attended by delegates coming from 18 countries, more that 23% of whom were women. The field of highly charged ions has seen in recent years a promising evolution originating from bold progress in theory and significant advances in experimental techniques. The HCI conferences aim at bringing together experimentalists and theoreticians from as wide a range of fields as, for instance, Fundamental Aspects, Structure and Spectroscopy, Collisions with Electrons, Ions, Atoms and Molecules, Interaction with Clusters, Surfaces and Solids, Interactions with Photons and Plasmas, Strong Field Processes, and Production, Experimental Developments and Applications. The Scientific Programme, selected by an International Advisory Board, included 5 Review Lectures, 11 Progress Reports, 1 Local Report and 24 Special Reports. In addition, the results of 132 contributed works were presented as poster communications and a Public Lecture on 'The wonders of the Southern Skies' was delivered by an Argentinean expert. Thus, a wide range of subjects comprising a balanced mix of topics was covered throughout the course of the conference. The HCI 2014 was a resounding success for the international and local communities, from both the scientific and social aspects, considering that the attendees and accompanying

  6. PREFACE: 17th International Conference on the Physics of Highly Charged Ions

    NASA Astrophysics Data System (ADS)

    2015-01-01

    The 17th edition of the International Conference on the Physics of Highly Charged Ions (HCI 2014) was held in San Carlos de Bariloche, in the southern region of Argentina known as Patagonia, from August 31 to September 5, 2014. This meeting corresponds to a series of HCI conferences, which has been held every other year since 1982 in cities in Europe, USA, Japan and China. This was the first time that the conference took place in Latin America. This edition was organized by a Local Committee made up of physicists mainly from the cities of Bariloche and Rosario and also from Buenos Aires and Bahía Blanca, all sites where research on Atomic Collisions is developed. The conference was attended by delegates coming from 18 countries, more that 23% of whom were women. The field of highly charged ions has seen in recent years a promising evolution originating from bold progress in theory and significant advances in experimental techniques. The HCI conferences aim at bringing together experimentalists and theoreticians from as wide a range of fields as, for instance, Fundamental Aspects, Structure and Spectroscopy, Collisions with Electrons, Ions, Atoms and Molecules, Interaction with Clusters, Surfaces and Solids, Interactions with Photons and Plasmas, Strong Field Processes, and Production, Experimental Developments and Applications. The Scientific Programme, selected by an International Advisory Board, included 5 Review Lectures, 11 Progress Reports, 1 Local Report and 24 Special Reports. In addition, the results of 132 contributed works were presented as poster communications and a Public Lecture on 'The wonders of the Southern Skies' was delivered by an Argentinean expert. Thus, a wide range of subjects comprising a balanced mix of topics was covered throughout the course of the conference. The HCI 2014 was a resounding success for the international and local communities, from both the scientific and social aspects, considering that the attendees and accompanying

  7. IL-17/Th17 promotes type 1 T cell immunity against pulmonary intracellular bacterial infection through modulating dendritic cell function.

    PubMed

    Bai, Hong; Cheng, Jianjun; Gao, Xiaoling; Joyee, Antony George; Fan, Yijun; Wang, Shuhe; Jiao, Lei; Yao, Zhi; Yang, Xi

    2009-11-01

    Although their contribution to host defense against extracellular infections has been well defined, IL-17 and Th17 are generally thought to have limited impact on intracellular infections. In this study, we investigated the role and mechanisms of IL-17/Th17 in host defense against Chlamydia muridarum, an obligate intracellular bacterium, lung infection. Our data showed rapid increase in IL-17 production and expansion of Th17 cells following C. muridarum infection and significant detrimental impact of in vivo IL-17 neutralization by anti-IL-17 mAb on disease course, immune response, and dendritic cell (DC) function. Specifically, IL-17-neutralized mice exhibited significantly greater body weight loss, higher organism growth, and much more severe pathological changes in the lung compared with sham-treated control mice. Immunological analysis showed that IL-17 neutralization significantly reduced Chlamydia-specific Th1 responses, but increased Th2 responses. Interestingly, the DC isolated from IL-17-neutralized mice showed lower CD40 and MHC II expression and IL-12 production, but higher IL-10 production compared with those from sham-treated mice. In two DC-T cell coculture systems, DC isolated from IL-17-neutralized mice induced higher IL-4, but lower IFN-gamma production by Ag-specific T cells than those from sham-treated mice in cell priming and reaction settings. Adoptive transfer of DC isolated from IL-17-neutralized mice, unlike those from sham-treated mice, failed to protect the recipients against challenge infection. These findings provide in vivo evidence that IL-17/Th17 plays an important role in host defense against intracellular bacterial infection, and suggest that IL-17/Th17 can promote type 1 T cell immunity through modulating DC function.

  8. Lacquered Words: The Evolution of Vietnamese under Sinitic Influences from the 1st Century B.C.E. through the 17th Century C.E.

    ERIC Educational Resources Information Center

    Phan, John Duong

    2013-01-01

    As much as three quarters of the modern Vietnamese lexicon is of Chinese origin. The majority of these words are often assumed to have originated in much the same manner as late Sino-Korean and Sino-Japanese borrowed forms: by rote memorization of reading glosses that were acquired through limited exposure to spoken Sinitic. However, under closer…

  9. JANNAF 28th Propellant Development and Characterization Subcommittee and 17th Safety and Environmental Protection Subcommittee Joint Meeting. Volume 1

    NASA Technical Reports Server (NTRS)

    Cocchiaro, James E. (Editor); Mulder, Edwin J. (Editor); Gomez-Knight, Sylvia J. (Editor)

    1999-01-01

    This volume contains 37 unclassified/unlimited-distribution technical papers that were presented at the JANNAF 28th Propellant Development & Characterization Subcommittee (PDCS) and 17th Safety & Environmental Protection Subcommittee (S&EPS) Joint Meeting, held 26-30 April 1999 at the Town & Country Hotel and the Naval Submarine Base, San Diego, California. Volume II contains 29 unclassified/limited-distribution papers that were presented at the 28th PDCS and 17th S&EPS Joint Meeting. Volume III contains a classified paper that was presented at the 28th PDCS Meeting on 27 April 1999. Topics covered in PDCS sessions include: solid propellant rheology; solid propellant surveillance and aging; propellant process engineering; new solid propellant ingredients and formulation development; reduced toxicity liquid propellants; characterization of hypergolic propellants; and solid propellant chemical analysis methods. Topics covered in S&EPS sessions include: space launch range safety; liquid propellant hazards; vapor detection methods for toxic propellant vapors and other hazardous gases; toxicity of propellants, ingredients, and propellant combustion products; personal protective equipment for toxic liquid propellants; and demilitarization/treatment of energetic material wastes.

  10. Darkness and depth in early Renaissance painting

    NASA Astrophysics Data System (ADS)

    Tyler, Christopher

    2010-02-01

    Contrast has always been appreciated as a significant factor in image quality, but it is less widely recognized that it is a key factor in the representation of depth, solidity and three-dimensionality in images in general, and in paintings in particular. This aspect of contrast was a key factor in the introduction of oil paint as a painting medium at the beginning of the fifteenth century, as a practical means of contrast enhancement. However, recent conservatorship efforts have established that the first oil paintings were not, as commonly supposed, by van Eyck in Flanders in the 1430s, but by Masolino da Panicale in Italy in the 1420s. These developments led to the use of chiaroscuro technique in various forms, all of which are techniques for enhanced shadowing.

  11. Optical coherence tomography for painting diagnostics

    NASA Astrophysics Data System (ADS)

    Arecchi, T.; Bellini, M.; Corsi, C.; Fontana, R.; Materazzi, M.; Pezzati, L.; Tortora, A.

    2005-06-01

    In the last few years many non-destructive techniques have entered the field of painting conservation, and most of them are routinely applied to study and monitoring the painting status. Among them optical techniques are by now widely diffused and extremely well received because of their effectiveness and safety, nevertheless none of them is suitable for a quantitative characterization of varnish. One of the most important and often controversial stages of painting restoration is the surface cleaning process up to now being carried out without any tool to measure the actual varnish thickness but microscope observation of micro-detach. In this work we present an application of Optical Coherence Tomography to non-destructive diagnostics of artwork: the potentiality of this technique is demonstrated by measuring the thickness of the varnish layer in a fragment of a nineteenth-century oil painting.

  12. Structural and mechanical properties of "peelable" organoaqueous dispersions with partially hydrolyzed poly(vinyl acetate)-borate networks: applications to cleaning painted surfaces.

    PubMed

    Natali, Irene; Carretti, Emiliano; Angelova, Lora; Baglioni, Piero; Weiss, Richard G; Dei, Luigi

    2011-11-01

    The preparation and structural characterization of a family of viscoelastic dispersions of borate cross-linked, 80% hydrolyzed poly(vinyl acetate) (80PVAc) in aqueous-organic liquids are presented. Correlations between mechanical properties (from rheological measurements) and the degree and nature of cross-linking (from (11)B NMR spectroscopy) are reported, and the results are used to assess their potential as low-impact cleaning agents for the surfaces of paintings. Because the dispersions can be prepared at room temperature by simple procedures from readily available materials and can contain up to 50% (w/w) of an organic liquid, they offer important advantages over previously described cleaning agents that are based on fully hydrolyzed PVAc (i.e., poly(vinyl alcohol). The mechanical properties of the various aqueous-organic dispersions, as determined quantitatively by rheological investigations and qualitatively by their ease of removal from a solid surface (i.e., the so-called "peel-off" ability) have been tuned systematically by varying the amount of organic liquid, its structure, and the concentrations of borax and 80PVAc. The (11)B NMR studies demonstrate that the concentration of borate ions actively participating in cross-linking increases significantly with the amount of organic liquid in the mixture. The degree of cross-linking remains constant when the 80PVAc and borax concentrations are varied, as long as their ratios are kept constant. Some of the 80PVAc-borax dispersions have been tested successfully as cleaning agents on the surface of a 16th-17th century oil-on-wood painting by Lodovico Cardi, "Il Cigoli", that was covered by a brown patina and on the surface of a Renaissance wall painting by Vecchietta in Santa Maria della Scala, Siena, Italy, that had a degraded polyacrylate coating from a previous conservation treatment. PMID:21749078

  13. Structural and mechanical properties of "peelable" organoaqueous dispersions with partially hydrolyzed poly(vinyl acetate)-borate networks: applications to cleaning painted surfaces.

    PubMed

    Natali, Irene; Carretti, Emiliano; Angelova, Lora; Baglioni, Piero; Weiss, Richard G; Dei, Luigi

    2011-11-01

    The preparation and structural characterization of a family of viscoelastic dispersions of borate cross-linked, 80% hydrolyzed poly(vinyl acetate) (80PVAc) in aqueous-organic liquids are presented. Correlations between mechanical properties (from rheological measurements) and the degree and nature of cross-linking (from (11)B NMR spectroscopy) are reported, and the results are used to assess their potential as low-impact cleaning agents for the surfaces of paintings. Because the dispersions can be prepared at room temperature by simple procedures from readily available materials and can contain up to 50% (w/w) of an organic liquid, they offer important advantages over previously described cleaning agents that are based on fully hydrolyzed PVAc (i.e., poly(vinyl alcohol). The mechanical properties of the various aqueous-organic dispersions, as determined quantitatively by rheological investigations and qualitatively by their ease of removal from a solid surface (i.e., the so-called "peel-off" ability) have been tuned systematically by varying the amount of organic liquid, its structure, and the concentrations of borax and 80PVAc. The (11)B NMR studies demonstrate that the concentration of borate ions actively participating in cross-linking increases significantly with the amount of organic liquid in the mixture. The degree of cross-linking remains constant when the 80PVAc and borax concentrations are varied, as long as their ratios are kept constant. Some of the 80PVAc-borax dispersions have been tested successfully as cleaning agents on the surface of a 16th-17th century oil-on-wood painting by Lodovico Cardi, "Il Cigoli", that was covered by a brown patina and on the surface of a Renaissance wall painting by Vecchietta in Santa Maria della Scala, Siena, Italy, that had a degraded polyacrylate coating from a previous conservation treatment.

  14. Analysis of mural paintings in Istria.

    PubMed

    Mazzocchin, G A; Rudello, D; Maraković, N; Marić, I

    2007-08-01

    Fragments of wall paintings from Istria, coming from the Basilica of Guran near Vodnjan, from the cemeterial Church of Saint Simeon in Guran and from the Benedictine monastery of Santa Maria Alta near Bale were studied. The analytical instrumental techniques used were Optical Microscopy, Scanning Electron Microscopy equipped with an EDS microanalysis detector, X Ray diffraction, FTIR infrared Spectroscopy and Raman Spectroscopy. Red and yellow pigments used in Guran and Bale have bean derived from red and yellow istrian bauxites, as already demonstrated for works from 11th to 15th century. The blue pigment found in the paintings of the Bale Chapel is a lapislazzuli blue; this fact confirms the literature data referring to the period from 11th to the 16th century. The materials and pigments used at Bale and Guran fit with the Istrian tradition and history of painting going back to the first Carolingian period.

  15. Pressure Sensitive Paints

    NASA Technical Reports Server (NTRS)

    Liu, Tianshu; Bencic, T.; Sullivan, J. P.

    1999-01-01

    This article reviews new advances and applications of pressure sensitive paints in aerodynamic testing. Emphasis is placed on important technical aspects of pressure sensitive paint including instrumentation, data processing, and uncertainty analysis.

  16. I Can Paint!

    ERIC Educational Resources Information Center

    Hart, Kate; Bower, Robin, Ed.

    This book gives detailed information concerning the use of tools and media of paint. It aims at developing skills and knowledge that will allow young students to express themselves by painting. The book is organized into five sections with subheadings, including: (1) "Introduction"; (2) "Exploring Paint As We Use..." with subheadings: "Hands";…

  17. Paints and Preservatives.

    ERIC Educational Resources Information Center

    Powell, Larry E.; Miller, Larry E.

    The publication contains an outline for use by agriculture teachers in developing a teaching plan for a unit on paints and preservatives. The topics included are (1) recognizing, solving, and preventing paint problems and (2) operating and using power spray painting equipment. Items presented for each topic are: the situation, (intended to inform…

  18. Egyptian Tomb Painting.

    ERIC Educational Resources Information Center

    Schroeder, Liesa

    1999-01-01

    Provides an activity where sixth-grade students replicated the Egyptian art form of tomb painting. Explains that the students researched information about Egyptian culture and history in order to familiarize themselves with Egyptian wall-painting style. Discusses the process of creating tomb paintings in detail. (CMK)

  19. Micro-Raman spectroscopy and X-ray fluorescence spectrometry on the characterization of the Persian pigments used in the pre-seventeenth century wall paintings of Masjid-i Jāme of Abarqū, central Iran

    NASA Astrophysics Data System (ADS)

    Holakooei, Parviz; Karimy, Amir-Hossein

    2015-01-01

    The pigments used in the wall paintings of the Masjid-i Jāme of Abarqū, central Iran, as less-known pigments used in the history of Persian painting, were investigated with micro-Raman spectroscopy, micro X-ray fluorescence (micro-XRF), scanning electron microscopy (SEM), and polarised light microscopy (PLM). The results showed that the green, red, and blue pigments were atacamite, red lead, and smalt mixed with natural ultramarine blue respectively applied on a white substrate composed of white huntite. Moreover, the blue smalt was identified to be used on the white huntite and under the paint layer in order to delineate the design of the wall paintings and to act as a rough sketch for the subsequent use of the other pigments. Glushinskite, as a less-reported mineral in historical wall paintings, was identified by micro-Raman spectroscopy and hypothesised to be associated with the degradation of the white huntite binder. Furthermore, micro-Raman spectroscopy studies surprisingly revealed the mineral woodhouseite sparely mixed with the green pigment. This paper strongly suggests micro-Raman spectroscopy for identifying archaeological pigments and for diagnosing their deterioration products. Conducting scientific methods of analysis, the pigments identified in this study are reported for the first time to be used in Persian wall paintings.

  20. Micro-Raman spectroscopy and X-ray fluorescence spectrometry on the characterization of the Persian pigments used in the pre-seventeenth century wall paintings of Masjid-i Jāme of Abarqū, central Iran.

    PubMed

    Holakooei, Parviz; Karimy, Amir-Hossein

    2015-01-01

    The pigments used in the wall paintings of the Masjid-i Jāme of Abarqū, central Iran, as less-known pigments used in the history of Persian painting, were investigated with micro-Raman spectroscopy, micro X-ray fluorescence (micro-XRF), scanning electron microscopy (SEM), and polarised light microscopy (PLM). The results showed that the green, red, and blue pigments were atacamite, red lead, and smalt mixed with natural ultramarine blue respectively applied on a white substrate composed of white huntite. Moreover, the blue smalt was identified to be used on the white huntite and under the paint layer in order to delineate the design of the wall paintings and to act as a rough sketch for the subsequent use of the other pigments. Glushinskite, as a less-reported mineral in historical wall paintings, was identified by micro-Raman spectroscopy and hypothesised to be associated with the degradation of the white huntite binder. Furthermore, micro-Raman spectroscopy studies surprisingly revealed the mineral woodhouseite sparely mixed with the green pigment. This paper strongly suggests micro-Raman spectroscopy for identifying archaeological pigments and for diagnosing their deterioration products. Conducting scientific methods of analysis, the pigments identified in this study are reported for the first time to be used in Persian wall paintings.

  1. Tritium Packages and 17th RH Canister Categories of Transuranic Waste Stored Below Ground within Area G

    SciTech Connect

    Hargis, Kenneth Marshall

    2015-03-01

    A large wildfire called the Las Conchas Fire burned large areas near Los Alamos National Laboratory (LANL) in 2011 and heightened public concern and news media attention over transuranic (TRU) waste stored at LANL’s Technical Area 54 (TA-54) Area G waste management facility. The removal of TRU waste from Area G had been placed at a lower priority in budget decisions for environmental cleanup at LANL because TRU waste removal is not included in the March 2005 Compliance Order on Consent (Reference 1) that is the primary regulatory driver for environmental cleanup at LANL. The Consent Order is a settlement agreement between LANL and the New Mexico Environment Department (NMED) that contains specific requirements and schedules for cleaning up historical contamination at the LANL site. After the Las Conchas Fire, discussions were held by the U.S. Department of Energy (DOE) with the NMED on accelerating TRU waste removal from LANL and disposing it at the Waste Isolation Pilot Plant (WIPP). This report summarizes available information on the origin, configuration, and composition of the waste containers within the Tritium Packages and 17th RH Canister categories; their physical and radiological characteristics; the results of the radioassays; and potential issues in retrieval and processing of the waste containers.

  2. Brain activity accompanying perception of implied motion in abstract paintings.

    PubMed

    Kim, Chai-Youn; Blake, Randolph

    2007-01-01

    Early 20th century artists including Duchamp and Balla tried to portray moving objects on a static canvas by superimposing objects in successive portrayals of an action. We investigated whether implied motion in those paintings is associated with activation of motion-sensitive area MT+. In Experiment 1, we found that observers rated these kinds of paintings higher in portraying motion than they did other abstract paintings in which motion is not intended. We also found that observers who had previously experienced abstract paintings with implied motion tended to give higher motion ratings to that class of paintings. In Experiment 2, we used functional magnetic resonance imaging (fMRI) to measure brain activity of observers while viewing abstract paintings receiving the highest and the lowest motion rating scores in Experiment 1. We found MT+, but not primary visual cortex (V1), showed greater BOLD responses to abstract paintings with implied motion than to abstract paintings with little motion impression, but only in observers with prior experience viewing those kinds of paintings. These results imply that the neural machinery ordinarily engaged during perception of real visual motion is activated when people view paintings explicitly designed to convey a sense of visual motion. Experience, however, is necessary to achieve this sense of motion.

  3. Nanoindentation and the micromechanics of Van Gogh oil paints

    NASA Astrophysics Data System (ADS)

    Salvant, Johanna; Barthel, Etienne; Menu, Michel

    2011-08-01

    Understanding the mechanical properties of ancient paintings is a major issue for conservation and restoration. One strategy is to measure the mechanical properties of reconstructed paints: however, the aging process is poorly known, so it is also desirable to measure mechanical properties directly on ancient paint samples. Using nanoindentation, we have characterized submillimetric samples recovered from restoration of two Van Gogh paintings and compared the results with reconstructed paint samples. We demonstrate that the reduced modulus and hardness of historical paints can be measured at a very local scale, even differentiating between each paint layer. Our reconstructed paint samples exhibit elastic moduli comparable to values of the literature, but the values measured on the two 19th century paint samples are found to be significantly larger. Similarly, the compositional dependence of the elastic modulus is consistent with literature results for our reconstructed samples while our preliminary results for ancient samples do not readily fall into the same pattern. These results all point out to a significant impact of long term aging, in a manner which is difficult to predict in our present state of understanding. They demonstrate that nanoindentation is a very adequate tool to improve our knowledge of art paint mechanics and aging.

  4. Proceedings: Indian Education Conference 1976 (17th, Tempe, Arizona, April 2, 1976). 200 Years of Indian Education--What Now? Where Now?

    ERIC Educational Resources Information Center

    Arizona Indian Education Association, Phoenix.

    Addressing the theme "200 Years of Indian Education--What Now--Where Now?", these transcripts of the 17th Annual Indian Education Conference (Arizona, 1976) include comments, questions, and definitive statements of professionals in the field of Indian Education. Presented by workshop title, the seven workshops included in this document are:…

  5. Providing Quality Education and Training for Rural Australians. SPERA National Conference Proceedings (17th, Wagga Wagga, New South Wales, Australia, July 8-11, 2001).

    ERIC Educational Resources Information Center

    Hemmings, Brian, Ed.; Boylan, Colin, Ed.

    This proceedings of the 17th annual conference of the Society for the Provision of Education in Rural Australia (SPERA) contains 28 keynote addresses and conference papers. Major conference themes were vocational education and training (VET) in rural schools, small schools, flexible rural delivery systems, and the community as a resource and…

  6. The hepatic sinusoid 'classic and contemporary’: a report on the 17th international symposium on cells of the hepatic sinusoid (ISCHS)

    PubMed Central

    2014-01-01

    The 17th ISCHS took place in Osaka, Japan, on 23 to 25 September 2013. This symposium focuses on an exchange of views on the structure and function of hepatic sinusoidal cells in addition to their roles in clinical pathophysiology. PMID:24484528

  7. Political Life in Eighteenth-Century Virginia. Essays from Colonial Williamsburg. The Foundations of America.

    ERIC Educational Resources Information Center

    Greene, Jack P.

    This book explores the history of the Virginia colony from the early 18th century to the time of the signing of the Declaration of Independence. Virginia, the oldest and most prosperous of Great Britain's North American colonies, assumed a leading role in the political life of the colonies. Some in 17th century Virginia had seen political…

  8. The relativistic solar particle event of May 17th, 2012 observed on board the International Space Station

    NASA Astrophysics Data System (ADS)

    Berrilli, Francesco; Casolino, Marco; Del Moro, Dario; Di Fino, Luca; Larosa, Marianna; Narici, Livio; Piazzesi, Roberto; Picozza, Piergiorgio; Scardigli, Stefano; Sparvoli, Roberta; Stangalini, Marco; Zaconte, Veronica

    2014-05-01

    High-energy charged particles represent a severe radiation risk for astronauts and spacecrafts and could damage ground critical infrastructures related to space services. Different natural sources are the origin of these particles, among them galactic cosmic rays, solar energetic particles and particles trapped in radiation belts. Solar particle events (SPE) consist in the emission of high-energy protons, alpha-particles, electrons and heavier particles from solar flares or shocks driven by solar plasma propagating through the corona and interplanetary space. Ground-level enhancements (GLE) are rare solar events in which particles are accelerated to near relativistic energies and affect space and ground-based infrastructures. During the current solar cycle 24 a single GLE event was recorded on May 17th, 2012 associated with an M5.1-class solar flare. The investigation of such a special class of solar events permits us to measure conditions in space critical to both scientific and operational research. This event, classified as GLE71, was detected on board the International Space Station (ISS) by the active particle detectors of the ALTEA (Anomalous Long Term Effects in Astronauts) experiment. The collected data permit us to study the radiation environment inside the ISS. In this work we present the first results of the analysis of data acquired by ALTEA detectors during GLE71 associated with an M5.1-class solar flare. We estimate the energy loss spectrum of the solar particles and evaluate the contribution to the total exposure of ISS astronauts to solar high-energy charged particles.

  9. Analysis the flash floods occurred in the South Tyne river watershed (United Kingdom) on the 17th of July 2007

    NASA Astrophysics Data System (ADS)

    Bain, V.; Milan, D.; Preciso, E.; Gaume, E.

    2009-04-01

    On the 17th, 19th and 23rd of July 2007, a series of local thunderstorms induced flash floods in the upper part of the South Tyne river in Northumberland, a rural area located near the border between England and Scotland. These events led to moderate damages in the villages and losses of livestock in local farms. They were shadowed in comparison to the widespread lowland floods that occurred throughout the UK during the same period but were nevertheless extreme events for the region. One of the affected streams, the Thinhope Burn, has been surveyed by the University of Gloucestershire during recent years. It is an active river from a geomorphological point of view. A survey conducted after the 2007 flood revealed that many of the boulders along the banks of the river, which had been deposited 50 to 100 years before, had been displaced, indicating a high return period for the flood (see EGU abstract EGU2008-A-04713). A complementary survey was conducted in July 2008 with the objective of gathering information on the discharges, the rainfall amounts and the active runoff processes. 14 cross-sections were surveyed, pictures were collected enabling a validation of peak discharge estimates, 5 witnesses were interviewed and additional rainfall data and geomorphological evidence were collected. This survey revealed that the peak discharges exceeded 5 m3/s/km2 in the most affected areas. Unfortunately, no rainfall measurements are available that would enable further analysis, including the computation of runoff rates. Nevertheless, witness accounts and field observations give a good insight into the hydrological processes indicating a significant initial storage capacity of the peat layer covering the affected watersheds. Concerning the boulders, the field observations suggest surprising and unexplained transport processes. Blocks of up to one meter diameter were displaced over short distances and deposited on the river banks without any sign of established debris flow, as

  10. Pollock without Paint?

    ERIC Educational Resources Information Center

    Sutley, Jane

    2011-01-01

    This article describes how the author exposes her students to the world of Jackson Pollock, the artist who brings to mind dripping, meandering, splashing puddles of paint. Pollock's action paintings of the late 1940s-'50s call out for unfettered movement, fluidity, and freedom of application. Is it even possible to capture the action, rhythm and…

  11. Paint-Stirrer Submarine

    ERIC Educational Resources Information Center

    Young, Jocelyn; Hardy, Kevin

    2007-01-01

    In this article, the authors discuss a unique and challenging laboratory exercise called, the paint-stir-stick submarine, that keeps the students enthralled. The paint-stir-stick submarine fits beautifully with the National Science Education Standards Physical Science Content Standard B, and with the California state science standards for physical…

  12. Jasper Johns' Painted Words.

    ERIC Educational Resources Information Center

    Levinger, Esther

    1989-01-01

    States that the painted words in Jasper Johns' art act in two different capacities: concealed words partake in the artist's interrogation of visual perception; and visible painted words question classical representation. Argues that words are Johns' means of critiquing modernism. (RS)

  13. Las Alpujarras region (South East Spain) HLA genes study: evidence of a probable success of 17th century repopulation from North Spain.

    PubMed

    Longás, Javier; Martínez-Laso, Jorge; Rey, Diego; Areces, Cristina; Casado, Eduardo Gómez; Parga-Lozano, Carlos; Luna, Francisco; de Salamanca, Mercedes Enriquez; Moral, Pedro; Arnaiz-Villena, Antonio

    2012-02-01

    Conquest of Granada Muslim Kingdom (1492 AD) finished with Muslim occupation; they were mostly North African Berbers who had reached Iberia by 711 AD. A politics of Iberian Christianization followed after this date: Jewish were expelled in 1492 and Moriscos (Spaniards practicing Muslim religion or speaking Arab) were expelled from all Spanish territory on 1609 AD. Las Alpujarras is a southern Spain mountainous secluded region, which underwent a repopulation from North Spain and a specific Muslim (Moriscos)-Christian war took place according to historical records. Both Las Alpujarras repopulation by northern Iberians and Moriscos expulsion success have been debated and are regarded as non-clarified episodes. In this study, we have addressed the question whether the repopulation succeeded by determining HLA genes of present day Las Alpujarras inhabitants and compared with those of other Mediterranean populations HLA frequencies and genealogies. HLA frequencies show ambiguous results because of extant HLA similar gene frequencies there exist in North Africa and Spain. This is reflected by the finding of North and South western Mediterraneans close relatedness of HLA dendrograms and correspondence analyses. However, the genealogical study of extended HLA haplotypes particularly Alpujarran high frequency of HLA-A29-B44-DRB1*0701-DQA1*02-DQB1*02 (not found in Algerians but frequent in North and Central Spain) and Alpujarran low frequency extended haplotype HLA-A3-B7-DRB1*1501-DQA1*0102-DQB1*0602 (frequent in North Europe) reveals that a significant HLA gene flow from North Spain is observed in present day Alpujarrans: both haplotypes are characteristic of North Spain and North Europe, respectively. This may indicate that enforced Alpujarran repopulation from North Spain may have been a success, which was started by Spanish King Philip II in 1571 AD.

  14. Rapid coastal subsidence in the central Ganges-Brahmaputra Delta (Bangladesh) since the 17th century deduced from submerged salt-producing kilns

    NASA Astrophysics Data System (ADS)

    Hanebuth, T. J.; Kudrass, H.; Linstädter, J.; Islam, B.; Zander, A. M.

    2013-12-01

    The densely populated low lying Ganges-Brahmaputra Delta is highly vulnerable to the global sea-level rise. In order to estimate the subsidence of the delta over historical time scales, we examined submerged salt-producing kiln sites in the coastal Sundarbans. These kilns were built just above the previous winterly spring high-tide level, but are currently located ~155 × 15 cm below the corresponding modern level. According to optically stimulated luminescence (OSL) dating, the kilns were ultimately fired ~300 years ago (1705 × 35 AD) and salt production was terminated abruptly by a catastrophic event (major cyclone), which affected the kiln sites at different levels and locations. Two particular buried mangrove root horizons 80 cm below this kiln level also indicate catastrophic scenarios (probably subsidence events related to a regional earthquake). AMS-14C ages measured on the charcoal layers at the kiln's bases and on these associated mangrove stump horizons support the OSL dates. Based on the respective elevations of these kiln and mangrove palaeo-horizons and on the ages, the 300-year-average rate of sinking of the outer delta is 5.2 × 1.2 mm/a, which includes 0.8 mm/a of eustatic sea-level rise over this historical period. Expecting further acceleration of the eustatic sea-level rise of up to 7 mm/a, we calculate a rise in relative sea level of up to 8.9 × 3.3 mm/a for the next few decased, which will dramatically aggravate the already present problematic situation. Only a prudently-managed control of sediment accretion will keep southern Bangladesh above the sea level. (Hanebuth et al., Geology, Sept 2013, doi: 10.1130/G34646.1.)

  15. Las Alpujarras region (South East Spain) HLA genes study: evidence of a probable success of 17th century repopulation from North Spain.

    PubMed

    Longás, Javier; Martínez-Laso, Jorge; Rey, Diego; Areces, Cristina; Casado, Eduardo Gómez; Parga-Lozano, Carlos; Luna, Francisco; de Salamanca, Mercedes Enriquez; Moral, Pedro; Arnaiz-Villena, Antonio

    2012-02-01

    Conquest of Granada Muslim Kingdom (1492 AD) finished with Muslim occupation; they were mostly North African Berbers who had reached Iberia by 711 AD. A politics of Iberian Christianization followed after this date: Jewish were expelled in 1492 and Moriscos (Spaniards practicing Muslim religion or speaking Arab) were expelled from all Spanish territory on 1609 AD. Las Alpujarras is a southern Spain mountainous secluded region, which underwent a repopulation from North Spain and a specific Muslim (Moriscos)-Christian war took place according to historical records. Both Las Alpujarras repopulation by northern Iberians and Moriscos expulsion success have been debated and are regarded as non-clarified episodes. In this study, we have addressed the question whether the repopulation succeeded by determining HLA genes of present day Las Alpujarras inhabitants and compared with those of other Mediterranean populations HLA frequencies and genealogies. HLA frequencies show ambiguous results because of extant HLA similar gene frequencies there exist in North Africa and Spain. This is reflected by the finding of North and South western Mediterraneans close relatedness of HLA dendrograms and correspondence analyses. However, the genealogical study of extended HLA haplotypes particularly Alpujarran high frequency of HLA-A29-B44-DRB1*0701-DQA1*02-DQB1*02 (not found in Algerians but frequent in North and Central Spain) and Alpujarran low frequency extended haplotype HLA-A3-B7-DRB1*1501-DQA1*0102-DQB1*0602 (frequent in North Europe) reveals that a significant HLA gene flow from North Spain is observed in present day Alpujarrans: both haplotypes are characteristic of North Spain and North Europe, respectively. This may indicate that enforced Alpujarran repopulation from North Spain may have been a success, which was started by Spanish King Philip II in 1571 AD. PMID:21633894

  16. Wood Densitometry in 17th and 18th Century Dutch, German, Austrian and French Violins, Compared to Classical Cremonese and Modern Violins

    PubMed Central

    Stoel, Berend C.; Borman, Terry M.; de Jongh, Ronald

    2012-01-01

    Classical violins produced by makers such as Antonio Stradivari and Guarneri del Gesu have long been considered the epitome of the luthier's art and the expressive tool of choice for the most celebrated violinists. It has been speculated these makers had access to wood that was unique in some way and that this was responsible for their acclaimed tonal characteristics. In an attempt to discern whether the above conjecture is true, we analyzed 17 modern and classical Dutch, German, Austrian and French violins by wood densitometry using computed tomography and correlated these results with our previous study of modern and Cremonese violins; in all studying 30 instruments of the violin family. In order to make this comparison possible we developed methods to cross calibrate results from different CT manufacturers using calibration wood pieces. We found no significant differences in median densities between modern and classical violins, or between classical violins from different origins. These results suggest that it is unlikely classical Cremonese makers had access to wood with significantly different wood density characteristics than that available to contemporaneous or modern makers. PMID:23071602

  17. NGVs: Driving to the 21st Century. 17th National Natural Gas Vehicle Conference and Exhibition, October 3-5, 1999 [conference organizational literature and agenda

    SciTech Connect

    1999-10-05

    By attending the conference, participants learn about new and planned OEM vehicle and engine technologies; studies comparing Diesel and gasoline emissions to natural gas; new state and federal legislation; and innovative marketing programs they can use to help sell their products and services.

  18. List of prints of leading Prague astronomers of the 16th - 17th century in the historical libraries in Bohemia and Moravia.

    NASA Astrophysics Data System (ADS)

    Horský, Z.; Tenorová, D.

    This publication presents a bibliography of the works of nine leading scholars of the Prague astronomical centre, about 1600. The following authors are taken into account: Johannes Kepler, Tycho Brahe, Jan Jessenius z Velké Jeseně, Tadeáš Hájek z Hájku, Martin Bacháček z Nauměřic, Martin Horký z Lochovic, Nicolaus Raimarus Ursus, Jost Bürgi, and David Gans.

  19. Cosmic ray composition between 10 to the 15th power - 10 to the 17th power eV obtained by air shower experiments

    NASA Technical Reports Server (NTRS)

    Muraki, Y.

    1985-01-01

    Based on the air shower data, the chemical composition of the primary cosmic rays in the energy range 10 to the 15th power - 10 to the 17th power eV was obtained. The method is based on a well known N sub e-N sub mu and N sub e-N sub gamma. The simulation is calibrated by the CERN SPS pp collider results.

  20. Magnetic memory of oil paintings

    NASA Astrophysics Data System (ADS)

    Costa Ribeiro, P.; Bruno, A. C.; Carvalho, H. R.; Kafensztok, S. M.; Almeida, P. O.; Wolff, C. S.; Lins de Barros, H.; Acosta-Avalos, D.; Symko, O. G.

    2007-10-01

    The color in oil paints is obtained sometimes from magnetic minerals. This fact implies that oil paintings could present an intrinsic magnetization. Magnetic imaging of an oil painting consists in the measurement of magnetic flux related to the magnetization of the painting. In this report results of magnetic measurements show that oil paints from different manufacturers (Maimeri, Pebeo, and Grumbacher) are magnetic. The magnetic imagings of four similar oil paintings done with the same visual color, obtained using different mixtures of oil paints for each painting, were different. This shows that the magnetic imaging can be used as a fingerprint for the oil paintings. Magnetic imaging was obtained for oil paintings done by Oswald, Bianco, and Timoteo, all of them are Brazilian painters. The imaging obtained in measurements at different times was always the same, showing that the magnetic images are stable. This leads to the conclusion that magnetic imaging would be a common authentication technique of paintings.

  1. No evidence for an early seventeenth-century Indian sighting of Kepler's supernova (SN1604)

    NASA Astrophysics Data System (ADS)

    van Gent, R. H.

    2013-03-01

    In a recent paper in this journal, Sule et al. (2011) argued that an early 17th-century Indian mural of the constellation Sagittarius with a dragon-headed tail indicated that the bright supernova of 1604 was also sighted by Indian astronomers. In this paper it will be shown that this identification is based on a misunderstanding of traditional Islamic astrological iconography and that the claim that the mural represents an early 17th-century Indian sighting of the supernova of 1604 has to be rejected.

  2. Paint-Overspray Catcher

    NASA Technical Reports Server (NTRS)

    Weinstein, Leonard M.

    2003-01-01

    An apparatus to catch paint overspray has been proposed. Overspray is an unavoidable parasitic component of spray that occurs because the flow of air or other gas in the spray must turn at the sprayed surface. Very small droplets are carried away in this turning flow, and some land on adjacent surfaces not meant to be painted. The basic principle of the paint-spray catcher is to divert the overspray into a suction system at the boundary of the area to be painted. The paint-spray catcher (see figure) would include a toroidal plenum connected through narrow throat to a nozzle that would face toward the center of the torus, which would be positioned over the center of the area to be spray-painted. The plenum would be supported by four tubes that would also serve as suction exhaust ducts. The downstream ends of the tubes (not shown in the figure) would be connected to a filter on a suction pump. The pump would be rated to provide a suction mass flow somewhat greater than that of the directed spray gas stream, so that the nozzle would take in a small excess of surrounding gas and catch nearly all of the overspray. A small raised lip at the bottom edge of the nozzle would catch paint that landed inside the nozzle. Even if the paint is directly piston pumped, the droplets entrain an air flow by time they approach the wall, so there is always a gas stream to carry the excess droplets to the side. For long-duration spraying operations, it could be desirable to include a suction-drain apparatus to prevent overflowing and dripping of paint from inside the lip. A version without an external contraction and with the throat angled downward would be a more compact version of catcher, although it might be slightly less efficient.

  3. Heat Resistant Paint

    NASA Technical Reports Server (NTRS)

    1978-01-01

    The racing car shown is one of many coated with an inorganic paint that protects "hot parts" of automotive vehicles. Developed and manufactured by Sperex Corporation, Gardena, California, the durable, heat-resistant paint is used on car and truck exhaust systems, firewalls, brake drums and engine manifolds. NASA technology contributed to development of the paint. Sperex was provided a technical support packa'ge detailing the research of Goddard Space Flight Center on long-life inorganic coatings. The information helped Sperex perfect its own formulations.

  4. Comets in Bushman Paintings

    NASA Astrophysics Data System (ADS)

    Fraser, B.

    2007-07-01

    About ten years ago I was asked to give a talk on African astronomical folklore and spent many hours reading up on the subject. My queries eventually led me to Bert Woodhouse, a member of the archaeological society and well-known recorder of Bushman paintings. He has published seven books on Bushman paintings and has a collection of over 30 000 slides covering all aspects of the subject. One section of his collection is labeled "comets" and he kindly made copies of these slides for me to use in that talk. This paper highlights those slides and discusses the objects depicted in the paintings.

  5. In situ investigations of vault paintings in the Antwerp cathedral

    NASA Astrophysics Data System (ADS)

    Deneckere, Annelien; Schudel, Walter; Van Bos, Marina; Wouters, Helena; Bergmans, Anna; Vandenabeele, Peter; Moens, Luc

    2010-02-01

    X-ray fluorescence spectroscopy (XRF) and Raman spectroscopy have been used to examine 15th century mediaeval and 16th century renaissance vault paintings in the Our Lady's Cathedral (Antwerp, Belgium) in view of their restoration. The use of mobile instruments made it possible to work totally non-destructively. This complementary approach yields information on the elemental (XRF) and on the molecular composition (Raman) of the pigments. For the 15th century vault painting the pigments lead-tin yellow (Pb 2SnO 4), lead white (2PbCO 3·Pb(OH) 2), vermilion (HgS), massicot (PbO) and azurite (2CuCO 3·Cu(OH) 2) could be identified. The pigments used for the 16th century vault painting could be identified as red lead (Pb 3O 4), hematite (Fe 2O 3), lead white (2PbCO 3·Pb(OH) 2) and azurite (2CuCO 3·Cu(OH) 2). For both paintings the presence of the strong Raman scatterer calcite (CaCO 3) resulted in a difficult identification of the pigments by Raman spectroscopy. The presence of gypsum (CaSO 4·2H 2O) on the mediaeval vault painting probably indicates that degradation took place.

  6. Artists Paint ... Landscapes

    ERIC Educational Resources Information Center

    Herberholz, Barbara

    2012-01-01

    This article features the painting "View of Toledo," based on Toledo, a very old city located on a high plateau in Spain. By the time the artist El Greco painted the picture, he had lived there for 31 years. When one looks at the picture, one will see a storm approaching and will see the city as if it were lit by a flash of lightning. What main…

  7. "Treatises on Earthquakes" in late Renaissance (16th-17th cent), at the roots of historical seismology

    NASA Astrophysics Data System (ADS)

    Albini, P.

    2009-04-01

    It was soon after the damaging November 1570 earthquake at Ferrara, Northern Italy, that the academic Stefano Breventano from Pavia, a small town in Northern Italy as well, started to compose his "Treatise on the earthquake". Completed by September 1576, this 250-page manuscript was to remain unpublished for centuries. The critical edition recently appeared (Albini, 2007) was a due tribute to the remarkable amount of information put together by Breventano, an otherwise "obscure" literate who, before getting involved with earthquakes, had published a history of the antiquities and remarkable events at his hometown Pavia (1570). Indeed, he was not the first Renaissance author to pursue the goal of checking into the historical sources of the previous centuries in search of earthquakes and other natural phenomena. What is outstanding in his "Treatise" is that he suceeded in retrieving information on more than two hundred earthquakes, along two thousand years, between 504 B.C. and 1575 A.D., covering the whole Euro-Mediterranean region, and the West Indies in early 16th century. Breventano's essay is here presented, together with a comparison between his style and amount of information with those included in the work by the contemporary British author Stephen Batman, "The Doome warning all men to the Judgement" (1581). A later treatise is presented also, the work by Marcello Bonito (1690) "Terra Tremante [Trembling Earth]", which could easily be defined as a worldwide list of earthquakes. In structure and content, Bonito's work goes along the same lines of Breventano, and could be considered a precursor of today descriptive catalogues, because of his outstandingly modern approach that paved the way to modern historical seismology.

  8. Elevated Frequencies of Circulating Th22 Cell in Addition to Th17 Cell and Th17/Th1 Cell in Patients with Acute Coronary Syndrome

    PubMed Central

    Zhang, Lei; Wang, Ting; Wang, Xiao-qi; Du, Rui-zhi; Zhang, Kai-ning; Liu, Xin-guang; Ma, Dao-xin; Yu, Shuang; Su, Guo-hai; Li, Zhen-hua; Guan, Yu-qing; Du, Nai-li

    2013-01-01

    Background Atherosclerosis is a chronic inflammatory disease mediated by immune cells. Th22 cells are CD4+ T cells that secret IL-22 but not IL-17 or IFN-γ and are implicated in the pathogenesis of inflammatory disease. The roles of Th22 cells in the pathophysiologic procedures of acute coronary syndrome (ACS) remain unclear. The purpose of this study is to investigate the profile of Th22, Th17 and Th17/Th1 cells in ACS patients, including unstable angina (UA) and acute myocardial infarction (AMI) patients. Design and Methods In this study, 26 AMI patients, 16 UA patients, 16 stable angina (SA) patients and 16 healthy controls were included. The frequencies of Th22, Th17 and Th17/Th1 cells in AMI, UA, SA patients and healthy controls were examined by flow cytometry. Plasma levels of IL-22, IL-17 and IFN-γ were measured by enzyme-linked immunosorbent assay (ELISA). Results Th22, Th17 and Th17/Th1 cells were significantly increased in AMI and UA patients compared with SA patients and healthy controls. Moreover, plasma IL-22 level was significantly elevated in AMI and UA patients. In addition, Th22 cells correlated positively with IL-22 as well as Th17 cells in AMI and UA patients. Conclusion Our findings showed increased frequencies of both Th22 and Th17 cells in ACS patients, which suggest that Th22 and Th17 cells may play a potential role in plaque destabilization and the development of ACS. PMID:24312440

  9. Blanching of paint and varnish layers in easel paintings: contribution to the understanding of the alteration

    NASA Astrophysics Data System (ADS)

    Genty-Vincent, Anaïs; Eveno, Myriam; Nowik, Witold; Bastian, Gilles; Ravaud, Elisabeth; Cabillic, Isabelle; Uziel, Jacques; Lubin-Germain, Nadège; Menu, Michel

    2015-11-01

    The blanching of easel paintings can affect the varnish layer and also the paint layer with a blurring effect. The understanding of the physicochemical and optical phenomena involved in the whitening process remains an important challenge for the painting conservation. A set of ca. 50 microsamples from French, Flemish, and Italian blanched oil paintings, from sixteenth to nineteenth century, have been collected for in deep investigations. In parallel, the reproduction of the alteration was achieved by preparing some paint layers according to historical treatises and altering them in a climatic chamber in a humid environment or directly by immersing in ultrapure water. The observation of raw samples with a field-emission gun scanning electron microscope revealed for the first time that the altered layers have an unexpected highly porous structure with a pore size ranging from ca. 40 nm to 2 μm. The formation mechanism of these pores should mostly be physical as the supplementary analyses (Fourier transform infrared spectroscopy, gas chromatography-mass spectrometry) do not reveal any noticeable molecular modification. Considering the tiny size of the pores, the alteration can be explained by the Rayleigh or Mie light scattering.

  10. International forensic automotive paint database

    NASA Astrophysics Data System (ADS)

    Bishea, Gregory A.; Buckle, Joe L.; Ryland, Scott G.

    1999-02-01

    The Technical Working Group for Materials Analysis (TWGMAT) is supporting an international forensic automotive paint database. The Federal Bureau of Investigation and the Royal Canadian Mounted Police (RCMP) are collaborating on this effort through TWGMAT. This paper outlines the support and further development of the RCMP's Automotive Paint Database, `Paint Data Query'. This cooperative agreement augments and supports a current, validated, searchable, automotive paint database that is used to identify make(s), model(s), and year(s) of questioned paint samples in hit-and-run fatalities and other associated investigations involving automotive paint.

  11. Reading Through Paint

    NASA Technical Reports Server (NTRS)

    2004-01-01

    Two-dimensional data matrix symbols, which contain encoded letters and numbers, are permanently etched on items for identification. They can store up to 100 times more information than traditional bar codes. While the symbols provide several advantages over bar codes, once they are covered by paint they can no longer be read by optical scanners. Since most products are painted eventually, this presents a problem for industries relying on the symbols for identification and tracking. In 1987, NASA s Marshall Space Flight Center began studying direct parts marking with matrix symbols in order to track millions of Space Shuttle parts. Advances in the technology proved that by incorporating magnetic properties into the paints, inks, and pastes used to apply the matrix symbols, the codes could be read by a magnetic scanner even after being covered with paint or other coatings. NASA received a patent for such a scanner in 1998, but the system it used for development was not portable and was too costly. A prototype was needed as a lead-in to a production model. In the summer of 2000, NASA began seeking companies to build a hand-held scanner that would detect the Read Through Paint data matrix identification marks containing magnetic materials through coatings.

  12. 1. Photocopy of painting (original painting in possesion of the ...

    Library of Congress Historic Buildings Survey, Historic Engineering Record, Historic Landscapes Survey

    1. Photocopy of painting (original painting in possesion of the family of Judge Jasper Brinton, Cairo, Egypt) Thomas Eakins, Artist 1878 SIDE AND FRONT ELEVATIONS - Brinton 1704 House, Oakland Road (Birmingham Township), Dilworthtown, Chester County, PA

  13. Diseases of Old Age in Two Paintings by Rembrandt

    PubMed Central

    Weisz, George M.; Albury, William R.

    2015-01-01

    Two paintings of older men by Rembrandt (1609–1669) are examined to demonstrate that historical attitudes toward diseases of old age and the ageing person’s response to illness can be investigated in paintings. The works selected are of different genres and date from different stages of Rembrandt’s own life, one from his youth and one from his old age. Both paintings show figures who have joint pathologies typically associated with the ageing process, the first involving the subject’s foot and the second involving the subject’s hand. Despite the sometimes painful nature of these conditions, the subjects are shown accommodating their illnesses while maintaining both their intellectual and social engagement and their emotional composure. Although the seventeenth century offered older people very little effective medical treatment in comparison with what is presently available, these paintings nevertheless present a view of illness as a subsidiary rather than a dominant feature of old age. PMID:26886771

  14. Diseases of Old Age in Two Paintings by Rembrandt.

    PubMed

    Weisz, George M; Albury, William R

    2015-10-26

    Two paintings of older men by Rembrandt (1609-1669) are examined to demonstrate that historical attitudes toward diseases of old age and the ageing person's response to illness can be investigated in paintings. The works selected are of different genres and date from different stages of Rembrandt's own life, one from his youth and one from his old age. Both paintings show figures who have joint pathologies typically associated with the ageing process, the first involving the subject's foot and the second involving the subject's hand. Despite the sometimes painful nature of these conditions, the subjects are shown accommodating their illnesses while maintaining both their intellectual and social engagement and their emotional composure. Although the seventeenth century offered older people very little effective medical treatment in comparison with what is presently available, these paintings nevertheless present a view of illness as a subsidiary rather than a dominant feature of old age.

  15. Paint removal using lasers

    NASA Astrophysics Data System (ADS)

    Liu, Katherine; Garmire, Elsa

    1995-07-01

    Experiments to investigate the potential for practical laser graffiti-removal systems are reported. A universal engineering curve for the time needed for removal of paint from nonconductive substrates that was valid over a range of 107 in intensity was measured with a variety of lasers. Comparable times were measured for conductive substrates, when pulses shorter than the thermal conduction times were used. Analysis suggests that Q-switched Nd:YAG lasers may be the most efficient means for removing graffiti and other unwanted paint. An 1-m2 area of paint 14 mu m thick can be removed in approximately 10 min with a 50-Hz laser system of 15-W average power.

  16. Paint removal using lasers.

    PubMed

    Liu, K; Garmire, E

    1995-07-20

    Experiments to investigate the potential for practical laser graffiti-removal systems are reported. A universal engineering curve for the time needed for removal of paint from nonconductive substrates that was valid over a range of 10(7) in intensity was measured with a variety of lasers. Comparable times were measured for conductive substrates, when pulses shorter than the thermal conduction times were used. Analysis suggests that Q-switched Nd:YAG lasers may be the most efficient means for removing graffiti and other unwanted paint. An 1-m(2) area of paint 14 µm thick can be removed in approximately 10 min with a 50-Hz laser system of 15-W average power.

  17. Frames as visual links between paintings and the museum environment: an analysis of statistical image properties

    PubMed Central

    Redies, Christoph; Groß, Franziska

    2013-01-01

    Frames provide a visual link between artworks and their surround. We asked how image properties change as an observer zooms out from viewing a painting alone, to viewing the painting with its frame and, finally, the framed painting in its museum environment (museum scene). To address this question, we determined three higher-order image properties that are based on histograms of oriented luminance gradients. First, complexity was measured as the sum of the strengths of all gradients in the image. Second, we determined the self-similarity of histograms of the orientated gradients at different levels of spatial analysis. Third, we analyzed how much gradient strength varied across orientations (anisotropy). Results were obtained for three art museums that exhibited paintings from three major periods of Western art. In all three museums, the mean complexity of the frames was higher than that of the paintings or the museum scenes. Frames thus provide a barrier of complexity between the paintings and their exterior. By contrast, self-similarity and anisotropy values of images of framed paintings were intermediate between the images of the paintings and the museum scenes, i.e., the frames provided a transition between the paintings and their surround. We also observed differences between the three museums that may reflect modified frame usage in different art periods. For example, frames in the museum for 20th century art tended to be smaller and less complex than in the two other two museums that exhibit paintings from earlier art periods (13th–18th century and 19th century, respectively). Finally, we found that the three properties did not depend on the type of reproduction of the paintings (photographs in museums, scans from books or images from the Google Art Project). To the best of our knowledge, this study is the first to investigate the relation between frames and paintings by measuring physically defined, higher-order image properties. PMID:24265625

  18. Frames as visual links between paintings and the museum environment: an analysis of statistical image properties.

    PubMed

    Redies, Christoph; Groß, Franziska

    2013-01-01

    Frames provide a visual link between artworks and their surround. We asked how image properties change as an observer zooms out from viewing a painting alone, to viewing the painting with its frame and, finally, the framed painting in its museum environment (museum scene). To address this question, we determined three higher-order image properties that are based on histograms of oriented luminance gradients. First, complexity was measured as the sum of the strengths of all gradients in the image. Second, we determined the self-similarity of histograms of the orientated gradients at different levels of spatial analysis. Third, we analyzed how much gradient strength varied across orientations (anisotropy). Results were obtained for three art museums that exhibited paintings from three major periods of Western art. In all three museums, the mean complexity of the frames was higher than that of the paintings or the museum scenes. Frames thus provide a barrier of complexity between the paintings and their exterior. By contrast, self-similarity and anisotropy values of images of framed paintings were intermediate between the images of the paintings and the museum scenes, i.e., the frames provided a transition between the paintings and their surround. We also observed differences between the three museums that may reflect modified frame usage in different art periods. For example, frames in the museum for 20th century art tended to be smaller and less complex than in the two other two museums that exhibit paintings from earlier art periods (13th-18th century and 19th century, respectively). Finally, we found that the three properties did not depend on the type of reproduction of the paintings (photographs in museums, scans from books or images from the Google Art Project). To the best of our knowledge, this study is the first to investigate the relation between frames and paintings by measuring physically defined, higher-order image properties.

  19. Oil-based paint poisoning

    MedlinePlus

    Hydrocarbons are the primary poisonous ingredient in oil paints. Some oil paints have heavy metals such as ... Gummin DD. Hydrocarbons. In: Nelson LS, Lewin NA, Howland MA, et al., eds. Goldfrank's Toxicologic Emergencies . 9th ed. New York, NY: ...

  20. Process Waste Assessment - Paint Shop

    SciTech Connect

    Phillips, N.M.

    1993-06-01

    This Process Waste Assessment was conducted to evaluate hazardous wastes generated in the Paint Shop, Building 913, Room 130. Special attention is given to waste streams generated by the spray painting process because it requires a number of steps for preparing, priming, and painting an object. Also, the spray paint booth covers the largest area in R-130. The largest and most costly waste stream to dispose of is {open_quote}Paint Shop waste{close_quotes} -- a combination of paint cans, rags, sticks, filters, and paper containers. These items are compacted in 55-gallon drums and disposed of as solid hazardous waste. Recommendations are made for minimizing waste in the Paint Shop. Paint Shop personnel are very aware of the need to minimize hazardous wastes and are continuously looking for opportunities to do so.

  1. Miniature spray-painting booth

    NASA Technical Reports Server (NTRS)

    Fee, K. W.

    1970-01-01

    Transparent spray booth provides method for quality painting and repair of surfaces in clean room or other specialized environments. Overspray and virtually all contaminating vapor and odor can be eliminated. Touch-up painting is achieved with spray gun.

  2. [The infirmaries of ladies and servants in the Spanish royal court of the seventeenth century].

    PubMed

    Campos Diez, Soledad

    2002-01-01

    The object of the present institutional study is the help and health care received by ladies and servants of the palace in the Spanish royal court of the 17th century. The study draws on documents recorded under the heading "The Infirmary of Ladies and Servants" in file 447 of the administrative section at the General Records of the Madrid Royal Palace. PMID:12675068

  3. [The infirmaries of ladies and servants in the Spanish royal court of the seventeenth century].

    PubMed

    Campos Diez, Soledad

    2002-01-01

    The object of the present institutional study is the help and health care received by ladies and servants of the palace in the Spanish royal court of the 17th century. The study draws on documents recorded under the heading "The Infirmary of Ladies and Servants" in file 447 of the administrative section at the General Records of the Madrid Royal Palace.

  4. American veterinary history: before the nineteenth century. 1940.

    PubMed

    Bierer, Bert W

    2014-11-01

    With the development of our present day domesticated animals in America (during the 16th and 17th centuries), it was not long before animal diseases became troublesome and destructive (especially during the latter half of the 18th century). Though veterinary medicine became rather firmly established in many European countries (including England) during the latter half of the 18th century, veterinary medicine was relatively nonexistent in America, with only self-styled animal doctors and farriers (with their empirical and often destructive remedies).

  5. Terahertz and multispectral imaging of a Tanda painting

    NASA Astrophysics Data System (ADS)

    Jackson, J. Bianca; Melis, Marcello; Walker, Gillian; Giovannacci, David; Miccoli, Matteo; Martos-Levif, Dominique; Bowen, John; Detalle, Vincent

    2015-06-01

    We systematically examined the mid-20th century Italian painting "After Fishing" (fig. 1) by Ausonio Tanda using multi-spectral (UV, RGB visible, tri-band IR), x-ray and terahertz time-domain spectroscopic imaging. THz-TDSI was performed in both transmission and reflection geometries and the results were compared.

  6. A Curious Reality: Exploring the Paintings of Philip C. Curtis

    ERIC Educational Resources Information Center

    Stephens, Pamela; Walkup, Nancy

    2011-01-01

    Many of the paintings of 20th-century American artist Philip C. Curtis defy clear classification. Curtis's artworks often show dreamlike and fantastical qualities and are therefore frequently pigeonholed as Surrealistic. While this classification is not completely erroneous, it fails to acknowledge some subtle differences between Curtis's artwork…

  7. Recurrent cerebral fever in the seventeenth and twenty first centuries.

    PubMed

    Williams, A N; Sunderland, R

    2004-01-01

    The development of modern neuroscience away from the concepts of Hippocrates and Galen can be traced to the writings of some 17th century clinicians, especially Thomas Willis. His exceptional skills in observation and description allow a window into the experiences of our medical forebears. His approach to the management of infection-related coma in a child is amenable to modern interpretation and comparison with modern management because of the clarity of his clinical descriptions. Modern clinicians may benefit from this historical perspective into influences on the origins of neuroscience. The different outcome for a child presenting in the 17th and 21st century encourage grateful reflection on our current privileged position.

  8. Recurrent cerebral fever in the seventeenth and twenty first centuries.

    PubMed

    Williams, A N; Sunderland, R

    2004-01-01

    The development of modern neuroscience away from the concepts of Hippocrates and Galen can be traced to the writings of some 17th century clinicians, especially Thomas Willis. His exceptional skills in observation and description allow a window into the experiences of our medical forebears. His approach to the management of infection-related coma in a child is amenable to modern interpretation and comparison with modern management because of the clarity of his clinical descriptions. Modern clinicians may benefit from this historical perspective into influences on the origins of neuroscience. The different outcome for a child presenting in the 17th and 21st century encourage grateful reflection on our current privileged position. PMID:15542385

  9. Tanjore: Mystical Painting of India

    ERIC Educational Resources Information Center

    Henn, Cynthia A.

    2004-01-01

    Tanjore (or Thanjavur or Thanlavoor) paintings are one of the most popular traditional art forms in Southern India. These ornate religious paintings involve Hindu mythology. The paintings are noted for their adornment of gold and semiprecious stones such as rubies, emeralds, and pearls. Currently, the semiprecious stones are often substituted…

  10. Static-Suppressing Optical Paint

    NASA Technical Reports Server (NTRS)

    Birnbaum, M. M.; Metzler, E. C.; Cleland, E. L.

    1985-01-01

    Electrically conductive flat black paint adheres well to magnesium, aluminum, fiberglass, and other materials. Paint absorbs stray light in optical instruments while preventing buildup of electrostatic fields and arcing. Paint consists of primer and topcoat, both containing electricallyconductive carbon-black powder. Primer two-part epoxy base, and topcoat polyurethane base.

  11. Paint by Numbers Revived!

    ERIC Educational Resources Information Center

    Hahn, Nic

    2012-01-01

    Remember paint by numbers? This revived trend was a perfect solution to teaching geometric shapes to the author's first-grade students. Geometric shapes are identified and used in early elementary art classrooms, but this lesson gives students a deeper understanding of shape, encourages problem-solving, and makes a strong correlation between math…

  12. Paint it nanoblack

    NASA Astrophysics Data System (ADS)

    Perkowitz, Sidney

    2016-08-01

    Ever since our ancestors painted images on the walls of caves, artists have sought pigments to represent the 10 million tints that humans can differentiate. Now they have a new ally: researchers who are using optical design principles, nanotechnology and inspiration from nature to create deeper blacks and purer whites.

  13. Painting Cloth with Crayons.

    ERIC Educational Resources Information Center

    Asch, Rosalie L.

    1979-01-01

    Painting cloth with crayons is suggested as a challenging art project, especially for students who have difficulty with the complex tools and processes typical of more advanced textile work. Instructions are given for creating decorative banners with this technique. One of seven articles in this issue on fiber arts. (Author/SJL)

  14. Cultural Collage Paintings

    ERIC Educational Resources Information Center

    Coy, Mary

    2011-01-01

    In this article, the author describes a cultural collage painting project. Three things served as the impetus for this project: (1) a desire for students to explore the theme of "culture"; (2) an appreciation for the photo-montaged, layered images one sees in print media; and (3) noticing that projects from core subject areas hanging on the walls…

  15. Artists Paint ... Fantasy

    ERIC Educational Resources Information Center

    Herberholz, Barbara

    2012-01-01

    When he painted a portrait of Holy Roman Emperor Rudolph II (1552-1612), Giuseppe Arcimboldo used his imagination, and portrayed him as "Vertumnus," the Roman god of vegetation and the seasons. It's fun to find the different fruits, vegetables and flowers he used: pea-pod eyelids, a gourd for the forehead. Court painters of the time usually…

  16. Collaborations in population-based health research: the 17th annual HMO Research Network Conference, March 23-25, 2011, Boston, Massachusetts, USA.

    PubMed

    Lieu, Tracy A; Hinrichsen, Virginia L; Moreira, Andrea; Platt, Richard

    2011-11-01

    The HMO Research Network (HMORN) is a consortium of 16 health care systems with integrated research centers. Approximately 475 people participated in its 17(th) annual conference, hosted by the Department of Population Medicine, Harvard Pilgrim Health Care Institute and Harvard Medical School. The theme, "Collaborations in Population-Based Health Research," reflected the network's emphasis on collaborative studies both among its members and with external investigators. Plenary talks highlighted the initial phase of the HMORN's work to establish the NIH-HMO Collaboratory, opportunities for public health collaborations, the work of early career investigators, and the state of the network. Platform and poster presentations showcased a broad spectrum of innovative public domain research in areas including disease epidemiology and treatment, health economics, and information technology. Special interest group sessions and ancillary meetings provided venues for informal conversation and structured work among ongoing groups, including networks in cancer, cardiovascular diseases, lung diseases, medical product safety, and mental health.

  17. Reducer Selection When Doing Overall Paint Jobs Using Enamel Paints. Lesson Plan No. 1 of Auto Repair and Painting.

    ERIC Educational Resources Information Center

    Tyau, Layton M.

    This lesson, which is part of a high school course in auto body repair and painting, deals with selecting a reducer when doing overall paint jobs using enamel paints. Students are taught the general properties of different types of enamel paints and selection of the proper reducer for each type of paint, depending on the weather and the specific…

  18. Validity of Bartram's Painted Vulture (Aves: Cathartidae).

    PubMed

    Snyder, Noel F R; Fry, Joel T

    2013-02-07

    William Bartram described the Painted Vulture (Vultur sacra) as a new species in his 1791 book on travels in Florida and other southeastern states. However, no specimen of this bird survives, and it has not been reported by any subsequent ornithologist. Bartram's detailed description is not presently endorsed by the American Ornithologists' Union and has been widely regarded as a myth, a misdescribed King Vulture Sarcoramphus papa (Linnaeus), a misdescribed Northern Caracara Caracara cheriway (Jacquin), or a garbled mixture of species. In fact, his description bears almost no resemblance to a Northern Caracara, but it does match the King Vulture in all important respects except tail color (which is uniform dark brown in all ages and sexes of King Vultures but was white with a dark brown or black tip in Bartram's description). Most 20th century ornithologists commenting on Bartram's bird have been reluctant to accept his description because of the tail-color discrepancy. Only McAtee (1942) concluded that his description could be fully accurate as written, indicating a bird closely related to, but different from, a typical King Vulture. Paralleling Bartram's description is an apparently independent account and painting of a vulture of uncertain geographic origin by Eleazar Albin (1734). Details of Albin's description, including tail color, are very similar to those of Bartram's description. The only discrepancies are minor differences in color of softparts and tail that seem explicable as intraspecific variation. Available evidence suggests that Bartram knew nothing of Albin's description, and if so, Albin's bird provides quite persuasive support for the validity of Bartram's bird. Equally important, none of the arguments offered historically against the validity of the Painted Vulture is persuasive when examined closely. Together, these and other factors make a strong case for acceptance of Bartram's Painted Vulture as a historic resident of northern Florida and

  19. Validity of Bartram's Painted Vulture (Aves: Cathartidae).

    PubMed

    Snyder, Noel F R; Fry, Joel T

    2013-01-01

    William Bartram described the Painted Vulture (Vultur sacra) as a new species in his 1791 book on travels in Florida and other southeastern states. However, no specimen of this bird survives, and it has not been reported by any subsequent ornithologist. Bartram's detailed description is not presently endorsed by the American Ornithologists' Union and has been widely regarded as a myth, a misdescribed King Vulture Sarcoramphus papa (Linnaeus), a misdescribed Northern Caracara Caracara cheriway (Jacquin), or a garbled mixture of species. In fact, his description bears almost no resemblance to a Northern Caracara, but it does match the King Vulture in all important respects except tail color (which is uniform dark brown in all ages and sexes of King Vultures but was white with a dark brown or black tip in Bartram's description). Most 20th century ornithologists commenting on Bartram's bird have been reluctant to accept his description because of the tail-color discrepancy. Only McAtee (1942) concluded that his description could be fully accurate as written, indicating a bird closely related to, but different from, a typical King Vulture. Paralleling Bartram's description is an apparently independent account and painting of a vulture of uncertain geographic origin by Eleazar Albin (1734). Details of Albin's description, including tail color, are very similar to those of Bartram's description. The only discrepancies are minor differences in color of softparts and tail that seem explicable as intraspecific variation. Available evidence suggests that Bartram knew nothing of Albin's description, and if so, Albin's bird provides quite persuasive support for the validity of Bartram's bird. Equally important, none of the arguments offered historically against the validity of the Painted Vulture is persuasive when examined closely. Together, these and other factors make a strong case for acceptance of Bartram's Painted Vulture as a historic resident of northern Florida and

  20. 46 CFR 72.05-45 - Paint.

    Code of Federal Regulations, 2012 CFR

    2012-10-01

    ... 46 Shipping 3 2012-10-01 2012-10-01 false Paint. 72.05-45 Section 72.05-45 Shipping COAST GUARD... Protection § 72.05-45 Paint. (a) An excessive number of coats of paint will be discouraged unless noncombustible paint is used. (b) Nitrocellulose or other highly flammable or noxious fume-producing paints...

  1. 46 CFR 72.05-45 - Paint.

    Code of Federal Regulations, 2014 CFR

    2014-10-01

    ... 46 Shipping 3 2014-10-01 2014-10-01 false Paint. 72.05-45 Section 72.05-45 Shipping COAST GUARD... Protection § 72.05-45 Paint. (a) An excessive number of coats of paint will be discouraged unless noncombustible paint is used. (b) Nitrocellulose or other highly flammable or noxious fume-producing paints...

  2. 29 CFR 1915.35 - Painting.

    Code of Federal Regulations, 2014 CFR

    2014-07-01

    ... 29 Labor 7 2014-07-01 2014-07-01 false Painting. 1915.35 Section 1915.35 Labor Regulations... Painting. (a) Paints mixed with toxic vehicles or solvents. (1) When paints mixed with toxic vehicles or.... (2) Where brush application of paints with toxic solvents is done in confined spaces or in...

  3. 46 CFR 72.05-45 - Paint.

    Code of Federal Regulations, 2013 CFR

    2013-10-01

    ... 46 Shipping 3 2013-10-01 2013-10-01 false Paint. 72.05-45 Section 72.05-45 Shipping COAST GUARD... Protection § 72.05-45 Paint. (a) An excessive number of coats of paint will be discouraged unless noncombustible paint is used. (b) Nitrocellulose or other highly flammable or noxious fume-producing paints...

  4. 46 CFR 72.05-45 - Paint.

    Code of Federal Regulations, 2010 CFR

    2010-10-01

    ... 46 Shipping 3 2010-10-01 2010-10-01 false Paint. 72.05-45 Section 72.05-45 Shipping COAST GUARD... Protection § 72.05-45 Paint. (a) An excessive number of coats of paint will be discouraged unless noncombustible paint is used. (b) Nitrocellulose or other highly flammable or noxious fume-producing paints...

  5. 46 CFR 72.05-45 - Paint.

    Code of Federal Regulations, 2011 CFR

    2011-10-01

    ... 46 Shipping 3 2011-10-01 2011-10-01 false Paint. 72.05-45 Section 72.05-45 Shipping COAST GUARD... Protection § 72.05-45 Paint. (a) An excessive number of coats of paint will be discouraged unless noncombustible paint is used. (b) Nitrocellulose or other highly flammable or noxious fume-producing paints...

  6. Japanese Painting: Form and Function. A Teacher Workshop on May 14, 1994. Teacher's Packet.

    ERIC Educational Resources Information Center

    Schardt, Molly; And Others

    This packet accompanies a slide series designed to introduce students to Japanese painting from the 12th century to the late 19th century. The packet includes an essay introduction to establish a historical framework, maps of the region, a time line of the chronology of Japan from 2000 B.C. to the present, illustrations of various art forms, a…

  7. Paintings on copper by the Flemish artist Frans Francken II: PIXE characterization by external microbeam

    NASA Astrophysics Data System (ADS)

    Corregidor, V.; Oliveira, A. R.; Rodrigues, P. A.; Alves, L. C.

    2015-04-01

    Resorting to an external proton microbeam, PIXE analyses of three oil paintings on copper support dated from the XVII century and attributed to the Flemish artist Frans Francken II, were undertaken. The present work aims to contribute to the compositional study of the painting materials employed by XVII century artists that exploited copper as a support for oil painting, and specifically the materials used by Francken's workshop, particularly copper plates. Because of the low thickness of the pictorial layers of this type of paintings and its non-destructive character, PIXE is the ideal technique to study the elemental composition of the paintings. Several spots in each painting were chosen for analysis in order to cover almost all the pigments used in the colour palette. Lead and calcium were detected in practically every analysed regions, probably related to the presence of lead white and chalk, usually used as ground layer on copper paintings. Small quantities of gold were also detected, which is present in many of this artist's works to embellish some details of the representations. Also this work reports the first application of the external proton microbeam set-up available at CTN/IST in Portugal for the characterization of oil paintings.

  8. Matisse in Morocco: The Paintings and Drawings, 1912-1913. Teachers' Packet. A USA/USSR Joint Project.

    ERIC Educational Resources Information Center

    Powe, Faye

    Henri Matisse (1869-1954) is recognized as one of the great artists of the twentieth century. The paintings and drawings that he executed in Morocco in 1912 and 1913 reveal a pivotal stage in the artist's career. His Moroccan paintings have been compared to an interior journey taking place side by side with the outer one. This packet includes…

  9. History of the Balkans: Eighteenth and Nineteenth Centuries. Volume 1. The Joint Committee on Eastern Europe Publications Series. No. 12.

    ERIC Educational Resources Information Center

    Jelavich, Barbara

    Designed as an introductory history, this book covers developments in the Balkan Peninsula from the 17th through the 19th centuries. Emphasis is placed on the process by which separate nationalities broke away from imperial rule, established independent states, and embarked on economic and social modernization. To establish perspective on the role…

  10. The May 17th, 2012 M4.8 earthquake near Timpson, east Texas: Was it natural or was it induced?

    NASA Astrophysics Data System (ADS)

    Brown, W. A.; Frohlich, C. A.; Ellsworth, W. L.; Luetgert, J. H.; Brunt, M. R.

    2012-12-01

    The May 17th, 2012 earthquake occurred in the early morning near Timpson, Texas, about 50 km NE of Nacogdoches, where it awakened numerous residents. The highest intensities of MMI VII occurred 5 km southwest of Timpson, where chimneys, fireplaces, and brick veneer siding suffered significant damage. This is the largest recorded earthquake in eastern Texas. Following the earthquake we installed three temporary seismographs in the epicentral area. Data from these instruments, from a permanent station in Nacogdoches (NATX), and from several temporary USArray stations allowed us to identify foreshocks and aftershocks, and obtain locations for these events. A review of the NATX seismograms revealed activity in the same location as early as April 2008. There were several foreshocks in 2010-2012; the largest, a M3.9 on May 10th, 2012, was widely felt. Following the May 17th mainshock there have been about a dozen aftershocks. The best-recorded event occurred on June 16th and its preferred location is about 3 km north of the highest-intensity area. The focal depth is poorly constrained by travel times. However, a depth of 4 km or less is consistent with S-P times of ~1.0 sec at one station and the observation of whispering gallery phases at a distance of ~30 km at station NATX. At all stations the range of S-P times for foreshocks and aftershock is only a few tenths of a second, indicating that all events originated from nearly the same focus. Four injection disposal wells are situated within a few km of the epicentral region. One of these wells has had monthly injection rates between 16,000 m3/mo and 64,000 m3/mo since 2007. In the Barnett Shale of Texas, seismic activity is sometimes associated with wells having maximum monthly rates exceeding 24,000 m3/mo. Thus it is possible that the Timpson earthquakes were induced by injection. Historical record indicates that in 1891 and 1981, well before injection began, M4.0 and M3.2 earthquakes occurred 80 km west, and 25 km

  11. Raman spectroscopic study of "The Malatesta": a Renaissance painting?

    PubMed

    Edwards, Howell G M; Vandenabeele, Peter; Benoy, Timothy J

    2015-02-25

    Raman spectroscopic analysis of the pigments on an Italian painting described as a "Full Length Portrait of a Gentleman", known also as the "Malatesta", and attributed to the Renaissance period has established that these are consistent with the historical research provenance undertaken earlier. Evidence is found for the early 19th Century addition of chrome yellow to highlighted yellow ochre areas in comparison with a similar painting executed in 1801 by Sir Thomas Lawrence of John Kemble in the role of Hamlet, Prince of Denmark. The Raman data are novel in that no analytical studies have previously been made on this painting and reinforces the procedure whereby scientific analyses are accompanied by parallel historical research.

  12. Raman spectroscopic study of "The Malatesta": a Renaissance painting?

    PubMed

    Edwards, Howell G M; Vandenabeele, Peter; Benoy, Timothy J

    2015-02-25

    Raman spectroscopic analysis of the pigments on an Italian painting described as a "Full Length Portrait of a Gentleman", known also as the "Malatesta", and attributed to the Renaissance period has established that these are consistent with the historical research provenance undertaken earlier. Evidence is found for the early 19th Century addition of chrome yellow to highlighted yellow ochre areas in comparison with a similar painting executed in 1801 by Sir Thomas Lawrence of John Kemble in the role of Hamlet, Prince of Denmark. The Raman data are novel in that no analytical studies have previously been made on this painting and reinforces the procedure whereby scientific analyses are accompanied by parallel historical research. PMID:25194320

  13. Death by paint thinner.

    PubMed

    Collison, Ines; Moorehead, Wayne

    2002-10-01

    A 38-year-old Caucasian male, reportedly missing for four days, was found dead 40 feet down a steep ravine, apparently after jumping down the cliff. Two rectangular cans of paint thinner, 1-qt and 1-gal sizes, were found in his vehicle at the top of the cliff. The autopsy report indicated that the decedent was normal except for the heart and myocardium, the lung parenchyma, and the gastric and esophageal mucosa. The stomach contents revealed a brownish liquid with a nearly clear, thick, oily film, and the small and large bowels showed oily liquid with a strong odor of a petroleum distillate. Toxicological analysis was negative for ethanol and common drugs of abuse. Valproic acid, diphenhydramine, and norsertraline where found in therapeutic concentrations, and sertraline, diazepam, and nordiazepam were found in subtherapeutic levels. Bupropion metabolites were also detected. Static adsorption-elution, commonly used in fire debris analysis, was used to examine the brain, liver, lung, blood, and urine. A liquid-liquid extraction was performed on the vitreous humor. The stomach contents and samples from the paint thinner cans were diluted with carbon disulfide. All but the blood and vitreous contained a medium petroleum distillate. The stomach content was consistent with the liquid from the one-gallon can. Chromatograms suggest differential metabolism and/or distribution among the different organs. PMID:12423013

  14. Additive Transforms Paint into Insulation

    NASA Technical Reports Server (NTRS)

    2007-01-01

    Tech Traders Inc. sought assistance developing low-cost, highly effective coatings and paints that created useful thermal reflectance and were safe and non-toxic. In cooperation with a group of engineers at Kennedy Space Center., Tech Traders created Insuladd, a powder additive made up of microscopic, inert gas-filled, ceramic microspheres that can be mixed into ordinary interior or exterior paint, allowing the paint to act like a layer of insulation. When the paint dries, this forms a radiant heat barrier, turning the ordinary house paint into heat-reflecting thermal paint. According to Tech Traders, the product works with all types of paints and coatings and will not change the coverage rate, application, or adhesion of the paint. Other useful applications include feed storage silos to help prevent feed spoilage, poultry hatcheries to reduce the summer heat and winter cold effects, and on military vehicles and ships. Tech Traders has continued its connection to the aerospace community by recently providing Lockheed Martin Corporation with one of its thermal products for use on the F-22 Raptor.

  15. Structure development in magnetic paints

    SciTech Connect

    Potanin, A.A.; Shrauti, S.M.; Lane, A.M.; Arnold, D.W.

    1996-12-31

    Dynamic rheological measurements are used to probe the structure of model magnetic paints which contain ferro-magnetic particles of iron oxide or barium ferrite a wetting resin and a solvent. Along with industrially used organic solvent-based paints, water-borne systems are studied. Methods to characterize the dispersion quality of pigment particles through rheological measurements are outlined.

  16. Laser assisted graffiti paints removing

    NASA Astrophysics Data System (ADS)

    Novikov, B. Y.; Chikalev, Y. V.; Shakhno, E. A.

    2010-07-01

    It's hard to imagine a modern city view without some drawings and inscriptions, usually called "graffiti". Traditional cleaning methods do not suit modern requirements. Investigation of possibilities of laser assisted paints removing is described in this article. The conditions for removing different paints from different surfaces were defined.

  17. Laser assisted graffiti paints removing

    NASA Astrophysics Data System (ADS)

    Novikov, B. Y.; Chikalev, Y. V.; Shakhno, E. A.

    2011-02-01

    It's hard to imagine a modern city view without some drawings and inscriptions, usually called "graffiti". Traditional cleaning methods do not suit modern requirements. Investigation of possibilities of laser assisted paints removing is described in this article. The conditions for removing different paints from different surfaces were defined.

  18. An innovative, interdisciplinary, and multi-technique study of gilding and painting techniques in the decoration of the main altarpiece of Miranda do Douro Cathedral (XVII-XVIII(th) centuries, Portugal).

    PubMed

    Sandu, Irina Crina Anca; Murta, Elsa; Veiga, Rita; Muralha, Vânia Solange F; Pereira, Manuel; Kuckova, Stepanka; Busani, Tito

    2013-07-01

    The research results presented in this paper are part of a larger study on the materials and techniques used in polychrome altarpieces of gilded woodcarving decoration ("talha dourada") in Portugal. The paper focuses on a narrative Portuguese Altarpiece from Miranda do Douro, considered one of the masterpieces of "talha dourada" among all the retables of the Iberian Peninsula in XVII(th) and XVIII(th) centuries. Although on the Portuguese territory, the altarpiece was made by artists from the Royal Spanish school of Valladolid, under a mannerist style. Thus the study opens a window on the artists' circulation between Spain and Portugal and influences of the Spanish schools in Baroque epoch on the Portuguese "talha". During its history this altarpiece underwent several transformations and extensive conservation treatments in 1989. On this occasion more than 50 samples were collected and analyzed using an interdisciplinary multi-technique methodology. 27 of these samples are chosen for this study in order to investigate the chromatic palette, the materials and techniques used in the polychromy of the retable. A novel protocol of investigation using different conventional and unconventional analytical techniques (OM + fluorescent staining tests on cross-sections, Raman microscopy, XRD, XRF, X-ray micro-CT, SEM-EDX, MALDI-TOF-MS and LC-MS/MS) was established within an innovative research project (http://sites.fct.unl.pt/gilt-teller/) and applied on these samples. This protocol is necessary to confirm the results obtained in the 1989 campaign and to have further insight into the gilding and polychrome decoration materials and techniques and the additional information reported in the historical documents. The material and technical history of this important altarpiece will be thus re-documented from a scientific perspective, meant to confirm and bring new information on the decorative technique used in the creation of this complex Portuguese monument. PMID:23650028

  19. The Teaching of Russian Language and Literature in Europe = L'enseignement de la langue et de la litterature russes en Europe = Prepodavanie russkogo yaeyka i literatury v Europe. Proceedings of the AIMAV Seminar (17th, Brussels, Belgium, 1986).

    ERIC Educational Resources Information Center

    Blankoff, Jean, Ed.; And Others

    Papers from the Proceedings of the 17th meeting of the AIMAV (Association internationale pour le developpement de la communication interculturelle) are collected in this volume. Conference papers appear either in English, in French, or in Russian. For purposes of this abstract, all titles below have been translated into English. The…

  20. Byzantine wall paintings from Kastoria, northern Greece: Spectroscopic study of pigments and efflorescing salts

    NASA Astrophysics Data System (ADS)

    Iordanidis, Andreas; Garcia-Guinea, Javier; Strati, Aggeliki; Gkimourtzina, Amalia; Papoulidou, Androniki

    2011-02-01

    This study concerns the investigation of pigments and efflorescence phenomena on the wall paintings of Kastoria, a rural, non-metropolitan Byzantine town. A large number of representative samples were collected from the murals of three churches, dated to post-Byzantine era (14th-17th c. AD). The identified pigments for the red colour were hematite (Fe 2O 3), cinnabar (HgS) and minium (Pb 3O 4), while brown and yellow colours were attributed to mixtures of ochres (Fe-oxides and hydroxides) and lime. The utilization of admixtures of iron, lead and mercury compounds was also attested in order to render specific tones on the painted surfaces. Black and dark blue hues were prepared using black carbon and Mn in some cases. Grey colours were assigned to a mixture of black carbon and lime. Green colour is rather attributed to admixtures of Fe-rich minerals and lime and not to the commonly used green earths. Baryte (BaSO 4) was also evidenced as a filler or extender. Phosphorous was detected and connected to proteinaceous material and Mo and Sb were traced which are probably affiliated to Fe-oxides. Regarding efflorescing salts, the determined compounds are: calcite, dolomite, gypsum, halite, nitratine, natron and mirabilite, all of which are related to temperature and humidity changes and moisture fluctuations inside the wall paintings.

  1. Painting in space

    NASA Astrophysics Data System (ADS)

    Brody, Arthur W.; Hartman, Chris

    2001-06-01

    The goal of our research is to enable artists to interact with the world of their imagination; to create art by moving, molding, and shaping virtual forms as if by their own bodies. We show a print that represents a scene painted into virtual reality and tell how the scene and the subsequent print were done. There will be some discussion of the meaning of the work, the intent of the artist and the relationship between the art and the technology used to create it. The print seen here is both a picture of an exotic place and the artistic fruit of research into how to embody the user in virtual reality. Our approach is based on the premise that embodiment is an appropriate direction for developing tools to facilitate artistic expression. It is also a premise of this research that the constraints requisite to creating art will also result in tools that serve the visualization community in general.

  2. PREFACE: 17th International School on Condensed Matter Physics (ISCMP): Open Problems in Condensed Matter Physics, Biomedical Physics and their Applications

    NASA Astrophysics Data System (ADS)

    Dimova-Malinovska, Doriana; Nesheva, Diana; Pecheva, Emilia; Petrov, Alexander G.; Primatarowa, Marina T.

    2012-12-01

    We are pleased to introduce the Proceedings of the 17th International School on Condensed Matter Physics: Open Problems in Condensed Matter Physics, Biomedical Physics and their Applications, organized by the Institute of Solid State Physics of the Bulgarian Academy of Sciences. The Chairman of the School was Professor Alexander G Petrov. Like prior events, the School took place in the beautiful Black Sea resort of Saints Constantine and Helena near Varna, going back to the refurbished facilities of the Panorama hotel. Participants from 17 different countries delivered 31 invited lecturers and 78 posters, contributing through three sessions of poster presentations. Papers submitted to the Proceedings were refereed according to the high standards of the Journal of Physics: Conference Series and the accepted papers illustrate the diversity and the high level of the contributions. Not least significant factor for the success of the 17 ISCMP was the social program, both the organized events (Welcome and Farewell Parties) and the variety of pleasant local restaurants and beaches. Visits to the Archaeological Museum (rich in valuable gold treasures of the ancient Thracian culture) and to the famous rock monastery Aladja were organized for the participants from the Varna Municipality. These Proceedings are published for the second time by the Journal of Physics: Conference Series. We are grateful to the Journal's staff for supporting this idea. The Committee decided that the next event will take place again in Saints Constantine and Helena, 1-5 September 2014. It will be entitled: Challenges of the Nanoscale Science: Theory, Materials and Applications. Doriana Dimova-Malinovska, Diana Nesheva, Emilia Pecheva, Alexander G Petrov and Marina T Primatarowa Editors

  3. N-acetylglucosamine inhibits T-helper 1 (Th1)/T-helper 17 (Th17) cell responses and treats experimental autoimmune encephalomyelitis.

    PubMed

    Grigorian, Ani; Araujo, Lindsey; Naidu, Nandita N; Place, Dylan J; Choudhury, Biswa; Demetriou, Michael

    2011-11-18

    Current treatments and emerging oral therapies for multiple sclerosis (MS) are limited by effectiveness, cost, and/or toxicity. Genetic and environmental factors that alter the branching of Asn (N)-linked glycans result in T cell hyperactivity, promote spontaneous inflammatory demyelination and neurodegeneration in mice, and converge to regulate the risk of MS. The sugar N-acetylglucosamine (GlcNAc) enhances N-glycan branching and inhibits T cell activity and adoptive transfer experimental autoimmune encephalomyelitis (EAE). Here, we report that oral GlcNAc inhibits T-helper 1 (Th1) and T-helper 17 (Th17) responses and attenuates the clinical severity of myelin oligodendrocyte glycoprotein (MOG)-induced EAE when administered after disease onset. Oral GlcNAc increased expression of branched N-glycans in T cells in vivo as shown by high pH anion exchange chromatography, MALDI-TOF mass spectroscopy and FACS analysis with the plant lectin l-phytohemagglutinin. Initiating oral GlcNAc treatment on the second day of clinical disease inhibited MOG-induced EAE as well as secretion of interferon-γ, tumor necrosis factor-α, interleukin-17, and interleukin-22. In the more severe 2D2 T cell receptor transgenic EAE model, oral GlcNAc initiated after disease onset also inhibits clinical disease, except for those with rapid lethal progression. These data suggest that oral GlcNAc may provide an inexpensive and nontoxic oral therapeutic agent for MS that directly targets an underlying molecular mechanism causal of disease. PMID:21965673

  4. Social differences in oral health: Dental status of individuals buried in and around Trakai Church in Lithuania (16th-17th c.c.).

    PubMed

    Miliauskienė, Žydrūnė; Jankauskas, Rimantas

    2015-01-01

    The evaluation of social differences in dental health is based on the assumption that individuals belonging to a higher social class consumed a different diet than a common people. The aim of our study was to analyse and compare dental health of 16(th) - 17(th) c. individuals, buried inside and around the Roman Catholic Church in Trakai (Lithuania). All material (189 adult individuals) was divided in two samples of a presumably different social status: the Churchyard (ordinary townsmen) and the Presbytery (elite). Dental status analysis included that of tooth loss, tooth wear, caries, abscesses and calculus. Results revealed higher prevalence of dental disease in the Churchyard sample compared to the Presbytery. Individuals buried around the church had statistically higher prevalence of caries, antemortem tooth loss and abscesses compared to those who were buried inside the church. The Churchyard sample was also characterised by a higher increase in severity of caries with age, and a more rapid tooth wear. Differences in dental health between the samples the most probably reflect different dietary habits of people from different social groups: poor quality carbohydrate based diet of laymen buried in the churchyard and more varied diet with proteins and of a better quality of local elite, buried inside the church. Substantial sex differences in dental health were found only in the Churchyard sample: males had statistically higher prevalence of abscesses and calculus, while females had higher prevalence of caries and AMTL (antemortem tooth loss). Females were also characterised by a higher increase in the number of dental decay and tooth loss with age and had higher prevalence of gross caries, which indicates a more rapid progression of the disease. Worse dental health of females could be a result of culturally based dietary differences between females (more carbohydrates) and males (more proteins) and different physiological demands (hormonal fluctuations and

  5. The levelling of paint films

    NASA Astrophysics Data System (ADS)

    Wilson, S. K.

    1993-01-01

    Using a brush to apply paint to a flat surface almost inevitably means that the bristles of the brush leave behind an uneven paint surface. As the paint dries out, these non-uniformities tend to flatten out to leave a protective and aesthetically pleasing even coating; however, experiments have shown that some solvent-based high-gloss alkyd paints can exhibit more unusual behaviour as they dry. In these experiments the initial rate of levelling was faster than that expected simply due to constant surface tension effects, and, much more unexpectedly, over a timescale of a few minutes the peaks of the original disturbance became troughs and vice versa. In this paper the author presents a mathematical model for the drying of a layer of solvent-based high-gloss alkyd paint and analyses the linear stability of a uniform layer of paint subject to an initial perturbation representing the marks left by a paint brush. Investigating the model highlights the crucial role played by solvent evaporation and leads to a plausible physical explanation of the observed phenomena. Furthermore, the analytical and numerical predictions of the model are found to be in good quantitative agreement with the experimental results.

  6. Electrically Conductive Paints for Satellites

    NASA Technical Reports Server (NTRS)

    Gilligan, J. E.; Wolf, R. E.; Ray, C.

    1977-01-01

    A program was conducted to develop and test electrically conductive paint coatings for spacecraft. A wide variety of organic and inorganic coatings were formulated using conductive binders, conductive pigments, and similar approaches. Z-93, IITRI's standard specification inorganic thermal control coating, exhibits good electrical properties and is a very space-stable coating system. Several coatings based on a conductive pigment (antimony-doped tin oxide) in silicone and silicate binders offer considerable promise. Paint systems using commercially available conductive polymers also appear to be of interest, but will require substantial development. Evaluations were made based on electrical conductivity, paint physical properties, and the stability of spectral reflectance in space environment testing.

  7. 7 CFR 3201.106 - Paint removers.

    Code of Federal Regulations, 2014 CFR

    2014-01-01

    ... 7 Agriculture 15 2014-01-01 2014-01-01 false Paint removers. 3201.106 Section 3201.106 Agriculture... Items § 3201.106 Paint removers. (a) Definition. Products formulated to loosen and remove paint from painted surfaces. (b) Minimum biobased content. The Federal preferred procurement product must have...

  8. 49 CFR 173.173 - Paint, paint-related material, adhesives, ink and resins.

    Code of Federal Regulations, 2014 CFR

    2014-10-01

    ... 49 Transportation 2 2014-10-01 2014-10-01 false Paint, paint-related material, adhesives, ink and... Than Class 1 and Class 7 § 173.173 Paint, paint-related material, adhesives, ink and resins. (a) When..., paint-related material, adhesives, ink and resins must be packaged as follows: (1) As prescribed...

  9. 49 CFR 173.173 - Paint, paint-related material, adhesives, ink and resins.

    Code of Federal Regulations, 2013 CFR

    2013-10-01

    ... 49 Transportation 2 2013-10-01 2013-10-01 false Paint, paint-related material, adhesives, ink and... Than Class 1 and Class 7 § 173.173 Paint, paint-related material, adhesives, ink and resins. (a) When..., paint-related material, adhesives, ink and resins must be packaged as follows: (1) As prescribed...

  10. 49 CFR 173.173 - Paint, paint-related material, adhesives, ink and resins.

    Code of Federal Regulations, 2012 CFR

    2012-10-01

    ... 49 Transportation 2 2012-10-01 2012-10-01 false Paint, paint-related material, adhesives, ink and... Than Class 1 and Class 7 § 173.173 Paint, paint-related material, adhesives, ink and resins. (a) When..., paint-related material, adhesives, ink and resins must be packaged as follows: (1) As prescribed...

  11. 49 CFR 173.173 - Paint, paint-related material, adhesives, ink and resins.

    Code of Federal Regulations, 2010 CFR

    2010-10-01

    ... name for paint, lacquer, enamel, stain, shellac, varnish, liquid aluminum, liquid bronze, liquid gold... 49 Transportation 2 2010-10-01 2010-10-01 false Paint, paint-related material, adhesives, ink and... Than Class 1 and Class 7 § 173.173 Paint, paint-related material, adhesives, ink and resins. (a)...

  12. 49 CFR 173.173 - Paint, paint-related material, adhesives, ink and resins.

    Code of Federal Regulations, 2011 CFR

    2011-10-01

    ... name for paint, lacquer, enamel, stain, shellac, varnish, liquid aluminum, liquid bronze, liquid gold... 49 Transportation 2 2011-10-01 2011-10-01 false Paint, paint-related material, adhesives, ink and... Than Class 1 and Class 7 § 173.173 Paint, paint-related material, adhesives, ink and resins. (a)...

  13. Paint removal activities in Canada

    NASA Astrophysics Data System (ADS)

    Foster, Terry

    1993-03-01

    Paint removal activities currently under way in Canada include: research and development of laser paint stripping; development and commercialization of a new blasting medium based on wheat starch; commercialization of a new blasting medium and process using crystalline ice blasting for paint removal and surface cleaning; and the development of automated and robotic systems for paint stripping applications. A specification for plastic media blasting (PMB) of aircraft and aircraft components is currently being drafted by NDHQ for use by the Canadian Armed Forces (CAF) and contractors involved in coating removal for the CAF. Defense Research Establishment Pacific (DREP) is studying the effects of various blast media on coating removal rates, and minimizing the possibility of damage to substrates other than aluminum such as graphite epoxy composite and Kevlar. The effects of plastic media blasting on liquid penetrant detection of fatigue cracks is also under investigation.

  14. Studying Landforms through Landscape Painting.

    ERIC Educational Resources Information Center

    Glenn, William H.

    1981-01-01

    Using three specific works of art, the author demonstrates how a study of selected landscape paintings can be integrated into units on landforms in secondary school earth science and general science courses. (Author/SJL)

  15. The Role of Education Redefined: 18th Century British and French Educational Thought and the Rise of the Baconian Conception of the Study of Nature

    ERIC Educational Resources Information Center

    Gilead, Tal

    2011-01-01

    The idea that science teaching in schools should prepare the ground for society's future technical and scientific progress has played an important role in shaping modern education. This idea, however, was not always present. In this article, I examine how this idea first emerged in educational thought. Early in the 17th century, Francis Bacon…

  16. "...A Place to which Idle Vagrants May Be Sent." The First Phase of Child Migration During the Seventeenth and Eighteenth Centuries.

    ERIC Educational Resources Information Center

    Coldrey, Barry M.

    1999-01-01

    Explores the first phase of juvenile emigration from Britain to the Americas in the 17th and 18th centuries. Finds eerie parallels with the last phase of this British social policy in the 1960s as has been discussed in the media during recent years. (SD)

  17. Overview of paint removal methods

    NASA Astrophysics Data System (ADS)

    Foster, Terry

    1995-04-01

    With the introduction of strict environmental regulations governing the use and disposal of methylene chloride and phenols, major components of chemical paint strippers, there have been many new environmentally safe and effective methods of paint removal developed. The new methods developed for removing coatings from aircraft and aircraft components include: mechanical methods using abrasive media such as plastic, wheat starch, walnut shells, ice and dry ice, environmentally safe chemical strippers and paint softeners, and optical methods such as lasers and flash lamps. Each method has its advantages and disadvantages, and some have unique applications. For example, mechanical and abrasive methods can damage sensitive surfaces such as composite materials and strict control of blast parameters and conditions are required. Optical methods can be slow, leaving paint residues, and chemical methods may not remove all of the coating or require special coating formulations to be effective. As an introduction to environmentally safe and effective methods of paint removal, this paper is an overview of the various methods available. The purpose of this overview is to introduce the various paint removal methods available.

  18. Painted supported lipid membranes

    PubMed Central

    Florin, E.-L.; Gaub, H. E.

    1993-01-01

    We report herein measurements on a novel type of supported lipid films, which we call painted supported membranes (PSM). These membranes are formed in a self-assembly process on alkylated gold films from an organic solution. The formation process was investigated with surface plasmon resonance microscopy. The optical and electrical properties of the films were determined for various types of lipids and as a function of temperature by means of cyclic voltammetry and potential relaxation after charge injection. We could show that these films exhibit an extraordinarily high specific resistivity which, depending on the lipid, may be as high as 109 ohm/cm2. We could also show that due to this low conductivity, an electrical polarization across the PSM relaxes with characteristic time constants of up to 20 min. The electrical properties together with their high mechanical stability and accessibility to surface sensitive techniques make these films well suitable model membranes for optical and electrical investigations. Examples for such applications are given in the subsequent article by Seifert et al. ImagesFIGURE 3FIGURE 4 PMID:19431873

  19. [The comparison of the two Ottoman books of anatomy (17-19th centuries) with regard to the circulatory system].

    PubMed

    Uluçam, E; Gökçe, N

    2000-01-01

    17th and 19th centuries were particularly important for the development of the Ottoman medicine. Westernization which had already started in the 17th century continued along the 19th and the early 20th centuries. Turkish physicians began to contact with their European colleagues and in this period Latin medical terminology began to appear in the Ottoman medical literature. Sirvanli Semseddin Itaki's work of the 17th century, the Teşrihü'l Ebdan ve Tercüman-i Kibale-i Feylesufan, is the first illustrated Turkish manuscript of anatomy. The illustrations are qualified as developed examples, compared with the medical literature and knowledge of the period. In the 19th century, Sanizade Mehmet Ataullah Efendi (1771-1826) wrote a modern book of anatomy for the Ottoman medical doctors. Miyarü'l Etibba was one of the earliest printed medical books in Turkish. The second volume of Sanizade's Hamse, Miratü'l Ebdan fi Teşrih-i Azai'l Insan is the first printed Ottoman book on anatomy. In Usulü't-Tabia, the third volume of Hamse, the circulatory system is discussed. In this article, we studied the circulatory system described in Semseddin Itaki's Teşrih-ül Ebdan ve Tercüman-i Kibale-i Feylesufan and in Sanizade's Usulü't-Tabia and compared them.

  20. Archeological Applications of XAFS: Prehistorical Paintings And Medieval Glasses

    SciTech Connect

    Farges, F.; Chalmin, E.; Vignaud, C.; Pallot-Frossard, I.; Susini, J.; Bargar, J.; Brown, G.E., Jr.; Menu, M.; /SLAC, SSRL

    2006-10-27

    High-resolution manganese and iron K-edges XANES spectra were collected on several samples of archeological interest: prehistorical paintings and medieval glasses. XANES spectra were collected at the ID21 facility (ESRF, Grenoble, France) using a micro-beam device and at the 11-2 beamline (SSRL, Stanford, USA) using a submillimetric beam. The medieval glasses studied are from gothic glass windows from Normandy (XIVth century). The aim of this study is to help understand the chemical durability of these materials, exposed to weathering since the XIVth century. They are used as analogues of weathered glasses used to dump metallic wastes. These glasses show surficial enrichment in manganese, due to its oxidation from II (glass) to III/IV (surface), which precipitates as amorphous oxy-hydroxides. Similarly, iron is oxidized on the surface and forms ferrihydrite-type aggregates. The prehistorical paintings are from Lascaux and Ekain (Basque country). We choose in that study the black ones, rich in manganese to search for potential evidences of some 'savoir-faire' that the Paleolithic men could have used to realize their paint in rock art, as shown earlier for Fe-bearing pigments. A large number of highly valuable samples, micrometric scaled, were extracted from these frescoes and show large variation in the mineralogical nature of the black pigments used, from an amorphous psilomelane-type to a well-crystallized pyrolusite. Correlation with the crystals morphology helps understanding the know-how of these early artists.

  1. Padua and the Stars: Medieval Painting and Illuminated Manuscripts

    NASA Astrophysics Data System (ADS)

    Canova, G. M.

    2011-06-01

    In the Middle Ages, the University of Padua was one of the most prominent centre for astrological studies in Europe. The Paduan doctor and philosopher, Pietro d'Abano, who lived in the first decades of the 14th century, was the main figure in this field. At the end of the 13th century, during a long stay in Paris, he got in contact with the new astrological doctrines flourished after the translation into Latin of Ptolemy's and Arab's works in Spain. Thus, when he went back to Padua, he published several studies on the influence of celestial bodies on human life and human physical characteristics and psychology. These ideas deeply affected the Paduan society of the 14th century and, consequently, the most important painters chose or were asked to evoke the images of stars, planets, and their properties. This adventure began with Giotto who shows a surprising interest in celestial bodies in the Scrovegni Chapel where he represented a comet, and soon after he produced a cycle of astrological paintings on the vault of the Palazzo della Ragione in the Public Palace of Padua. Unfortunately, in 1420, these paintings were destroyed in a fire, but the magnificent cycle of astrological frescoes realized soon after on the walls of the same room gives us some clues on Giotto's work and shows us the complexity of the Medieval astrological science. Other astrological paintings, still preserved, were realized by the painters of the Carrarese Court such as Guariento, who painted the planets and their influences on human ages in the church of the Eremitani, and Giusto dei Menabuoi who represented a superb zodiac around a realistic map of Earth in the Cathedral Baptistery. So Padua really became the capital of astrological painting in Europe. Other evidence of the astrological image in the Veneto Region, between the 14th and 15th centuries, can be found in the manuscripts illuminated in the milieu of the University of Padua and in the first books printed in Venice.

  2. Microbial evaluation and deterioration of paints and paint-products.

    PubMed

    Obidi, O F; Aboaba, O O; Makanjuola, M S; Nwachukwu, S C U

    2009-09-01

    The microbial quality of materials and final products of a reputable paint industry in Lagos area were analysed. The bacterial contaminants isolated in the paint-products included Bacillus brevis, B. polymyxa, B. laterosporus, Lactobacillus gasseri, L. brevis, Escherichia coli and Proteus mirabilis. The fungal contaminants detected in the paints were mainly Aspergillus niger, A. flavus and Penicillium citrinum. The microbial populations in the raw materials ranged from 1.0 x 10(6) - 9.5 x 10(6) cfu g(-1) for bacteria and between 1.25 x 10(4) and 6.8 x 10(4) cfu g(-1) for fungi while those present in packaging materials ranged from 3.45 x 10(6) - 7.65 x 10(6) cfu g(-1) for bacteria and 2.4 x 10(3) - 2.8 x 10(3) cfu g(-1) for fungi respectively. The bacterial populations in the fresh paint samples monitored every two weeks from the time of production ranged from 1.6 x 10(1) - 4.7 x 10(5) cfu ml(-1) while the fungal populations ranged from 1.0 x 10(1) - 5.5 x 10(3) cfu ml(-1) over a ten-month study period. The optical density at 600 nm increased while transmittance, pH, specific gravity and viscosity of the paint samples decreased over the period suggesting gradual deterioration of the aesthetic qualities of the paint-products with time as indicated by the measured parameters.

  3. A holistic multimodal approach to the non-invasive analysis of watercolour paintings

    NASA Astrophysics Data System (ADS)

    Kogou, Sotiria; Lucian, Andrei; Bellesia, Sonia; Burgio, Lucia; Bailey, Kate; Brooks, Charlotte; Liang, Haida

    2015-11-01

    A holistic approach using non-invasive multimodal imaging and spectroscopic techniques to study the materials (pigments, drawing materials and paper) and painting techniques of watercolour paintings is presented. The non-invasive imaging and spectroscopic techniques include VIS-NIR reflectance spectroscopy and multispectral imaging, micro-Raman spectroscopy, X-ray fluorescence spectroscopy (XRF) and optical coherence tomography (OCT). The three spectroscopic techniques complement each other in pigment identification. Multispectral imaging (near-infrared bands), OCT and micro-Raman complement each other in the visualisation and identification of the drawing material. OCT probes the micro-structure and light scattering properties of the substrate, while XRF detects the elemental composition that indicates the sizing methods and the filler content. The multiple techniques were applied in a study of forty-six nineteenth-century Chinese export watercolours from the Victoria and Albert Museum (V&A) and the Royal Horticultural Society (RHS) to examine to what extent the non-invasive analysis techniques employed complement each other and how much useful information about the paintings can be extracted to address art conservation and history questions. A micro-destructive technique of micro-fade spectrometry was used to assess the vulnerability of the paintings to light exposure. Most of the paint and paper substrates were found to be more stable than ISO Blue Wool 3. The palette was found to be composed of mostly traditional Chinese pigments. While the synthetic pigment, Prussian blue, made in Europe, was found on some of the paintings, none was found on the RHS paintings accurately recorded as being between 1817 and 1831 even though it is known that Prussian blue was imported to China during this period. The scale insect dyes, lac and cochineal, were detected on nearly every painting including those that fall within the identified date range. Cochineal is known to have

  4. Micro-analytical study of interactions between oil and lead compounds in paintings

    NASA Astrophysics Data System (ADS)

    Cotte, M.; Checroun, E.; Susini, J.; Walter, P.

    2007-12-01

    Oil paintings are complex hybrid materials, made of organic binders associated with inorganic minerals, susceptible to evolving over centuries. In particular, interactions of oil with lead compounds may give rise to the formation of lead soap aggregates, so-called protrusions. This phenomenon is studied here via X-ray and FTIR micro-analysis of an ancient painting dated from 1610. In complement, the synthesis of modern preparations, reconstructed from ancient recipes was assessed. Molecular and atomic images are obtained by combining synchrotron-based FTIR and X-ray fluorescence microscopies. Protrusions are identified in both ancient and modern samples, more particularly, in the ground layer of the paintings, below the colored layer. These observations imply that lead oxide, introduced as a siccative and not as a pigment, may be the element mainly responsible for the protrusions formation, and that this degradation may appear very rapidly on paintings.

  5. 2D imaging and 3D sensing data acquisition and mutual registration for painting conservation

    NASA Astrophysics Data System (ADS)

    Fontana, Raffaella; Gambino, Maria Chiara; Greco, Marinella; Marras, Luciano; Pampaloni, Enrico M.; Pelagotti, Anna; Pezzati, Luca; Poggi, Pasquale

    2005-01-01

    We describe the application of 2D and 3D data acquisition and mutual registration to the conservation of paintings. RGB color image acquisition, IR and UV fluorescence imaging, together with the more recent hyperspectral imaging (32 bands) are among the most useful techniques in this field. They generally are meant to provide information on the painting materials, on the employed techniques and on the object state of conservation. However, only when the various images are perfectly registered on each other and on the 3D model, no ambiguity is possible and safe conclusions may be drawn. We present the integration of 2D and 3D measurements carried out on two different paintings: "Madonna of the Yarnwinder" by Leonardo da Vinci, and "Portrait of Lionello d'Este", by Pisanello, both painted in the XV century.

  6. 2D imaging and 3D sensing data acquisition and mutual registration for painting conservation

    NASA Astrophysics Data System (ADS)

    Fontana, Raffaella; Gambino, Maria Chiara; Greco, Marinella; Marras, Luciano; Pampaloni, Enrico M.; Pelagotti, Anna; Pezzati, Luca; Poggi, Pasquale

    2004-12-01

    We describe the application of 2D and 3D data acquisition and mutual registration to the conservation of paintings. RGB color image acquisition, IR and UV fluorescence imaging, together with the more recent hyperspectral imaging (32 bands) are among the most useful techniques in this field. They generally are meant to provide information on the painting materials, on the employed techniques and on the object state of conservation. However, only when the various images are perfectly registered on each other and on the 3D model, no ambiguity is possible and safe conclusions may be drawn. We present the integration of 2D and 3D measurements carried out on two different paintings: "Madonna of the Yarnwinder" by Leonardo da Vinci, and "Portrait of Lionello d'Este", by Pisanello, both painted in the XV century.

  7. Combined SERS and Raman analysis for the identification of red pigments in cross-sections from historic oil paintings.

    PubMed

    Frano, Kristen A; Mayhew, Hannah E; Svoboda, Shelley A; Wustholz, Kristin L

    2014-12-21

    The analysis of paint cross-sections can reveal a remarkable amount of information about the layers and materials in a painting without visibly altering the artwork. Although a variety of analytical approaches are used to detect inorganic pigments as well as organic binders, proteins, and lipids in cross-sections, they do not provide for the unambiguous identification of natural, organic colorants. Here, we develop a novel combined surface-enhanced Raman scattering (SERS), light microscopy, and normal Raman scattering (NRS) approach for the identification of red organic and inorganic pigments in paint cross-sections obtained from historic 18th and 19th century oil paintings. In particular, Ag nanoparticles are directly applied to localized areas of paint cross-sections mounted in polyester resin for SERS analysis of the organic pigments. This combined extractionless non-hydrolysis SERS and NRS approach provides for the definitive identification of carmine lake, madder lake, and vermilion in multiple paint layers. To our knowledge, this study represents the first in situ identification of natural, organic pigments within paint cross-sections from oil paintings. Furthermore, the combination of SERS and normal Raman, with light microscopy provides conservators with a more comprehensive understanding of a painting from a single sample and without the need for sample pretreatment. PMID:25340987

  8. Ultraviolet-radiation-curable paints

    SciTech Connect

    Grosset, A M; Su, W F.A.; Vanderglas, E

    1981-09-30

    In product finishing lines, ultraviolet radiation curing of paints on prefabricated structures could be more energy efficient than curing by natural gas fired ovens, and could eliminate solvent emission. Diffuse ultraviolet light can cure paints on three dimensional metal parts. In the uv curing process, the spectral output of radiation sources must complement the absorption spectra of pigments and photoactive agents. Photosensitive compounds, such as thioxanthones, can photoinitiate unsaturated resins, such as acrylated polyurethanes, by a free radical mechanism. Newly developed cationic photoinitiators, such as sulfonium or iodonium salts (the so-called onium salts) of complex metal halide anions, can be used in polymerization of epoxy paints by ultraviolet light radiation. One-coat enamels, topcoats, and primers have been developed which can be photoinitiated to produce hard, adherent films. This process has been tested in a laboratory scale unit by spray coating these materials on three-dimensional objects and passing them through a tunnel containing uv lamps.

  9. Painting in the Year 2000: A Classroom Video Series.

    ERIC Educational Resources Information Center

    Szekely, George

    2000-01-01

    Focuses on a video series showing elementary students discovering new approaches to painting. Describes performances and questions that expand children's views on painting, including painting objects, seeing different ideas for the canvas, and exploring new paint brush forms. (CMK)

  10. PIXE analysis of historical paintings: Is the gain worth the risk?

    NASA Astrophysics Data System (ADS)

    Calligaro, T.; Gonzalez, V.; Pichon, L.

    2015-11-01

    The PIXE analysis of easel paintings constitutes a challenging task. Despite recognized merits and a few emblematic applications, PIXE has never been routinely applied to these fragile, complex and precious targets. The present work discusses the place of PIXE in the study of easel paintings and opens up perspectives for a more systematic usage of this analytical technique. Progress achieved since decades in the implementation of PIXE to study such fragile cultural heritage artefacts is reviewed, notably at the LABEC laboratory in Italy and at the AGLAE facility of the C2RMF in France. Two specific techniques developed for paintings are detailed and exemplified on Renaissance painting masterpieces: differential PIXE for paint layers depth profiling and multi-scale elemental mapping for the imaging of pigment distribution. Beam-induced damage, a major concern, notably depends on the employed beam fluence in particle/cm2 or μC/cm2. After recalling previous works on damage induced in chemical products comparable to pigments, we present the behaviour under different fluences of protons of a few MeV (1-300 μC/cm2) of targets having high resemblance to historical easel paintings: pellets of specially synthesized lead white pigments, layers of lead white mixed with linseed oil and areas containing lead white of two 19th century paintworks. The results shed new lights on the behaviour of paintworks under the beam and pave the way to strategies for damage mitigation. In particular, the lowering of PIXE performance induced by the decrease of the beam fluence sets a trade-off between risk of damage and gained information which also impacts the PIXE scanning protocol for paintings. As an illustration of an adequate adjustment of this balance, we report the exploratory application of PIXE mapping to a large area of a 19th century easel painting without damage. The recorded elemental maps are compared to elemental maps collected on the same area using laboratory-based scanning

  11. The development of a new analytical model for the identification of saccharide binders in paint samples.

    PubMed

    Lluveras-Tenorio, Anna; Mazurek, Joy; Restivo, Annalaura; Colombini, Maria Perla; Bonaduce, Ilaria

    2012-01-01

    This paper describes a method for reliably identifying saccharide materials in paintings. Since the 3(rd) millennium B.C., polysaccharide materials such as plant gums, sugar, flour, and honey were used as binding media and sizing agents in paintings, illuminated manuscripts, and polychrome objects. Although it has been reported that plant gums have a stable composition, their identification in paint samples is often doubtful and rarely discussed. Our research was carried out independently at two different laboratories: the Getty Conservation Institute in Los Angeles, USA (GCI) and the Department of Chemistry and Industrial Chemistry of the University of Pisa, Italy (DCCI). It was shown in a previous stage of this research that the two methods give highly comparable data when analysing both reference paint samples and paint layers from art objects, thus the combined data was used to build a large database. In this study, the simultaneous presence of proteinaceous binders and pigments in fresh and artificially aged paint replicas was investigated, and it highlighted how these can affect the sugar profile of arabic, tragacanth, and fruit tree gums. The environmental contamination due to sugars from various plant tissues is also discussed. The results allowed the development of a new model for the reliable identification of saccharide binders in paintings based on the evaluation of markers that are stable to ageing and unaffected by pigments. This new model was applied to the sugar profiles obtained from the analysis of a large number of samples from murals, easel paintings, manuscripts, and polychrome objects from different geographical areas and dating from the 13(th) century BC to the 20(th) century AD, thus demonstrating its reliability.

  12. The Development of a New Analytical Model for the Identification of Saccharide Binders in Paint Samples

    PubMed Central

    Restivo, Annalaura; Colombini, Maria Perla; Bonaduce, Ilaria

    2012-01-01

    This paper describes a method for reliably identifying saccharide materials in paintings. Since the 3rd millennium B.C., polysaccharide materials such as plant gums, sugar, flour, and honey were used as binding media and sizing agents in paintings, illuminated manuscripts, and polychrome objects. Although it has been reported that plant gums have a stable composition, their identification in paint samples is often doubtful and rarely discussed. Our research was carried out independently at two different laboratories: the Getty Conservation Institute in Los Angeles, USA (GCI) and the Department of Chemistry and Industrial Chemistry of the University of Pisa, Italy (DCCI). It was shown in a previous stage of this research that the two methods give highly comparable data when analysing both reference paint samples and paint layers from art objects, thus the combined data was used to build a large database. In this study, the simultaneous presence of proteinaceous binders and pigments in fresh and artificially aged paint replicas was investigated, and it highlighted how these can affect the sugar profile of arabic, tragacanth, and fruit tree gums. The environmental contamination due to sugars from various plant tissues is also discussed. The results allowed the development of a new model for the reliable identification of saccharide binders in paintings based on the evaluation of markers that are stable to ageing and unaffected by pigments. This new model was applied to the sugar profiles obtained from the analysis of a large number of samples from murals, easel paintings, manuscripts, and polychrome objects from different geographical areas and dating from the 13th century BC to the 20th century AD, thus demonstrating its reliability. PMID:23166654

  13. Paint, lacquer, and varnish remover poisoning

    MedlinePlus

    Paint remover poisoning ... Paint lacquer and varnish remover poisoning can cause symptoms in various parts of the body. AIRWAYS AND LUNGS Breathing difficulty (from inhalation) Throat swelling (may also cause ...

  14. Lorenzo Lotto's painting materials: an integrated diagnostic approach.

    PubMed

    Amadori, Maria Letizia; Poldi, Gianluca; Barcelli, Sara; Baraldi, Pietro; Berzioli, Michela; Casoli, Antonella; Marras, Susanna; Pojana, Giulio; Villa, Giovanni C F

    2016-07-01

    This paper presents the results of a comprehensive diagnostic investigation carried out on five paintings (three wood panels and two paintings on canvas) by Lorenzo Lotto, one of the most significant artists of the Italian Renaissance in the first half of 16th century. The paintings considered belong to 1508-1522 period, corresponding to the most significant years of Lotto's evolution. A wide array of non-invasive (reflectance spectrometry and X-ray fluorescence) and micro-invasive analytical techniques (optical microscopy, scanning electron microscopy with energy dispersive spectroscopy, micro-FTIR spectroscopy, micro-Raman spectroscopy, gas chromatography coupled with mass spectrometry and high performance liquid chromatography coupled with photodiode array detection and mass spectrometry) were applied in order to provide a large set of significant data, limiting as much as possible the sampling. This study has proved that Lotto's painting palette was typical of Venetian practice of that period, but some significant peculiarities emerged: the use of two kinds of red lakes, the addition of calcium carbonate and colourless powdered glass, the latter frequently found in pictorial and ground layers. Moreover, the integrated investigation showed that Lotto's technique was sometimes characterized by the use of coloured priming and multi-layer sequences with complex mixtures. Chromatographic analyses allowed to identify in all specimens: azelaic, palmitic and stearic acids, generally referring to the presence of drying oils. The extension of additional non-invasive examination to about 50 paintings by the same author, spanning from 1505 to around 1556, helped to verify the evolution in the use of some pigments, such as the yellow ones, where Pb-Sb yellow was used alongside Pb-Sn yellow. PMID:27089184

  15. Lorenzo Lotto's painting materials: an integrated diagnostic approach

    NASA Astrophysics Data System (ADS)

    Amadori, Maria Letizia; Poldi, Gianluca; Barcelli, Sara; Baraldi, Pietro; Berzioli, Michela; Casoli, Antonella; Marras, Susanna; Pojana, Giulio; Villa, Giovanni C. F.

    2016-07-01

    This paper presents the results of a comprehensive diagnostic investigation carried out on five paintings (three wood panels and two paintings on canvas) by Lorenzo Lotto, one of the most significant artists of the Italian Renaissance in the first half of 16th century. The paintings considered belong to 1508-1522 period, corresponding to the most significant years of Lotto's evolution. A wide array of non-invasive (reflectance spectrometry and X-ray fluorescence) and micro-invasive analytical techniques (optical microscopy, scanning electron microscopy with energy dispersive spectroscopy, micro-FTIR spectroscopy, micro-Raman spectroscopy, gas chromatography coupled with mass spectrometry and high performance liquid chromatography coupled with photodiode array detection and mass spectrometry) were applied in order to provide a large set of significant data, limiting as much as possible the sampling. This study has proved that Lotto's painting palette was typical of Venetian practice of that period, but some significant peculiarities emerged: the use of two kinds of red lakes, the addition of calcium carbonate and colourless powdered glass, the latter frequently found in pictorial and ground layers. Moreover, the integrated investigation showed that Lotto's technique was sometimes characterized by the use of coloured priming and multi-layer sequences with complex mixtures. Chromatographic analyses allowed to identify in all specimens: azelaic, palmitic and stearic acids, generally referring to the presence of drying oils. The extension of additional non-invasive examination to about 50 paintings by the same author, spanning from 1505 to around 1556, helped to verify the evolution in the use of some pigments, such as the yellow ones, where Pb-Sb yellow was used alongside Pb-Sn yellow.

  16. Pipes, Petrol, Paint and Pewter: The Rise and Fall of Lead

    ERIC Educational Resources Information Center

    Peacock, Alan

    2010-01-01

    Lead is a good example of a metal that was used for many things over centuries--in water pipes, paints, on roofs, and in leaded petrol, for example--but was superseded as scientists discovered "new" metals, and because its toxicity became a problem. It was originally an important element in pewter utensils, alloyed with tin; it made the tin easier…

  17. Miniature Paintings: Small Size, Big Impact!

    ERIC Educational Resources Information Center

    Hicks, Bill

    2011-01-01

    This article describes a miniature painting project that allows students to research a master painter and then replicate the work on a smaller scale. This lesson focuses on the students' ability to learn to identify style, subject matter, themes, and content in painting through the study of historical paintings, and the application of various…

  18. EMISSIONS OF ODOROUS ALDEHYDES FROM ALKYD PAINT

    EPA Science Inventory

    Aldehyde emissions are widely held responsible for the acrid after-odor of drying alkyd-based paint films. The aldehyde emissions from three different alkyd paints were measured in small environmental chambers. It was found that, for each alkyd paint applied, more than 2 mg of ...

  19. Drawing and Painting with Under-Threes.

    ERIC Educational Resources Information Center

    Kolbe, Ursula; Smyth, Jane

    2000-01-01

    Noting that drawing and painting offer very young children powerful ways to explore and communicate thoughts and feelings, this booklet for caregivers and teachers offers suggestions related to painting and drawing for children under 3 years. The booklet discusses what young children can do with drawing and painting materials, including exploring…

  20. Mural Painting as Inclusive Art Learning Experience

    ERIC Educational Resources Information Center

    Ho, Kong

    2010-01-01

    Traditional art education, like other academic disciplines, emphasizes competitiveness and individualism. Through a mural painting curriculum, learners participate in mural art and history appreciation, are active in mural theme or content construction, and engage in hands-on mural design and painting processes. When mural paintings are produced…

  1. Bringing Art to Life through Living Paintings

    ERIC Educational Resources Information Center

    Stillwagon, Joanne

    2005-01-01

    In this article, the author relates how she and other art teachers developed a "living painting" lesson, an art lesson that incorporates art history and painting. The lesson was developed also in part to help new student-teachers plan a memorable lesson. With the living painting lesson, students will have to choose and recreate famous paintings…

  2. Analysis of plant gums and saccharide materials in paint samples: comparison of GC-MS analytical procedures and databases

    PubMed Central

    2012-01-01

    Background Saccharide materials have been used for centuries as binding media, to paint, write and illuminate manuscripts and to apply metallic leaf decorations. Although the technical literature often reports on the use of plant gums as binders, actually several other saccharide materials can be encountered in paint samples, not only as major binders, but also as additives. In the literature, there are a variety of analytical procedures that utilize GC-MS to characterize saccharide materials in paint samples, however the chromatographic profiles are often extremely different and it is impossible to compare them and reliably identify the paint binder. Results This paper presents a comparison between two different analytical procedures based on GC-MS for the analysis of saccharide materials in works-of-art. The research presented here evaluates the influence of the analytical procedure used, and how it impacts the sugar profiles obtained from the analysis of paint samples that contain saccharide materials. The procedures have been developed, optimised and systematically used to characterise plant gums at the Getty Conservation Institute in Los Angeles, USA (GCI) and the Department of Chemistry and Industrial Chemistry of the University of Pisa, Italy (DCCI). The main steps of the analytical procedures and their optimisation are discussed. Conclusions The results presented highlight that the two methods give comparable sugar profiles, whether the samples analysed are simple raw materials, pigmented and unpigmented paint replicas, or paint samples collected from hundreds of centuries old polychrome art objects. A common database of sugar profiles of reference materials commonly found in paint samples was thus compiled. The database presents data also from those materials that only contain a minor saccharide fraction. This database highlights how many sources of saccharides can be found in a paint sample, representing an important step forward in the problem of

  3. Chicanos Paint Their Way Back.

    ERIC Educational Resources Information Center

    Treguer, Annick

    1999-01-01

    In Tucson (Arizona) and El Paso (Texas), Chicano mural painters and art educators have begun community programs to engage alienated Chicano and Yaqui youth in painting murals that defuse gang conflicts, celebrate Mexican culture and history, and provide training in marketable skills. (SV)

  4. Stop and Paint the Flowers.

    ERIC Educational Resources Information Center

    Phillips, Shelley

    2002-01-01

    Describes an art lesson where students used watercolors to paint a flower bouquet arranged in a vase. Explains that the students viewed examples of flower bouquets by artists such as Vincent van Gogh and Odilon Redon. Discusses, in detail, the process of creating the artworks. (CMK)

  5. Controlling Color in Oil Painting.

    ERIC Educational Resources Information Center

    Amorino, Joseph

    1990-01-01

    Explains how a veil control method allows secondary students to use oil paints in the classroom without difficulties of control, manageability, and clean up. Outlines how to prepare and apply oil glazes. Maintains that this method enhances students' studio skills and helps them appreciate the works of the great masters. (KM)

  6. Paint the World with Light

    ERIC Educational Resources Information Center

    Gran, David

    2010-01-01

    Two classrooms on opposite sides of the world happened to be working on a very similar project at the same time. In both Shanghai, China, and Palm Springs, California, students were learning how to turn their flashlights and other light-emitting objects into paintbrushes. Light painting is a form of long-exposure photography in which the shutter…

  7. Funeral Processions, Street Urchins, Education, and Surveillance--The Relationship between Education, State Building, Vagrancy, and Cultural Change in Stockholm, Sweden in the Latter Half of the Seventeenth Century

    ERIC Educational Resources Information Center

    Sandin, Bengt

    2003-01-01

    A modernization of the educational system was an important priority for the government. Sweden emerged as a dominant military power during the 17th century. The new schools were then established in the midst of a social, political, and cultural transformation with fundamental effects on the school system. The new schools had difficulties freeing…

  8. But when was it painted?

    NASA Astrophysics Data System (ADS)

    Lundstad, E.; Woll, G.

    2009-04-01

    The Munch Museum, Oslo, Norway, is dedicated to the visual works of the famous Norwegian painter Edvard Munch (1863 - 1944). Edvard Munch was a symbolist, expressionist painter and printmaker from Oslo, Norway. He was regarded as the pioneer of the amazing Expressionist movement. His art work from the late 1800's is the most well known, but his later work is gradually attracting more attention and is quite an inspiration of many of today's artists. The Munch Museum catalogue for 2008 contains about 1700 paintings of which virtually very few have a precise date. Even when the artist has written the year on the painting itself, there may be a significant uncertainty about this date, and partly due to unclear writing making it difficult to interpret the numbers. This means that other sources need to be applied to verify an accurate date. The climatologist at the Norwegian Meteorological Institute can help dating paintings of Munch. E. g. the painting "Standing Woman with Arms Folded". The painting shows a woman in front of a hill with much snow. The location is almost certainty Grimsrød on Jeløya, a property Munch began renting on March 1, 1913. Jeløya is an island at the southeastcoast of Norway near the town Moss. Jeløya has usually not so much snow because it is near by the sea and windy. The last digit in the date is unclear and has been read as both '3' and '5'. The woman in the portrait, Ingeborg Kaurin, was Munch's model up to the beginning of 1915, so both dates are possible. The year written on the painting has been read as both 1913 and 1915, and since 1974 it has usually been interpreted as 1913 (Stenersensamlingen's catalogue 1974). In the project "But when was it painted?" disclose that it could be another year. One way to reconsider when a painting was painted is to study geophysical characteristics and consider historical observations of snow. The method that is used here is to study daily meteorological snow data from this period from the

  9. [History of oyster as drug from the origin to the 21st century].

    PubMed

    Bonnemain, Bruno

    2015-06-01

    Since Antiquity, oyster is a subject of interest and medical use, as indicated by Oribiase and Galien. From the 17th century, this unique drug was proposed by physicians for various diseases, and more often for (la rage). One could think that that drug disappeared at the 20th and 21st centuries. But we can observe that it was still recommended by several authors as drug. Still today, companies offer oyster under various forms for allopathic and homeopathic treatments, as well as for food supplement. Research are ongoing to discover active substances within oyster and their potential medical interests.

  10. Aurora painting pays tribute to Civil War's end

    USGS Publications Warehouse

    Love, Jeffrey J.

    2015-01-01

    In 1865, the same year the war ended, the American landscape artist Frederic Edwin Church unveiledAurora Borealis (pictured above), a dramatic and mysterious painting that can be interpreted in terms of 19th century romanticism, scientific philosophy, and Arctic missions of exploration. Aurora Borealiscan also be viewed as a restrained tribute to the end of the Civil War—a moving example of how science and current events served as the muses of late romantic artists [e.g., Carr, 1994, p. 277; Avery, 2011; Harvey, 2012].

  11. Adolescent growth: genes, hormones and the peer group. Proceedings of the 20th Aschauer Soiree, held at Glücksburg castle, Germany, 15th to 17th November 2013.

    PubMed

    Hermanussen, M; Meitinger, T; Veldhuis, J D; Low, M J; Pfäffle, R; Staub, K; Panczak, R; Groth, D; Brabec, M; von Salisch, M; Loh, C P A; Tassenaar, V; Scheffler, C; Mumm, R; Godina, E; Lehmann, A; Tutkuviene, J; Gervickaite, S; Nierop, A F M; Holmgren, A; Assmann, C; van Buuren, S; Koziel, S; Zadzińska, E; Varela-Silva, I; Vignerová, J; Salama, E; El-Shabrawi, M; Huiji, A; Satake, T; Bogin, B

    2014-03-01

    The association between poverty, malnutrition, illness and poor socioeconomic conditions on the one side, and poor growth and short adult stature on the other side, is well recognized. Yet, the simple assumption by implication that poor growth and short stature result from poor living conditions, should be questioned. Recent evidence on the impact of the social network on adolescent growth and adult height further challenges the traditional concept of growth being a mirror of health. Twenty-nine scientists met at Glücksburg castle, Northern Germany, November 15th - 17th 2013, to discuss genetic, endocrine, mathematical and psychological aspects and related issues, of child and adolescent growth and final height.

  12. Novel Applications of the Er:YAG Laser Cleaning of Old Paintings

    NASA Astrophysics Data System (ADS)

    Andreotti, A.; Bracco, P.; Colombini, M. P.; deCruz, A.; Lanterna, G.; Nakahara, K.; Penaglia, F.

    This chapter focuses on the use of Er:YAG laser cleaning technique for the removal of unwanted and/or degraded materials both from a large series of reference standards (overpainting, varnishes, patinas, and restoration materials) which simulate the layering of old paintings, and also examples from old paintings. A series of diagnostic controls (optical microscopy, SEM, FT-IR, GC-MS, and topographic techniques) were designed to study the effects of the laser radiation on the surface components, including morphological, optical, and chemical examination. The most significant results show that an effective thin-layer-removal of about 90% is obtained by submitting the painted surfaces to the laser exposure, while the rest of cleaning is rapidly accomplished in safety by applying mild solvents or aqueous methods. Consequently, possible interference with the original substrate can be noticeably minimized. No degradation compound induced by laser energy was formed. The laser cleaning procedure applied on an oil painting canvas "Morte di Adone" (seventeenth century), and on a panel tempera painting "San Nicola e San Giusto" of Domenico di Michelino (fifteenth century) shows that the surfaces cleaned by this system exhibit a morphology quite similar to that obtained by traditional cleaning methods.

  13. Private Sector Rehabilitation: Insurance, Trends & Issues for the 21st Century. A Report on the Mary E. Switzer Memorial Seminar (17th, Washington, D.C., June 2-4, 1993).

    ERIC Educational Resources Information Center

    Perlman, Leonard G., Ed.; Hansen, Carl E., Ed.

    This monograph reflects the writings, discussions, and recommendations of the Switzer Scholars at the 16th annual Memorial Seminar. Introductory materials include the following: "A Tribute to Mary E. Switzer"; "Welcome from the National Rehabilitation Association" (Spencer L. Mosley, Ann Ward Tourigny); list of seminar sponsors; "Introduction"…

  14. The Development of the Comic Spirit in 17th Century England from James Shirley to William Congreve. Curriculum Projects, April 7-June 16, 1992. The Huntington Theatre Company Master Works Study in Restoration Comedy.

    ERIC Educational Resources Information Center

    Huntington Theatre Co., Boston, MA.

    Developed by the participants of the Huntington Theatre Company's Master Works Study in Restoration Comedy, this collection presents one-day lesson plans and curriculum projects for teaching Restoration comedy. The collection offers 15 one-day lesson plans and 15 curriculum projects (ranging over several weeks) suitable for secondary school…

  15. Moving Business and Marketing Education into the 21st Century. Proceedings of the Annual Meeting of the Atlantic Coast Business and Marketing Education Conference (17th, Raleigh, North Carolina, February 18-19, 2000).

    ERIC Educational Resources Information Center

    Parke, David, Ed.

    This document contains 21 presentations from a conference on business and marketing education. The following papers are included: "Microsoft Excel 2000" (Jeff Fuller); "Clueless in the Classroom? Hints To Help!" (Mary W. Evans); "A Strategy To Improve Narrative-Number Linkage in Business Writing" (Ellis A. Hayes); "Corporate View: Bringing Realism…

  16. [The union of three families of apothecaries in Paris in the 17th and 18th centuries--The apothecaries François Pihoué, François Regnault, Henry Charas and Marie Fourneau].

    PubMed

    Warolin, Christian

    2015-06-01

    The family network started with Marie Fourneau, daughter of the apothecary Jacques Fourneau, married successively two apothecaries first François Pihoué and then François Regnault and whose only daughter Marie Anne married the apothecary Henry Charas grandson of the famous apothecary Moyse Charas.

  17. [The union of three families of apothecaries in Paris in the 17th and 18th centuries--The apothecaries François Pihoué, François Regnault, Henry Charas and Marie Fourneau].

    PubMed

    Warolin, Christian

    2015-06-01

    The family network started with Marie Fourneau, daughter of the apothecary Jacques Fourneau, married successively two apothecaries first François Pihoué and then François Regnault and whose only daughter Marie Anne married the apothecary Henry Charas grandson of the famous apothecary Moyse Charas. PMID:26189312

  18. [The family relationships of Antoine Brulon, apothecary to the king, and his wife, Anne de Furnes, in Auvergne and Paris in the 17th century. Anne de Furnes and Molière in Paris and the village of Auteuil].

    PubMed

    Warolin, Christian

    2011-07-01

    This article presents the biography of Anne de Fumes, wife of Antoine Brulon, the king's apothecary. Due to the successive deaths of her husband and her only daughter, Geneviève, her sisters-in-law, Géraude and Anne Brulon, living in Auvergne, inherited the property of their niece. Anne de Fumes, who inherited the movable assets, carried out a series of transactions to acquire the totality of the property rights, which she obtained, but at the considerable cost of 100,000 pounds. After her death, her five nephews and nieces, her sole legatees, inherited her estate. From 1666, Molière was the tenant of an apartment in a building in the Rue Saint-Thomas-du-Louvre, Place du Palais-Royal, in Paris, which belonged to Anne de Fumes. She lived in the neighbouring house in the Rue Saint-Honoré of which she was also the owner. Three apothecaries, Philibert Boudin, Jean Morel and Pierre Frapin, successively rented the shop and entresol of the house in the Rue Saint-Thomas-du-Louvre. Pierre Frapin, tenant of the shop from 1668, supplied Molière with medicine. Like Molière, Anne de Fumes rented accommodation in a house in the village of Auteuil belonging to Jacques de Grout de Beaufort and his wife Marie Filz. Reports show that the famous actor and Anne de Fumes cohabited in Auteuil during the period 1667 to 1672. PMID:21998974

  19. [The family relationships of Antoine Brulon, apothecary to the king, and his wife, Anne de Furnes, in Auvergne and Paris in the 17th century. Anne de Furnes and Molière in Paris and the village of Auteuil].

    PubMed

    Warolin, Christian

    2011-07-01

    This article presents the biography of Anne de Fumes, wife of Antoine Brulon, the king's apothecary. Due to the successive deaths of her husband and her only daughter, Geneviève, her sisters-in-law, Géraude and Anne Brulon, living in Auvergne, inherited the property of their niece. Anne de Fumes, who inherited the movable assets, carried out a series of transactions to acquire the totality of the property rights, which she obtained, but at the considerable cost of 100,000 pounds. After her death, her five nephews and nieces, her sole legatees, inherited her estate. From 1666, Molière was the tenant of an apartment in a building in the Rue Saint-Thomas-du-Louvre, Place du Palais-Royal, in Paris, which belonged to Anne de Fumes. She lived in the neighbouring house in the Rue Saint-Honoré of which she was also the owner. Three apothecaries, Philibert Boudin, Jean Morel and Pierre Frapin, successively rented the shop and entresol of the house in the Rue Saint-Thomas-du-Louvre. Pierre Frapin, tenant of the shop from 1668, supplied Molière with medicine. Like Molière, Anne de Fumes rented accommodation in a house in the village of Auteuil belonging to Jacques de Grout de Beaufort and his wife Marie Filz. Reports show that the famous actor and Anne de Fumes cohabited in Auteuil during the period 1667 to 1672.

  20. Technical improvements in 19th century Belgian window glass production

    NASA Astrophysics Data System (ADS)

    Lauriks, Leen; Collette, Quentin; Wouters, Ine; Belis, Jan

    Glass was used since the Roman age in the building envelope, but it became widely applied together with iron since the 19th century. Belgium was a major producer of window glass during the nineteenth century and the majority of the produced window glass was exported all over the world. Investigating the literature on the development of 19th century Belgian window glass production is therefore internationally relevant. In the 17th century, wood was replaced as a fuel by coal. In the 19th century, the regenerative tank furnace applied gas as a fuel in a continuous glass production process. The advantages were a clean production, a more constant and higher temperature in the furnace and a fuel saving. The French chemist Nicolas Leblanc (1787-1793) and later the Belgian chemist Ernest Solvay (1863) invented processes to produce alkali out of common salt. The artificial soda ash improved the quality and aesthetics of the glass plates. During the 19th century, the glass production was industrialized, influencing the operation of furnaces, the improvement of raw materials as well as the applied energy sources. Although the production process was industrialized, glassblowing was still the work of an individual. By improving his work tools, he was able to create larger glass plates. The developments in the annealing process followed this evolution. The industry had to wait until the invention of the drawn glass in the beginning of the 20th century to fully industrialise the window glass manufacture process.

  1. Aurora Borealis, A Painting by Frederic Edwin Church

    NASA Astrophysics Data System (ADS)

    Love, J. J.

    2015-12-01

    This year marks the sesquicentennial anniversary of the end of the American Civil War. In 1865, the same year as the War's end, the great American landscape artist, Frederic Edwin Church, unveiled Aurora Borealis, a painting that depicts a fantastic, far-northern place, an auroral arch stretched across a quiet night-time sky, above dark mountains and a frozen sea. Church was born in Connecticut, lived in New York, and traveled to Labrador; he would have often seen the northern lights. Church might have also been influenced by the spectacular displays of aurora that were caused by some unusually intense magnetic storms in 1859. Aurora Borealis can certainly be interpreted in terms of 19th-century romanticism, scientific philosophy, and Arctic missions of exploration, all subjects of interest to Church. As with so many of his paintings, Church's meticulous attention to detail in Aurora Borealis reveals his deep admiration of nature. But his depiction of auroral light is a curious and possibly intentional departure from natural verisimilitude. Some art historians have suggested that Church painted Aurora Borealis as a subdued tribute to the end of the Civil War, with the drapery of auroral light forming an abstract representation of the American flag. If so, then colors of the flag have been unfurled across a cold and barren landscape, not in extravagant celebration, but in somber recognition of the reality of post-war desolation and an uncertain future.

  2. Effect analysis of oil paint on the space optical contamination

    NASA Astrophysics Data System (ADS)

    Lu, Chun-lian; Lv, He; Han, Chun-xu; Wei, Hai-Bin

    2013-08-01

    The space contamination of spacecraft surface is a hot topic in the spacecraft environment project and environment safeguard for spacecraft. Since the 20th century, many American satellites have had malfunction for space contamination. The space optical systems are usually exposed to the external space environment. The particulate contamination of optical systems will degrade the detection ability. We call the optical damage. It also has a bad influence on the spectral imaging quality of the whole system. In this paper, effects of contamination on spectral imaging were discussed. The experiment was designed to observe the effect value. We used numeral curve fitting to analyze the relationship between the optical damage factor (Transmittance decay factor) and the contamination degree of the optical system. We gave the results of six specific wavelengths from 450 to 700nm and obtained the function of between the optical damage factor and contamination degree. We chose three colors of oil paint to be compared. Through the numeral curve fitting and processing data, we could get the mass thickness for different colors of oil paint when transmittance decreased to 50% and 30%. Some comparisons and research conclusions were given. From the comparisons and researches, we could draw the conclusions about contamination effects of oil paint on the spectral imaging system.

  3. Lead-based paint assessment

    SciTech Connect

    Lorie, C.; Cowdery, J.W.

    1994-12-31

    In 1977, The US consumer product safety commission banned the use of lead-based paint (LBP) in all industries, except the maritime industry which still has certain privileged uses. Unfortunately for property and building owners, the ban did not come soon enough. In response to this heightened awareness, several environmental market sectors addressing the issues have emerged. These include: residential; soil; commercial; water; and structures. The first and most important step in addressing the concerns posed by the existence of lead based contamination is to quantify the amount of lead-based product, to determine the location of the lead based product and the extent, if any, of lead based contamination, and to make recommendations for the remediation or abatement of the lead product and resultant contamination. In narrowing the focus of these issues, this paper discusses lead-based paint assessment; preparing and organizing the assessment, the regulatory considerations, assessment methodology, and presentation of results.

  4. Scientific evaluation of wall paintings from Bunesti Evangelical Church, Brasov county

    NASA Astrophysics Data System (ADS)

    Baciu, Annamaria; MǎruÅ£oiu, Constantin; Bibire, Cristina; Vornicu, Nicoleta; Dreve, Simina

    2013-11-01

    Evangelical Church in the village Bunesti, Brasov county, is part of the fortified churches built since the XIV century at the south-eastern territory of Transylvania. Developed by addition in several stages during centuries, the church begun as Catholic chapel, then that was amplified in the sixteenth century, when Reform was adopted by the Saxon communities. In that period the building was extended in length and height and the catholic specific iconographic decorations were cancelled by covering with different layers of plaster and paint. The campaign of introducing in touristic circuit of old Saxon fortified churches generated, in terms of maintenance and renovations undertaken, the discovery of significant wall paintings, as treasures to be rescued and put into value. Our present efforts are focused on scientific evaluation of mural paintings found in Evangelical Church from Bunesti, by XRF and specific analysis performed on 10 different samples of mural paintings, completing visual and artistic analysis in order to establish the strategies for their recovering and preservation.

  5. Using Temperature Sensitive Paint Technology

    NASA Technical Reports Server (NTRS)

    Hamner, M. P.; Popernack, T. G., Jr.; Owens, L. R.; Wahls, R. A.

    2002-01-01

    New facilities and test techniques afford research aerodynamicists many opportunities to investigate complex aerodynamic phenomena. For example, NASA Langley Research Center's National Transonic Facility (NTF) can hold Mach number, Reynolds number, dynamic pressure, stagnation temperature and stagnation pressure constant during testing. This is important because the wing twist associated with model construction may mask important Reynolds number effects associated with the flight vehicle. Beyond this, the NTF's ability to vary Reynolds number allows for important research into the study of boundary layer transition. The capabilities of facilities such as the NTF coupled with test techniques such as temperature sensitive paint yield data that can be applied not only to vehicle design but also to validation of computational methods. Development of Luminescent Paint Technology for acquiring pressure and temperature measurements began in the mid-1980s. While pressure sensitive luminescent paints (PSP) were being developed to acquire data for aerodynamic performance and loads, temperature sensitive luminescent paints (TSP) have been used for a much broader range of applications. For example, TSP has been used to acquire surface temperature data to determine the heating due to rotating parts in various types of mechanical systems. It has been used to determine the heating pattern(s) on circuit boards. And, it has been used in boundary layer analysis and applied to the validation of full-scale flight performance predictions. That is, data acquired on the same model can be used to develop trends from off design to full scale flight Reynolds number, e.g. to show the progression of boundary layer transition. A discussion of issues related to successfully setting-up TSP tests and using TSP systems for boundary layer studies is included in this paper, as well as results from a variety of TSP tests. TSP images included in this paper are all grey-scale so that similar to

  6. Color signatures in Amorsolo paintings

    NASA Astrophysics Data System (ADS)

    Soriano, Maricor N.; Palomero, Cherry May; Cruz, Larry; Yambao, Clod Marlan Krister; Dado, Julie Mae; Salvador-Campaner, Janice May

    2010-02-01

    We present the results of a two-year project aimed at capturing quantifiable color signatures of oil paintings of Fernando Amorsolo, the Philippine's first National Artists. Color signatures are found by comparing CIE xy measurements of skin color in portraits and ground, sky and foliage in landscapes. The results are compared with results of visual examination and art historical data as well as works done by Amorsolo's contemporaries and mentors.

  7. [Burns caused by paint thinner].

    PubMed

    Benbrahim, A; Jerrah, H; Diouri, M; Bahechar, N; Boukind, E H

    2009-12-31

    Flame deriving from paint thinner is not a rare cause of burns in Morocco and we thus considered it useful to conduct an epidemiological survey of paint thinner flame burns (PTFB) in the National Burns Centre (NBC) in the Ibn-Rochd University Hospital Centre in Casablanca, Morocco. The research covered the 10-month period from September 2007 to June 2008.The aim of our work was to present the characteristic features of such burns in order to prevent them by increasing public knowledge regarding the risks involved in using paint thinner, i.e. burns in particular. During the period in question, we colligated 17 cases of PTFB out of a total number of 356 patients admitted to the NBC for acute burns of all aetiologies. The patients' average was 32 yr and they were nearly all male (16 men/1 woman), with past histories of drug addiction and/or delinquency. They were all of low-level socioeconomic class and lived mainly in shanty towns. The burn was often secondary to street violence (92% of the cases).The mean burn surface area was 23% and the burns were often deep and located mainly in the upper limbs and the trunk. PMID:21991179

  8. Pigment Identification on "The Ecstasy of St. Theresa" Painting by Raman Microscopy

    NASA Astrophysics Data System (ADS)

    Marano, D.; Marmontelli, M.; De Benedetto, G. E.; Catalano, I. M.; Sabbatini, L.; Vona, F.

    A study of the pigments of "The Ecstasy of St. Theresa," a seventeenth century oil painting on canvas, was performed by Raman microscopy. Lazurite was identified in both Jesus Christ's and St. Theresa's mantles as the pigment responsible for the blue coloration. Litharge was identified inside the black bitumen layer. Usually the bitumen needed a lot of time to dry in the air when mixed with drying oil. Litharge was used by the artist to decrease the oil drying time. A complementary study, using micro-Raman and SEM, allowed us to identify red ochre as the pigment responsible for the red coloration in the altar on the left side of the painting.

  9. Fra Angelico's painting technique revealed by terahertz time-domain imaging (THz-TDI)

    NASA Astrophysics Data System (ADS)

    Koch Dandolo, Corinna Ludovica; Picollo, Marcello; Cucci, Costanza; Jepsen, Peter Uhd

    2016-10-01

    We have investigated with terahertz time-domain imaging (THz-TDI) the well-known Lamentation over the dead Christ panel painting (San Marco Museum, Florence) painted by Fra Giovanni Angelico within 1436 and 1441. The investigation provided a better understanding of the construction and gilding technique used by the eminent artist, as well as the plastering technique used during the nineteenth-century restoration intervention. The evidence obtained from THz-TDI scans was correlated with the available documentation on the preservation history of the art piece. Erosion and damages documented for the wooden support, especially in the lower margin, found confirmation in the THz-TD images.

  10. Robotic sensors for aircraft paint stripping

    NASA Astrophysics Data System (ADS)

    Weniger, Richard J.

    1990-10-01

    Aircraft of all types need to have paint routinely removed from their outer surfaces. Any method needs to be controlled to remove all the paint and not damage the surface of the aircraft. Human operators get bored with the monotonous task of stripping paint from an aircraft and thus do not control the process very well. This type of tedious operation tends itself to robotics. A robot that strips paint from aircraft needs to have feedback as to the state of the stripping process, its location in respect to the aircraft, and the availability of stripping material. This paper describes the sensors used on the paint stripping robot being developed for the United States Air Force's Manufacturing Technology Program. Particular attention is given to the paint sensor which is the feedback element for determining the state of the stripping process.

  11. Ejecta production mechanisms on painted surfaces

    NASA Astrophysics Data System (ADS)

    Bariteau, Muriel; Mandeville, Jean-Claude; Schäfer, Frank

    2001-10-01

    Painted surfaces are frequently used on space vehicles, whether on satellites or on rocket bodies. A bibliographic research allows us to evaluate the painted surfaces in orbit at about 63000 m2. The observation of impacts on painted surfaces of the LDEF satellite shows that the total ejected mass is large. However, no description of hypervelocity impact tests on painted surfaces has been found in the literature. An ejecta model has been previously developed at ONERA/DESP. This model is applicable for hypervelocity impacts on homogeneous ductile targets, homogeneous brittle targets and solar cells. The objective of this work is to extend this model to the case of painted surfaces. Consequently, impact pictures on painted surfaces of LDEF were analysed and some laboratory impact tests were performed at the Ernst-Mach-Institut, in Freiburg, under an ESA contract.

  12. 24 CFR 35.140 - Prohibited methods of paint removal.

    Code of Federal Regulations, 2014 CFR

    2014-04-01

    ... and Urban Development LEAD-BASED PAINT POISONING PREVENTION IN CERTAIN RESIDENTIAL STRUCTURES General Lead-Based Paint Requirements and Definitions for All Programs. § 35.140 Prohibited methods of paint removal. The following methods shall not be used to remove paint that is, or may be, lead-based paint:...

  13. 24 CFR 3280.814 - Painting of wiring.

    Code of Federal Regulations, 2014 CFR

    2014-04-01

    ... 24 Housing and Urban Development 5 2014-04-01 2014-04-01 false Painting of wiring. 3280.814... Painting of wiring. During painting or staining of the manufactured home, it shall be permitted to paint... cable. Some arrangement, however, shall be made so that no paint shall be applied to the...

  14. 24 CFR 3280.814 - Painting of wiring.

    Code of Federal Regulations, 2013 CFR

    2013-04-01

    ... 24 Housing and Urban Development 5 2013-04-01 2013-04-01 false Painting of wiring. 3280.814... Painting of wiring. During painting or staining of the manufactured home, it shall be permitted to paint... cable. Some arrangement, however, shall be made so that no paint shall be applied to the...

  15. 24 CFR 3280.814 - Painting of wiring.

    Code of Federal Regulations, 2011 CFR

    2011-04-01

    ... 24 Housing and Urban Development 5 2011-04-01 2011-04-01 false Painting of wiring. 3280.814... Painting of wiring. During painting or staining of the manufactured home, it shall be permitted to paint... cable. Some arrangement, however, shall be made so that no paint shall be applied to the...

  16. 24 CFR 3280.814 - Painting of wiring.

    Code of Federal Regulations, 2012 CFR

    2012-04-01

    ... 24 Housing and Urban Development 5 2012-04-01 2012-04-01 false Painting of wiring. 3280.814... Painting of wiring. During painting or staining of the manufactured home, it shall be permitted to paint... cable. Some arrangement, however, shall be made so that no paint shall be applied to the...

  17. 24 CFR 3280.814 - Painting of wiring.

    Code of Federal Regulations, 2010 CFR

    2010-04-01

    ... 24 Housing and Urban Development 5 2010-04-01 2010-04-01 false Painting of wiring. 3280.814... Painting of wiring. During painting or staining of the manufactured home, it shall be permitted to paint... cable. Some arrangement, however, shall be made so that no paint shall be applied to the...

  18. Paint Scaler. Innovative Technology Summary Report

    SciTech Connect

    2000-06-01

    The Paint Scaler can collect paint samples quickly and efficiently for lab analysis. The Rotary Hammer Drill is a 24-V battery operated, 3/4-in. rotary hammer drill. When used with an optional chipping adapter, the Bosch Rotary Hammer Drill can be used to perform chipping and chiseling tasks such as paint removal from either concrete or metal surfaces. It is ultra-compact, lightweight with an ergonomic balanced grip. The battery operation gives the operator more flexibility during sampling activities.

  19. THz imaging studies of painted samples to guide cultural heritage investigations at the Enkleistra of St. Neophytos in Paphos, Cyprus

    NASA Astrophysics Data System (ADS)

    Radpour, Roxanne; Bajwa, Neha; Garritano, James; Sung, Shijun; Balonis-Sant, Magdalena; Tewari, Priyamvada; Grundfest, Warren; Kakoulli, Ioanna; Taylor, Zachary

    2014-09-01

    Terahertz (THz) imaging is a relatively new non-destructive analytical technique that is transitioning from established application research areas such as defense and biomedicine to studies of cultural heritage artifacts. Our research adopts a THz medical imaging system, originally designed for in vivo tissue hydration sensing, to acquire high contrast imagery of painted plaster samples in order to assess the ability of the system to image the Byzantine wall paintings at the Enkleistra of St. Neophytos in Paphos, Cyprus. The original 12th century paintings show evidence of later painting phases overlapping earlier iconography. A thin layer of lead white (2PbCO3·Pb(OH)2) underlies, in parts, later wall paintings, concealing the original painting scheme beneath. Traditional imaging modalities have been unable to image the underlying iconography due to a combination of absorption and scattering. We aim to use THz imaging and novel optical design to probe beyond the visible surface and perform in situ analysis of iconography beneath the lead white layer. Imaging results of painted plaster mock-ups covered with a thin layer of lead white and/or chalk, as well as of a painted wooden panel with obscured writing, are presented, and from these images sufficient contrast for feature identification is demonstrated. Preliminary results from the analysis of these mock-ups confirmed the utility of this technique and its potential to image concealed original paintings in the Enkleistra of St. Neophytos. The results encourage analysis of THz scattering within paint and plaster materials to further improve spatial resolution and penetration depth in THz imaging systems.

  20. THE HAZARDS OF PAINTING AND VARNISHING 1965

    PubMed Central

    Piper, Robert

    1965-01-01

    A review of paint hazards is made, giving brief descriptions of methods of application in use in 1965, of paint usage according to resin base, and of paint ingredients. The most interesting and complex of these are the resin bases, which have much in common with plastics. Reference is made to some of the many minor ingredients. The problem of keeping abreast of the possible toxic effects, so that paint manufacturers and their customers may be warned and protected, will be clear. PMID:5836564

  1. Raman spectroscopic study of “The Malatesta”: A Renaissance painting?

    NASA Astrophysics Data System (ADS)

    Edwards, Howell G. M.; Vandenabeele, Peter; Benoy, Timothy J.

    2015-02-01

    Raman spectroscopic analysis of the pigments on an Italian painting described as a "Full Length Portrait of a Gentleman", known also as the "Malatesta", and attributed to the Renaissance period has established that these are consistent with the historical research provenance undertaken earlier. Evidence is found for the early 19th Century addition of chrome yellow to highlighted yellow ochre areas in comparison with a similar painting executed in 1801 by Sir Thomas Lawrence of John Kemble in the role of Hamlet, Prince of Denmark. The Raman data are novel in that no analytical studies have previously been made on this painting and reinforces the procedure whereby scientific analyses are accompanied by parallel historical research.

  2. U.S. BICENTENNIAL EXPOSITION & FINISHED PAINTED AMERICAN FLAG ON VAB

    NASA Technical Reports Server (NTRS)

    1976-01-01

    Finishing touches on the largest American flag ever painted were completed today on the south side of the Vehicle Assembly Building at KSC's Launch Complex 39. The flag was painted as part of 3rd Century America, the U. S. Bicentennial Exposition on Science and Technology to be held here from May 30 through September 7. The flag is located on the western side of the VAB's south wall. Still to be painted is the American Revolution Bicentennial Administration's [ARBA] distinctive emblem. This will be placed on the eastern side of the south wall and should be completed by mid-May. The flag is 209 feet long and 100 feet in width. Each of its 13 red and white bars is nearly 8 and a half feet wide. The ARBA symbol will be 110 feet in diameter.

  3. Simultaneous identification of historical pigments Prussian blue and indigo in paintings by electrospray mass spectrometry.

    PubMed

    Pauk, Volodymyr; Havlíček, Vladimír; Papoušková, Barbora; Sulovský, Petr; Lemr, Karel

    2013-08-01

    A new analytical protocol for identification of Prussian blue (PB) and indigo was proposed. Pigments useful for dating of artworks were detected by flow injection analysis/electrospray ionization mass spectrometry after alkalization of their suspensions in water, decomposition of PB to iron (III) hydroxide and hexacyanoferrate (II) and reduction of indigo to soluble leucoindigo using sodium dithionite. Limits of detection (PB 47 pg, indigo 59 pg) complied with requirements for analysis of microsamples of historical paintings. Potential of the developed method was proven in analysis of blue samples of two oil paintings from the 20(th) century. Further, PB was confirmed in a microsample from a painting of 'Crucifixion', St. Sebestian church on St. Hill in Mikulov, Czech Republic.

  4. Enlivening the Old with the New: 21st-Century Thinking Applied to 16th-Century Art Worlds

    ERIC Educational Resources Information Center

    Kent, Lori

    2007-01-01

    When displayed in museums and classrooms, Renaissance-era (1420-1600) painting, architecture, and drawing masterworks are often decontextualized from the social reality of the Academy system under which they were produced. For centuries, the artworks of the Italian Renaissance have seduced viewers with technical mastery, exquisite pigments, and…

  5. Identification of organic materials in historic oil paintings using correlated extractionless surface-enhanced Raman scattering and fluorescence microscopy.

    PubMed

    Oakley, Lindsay H; Dinehart, Stephen A; Svoboda, Shelley A; Wustholz, Kristin L

    2011-06-01

    A novel spectroscopic approach, correlated surface-enhanced Raman scattering (SERS) and fluorescence microscopy, is used to identify organic materials in two 18th century oil paintings. The vibrational fingerprint of analyte molecules is revealed using SERS, and corresponding fluorescence measurements provide a probe of local environment as well as an inherent capability to verify material identification. Correlated SERS and fluorescence measurements are performed directly on single pigment particles obtained from historic oil paintings with Ag colloids as the enhancing substrate. We demonstrate the first extractionless nonhydrolysis SERS study of oil paint as well as the potential of correlated SERS and fluorescence microscopy studies for the simultaneous identification of organic colorants and binding media in historic oil paintings. PMID:21524143

  6. The wall paintings in the Oratorio of San Giovanni Battista in Urbino: a study finalized to a correct conservation project.

    PubMed

    Mangani, F; Amadori, M L; Maione, M; Dachà, M; Tavlaridis, G; Caldari, C

    2001-01-01

    The walls of the Oratorio of San Giovanni Battista in Urbino are decorated with outstanding mural paintings dating back to the 15th century. Due to degradation processes that have occurred in the past years, such paintings require a conservative restoration project. In order to evaluate reasons of the decay, some scientific studies have been performed. They consist of macroscopic observations and chemical (EDS), morphological (SEM) and mineralogical (XRD) analyses of samples both from the original preparatory layers under the painted layers and from the restored plasters at the surbase of the wall. In addition, environmental studies have been performed to verify microclimatic conditions of the church in which the mural paintings are located. Finally, a conservative restoration project was proposed.

  7. PAINT SHOP, FIRST FLOOR, NORTHEAST CORNER OFFICE INTERIOR, LOOKING WEST. ...

    Library of Congress Historic Buildings Survey, Historic Engineering Record, Historic Landscapes Survey

    PAINT SHOP, FIRST FLOOR, NORTHEAST CORNER OFFICE INTERIOR, LOOKING WEST. PROJECTING WALLS WITH INFILLED ARCHES WERE PART OF ONE PAINTING BOOTH IN ORIGINAL STRUCTURE. - Southern Pacific, Sacramento Shops, Paint Shop, 111 I Street, Sacramento, Sacramento County, CA

  8. High-resolution fluorescence mapping of impurities in historical zinc oxide pigments: hard X-ray nanoprobe applications to the paints of Pablo Picasso

    NASA Astrophysics Data System (ADS)

    Casadio, Francesca; Rose, Volker

    2013-04-01

    Here for the first time we describe the use of high resolution nanoprobe X-ray fluorescence (XRF) mapping for the analysis of artists' paints, hierarchically complex materials typically composed of binder, pigments, fillers, and other additives. The work undertaken at the nanoprobe sought to obtain highly spatially resolved, highly sensitive mapping of metal impurities (Pb, Cd, Fe, and other metals) in submicron particles of zinc oxide pigments used in early 20th century artists' tube paints and enamel paints, with particular emphasis on Ripolin, a popular brand of French house paint used extensively by Pablo Picasso and some of his contemporaries. Analysis revealed that the Zn oxide particles only contain a little Fe, proving that the highest quality Zn oxide pigment, free of Pb and Cd, was used for Ripolin house paints as well as artists' paints. Nanoprobe XRF mapping also demonstrated that artists' tube paints generally have more abundant fillers and additional whites (based on Pb, Ti, Ca) than Ripolin paints, which contain mostly pure zinc oxide. The chemical characterization of paints at the nanoscale opens the path to a better understanding of their fabrication and chemical reactivity.

  9. Evaluating paint-sludge chars for adsorption of selected paint solvents

    SciTech Connect

    Kim, B.R.; Kalis, E.M.; Salmeen, I.T.; Kruse, C.W.; Demir, I.; Rostam-Abadi, M.; Carlson, S.L.

    1996-06-01

    At Ford, a study had been carried out to investigate the technical feasibility of converting paint sludge to activated char and reusing the char in paint spray-booth water to capture paint solvents from spray-booth air. As part of the study, several chars were made from a paint sludge and six dried paints to evaluate their effectiveness as adsorbents by conducting a series of liquid-phase adsorption experiments. Three commonly-used paint solvents and p-nitrophenol were selected as adsorbates. The three paint solvents were toluene, 2-methyl-1-propanol (iso-butanol), and 2-butoxyethanol (butylcellosolve). In this paper, the results of the pyrolysis and adsorption experiments are presented along with practical implications. The primary findings include the following: (1) Black-paint chars showed substantially larger surface area and higher adsorption capacity (based on total weight) than white-paint chars which had high ash contents due to the white pigment, titanium dioxide; (2) the adsorption capacity of the paint-sludge char was between those of black-paint and white-paint chars, and was 5--20% that of a commercial activated carbon; (3) titanium dioxide in white-paint chars did not improve the chars` affinity for hydrophilic compounds such as 2-methyl-1-propanol and 2-butoxyethanol; (4) coal could be added to paint sludge to improve the quality of the resulting char and to reduce ash content; and (5) the pyrolysis of paint sludge could present an attractive opportunity for reusing and recycling a waste product for pollution abatement and as a vehicle component.

  10. Breakthrough cancer medicine and its impact on novel drug development in China: report of the US Chinese Anti-Cancer Association (USCACA) and Chinese Society of Clinical Oncology (CSCO) Joint Session at the 17th CSCO Annual Meeting.

    PubMed

    Luo, Feng Roger; Ding, Jian; Chen, Helen X; Liu, Hao; Fung, Man-Cheong; Koehler, Maria; Armand, Jean Pierre; Jiang, Lei; Xu, Xiao; Zhang, Ge; Xu, Li; Qian, Pascal; Yan, Li

    2014-12-01

    The US Chinese Anti-Cancer Association (USCACA) teamed up with Chinese Society of Clinical Oncology (CSCO) to host a joint session at the17th CSCO Annual Meeting on September 20th, 2014 in Xiamen, China. With a focus on breakthrough cancer medicines, the session featured innovative approaches to evaluate breakthrough agents and established a platform to interactively share successful experiences from case studies of 6 novel agents from both the United States and China. The goal of the session is to inspire scientific and practical considerations for clinical trial design and strategy to expedite cancer drug development in China. A panel discussion further provided in-depth advice on advancing both early and full development of novel cancer medicines in China.

  11. Tick-borne encephalitis as a notifiable disease--Status quo and the way forward. Report of the 17th annual meeting of the International Scientific Working Group on Tick-Borne Encephalitis (ISW-TBE).

    PubMed

    Kunze, Ursula

    2015-07-01

    The 17th meeting of the International Scientific Working Group on Tick-Borne Encephalitis (ISW-TBE), a group of neurologists, general practicioners, clinicians, travel physicians, virologists, pediatricians, and epidemiologists, was held under the title "Tick-borne encephalitis as a notifiable disease--status quo and the way forward". The conference agenda was divided into three parts on the first day: "Epidemiology & Risk areas", "Poster Walk: Epidemiological Update in Europe", and "News in TBE Research". On the second day, a World Café Working Session took place where the participants could choose three tables out of six to join for discussion. Key topics on current epidemiological developments and investigations, risk areas, cases, travel and mobility, TBE in children, vaccination rates, and latest news on vaccination were presented and extensively discussed.

  12. Painting with Clay Van Gogh Style.

    ERIC Educational Resources Information Center

    Skophammer, Karen

    1999-01-01

    Discusses Vincent Van Gogh's painting "Starry Night" and describes a lesson where fifth- and sixth-grade students created their own version of the artwork. Explains that the students utilized four colors of Permoplast clay, using their hands and fingers as brushes and blending tools and the clay as paint. (CMK)

  13. Managing lead-based paint abatement wastes

    SciTech Connect

    Steele, N.L.C.

    1994-12-31

    Renovation, remodeling, demolition, and surface preparation for painting, in addition to specified lead abatement, are all activities that have the potential to produce hazardous wastes if a property was painted with lead-based paint. Lead-based paint was used on residential structures until 1978, when most residential uses were banned by the Consumer Products Safety Council. Prior to the 1950s, paints for residential uses may have contained up to 50% lead by weight. Today, commercial and military paints may still contain lead and can be used on non-residential structures. The lead content of residential paints is limited to 0.06% lead (by weight) in the dried film. This paper provides an overview of some of the information needed to properly manage lead-based paint abatement wastes. The issues covered in this paper include waste classification, generator status, treatment, and land disposal restrictions. The author assumes that the reader is familiar with the provision of the Health and Safety Code and the California Code of Regulations that pertain to generation and management of hazardous wastes. Citations provided herein do not constitute an exhaustive list of all the regulations with which a generator of hazardous waste must comply.

  14. Products of Chemistry: Chemistry of Paint.

    ERIC Educational Resources Information Center

    Schuerman, George; Bruzan, Raymond

    1989-01-01

    Presents an overview of coatings along with paint preparation labs. Provides students with information about and methods for preparing a product that is an integral part of daily life. Gives methodology which can be used to prepare oil based and water based paints. (MVL)

  15. The Sign System in Chinese Landscape Paintings

    ERIC Educational Resources Information Center

    McMahon, Cliff G.

    2003-01-01

    Paintings emerge from a culture field and must be interpreted in relation to the net of culture. A given culture will be implicated by the sign system used by the painter. Everyone agrees that in Chinese landscape paintings, the most important cultural bond is to ancient Chinese Taoism, and to a lesser degree, to Confucianism. Obviously, then, the…

  16. Detecting Corrosion Under Paint and Insulation

    NASA Technical Reports Server (NTRS)

    Bastin, Gary L.

    2011-01-01

    Corrosion is a major concern at the Kennedy Space Center in Florida due to the proximity of the center to the Atlantic Ocean and to salt water lagoons. High humidity, salt fogs, and ocean breezes, provide an ideal environment in which painted steel structures become corroded. Maintenance of painted steel structures is a never-ending process.

  17. 29 CFR 1915.35 - Painting.

    Code of Federal Regulations, 2011 CFR

    2011-07-01

    ... areas within or around the vessel or dry dock. (5) All motors and control equipment shall be of the... materials. All motors and associated control equipment shall be properly maintained and grounded. (6) Only non-sparking paint buckets, spray guns and tools shall be used. Metal parts of paint brushes...

  18. 29 CFR 1915.35 - Painting.

    Code of Federal Regulations, 2012 CFR

    2012-07-01

    ... areas within or around the vessel or dry dock. (5) All motors and control equipment shall be of the... materials. All motors and associated control equipment shall be properly maintained and grounded. (6) Only non-sparking paint buckets, spray guns and tools shall be used. Metal parts of paint brushes...

  19. Order-fractal transitions in abstract paintings

    NASA Astrophysics Data System (ADS)

    de la Calleja, E. M.; Cervantes, F.; de la Calleja, J.

    2016-08-01

    In this study, we determined the degree of order for 22 Jackson Pollock paintings using the Hausdorff-Besicovitch fractal dimension. Based on the maximum value of each multi-fractal spectrum, the artworks were classified according to the year in which they were painted. It has been reported that Pollock's paintings are fractal and that this feature was more evident in his later works. However, our results show that the fractal dimension of these paintings ranges among values close to two. We characterize this behavior as a fractal-order transition. Based on the study of disorder-order transition in physical systems, we interpreted the fractal-order transition via the dark paint strokes in Pollock's paintings as structured lines that follow a power law measured by the fractal dimension. We determined self-similarity in specific paintings, thereby demonstrating an important dependence on the scale of observations. We also characterized the fractal spectrum for the painting entitled Teri's Find. We obtained similar spectra for Teri's Find and Number 5, thereby suggesting that the fractal dimension cannot be rejected completely as a quantitative parameter for authenticating these artworks.

  20. Roosters Rule: A Painted Paper Collage

    ERIC Educational Resources Information Center

    Brady, Susan

    2011-01-01

    On perusing American collage artist Eric Carle's book, "Rooster's Off to See the World," at an annual school book fair, the author, mesmerized by the carnival of colors and collage on each page, thought "What a wonderful visual aid for a combination painting and collage unit." Her first-graders were involved in a painting unit, and knowing their…

  1. Electrically Conductive White Thermal-Control Paint

    NASA Technical Reports Server (NTRS)

    Hsieh, Cheng-Hsien; Forsberg, Gustaf A.; O'Donnell, Timothy P.

    1995-01-01

    Report describes development of white thermal-control paint intended for use on spacecraft. Paint required to exhibit combination of high emittance (equal to or greater than 0.90), low absorptance (equal to or less than 0.20), and electrical conductivity sufficient to prevent charging with static electricity to potentials beyond range of plus or minus 10 V.

  2. Mass Spectrometric and Synchrotron Radiation based techniques for the identification and distribution of painting materials in samples from paints of Josep Maria Sert

    PubMed Central

    2012-01-01

    Background Establishing the distribution of materials in paintings and that of their degradation products by imaging techniques is fundamental to understand the painting technique and can improve our knowledge on the conservation status of the painting. The combined use of chromatographic-mass spectrometric techniques, such as GC/MS or Py/GC/MS, and the chemical mapping of functional groups by imaging SR FTIR in transmission mode on thin sections and SR XRD line scans will be presented as a suitable approach to have a detailed characterisation of the materials in a paint sample, assuring their localisation in the sample build-up. This analytical approach has been used to study samples from Catalan paintings by Josep Maria Sert y Badía (20th century), a muralist achieving international recognition whose canvases adorned international buildings. Results The pigments used by the painter as well as the organic materials used as binders and varnishes could be identified by means of conventional techniques. The distribution of these materials by means of Synchrotron Radiation based techniques allowed to establish the mixtures used by the painter depending on the purpose. Conclusions Results show the suitability of the combined use of SR μFTIR and SR μXRD mapping and conventional techniques to unequivocally identify all the materials present in the sample and their localization in the sample build-up. This kind of approach becomes indispensable to solve the challenge of micro heterogeneous samples. The complementary interpretation of the data obtained with all the different techniques allowed the characterization of both organic and inorganic materials in the samples layer by layer as well as to establish the painting techniques used by Sert in the works-of-art under study. PMID:22616949

  3. Application of non-invasive optical monitoring methodologies to follow and record painting cleaning processes

    NASA Astrophysics Data System (ADS)

    Fontana, R.; Dal Fovo, A.; Striova, J.; Pezzati, L.; Pampaloni, E.; Raffaelli, M.; Barucci, M.

    2015-11-01

    The cleaning of painted artworks, i.e. the critical operation whereby materials are selectively removed from a painted surface by partial thinning or complete elimination of varnish, is one of the most debated conservation operations, being an irreversible process, which may result in chromatic and morphological variations in the painted surface. Due to ageing, the upper layer is subject to darkening and yellowing because of blanching and fading from ultraviolet exposure, dust deposition, and overpainted layers due, for instance, to restoration interventions. This degradation can either alter the original appearance of painting polychromy or cause mechanical failure of the finishes. To address these adverse conditions, a process of examination and analysis is critical to the definition and interpretation of the varnish layer. When investigating the ageing process of old paintings, it is of great importance to obtain insight into the painting technique as practiced in the past, and the first step in gaining this knowledge is, to a large extent, based on the study of the varnish film. An effective control of the process and objective evaluation of its outcome requires therefore instrumental/analytical support. The present study illustrates the successful application of non-invasive optical techniques—such as colorimetry, multispectral reflectography, laser scanning micro-profilometry, and optical coherence tomography—to the monitoring of an Italian fourteenth-century painting cleaning process. Results presented here confirm that optical techniques play a pivotal role in artwork diagnostics, especially with regard to conservation operations, while also indicating their validity when applied to the monitoring of the cleaning process.

  4. Structural Color Painting by Rubbing Particle Powder

    NASA Astrophysics Data System (ADS)

    Park, Choojin; Koh, Kunsuk; Jeong, Unyong

    2015-02-01

    Structural colors originate from purely physical structures. Scientists have been inspired to mimic the structures found in nature, the realization of these structures still presents a great challenge. We have recently introduced unidirectional rubbing of a dry particle powder on a rubbery surface as a quick, highly reproducible means to fabricate a single crystal monolayer assembly of particles over an unlimited area. This study extends the particle-rubbing process to a novel fine-art painting, structural color painting (SCP). SCP is based on structural coloring with varying iridescence according to the crystal orientation, as controlled by the rubbing direction. This painting technique can be applied on curved surfaces, which enriches the objects to be painted and helps the painter mimic the structures found in nature. It also allows for quick fabrication of complicated particle-assembly patterns, which enables replication of paintings.

  5. Structural Color Painting by Rubbing Particle Powder

    PubMed Central

    Park, ChooJin; Koh, Kunsuk; Jeong, Unyong

    2015-01-01

    Structural colors originate from purely physical structures. Scientists have been inspired to mimic the structures found in nature, the realization of these structures still presents a great challenge. We have recently introduced unidirectional rubbing of a dry particle powder on a rubbery surface as a quick, highly reproducible means to fabricate a single crystal monolayer assembly of particles over an unlimited area. This study extends the particle-rubbing process to a novel fine-art painting, structural color painting (SCP). SCP is based on structural coloring with varying iridescence according to the crystal orientation, as controlled by the rubbing direction. This painting technique can be applied on curved surfaces, which enriches the objects to be painted and helps the painter mimic the structures found in nature. It also allows for quick fabrication of complicated particle-assembly patterns, which enables replication of paintings. PMID:25661669

  6. Emissions of odorous aldehydes from alkyd paint

    NASA Astrophysics Data System (ADS)

    Chang, John C. S.; Guo, Zhishi

    Aldehyde emissions are widely held responsible for the acrid after-odor of drying alkyd-based paint films. The aldehyde emissions from three different alkyd paints were measured in small environ-mental chambers. It was found that, for each gram of alkyd paint applied, more than 2 mg of aldehydes (mainly hexanal) were emitted during the curing (drying) period. Since no measurable hexanal was found in the original paint, it is suspected that the aldehydes emitted were produced by autoxidation of the unsaturated fatty acid esters in the alkyd resins. The hexanal emission rate was simulated by a model assuming that the autoxidation process was controlled by a consecutive first-order reaction mechanism. Using the emission rate model, indoor air quality simulation indicated that the hexanal emissions can result in prolonged (several days) exposure risk to occupants. The occupant exposure to aldehydes emitted from alkyd paint also could cause sensory irritation and other health concerns.

  7. Subsurface Raman analysis of thin painted layers.

    PubMed

    Conti, Claudia; Colombo, Chiara; Realini, Marco; Zerbi, Giuseppe; Matousek, Pavel

    2014-01-01

    Here we present, for the first time, an extension of spatially offset Raman spectroscopy to thin (tens of micrometers thick), highly turbid stratified media such as those encountered in paintings. The method permits the non-destructive interrogation of painted layers in situations where conventional Raman microscopy is not applicable due to high turbidity of the top layer(s). The concept is demonstrated by recovering the pure Raman spectra of paint sub-layers that are completely obscured by paint over-layers. Potential application areas include the analysis of paintings in art preservation and restoration avoiding the cross-sectional analysis used currently with this type of samples. The technique also holds promise for the development as a non-destructive subsurface tool for in situ analysis using portable instruments.

  8. Paint removal activities in the US Navy

    NASA Astrophysics Data System (ADS)

    Kozol, Joseph

    1993-03-01

    Use of methylene chloride and phenol based chemical strippers for aircraft paint removal generates large quantities of hazardous waste and creates health and safety problems for operating personnel. This paper presents an overview of the U.S. Navy's activities in the investigation and implementation of alternate paint stripping methods which will minimize or eliminate hazardous waste and provide a safe operating environment. Alternate paint removal methods under investigation by the Navy at the present time include use of non-hazardous chemical paint removers, xenon flashlamp/CO2 pellets, lasers and plastic media. Plastic media blasting represents a mature technology in current usage for aircraft paint stripping and is being investigated for determination of its effects on Navy composite aircraft configurations.

  9. Identification of lipid- and protein-based binders in paintings by direct on-plate wet chemistry and matrix-assisted laser desorption ionization mass spectrometry.

    PubMed

    Calvano, Cosima Damiana; van der Werf, Inez Dorothé; Palmisano, Francesco; Sabbatini, Luigia

    2015-01-01

    Direct on-target plate processing of small (ca. 100 μg) fragments of paint samples for MALDI-MS identification of lipid- and protein-based binders is described. Fragments were fixed on a conventional stainless steel target plate by colloidal graphite followed by in situ fast tryptic digestion and matrix addition. The new protocol was first developed on paint replicas composed of chicken egg, collagen, and cow milk mixed with inorganic pigments and then successfully applied on historical paint samples taken from a fifteenth century Italian panel painting. The present work contributes a step forward in the simplification of binder identification in very small paint samples since no conventional solvent extraction is required, speeding up the whole sample preparation to 10 min and reducing lipid/protein loss. PMID:25433687

  10. Identification of lipid- and protein-based binders in paintings by direct on-plate wet chemistry and matrix-assisted laser desorption ionization mass spectrometry.

    PubMed

    Calvano, Cosima Damiana; van der Werf, Inez Dorothé; Palmisano, Francesco; Sabbatini, Luigia

    2015-01-01

    Direct on-target plate processing of small (ca. 100 μg) fragments of paint samples for MALDI-MS identification of lipid- and protein-based binders is described. Fragments were fixed on a conventional stainless steel target plate by colloidal graphite followed by in situ fast tryptic digestion and matrix addition. The new protocol was first developed on paint replicas composed of chicken egg, collagen, and cow milk mixed with inorganic pigments and then successfully applied on historical paint samples taken from a fifteenth century Italian panel painting. The present work contributes a step forward in the simplification of binder identification in very small paint samples since no conventional solvent extraction is required, speeding up the whole sample preparation to 10 min and reducing lipid/protein loss.

  11. Anamorphic Art

    ERIC Educational Resources Information Center

    Foster, Colin

    2006-01-01

    During the 17th century, Baroque decoration used anamorphism to combine actual architectural elements with illusionistic painting. When viewed from a particular point in space, the architecture blends with painting to form a combined image. In this article, Julian Beever, a leading anamorphic pavement artist, explains to the author the principles…

  12. Imaging secondary ion mass spectrometry of a paint cross section taken from an early Netherlandish painting by Rogier van der Weyden.

    PubMed

    Keune, Katrien; Boon, Jaap J

    2004-03-01

    Static secondary ion mass spectrometry (SIMS) is introduced as an analytical technique for the examination of paint cross sections to obtain simultaneous information about the nature and distribution of pigments and the binding medium from a single sample. A sample taken from the virgin's blue robe in the panel painting The Descent from the Cross (Museo del Prado, Madrid) of the Early Netherlandish painter Rogier van der Weyden (1399/1400-1464) was selected for investigation. Data were compared with reference compounds and reference lead white linseed oil paint and egg tempera paint. The static SIMS technique gave position-sensitive mass spectra that were used to image the elemental distribution of pigments and the molecular signature of components of the oleaginous binding medium. SIMS ion images of sodium and aluminum superimposed with the blue pigment ultramarine and those of copper, lead, and calcium with the position of the mineral pigments of azurite, lead white, and chalk, respectively. Preserved monocarboxylic acids of palmitic and stearic acids present as fatty acids and fatty acid lead soaps pointed to the use of linseed oil as a binding medium. Images from the oleaginous binding medium fatty acids show a correlation with the three main paint layers. The observed palmitic/stearic acid ratios for the two ultramarine layers and azurite layers are 1.3, 1.4, and 1.8, respectively. Fatty acids and fatty acid soaps show highest ion yields near lead white, a mineral pigment that serves as a natural chemical drier and is proposed to act as a template for the initial grafting of the polyunsaturated triglycerides of the linseed oil. Almost no fatty acids were detected in other layers visible by light microscopy. The fatty acid lead soaps point toward a mature ionomeric oil paint system that developed over centuries. SIMS evidence for egg tempera, still used in the 15th century, is not detected in the paint cross section. SIMS images correlate well with SEM/EDX, FT

  13. Imaging secondary ion mass spectrometry of a paint cross section taken from an early Netherlandish painting by Rogier van der Weyden.

    PubMed

    Keune, Katrien; Boon, Jaap J

    2004-03-01

    Static secondary ion mass spectrometry (SIMS) is introduced as an analytical technique for the examination of paint cross sections to obtain simultaneous information about the nature and distribution of pigments and the binding medium from a single sample. A sample taken from the virgin's blue robe in the panel painting The Descent from the Cross (Museo del Prado, Madrid) of the Early Netherlandish painter Rogier van der Weyden (1399/1400-1464) was selected for investigation. Data were compared with reference compounds and reference lead white linseed oil paint and egg tempera paint. The static SIMS technique gave position-sensitive mass spectra that were used to image the elemental distribution of pigments and the molecular signature of components of the oleaginous binding medium. SIMS ion images of sodium and aluminum superimposed with the blue pigment ultramarine and those of copper, lead, and calcium with the position of the mineral pigments of azurite, lead white, and chalk, respectively. Preserved monocarboxylic acids of palmitic and stearic acids present as fatty acids and fatty acid lead soaps pointed to the use of linseed oil as a binding medium. Images from the oleaginous binding medium fatty acids show a correlation with the three main paint layers. The observed palmitic/stearic acid ratios for the two ultramarine layers and azurite layers are 1.3, 1.4, and 1.8, respectively. Fatty acids and fatty acid soaps show highest ion yields near lead white, a mineral pigment that serves as a natural chemical drier and is proposed to act as a template for the initial grafting of the polyunsaturated triglycerides of the linseed oil. Almost no fatty acids were detected in other layers visible by light microscopy. The fatty acid lead soaps point toward a mature ionomeric oil paint system that developed over centuries. SIMS evidence for egg tempera, still used in the 15th century, is not detected in the paint cross section. SIMS images correlate well with SEM/EDX, FT

  14. U.S. BICENTENNIAL EXPOSITION AMERICAN FLAG & ARBA SYMBOL PAINTING FINISHED ON THE VAB

    NASA Technical Reports Server (NTRS)

    1976-01-01

    The massive Vehicle Assembly Building provides the focal point for the Bicentennial Exposition on Science and Technology, 3rd Century America. The largest flag ever painted and a large American Revolution Bicentennial Administration symbol adorn the side of the building, overlooking the bicentennial site which features 15 domes housing exhibits. Sixteen federal agencies, 10 U. W. industries and numerous colleges and universities are participating in the Exposition, which runs through September 7.

  15. Fragmentation of drying paint layers

    NASA Astrophysics Data System (ADS)

    Bakos, Katinka; Dombi, András; Járai-Szabó, Ferenc; Néda, Zoltán

    2013-11-01

    Fragmentation of thin layers of drying granular materials on a frictional surface are studied both by experiments and computer simulations. Besides a qualitative description of the fragmentation phenomenon, the dependence of the average fragment size as a function of the layer thickness is thoroughly investigated. Experiments are done using a special nail polish, which forms characteristic crack structures during drying. In order to control the layer thickness, we diluted the nail polish in acetone and evaporated in a controlled manner different volumes of this solution on glass surfaces. During the evaporation process we managed to get an instable paint layer, which formed cracks as it dried out. In order to understand the obtained structures a previously developed spring-block model was implemented in a three-dimensional version. The experimental and simulation results proved to be in excellent qualitative and quantitative agreement. An earlier suggested scaling relation between the average fragment size and the layer thickness is reconfirmed.

  16. Accuracy of Pressure Sensitive Paint

    NASA Technical Reports Server (NTRS)

    Liu, Tianshu; Guille, M.; Sullivan, J. P.

    2001-01-01

    Uncertainty in pressure sensitive paint (PSP) measurement is investigated from a standpoint of system modeling. A functional relation between the imaging system output and luminescent emission from PSP is obtained based on studies of radiative energy transports in PSP and photodetector response to luminescence. This relation provides insights into physical origins of various elemental error sources and allows estimate of the total PSP measurement uncertainty contributed by the elemental errors. The elemental errors and their sensitivity coefficients in the error propagation equation are evaluated. Useful formulas are given for the minimum pressure uncertainty that PSP can possibly achieve and the upper bounds of the elemental errors to meet required pressure accuracy. An instructive example of a Joukowsky airfoil in subsonic flows is given to illustrate uncertainty estimates in PSP measurements.

  17. [Painting realism and medicine: the two surgical clinics of Thomas Eakins].

    PubMed

    Cabello, Felipe

    2015-06-01

    Realism is a painting style that began with Millet and Courbet in politically convulsed France in the middle of the nineteenth century. In the second half of that century, the pragmatic and democratic tradition of the United States fostered the careers of many realist painters, including that of Thomas Eakins. Eakins, trained in France, developed his career completely associated with Philadelphia at a time when this city was in the vanguard of American emerging industry, culture and medicine. Eakins "The clinic of Dr. Gross" and the "The clinic of Dr. Agnew" are icons of these developments and symbolize a perfect union of art and medicine. Both paintings permit the viewer to appreciate the artist's mastery, originality and Americanism while simultaneously tracking the progress of surgery as evidenced by the introduction of asepsis, anesthesia and nursing. Eakins mastery is revealed by its use of some European Old Masters approaches to portray medical professionals undertaking their daily duties in their work environments with critical and unadorned vision. This combination of vision and skills led Eakins to create a highly original yet analytical art. Unfortunately, his representations were far ahead of his time and resulted in under appreciation of his paintings and a censorious reaction to their content. His contemporaries rejection of Eakins work negatively affected his career as a painter, as a teacher and even his private life. This judgment was overturned in subsequent years and by the twentieth century Eakins was recognized as an American master without parallel. PMID:26230562

  18. [Painting realism and medicine: the two surgical clinics of Thomas Eakins].

    PubMed

    Cabello, Felipe

    2015-06-01

    Realism is a painting style that began with Millet and Courbet in politically convulsed France in the middle of the nineteenth century. In the second half of that century, the pragmatic and democratic tradition of the United States fostered the careers of many realist painters, including that of Thomas Eakins. Eakins, trained in France, developed his career completely associated with Philadelphia at a time when this city was in the vanguard of American emerging industry, culture and medicine. Eakins "The clinic of Dr. Gross" and the "The clinic of Dr. Agnew" are icons of these developments and symbolize a perfect union of art and medicine. Both paintings permit the viewer to appreciate the artist's mastery, originality and Americanism while simultaneously tracking the progress of surgery as evidenced by the introduction of asepsis, anesthesia and nursing. Eakins mastery is revealed by its use of some European Old Masters approaches to portray medical professionals undertaking their daily duties in their work environments with critical and unadorned vision. This combination of vision and skills led Eakins to create a highly original yet analytical art. Unfortunately, his representations were far ahead of his time and resulted in under appreciation of his paintings and a censorious reaction to their content. His contemporaries rejection of Eakins work negatively affected his career as a painter, as a teacher and even his private life. This judgment was overturned in subsequent years and by the twentieth century Eakins was recognized as an American master without parallel.

  19. Inadvertent polychlorinated biphenyls in commercial paint pigments.

    PubMed

    Hu, Dingfei; Hornbuckle, Keri C

    2010-04-15

    A polychlorinated biphenyl (PCB) that was not produced as part of the Aroclor mixtures banned in the 1980s was recently reported in air samples collected in Chicago, Philadelphia, the Arctic, and several sites around the Great Lakes. In Chicago, the congener 3,3'-dichlorobiphenyl or PCB11 was found to be the fifth most concentrated congener and ubiquitous throughout the city. The congener exhibited strong seasonal concentration trends that suggest volatilization of this compound from common outdoor surfaces. Due to these findings and also the compound's presence in waters that received waste from paint manufacturing facilities, we hypothesized that PCB11 may be present in current commercial paint. In this study we measured PCBs in paint sold on the current retail market. We tested 33 commercial paint pigments purchased from three local paint stores. The pigment samples were analyzed for all 209 PCB congeners using gas chromatography with tandem mass spectrometry (GC-MS/MS). More than 50 PCB congeners including several dioxin-like PCBs were detected, and the PCB profiles varied due to different types of pigments and different manufacturing processes. PCB congeners were detected in azo and phthalocyanine pigments which are commonly used in paint but also in inks, textiles, paper, cosmetics, leather, plastics, food and other materials. Our findings suggest several possible mechanisms for the inadvertent production of specific PCB congeners during the manufacturing of paint pigments.

  20. Inadvertent Polychlorinated Biphenyls in Commercial Paint Pigments†

    PubMed Central

    2009-01-01

    A polychlorinated biphenyl (PCB) that was not produced as part of the Aroclor mixtures banned in the 1980s was recently reported in air samples collected in Chicago, Philadelphia, the Arctic, and several sites around the Great Lakes. In Chicago, the congener 3,3′-dichlorobiphenyl or PCB11 was found to be the fifth most concentrated congener and ubiquitous throughout the city. The congener exhibited strong seasonal concentration trends that suggest volatilization of this compound from common outdoor surfaces. Due to these findings and also the compound’s presence in waters that received waste from paint manufacturing facilities, we hypothesized that PCB11 may be present in current commercial paint. In this study we measured PCBs in paint sold on the current retail market. We tested 33 commercial paint pigments purchased from three local paint stores. The pigment samples were analyzed for all 209 PCB congeners using gas chromatography with tandem mass spectrometry (GC-MS/MS). More than 50 PCB congeners including several dioxin-like PCBs were detected, and the PCB profiles varied due to different types of pigments and different manufacturing processes. PCB congeners were detected in azo and phthalocyanine pigments which are commonly used in paint but also in inks, textiles, paper, cosmetics, leather, plastics, food and other materials. Our findings suggest several possible mechanisms for the inadvertent production of specific PCB congeners during the manufacturing of paint pigments. PMID:19957996

  1. [Medical books printed in the 16th century in Dalmatian libraries].

    PubMed

    Dujmovic, Dubravka

    2005-01-01

    The purpose of this text is to search for medical books in monasteries, museums and university libraries in Split, Omi's, Zaostrog, Ciovo (near Trogir) and Sinj. Medical books from the 17th century were rare. When we compare this research with previous ones, one can conclude that very little of such sort of literature in Dalmatian libraries is still existing. Among preserved literary works we found works by Galenus, Oribasius, Valverde and others. The explanation for the little number of medical books is to be seeked in hard historical and educational conditions, destruction and damage to library stock in the past. PMID:17152192

  2. Alkali Silicate Vehicle Forms Durable, Fireproof Paint

    NASA Technical Reports Server (NTRS)

    Schutt, John B.; Seindenberg, Benjamin

    1964-01-01

    The problem: To develop a paint for use on satellites or space vehicles that exhibits high resistance to cracking, peeling, or flaking when subjected to a wide range of temperatures. Organic coatings will partially meet the required specifications but have the inherent disadvantage of combustibility. Alkali-silicate binders, used in some industrial coatings and adhesives, show evidence of forming a fireproof paint, but the problem of high surface-tension, a characteristic of alkali silicates, has not been resolved. The solution: Use of a suitable non-ionic wetting agent combined with a paint incorporating alkali silicate as the binder.

  3. New black paint for cryogenic infrared applications

    NASA Technical Reports Server (NTRS)

    Houck, J. R.

    1983-01-01

    A black paint has been developed and tested for cryogenic applications involving wavelengths beyond 10 microns. The paint has been used extensively for liquid helium cooled applications in a variety of instruments operating between 10 and 120 microns. The material is applied by brush over a spray or brush applied primer coat. A final covering is applied by either brush or spray. The composition and preparation of the paint are described, as are data about its outgassing properties. Infrared reflection and scattering data obtained by other groups which compare this material to other commercially available surface preparations are presented.

  4. New highlights on degradation process of verdigris from easel paintings

    NASA Astrophysics Data System (ADS)

    Santoro, Carlotta; Zarkout, Karim; Le Hô, Anne-Solenn; Mirambet, François; Gourier, Didier; Binet, Laurent; Pagès-Camagna, Sandrine; Reguer, Solenn; Mirabaud, Sigrid; Le Du, Yann; Griesmar, Pascal; Lubin-Germain, Nadège; Menu, Michel

    2014-03-01

    Verdigris is a green copper organometallic pigment, widely used in paintings during the fifteenth and sixteenth centuries. With ageing, chromatic modifications like browning or darkening can be observed on those green painted layers. An original but crucial approach has been developed based on the characterization of a reference neutral verdigris pigment—anhydrous copper acetate—and model samples, made of verdigris and linseed oil. Samples have undergone artificial ageing (temperature, light) to reproduce the color change effect. They were analysed before and after accelerated ageing tests by a complementary set of classical techniques: colorimetry, electron paramagnetic resonance, X-ray absorption spectroscopy, and UV-visible absorption. Our experiments revealed that the incorporation of the verdigris pigment in linseed oil induces a transformation of the copper acetate bimetallic structure, with the formation of monomeric species. These monomers, however, are not directly responsible for the darkening. The chromatic alteration seems instead linked to the transient formation of Cu(I) in the copper complexes of the pigment/oil system. This formation could be initiated by ambient light absorption through ligand-to-metal charge transfer, which favors the decarboxylation of the copper complexes leading to the reduction of Cu(II) into Cu(I). Moreover, dioxygen can react with partially decarboxylated dimers to form peroxy-Cu dimer complexes that can be responsible for the darkening.

  5. 24 CFR 35.135 - Use of paint containing lead.

    Code of Federal Regulations, 2013 CFR

    2013-04-01

    ... 24 Housing and Urban Development 1 2013-04-01 2013-04-01 false Use of paint containing lead. 35... Urban Development LEAD-BASED PAINT POISONING PREVENTION IN CERTAIN RESIDENTIAL STRUCTURES General Lead-Based Paint Requirements and Definitions for All Programs. § 35.135 Use of paint containing lead....

  6. 24 CFR 35.135 - Use of paint containing lead.

    Code of Federal Regulations, 2014 CFR

    2014-04-01

    ... 24 Housing and Urban Development 1 2014-04-01 2014-04-01 false Use of paint containing lead. 35... Urban Development LEAD-BASED PAINT POISONING PREVENTION IN CERTAIN RESIDENTIAL STRUCTURES General Lead-Based Paint Requirements and Definitions for All Programs. § 35.135 Use of paint containing lead....

  7. 24 CFR 200.800 - Lead-based paint.

    Code of Federal Regulations, 2010 CFR

    2010-04-01

    ... 24 Housing and Urban Development 2 2010-04-01 2010-04-01 false Lead-based paint. 200.800 Section... DEVELOPMENT GENERAL INTRODUCTION TO FHA PROGRAMS Lead-Based Paint Poisoning Prevention § 200.800 Lead-based paint. The Lead-Based Paint Poisoning Prevention Act (42 U.S.C. 4821-4846), the Residential...

  8. 24 CFR 598.408 - Lead-based paint requirements.

    Code of Federal Regulations, 2014 CFR

    2014-04-01

    ... 24 Housing and Urban Development 3 2014-04-01 2013-04-01 true Lead-based paint requirements. 598... DESIGNATIONS Post-Designation Requirements § 598.408 Lead-based paint requirements. The Lead-Based Paint Poisoning Prevention Act (42 U.S.C. 4821-4846), the Residential Lead-Based Paint Hazard Reduction Act...

  9. 24 CFR 35.135 - Use of paint containing lead.

    Code of Federal Regulations, 2011 CFR

    2011-04-01

    ... 24 Housing and Urban Development 1 2011-04-01 2011-04-01 false Use of paint containing lead. 35... Urban Development LEAD-BASED PAINT POISONING PREVENTION IN CERTAIN RESIDENTIAL STRUCTURES General Lead-Based Paint Requirements and Definitions for All Programs. § 35.135 Use of paint containing lead....

  10. 24 CFR 35.135 - Use of paint containing lead.

    Code of Federal Regulations, 2010 CFR

    2010-04-01

    ... 24 Housing and Urban Development 1 2010-04-01 2010-04-01 false Use of paint containing lead. 35... Urban Development LEAD-BASED PAINT POISONING PREVENTION IN CERTAIN RESIDENTIAL STRUCTURES General Lead-Based Paint Requirements and Definitions for All Programs. § 35.135 Use of paint containing lead....

  11. 24 CFR 200.800 - Lead-based paint.

    Code of Federal Regulations, 2011 CFR

    2011-04-01

    ... 24 Housing and Urban Development 2 2011-04-01 2011-04-01 false Lead-based paint. 200.800 Section... DEVELOPMENT GENERAL INTRODUCTION TO FHA PROGRAMS Lead-Based Paint Poisoning Prevention § 200.800 Lead-based paint. The Lead-Based Paint Poisoning Prevention Act (42 U.S.C. 4821-4846), the Residential...

  12. 24 CFR 598.408 - Lead-based paint requirements.

    Code of Federal Regulations, 2012 CFR

    2012-04-01

    ... 24 Housing and Urban Development 3 2012-04-01 2012-04-01 false Lead-based paint requirements. 598... DESIGNATIONS Post-Designation Requirements § 598.408 Lead-based paint requirements. The Lead-Based Paint Poisoning Prevention Act (42 U.S.C. 4821-4846), the Residential Lead-Based Paint Hazard Reduction Act...

  13. 24 CFR 598.408 - Lead-based paint requirements.

    Code of Federal Regulations, 2010 CFR

    2010-04-01

    ... 24 Housing and Urban Development 3 2010-04-01 2010-04-01 false Lead-based paint requirements. 598... DESIGNATIONS Post-Designation Requirements § 598.408 Lead-based paint requirements. The Lead-Based Paint Poisoning Prevention Act (42 U.S.C. 4821-4846), the Residential Lead-Based Paint Hazard Reduction Act...

  14. 24 CFR 35.135 - Use of paint containing lead.

    Code of Federal Regulations, 2012 CFR

    2012-04-01

    ... 24 Housing and Urban Development 1 2012-04-01 2012-04-01 false Use of paint containing lead. 35... Urban Development LEAD-BASED PAINT POISONING PREVENTION IN CERTAIN RESIDENTIAL STRUCTURES General Lead-Based Paint Requirements and Definitions for All Programs. § 35.135 Use of paint containing lead....

  15. 24 CFR 200.800 - Lead-based paint.

    Code of Federal Regulations, 2013 CFR

    2013-04-01

    ... 24 Housing and Urban Development 2 2013-04-01 2013-04-01 false Lead-based paint. 200.800 Section... DEVELOPMENT GENERAL INTRODUCTION TO FHA PROGRAMS Lead-Based Paint Poisoning Prevention § 200.800 Lead-based paint. The Lead-Based Paint Poisoning Prevention Act (42 U.S.C. 4821-4846), the Residential...

  16. 24 CFR 598.408 - Lead-based paint requirements.

    Code of Federal Regulations, 2013 CFR

    2013-04-01

    ... 24 Housing and Urban Development 3 2013-04-01 2013-04-01 false Lead-based paint requirements. 598... DESIGNATIONS Post-Designation Requirements § 598.408 Lead-based paint requirements. The Lead-Based Paint Poisoning Prevention Act (42 U.S.C. 4821-4846), the Residential Lead-Based Paint Hazard Reduction Act...

  17. 24 CFR 200.800 - Lead-based paint.

    Code of Federal Regulations, 2014 CFR

    2014-04-01

    ... 24 Housing and Urban Development 2 2014-04-01 2014-04-01 false Lead-based paint. 200.800 Section... DEVELOPMENT GENERAL INTRODUCTION TO FHA PROGRAMS Lead-Based Paint Poisoning Prevention § 200.800 Lead-based paint. The Lead-Based Paint Poisoning Prevention Act (42 U.S.C. 4821-4846), the Residential...

  18. 24 CFR 598.408 - Lead-based paint requirements.

    Code of Federal Regulations, 2011 CFR

    2011-04-01

    ... 24 Housing and Urban Development 3 2011-04-01 2010-04-01 true Lead-based paint requirements. 598... DESIGNATIONS Post-Designation Requirements § 598.408 Lead-based paint requirements. The Lead-Based Paint Poisoning Prevention Act (42 U.S.C. 4821-4846), the Residential Lead-Based Paint Hazard Reduction Act...

  19. 24 CFR 200.800 - Lead-based paint.

    Code of Federal Regulations, 2012 CFR

    2012-04-01

    ... 24 Housing and Urban Development 2 2012-04-01 2012-04-01 false Lead-based paint. 200.800 Section... DEVELOPMENT GENERAL INTRODUCTION TO FHA PROGRAMS Lead-Based Paint Poisoning Prevention § 200.800 Lead-based paint. The Lead-Based Paint Poisoning Prevention Act (42 U.S.C. 4821-4846), the Residential...

  20. Incite Their Interest with a Collaborative Painting Project

    ERIC Educational Resources Information Center

    Woodcock, Jo

    2011-01-01

    This article describes a collaborative painting project that allows first- through third-grade students to work with partners to create a four-inch square of a group painting and learn the basics of mixing paints to produce lights and darks, and tints and shades. One by one, the students worked on the painting in their free time. The author kept a…

  1. [Study of Paints and Drawing Techniques of Fine Brushwork Yunlong Ripples Painting in Qing Dynasty].

    PubMed

    Hao, Sheng-cai; Shi, Ji-long; Wang, Ji-gang; He, Qiu-ju; Qi, Xiao-kun; Zhou, Zhong; Zhou, Wen-hua

    2016-02-01

    In order to study the paints and techniques of decorative patterns of dragon among clouds and water waves, the materials based on a Qing Dynasty meticulous painting were measured by three-dimensional video microscopy, Raman microscopy and energy dispersive X-ray fluorescence spectroscopy. The results showed that the green clothes was firstly colored by Paris green, the decorative patterns of dragon among clouds and water waves were then painted by hematite, the edge was delineated by brass powder at last. The dark yellow area within the decorative patterns was presented due to the interaction of green and red paints. In addition, ultramarine blue was checked in the painting. According to the first synthesized time of ultramarine blue and Paris green, we can make sure the time limit of the painting finished. PMID:27209755

  2. [Study of Paints and Drawing Techniques of Fine Brushwork Yunlong Ripples Painting in Qing Dynasty].

    PubMed

    Hao, Sheng-cai; Shi, Ji-long; Wang, Ji-gang; He, Qiu-ju; Qi, Xiao-kun; Zhou, Zhong; Zhou, Wen-hua

    2016-02-01

    In order to study the paints and techniques of decorative patterns of dragon among clouds and water waves, the materials based on a Qing Dynasty meticulous painting were measured by three-dimensional video microscopy, Raman microscopy and energy dispersive X-ray fluorescence spectroscopy. The results showed that the green clothes was firstly colored by Paris green, the decorative patterns of dragon among clouds and water waves were then painted by hematite, the edge was delineated by brass powder at last. The dark yellow area within the decorative patterns was presented due to the interaction of green and red paints. In addition, ultramarine blue was checked in the painting. According to the first synthesized time of ultramarine blue and Paris green, we can make sure the time limit of the painting finished.

  3. Color alteration of the paint used for iris painting in ocular prostheses.

    PubMed

    Fernandes, Aline Ursula Rocha; Goiato, Marcelo Coelho; Batista, Marcos Antônio Jacó; Santos, Daniela Micheline Dos

    2009-01-01

    The purpose of this study was to assess color alteration of the paints used for iris painting in artificial eyes. Five disks of heat cured acrylic resin were confectioned by microwave energy for each paint analyzed, in a total of 40 specimens. Each specimen consisted of a colorless acrylic resin disk and another of equal size, of scleral white colored acrylic resin, with the painting interposed between the two disks. The specimens were submitted to an accelerated aging process in a chamber under ultraviolet radiation for 1,008 hours. To assess color variation, a reflective spectrophotometer was used. The results were statistically analyzed by ANOVA and the Tukey test (p < 0.05). All the paints underwent chromatic alteration. The oil paint presented the highest resistance to accelerated aging. PMID:20027445

  4. Paint for detection of radiological or chemical agents

    DOEpatents

    Farmer, Joseph C.; Brunk, James L.; Day, Sumner Daniel

    2010-08-24

    A paint that warns of radiological or chemical substances comprising a paint operatively connected to the surface, an indicator material carried by the paint that provides an indication of the radiological or chemical substances, and a thermo-activation material carried by the paint. In one embodiment, a method of warning of radiological or chemical substances comprising the steps of painting a surface with an indicator material, and monitoring the surface for indications of the radiological or chemical substances. In another embodiment, a paint is operatively connected to a vehicle and an indicator material is carried by the paint that provides an indication of the radiological or chemical substances.

  5. RIGGERS LOFT/PAINT SHOP/SHEET METAL SHOP, VIEW TO SOUTHEAST. THE PAINT ...

    Library of Congress Historic Buildings Survey, Historic Engineering Record, Historic Landscapes Survey

    RIGGERS LOFT/PAINT SHOP/SHEET METAL SHOP, VIEW TO SOUTHEAST. THE PAINT SHOP WAS LOCATED IN THE CLOSEST CORNER OF THE BUILDING. THE SHEET METAL SHOP WAS LOCATED IN THE CORNER OF THE BUILDING ON THE RIGHT. THE RIGGERS LOFT WAS LOCATED IN THE PORTION OF THE BUILDING OUT OF VIEW TO THE LEFT - Rosie the Riveter National Historical Park, Riggers Loft/Paint Shop/Sheet Metal Shop, 1322 Canal Boulevard, Richmond, Contra Costa County, CA

  6. The 17th Aerospace Mechanisms Symposium

    NASA Technical Reports Server (NTRS)

    1983-01-01

    The proceedings of the Aerospace Mechanisms Symposium are reported. Technological areas covered include space lubrication, aerodynamic devices, spacecraft/Shuttle latches, deployment, positioning, and pointing. Devices for spacecraft tether, magnetic bearing suspension, explosive welding, and a deployable/retractable mast are also described.

  7. 17th Annual ALS Users' Association Meeting

    SciTech Connect

    Robinson, Art; Tamura, Lori

    2004-11-29

    It's not exactly Russian roulette, but scheduling October events outdoors is not risk-free, even in usually sunny California. An overflow crowd of more than 400 registered users, ALS staff, and vendors enjoyed a full indoor program featuring science highlights and workshops spread over two and a half days from October 18 to October 20. However, a major storm, heralding the onset of the San Francisco Bay Area rainy season, posed a few weather challenges for the events on the ALS patio.

  8. The 17th Project Integration Meeting

    NASA Technical Reports Server (NTRS)

    Mcdonald, R. R.

    1981-01-01

    Progress made by the Low-Cost Solar Array Project during the period September 1980 to February 1981 is described. Included are reports on project analysis and integration; technology development in silicon material, large-area silicon sheet and encapsulation; production process and equipment development; engineering, and operations. A report on and copies of visual presentations made at the Project Integration Meeting held at Pasadena, California on February 4 and 5, 1981 are also included.

  9. 17th International Microgravity Measurements Group Meeting

    NASA Technical Reports Server (NTRS)

    DeLombard, Richard

    1998-01-01

    The Seventeenth International Microgravity Measurements Group (MGMG) meeting was held 24-26 March 1998 at the Ohio Aerospace Institute (OAI) in Brook Park, Ohio. This meeting focused on the transition of microgravity science research from the Shuttle, Mir, and free flyers to the International Space Station. The MGMG series of meetings are conducted by the Principal Investigator Microgravity Services project of the Microgravity Science Division at the NASA Lewis Research Center. The MGMG meetings provide a forum for the exchange of information and ideas about the microgravity environment and microgravity acceleration research in the Microgravity Research Program. The meeting had participation from investigators in all areas of microgravity research. The attendees included representatives from: NASA centers; National Space Development Agency of Japan; European Space Agency; Daimler Benz Aerospace AG; Deutsches Zentrum fuer Luft- und Raumfahrt; Centre National d'Etudes Spatiales; Canadian Space Agency, national research institutions; Universities in U.S., Italy, Germany, and Russia; and commercial companies in the U.S. and Russia. Several agencies presented summaries of the measurement, analysis, and characterization of the microgravity environment of the Shuttle, Mir, and sounding rockets over the past fifteen years. This extensive effort has laid a foundation for pursuing a similar course during future microgravity science experiment operations on the ISS. Future activities of microgravity environment characterization were discussed by several agencies who plan to operate on the ISS.

  10. century drying

    NASA Astrophysics Data System (ADS)

    Cook, Benjamin I.; Smerdon, Jason E.; Seager, Richard; Coats, Sloan

    2014-11-01

    Global warming is expected to increase the frequency and intensity of droughts in the twenty-first century, but the relative contributions from changes in moisture supply (precipitation) versus evaporative demand (potential evapotranspiration; PET) have not been comprehensively assessed. Using output from a suite of general circulation model (GCM) simulations from phase 5 of the Coupled Model Intercomparison Project, projected twenty-first century drying and wetting trends are investigated using two offline indices of surface moisture balance: the Palmer Drought Severity Index (PDSI) and the Standardized Precipitation Evapotranspiration Index (SPEI). PDSI and SPEI projections using precipitation and Penman-Monteith based PET changes from the GCMs generally agree, showing robust cross-model drying in western North America, Central America, the Mediterranean, southern Africa, and the Amazon and robust wetting occurring in the Northern Hemisphere high latitudes and east Africa (PDSI only). The SPEI is more sensitive to PET changes than the PDSI, especially in arid regions such as the Sahara and Middle East. Regional drying and wetting patterns largely mirror the spatially heterogeneous response of precipitation in the models, although drying in the PDSI and SPEI calculations extends beyond the regions of reduced precipitation. This expansion of drying areas is attributed to globally widespread increases in PET, caused by increases in surface net radiation and the vapor pressure deficit. Increased PET not only intensifies drying in areas where precipitation is already reduced, it also drives areas into drought that would otherwise experience little drying or even wetting from precipitation trends alone. This PET amplification effect is largest in the Northern Hemisphere mid-latitudes, and is especially pronounced in western North America, Europe, and southeast China. Compared to PDSI projections using precipitation changes only, the projections incorporating both

  11. Standard Operating Procedure for the Preparation of Lead-Containing Paint Films and Lead-in-Paint Diagnostic Test Materials

    EPA Science Inventory

    This SOP describes the preparation of stand-alone, lead paint films, prepared according to the old paint recipes. Further, this SOP describes the use of these paint films for the preparation of simulated old paints on a variety of substrates. Substrates used included wood, stee...

  12. Pointillist Watercolor Paintings: Exploring Optical Mixing.

    ERIC Educational Resources Information Center

    Hamwi, Richard

    2001-01-01

    Focuses on the pointillist painting process offering background information about technique and how it can be used in the art classroom. Explores the appropriateness of the process for elementary through secondary school students. Includes educational objectives. (CMK)

  13. Paint spray tests for respirators: aerosol characteristics.

    PubMed

    Ackley, M W

    1980-05-01

    Liquid paint is sprayed from an atomizing nozzle to form an aerosol for testing paint spray respirators. The generated aerosol conditions are dependent upon liguid properties, spray-nozzle flow conditions and droplet evaporation. A technique was developed for controlling the aerosol concentrations reliably. Particle-size distributions of lacquer and enamel have been measured. The lacquer distribution was found to be multi-modal. Aerosol concentration dradients arise when the nozzle is not properly positioned. Filter loading resistance is significantly affected by these concentration variations. With regard to selection of standard aerosol test be improved by modifying the current NIOSH criteria to include a description of the particle-size distribution, a more precise definition of the paint and paint thinner chemical compositions, and a narrower concentration range. PMID:6932174

  14. Arthritis in Flemish paintings (1400-1700).

    PubMed Central

    Dequeker, J

    1977-01-01

    A close examination of the hands of people depicted in paintings of the Flemish school showed that in five paintings there were figures with hand lesions resembling those of rhematoid arthritis. Although none of the deformities or swellings are indisputable examples of rheumatoid arthritis, they do at least suggest that the painters must have been confronted with rheumatoid-like lesions in their models. In two other paintings there were signs of rheumatic fever and of temporal arteritis. No arthritic lesions were found in the works of painters of the Italian Renaissance, probably because they are less detailed. The finding of rheumatoid deformities in the Flemish paintings does, however, question the general belief that rheumatoid arthritis is a condition that has arisen relatively recently. Images FIGS 1-2 FIG 3 FIG 4 FIG 5 FIG 6 FIG 7 PMID:324568

  15. Dissolution of lead paint in aqueous solutions

    SciTech Connect

    Barnes, G.L.; Davis, A.P.

    1996-07-01

    An analysis of the rate and extent of lead leaching from a lead-based paint was completed. At low-solution pH, dissolution was rapid and approached 80% of the total lead. Residual lead can be estimated based on the predicted solubility of lead carbonate and basic lead carbonate. Release of lead from the paint was slower than that from pure basic lead carbonate due to inhibition by the paint matrix. Although the dissolved concentration of lead in solution at neutral/high pH was low, the paint binder was apparently destroyed at these pH values, releasing colloidal lead pigment particles. The presence of ethylenediaminetetraacetic acid (EDTA) and nitrilotriacetic acid (NTA) enhanced both the rate and degree of lead dissolution, while benzoic acid had a minimal effect.

  16. Terahertz imaging for non-destructive evaluation of mural paintings

    NASA Astrophysics Data System (ADS)

    Jackson, J. B.; Mourou, M.; Whitaker, J. F.; Duling, I. N.; Williamson, S. L.; Menu, M.; Mourou, G. A.

    2008-02-01

    The feasibility of applying time-domain, terahertz spectroscopic imaging to the evaluation of underdrawings and paint layers embedded within wall paintings is demonstrated. Metallic and dielectric paint patterns and a graphite drawing are resolved through both paint and plaster overlayers using a pulsed-terahertz reflectometer and imaging system. We calculated the bulk refractive indices of four common pigments and used them to confirm color domains in a terahertz-beam spectral image of a painting.

  17. Effects Of Moisture On Zinc Orthotitanate Paint

    NASA Technical Reports Server (NTRS)

    Mon, Gordon R.; Gonzalez, Charles C.; Ross, JR., Ronald g.; Wen, Liang C.; O'Donnell, Timothy

    1991-01-01

    Report presents results of tests of electrical conductivity and resistance to corrosion of zinc orthotitanate (ZOT) paint. Measured effects of temperature, humidity, and vacuum on ceramic paint. Used as temperature-control coating designed to have low and stable ratio of absorptance to emittance for heat radiation. Helps to prevent buildup of static electric charge and helps to protect electronic circuitry from potentially damaging static discharges.

  18. Painting a Data-Rich Picture

    ERIC Educational Resources Information Center

    Earl, Lorna; Katz, Steven

    2005-01-01

    Using data for school reform is like painting a series of pictures--pictures that are subtle and capture the nuances of the subject. This is a far cry from drawing stick figures or paint-by-numbers. Imagine the experiences of the French painter Claude Monet as he wandered through his garden at Giverny at different times of the day and year,…

  19. A quantitative approach to painting styles

    NASA Astrophysics Data System (ADS)

    Vieira, Vilson; Fabbri, Renato; Sbrissa, David; da Fontoura Costa, Luciano; Travieso, Gonzalo

    2015-01-01

    This research extends a method previously applied to music and philosophy (Vilson Vieira et al., 2012), representing the evolution of art as a time-series where relations like dialectics are measured quantitatively. For that, a corpus of paintings of 12 well-known artists from baroque and modern art is analyzed. A set of 99 features is extracted and the features which most contributed to the classification of painters are selected. The projection space obtained provides the basis to the analysis of measurements. These quantitative measures underlie revealing observations about the evolution of painting styles, specially when compared with other humanity fields already analyzed: while music evolved along a master-apprentice tradition (high dialectics) and philosophy by opposition, painting presents another pattern: constant increasing skewness, low opposition between members of the same movement and opposition peaks in the transition between movements. Differences between baroque and modern movements are also observed in the projected "painting space": while baroque paintings are presented as an overlapped cluster, the modern paintings present minor overlapping and are disposed more widely in the projection than the baroque counterparts. This finding suggests that baroque painters shared aesthetics while modern painters tend to "break rules" and develop their own style.

  20. Automated Laser Paint Stripping (ALPS) update

    NASA Astrophysics Data System (ADS)

    Lovoi, Paul

    1993-03-01

    To date, the DoD has played a major role in funding a number of paint stripping programs. Some technologies have proven less effective than contemplated. Others are still in the validation phase. Paint stripping is one of the hottest issues being addressed by the finishing industry since the Environmental Protection Agency (EPA) has mandated that chemical stripping using methylene chloride/phenolic type strippers be stopped. The DoD and commercial aircraft companies are hard-pressed to find an alternative. Automated laser paint stripping has been identified as a technique for removing coatings from aircraft surfaces. International Technical Associates (InTA) was awarded a Navy contract for an automated laser paint stripping system (ALPS) that will remove paint from metallic and composite substrates. For the program, which will validate laser paint stripping, InTA will design, build, test, and install a system for fighter-sized aircraft at both the Norfolk and North Island (San Diego) Aviation Depots.

  1. Salt damage of stone, plaster and painted layers at a medieval church, South-Hungary

    NASA Astrophysics Data System (ADS)

    Török, Ákos; Galambos, Éva

    2016-04-01

    The Chapel of Pécsvárad is one of the best preserved and oldest medieval stone monument in South Hungary. It dates back to the 11th century. The interior of the chapel is decorated with wall paintings, which are later and probably originating from the late 12th century. The wall painting is partly preserved and it is located on an interior stone wall of the chapel facing to the East. The wall painting shows various forms of damage from salt efflorescence to chipping. The current research provides information on the in situ and laboratory analyses of salts, plasters, pigments and stone material suggesting mechanisms of decay that lead to partial loss of the painting. Both on site techniques and laboratory analyses were performed. Imaging techniques such as UV luminescence and IR thermography were used to identify the moist and salt covered zones on the wall surface. Portable moisture meter were also applied to map the wet zones in the interior and also at the external part of the chapel. Schmidt hammer and Duroscop were used for testing the surface strength of stone. Laboratory tests were focused on mineralogical and chemical compositional analyses. Small samples of stone, mortar, plaster and pigments were tested by optical microscopy, SEM-EDX, XRD and Thermogravimetric analyses. According to our tests the chapel was predominantly made of porous limestone and sandstone. Laboratory analyses proved that the major salt responsible for the damage of external walls are gypsum and halite, while in the interior part higher amount of halite and significant amount of sodium-nitrate were found besides gypsum. The painted layers are on Byzantine-type of plaster with organic compounds (plant fragments) and with a substrate layer rich in calcium carbonate. The identified pigments are dominantly earth pigments such as iron-oxide containing red and yellow (ochre) and green earth. A unique preservation of ultramarine blue in Hungary was found on the wall painting. The partial

  2. Design and Application of The Painting Material Supply System of The Painting Robot for Steel Products

    NASA Astrophysics Data System (ADS)

    Miyawaki, Kunio; Hisayasu, Azuma; Mori, Tsunehito; Miyazaki, Tatsuo; Nakashima, Yoshio

    With the increase of painting works and the decrease of skilled workers, the demand for robot painting of the large-scale steel product is rapidly increasing. But there are many technical problems in the development of the painting robot for this use. The collision between a robot and a work-piece is one of the most important problems, because the robot operates in a small space of a work-piece. Above all, the collision of the painting material supply hose with painted film on a work-piece is very serious. To avoid the hose collision, we propose an in-line type of paint supply mechanism using swivel joints. The key point in this system is the sealing performance and its durability, and we propose the piping system with compliance to strengthen the sealing performance. In this paper, the design method of this system is discussed on the basis of the analysis of the fluctuatinal elastic deformation of a O-ring in the swivel joint. We produced a prototype of the painting robot with the in-line system designed by this method. Application of this robot to the painting of ship-hull block is also discussed. Results from this application show the effectiveness of the in-line system.

  3. Best lighting for visual appreciation of artistic paintings--experiments with real paintings and real illumination.

    PubMed

    Nascimento, Sérgio Miguel Cardoso; Masuda, Osamu

    2014-04-01

    In a previous study based on monitor simulations of artistic paintings, it was found that the average correlated color temperature (CCT) of daylight preferred by a large set of observers to illuminate paintings was around 5100 K. The goal of the present study was to test if this result holds in real viewing conditions, i.e., with real paintings and real light sources. The same 11 paintings were tested in real conditions illuminated by a spectrally tunable light source and with accurate monitor simulations. To ensure uniform illumination across the paintings, only a central part of the paintings was visible to the observers. It was found that the average CCT preferred for real and monitor viewing conditions were very similar, 5500 and 5700 K, respectively. The somewhat larger CCT obtained with monitor viewing in relation to the former study was only observed in some paintings and was attributed to the smaller viewing area. These results confirm that CCT for best appreciation of paintings is higher than normally used in museums, and the viewing conditions, real or simulated, have only a minor effect.

  4. A study of smalt and red lead discolouration in Antiphonitis wall paintings in Cyprus

    NASA Astrophysics Data System (ADS)

    Sister Daniilia; Minopoulou, Elpida

    2009-08-01

    The present analytical study focuses on the degradation phenomena observed in fifteenth century wall paintings of the Christ Antiphonitis monastery in Cyprus. Examination of ten fragments by means of optical microscopy (OM), scanning electron microscopy (SEM/EDS), μRaman and FTIR spectroscopy revealed smalt discolouration and loss, and transformation of red lead from orange Pb3O4 to black PbO2. The chromatic changes have affected the aesthetic effect of the paintings insofar as these pigments were extensively used. The mechanisms of smalt weathering, i.e. leaching of alkali and formation of micro-cracks, are interpreted in relation to its chemical composition and to the aggressive environmental conditions. In addition, it is assumed that red lead degradation may have been induced not only by the effect of temperature, light and humidity but also by the presence of chlorine salts. These phenomena of pigment alteration and loss underline the unsuitability of smalt and minium on wall paintings, regardless of the painting technique ( fresco, fresco-secco, secco).

  5. A New Solution for the Painting Artwork Rear Cleaning and Restoration: The Laser Cleaning

    NASA Astrophysics Data System (ADS)

    Andriani, S. E.; Catalano, I. M.; Brunetto, A.; Daurelio, G.; Vona, F.

    Before restoring a painting, in order to assure a good level of adhesion between the canvas and the preparation layer or to reline the painting, it is often necessary to consolidate the canvas by intervening on the painting rear. Traditional cleaning techniques, chemical combined with mechanical ones, show an important drawback: The cleaning process and technique enfeeble permanently the canvas. The present work performs a comparative study for evaluating both the cleaning process efficiency and the canvas integrity preservation by using various cleaning methods, including Nd:YAG laser systems and traditional techniques. The effects of a short free running mode (λ = 1,064 nm, pulse duration of 40-110 μs), a long Q-switched mode (λ = 1, 064 nm, pulse duration of 200 ns) and a Q-switched mode (λ = 1,064 and 532 nm, pulse duration of 6 ns) of Nd:YAG laser irradiation on the hemp canvas of a seventeenth century painting are investigated. The analyses using FTIR spectroscopy and degradation mapping by optical microscope, with photographs taken before, during and after the cleaning process, were carried out. The work is still in progress.

  6. Comparative chromosome painting in Carnivora and Pholidota.

    PubMed

    Perelman, P L; Beklemisheva, V R; Yudkin, D V; Petrina, T N; Rozhnov, V V; Nie, W; Graphodatsky, A S

    2012-01-01

    The order of Carnivora has been very well characterized with over 50 species analyzed by chromosome painting and with painting probe sets made for 9 Carnivora species. Representatives of almost all families have been studied with few exceptions (Otariidae, Odobenidae, Nandiniidae, Prionodontidae). The patterns of chromosome evolution in Carnivora are discussed here. Overall, many Carnivora species retained karyotypes that only slightly differ from the ancestral carnivore karyotype. However, there are at least 3 families in which the ancestral carnivore karyotype has been severely rearranged - Canidae, Ursidae and Mephitidae. Here we report chromosome painting of yet another Carnivora species with a highly rearranged karyotype, Genetta pardina. Recurrent rearrangements make it difficult to define the ancestral chromosomal arrangement in several instances. Only 2 species of pangolins (Pholidota), a sister order of Carnivora, have been studied by chromosome painting. Future use of whole-genome sequencing data is discussed in the context of solving the questions that are beyond resolution of conventional banding techniques and chromosome painting. PMID:22889959

  7. Painting with polygons: a procedural watercolor engine.

    PubMed

    DiVerdi, Stephen; Krishnaswamy, Aravind; Měch, Radomír; Ito, Daichi

    2013-05-01

    Existing natural media painting simulations have produced high-quality results, but have required powerful compute hardware and have been limited to screen resolutions. Digital artists would like to be able to use watercolor-like painting tools, but at print resolutions and on lower end hardware such as laptops or even slates. We present a procedural algorithm for generating watercolor-like dynamic paint behaviors in a lightweight manner. Our goal is not to exactly duplicate watercolor painting, but to create a range of dynamic behaviors that allow users to achieve a similar style of process and result, while at the same time having a unique character of its own. Our stroke representation is vector based, allowing for rendering at arbitrary resolutions, and our procedural pigment advection algorithm is fast enough to support painting on slate devices. We demonstrate our technique in a commercially available slate application used by professional artists. Finally, we present a detailed analysis of the different vector-rendering technologies available.

  8. Training facilitates object recognition in cubist paintings.

    PubMed

    Wiesmann, Martin; Ishai, Alumit

    2010-01-01

    To the naïve observer, cubist paintings contain geometrical forms in which familiar objects are hardly recognizable, even in the presence of a meaningful title. We used fMRI to test whether a short training session about Cubism would facilitate object recognition in paintings by Picasso, Braque and Gris. Subjects, who had no formal art education, were presented with titled or untitled cubist paintings and scrambled images, and performed object recognition tasks. Relative to the control group, trained subjects recognized more objects in the paintings, their response latencies were significantly shorter, and they showed enhanced activation in the parahippocampal cortex, with a parametric increase in the amplitude of the fMRI signal as a function of the number of recognized objects. Moreover, trained subjects were slower to report not recognizing any familiar objects in the paintings and these longer response latencies were correlated with activation in a fronto-parietal network. These findings suggest that trained subjects adopted a visual search strategy and used contextual associations to perform the tasks. Our study supports the proactive brain framework, according to which the brain uses associations to generate predictions. PMID:20224810

  9. Painting with polygons: a procedural watercolor engine.

    PubMed

    DiVerdi, Stephen; Krishnaswamy, Aravind; Měch, Radomír; Ito, Daichi

    2013-05-01

    Existing natural media painting simulations have produced high-quality results, but have required powerful compute hardware and have been limited to screen resolutions. Digital artists would like to be able to use watercolor-like painting tools, but at print resolutions and on lower end hardware such as laptops or even slates. We present a procedural algorithm for generating watercolor-like dynamic paint behaviors in a lightweight manner. Our goal is not to exactly duplicate watercolor painting, but to create a range of dynamic behaviors that allow users to achieve a similar style of process and result, while at the same time having a unique character of its own. Our stroke representation is vector based, allowing for rendering at arbitrary resolutions, and our procedural pigment advection algorithm is fast enough to support painting on slate devices. We demonstrate our technique in a commercially available slate application used by professional artists. Finally, we present a detailed analysis of the different vector-rendering technologies available. PMID:23492376

  10. Comparative chromosome painting in Carnivora and Pholidota.

    PubMed

    Perelman, P L; Beklemisheva, V R; Yudkin, D V; Petrina, T N; Rozhnov, V V; Nie, W; Graphodatsky, A S

    2012-01-01

    The order of Carnivora has been very well characterized with over 50 species analyzed by chromosome painting and with painting probe sets made for 9 Carnivora species. Representatives of almost all families have been studied with few exceptions (Otariidae, Odobenidae, Nandiniidae, Prionodontidae). The patterns of chromosome evolution in Carnivora are discussed here. Overall, many Carnivora species retained karyotypes that only slightly differ from the ancestral carnivore karyotype. However, there are at least 3 families in which the ancestral carnivore karyotype has been severely rearranged - Canidae, Ursidae and Mephitidae. Here we report chromosome painting of yet another Carnivora species with a highly rearranged karyotype, Genetta pardina. Recurrent rearrangements make it difficult to define the ancestral chromosomal arrangement in several instances. Only 2 species of pangolins (Pholidota), a sister order of Carnivora, have been studied by chromosome painting. Future use of whole-genome sequencing data is discussed in the context of solving the questions that are beyond resolution of conventional banding techniques and chromosome painting.

  11. Laser cleaning treatment of burnt paintings

    NASA Astrophysics Data System (ADS)

    Antonopoulou-Athera, N.; Chatzitheodoridis, E.; Doulgerides, M.; Evangelatos, Ch.; Serafetinides, A. A.; Terlixi, A.

    2015-01-01

    Three samples taken from two paintings partly burned by fire are investigated for cleaning with lasers. The paintings belong to the collection of the National Gallery of Athens and were made by the great Greek artist Konstantinos Parthenis. To remove the damaged surface and achieve an acceptable restoration result, the optimum combination of fluence and wavelength are sought. Seven different wavelengths with a set of fluences where used, i.e., the five harmonics of a Nd:YAG laser (1064, 532, 355, 266, and 213 nm), a TEA 10.6 μm CO2 and a free running laser Er:YAG 2.94 μm. Characterization was performed prior and after the cleaning process by optical and electron microscopy and analysis (SEM/BSE EDS), as well as X-Ray Diffraction (XRD). The results of this work indicate that the wavelength in the visible spectrum (532 nm) with fluences between 0.1-0.4J/cm2 show the optimum cleaning. The optical microscopy observation shows that with these laser parameters the burnt layer was preferentially removed, exposing the original colors that Parthenis had used in these paintings. Electron microscopy imaging and chemical analysis revealed that the original texture and materials of these samples are preserved after irradiation. Since the damage varies along the surface of the painting, more experiments should be performed in order to find and optimize the full cleaning and characterization process for the homogeneous cleaning of the whole surface of the painting.

  12. Hallmarks in the history of enteral and parenteral nutrition: from antiquity to the 20th century.

    PubMed

    Vassilyadi, Frank; Panteliadou, Alkistis-Kira; Panteliadis, Christos

    2013-04-01

    Parenteral nutrition (PN) and enteral nutrition (EN) have a very long history, emerging in the ancient world and developing throughout the common epoch. This history dates back as far as 3500 bc to the ancient Egyptians, Indians, and Chinese. Their medical practices were the first reports of enteral feeding therapy, provided via rectum with enemas of wine, milk, whey, wheat, and barley. Hippocrates and Plato, in ancient Greece, were the first personalities to emphasize the importance of diet on health. In the following centuries, Erasistratus and Herophilus described the first notion of the circulatory system, and Oribasius and Celsus described the role of nutrition and disease. There is a great historical gap between the times of Galen (2nd century), who elaborated on the circulatory system; Ibn Zuhr (12th century), who constructed the first model of PN; and Capivacceus (16th century), who placed the first tube for EN. The 17th-19th centuries showed major developments in modern nutrition elements. Steps toward artificial nutrition began in 1628 with the detailed description of blood circulation by William Harvey; however, most of the advances in enteral and parenteral feeding techniques, solutions, and formulas took place in the 20th century. Over the last decade of the 20th century, research focused on metabolic control, multitude formulas, timing and the combination of EN and PN for intensive care patients.

  13. Differential and scanning-mode external PIXE for the analysis of the painting “Ritratto Trivulzio” by Antonello da Messina

    NASA Astrophysics Data System (ADS)

    Grassi, Novella

    2009-03-01

    Extensive PIXE investigations have been performed at the LABEC accelerator laboratory in Florence on the painting "Ritratto Trivulzio" by Antonello da Messina, one of the great Italian masters of XV Century and a pioneer in modern oil painting. It is well known that a complete and unambiguous characterisation of materials in paintings is often difficult, owing to their complex structure. For the "Ritratto Trivulzio", the combination of advanced variants of PIXE, such as differential and scanning-mode analysis, provided a relevant contribution to the characterisation of paint layers, in terms of composition and structure, in a totally non-invasive and non-destructive way. Single-spot mode PIXE with external proton beams of about half millimetre diameter was first used for a general characterisation of different areas of the painting. Differential PIXE performed in many spots led to reconstruct the sequence of paints employed by the artist and to estimate in some cases the local paint layer thickness. A second run carried out with the external scanning microbeam facility, using a 3 MeV proton beam of about 80 μm size, was then crucial to clarify some issues raised by the first analysis. In particular, elemental maps from selected areas helped to understand the way some colour shades had been obtained on the red mantle of the portrayed gentleman, using different pigments irregularly distributed on the surface.

  14. Further evidence of important environmental information content in red-to-green ratios as depicted in paintings by great masters

    NASA Astrophysics Data System (ADS)

    Zerefos, C. S.; Tetsis, P.; Kazantzidis, A.; Amiridis, V.; Zerefos, S. C.; Luterbacher, J.; Eleftheratos, K.; Gerasopoulos, E.; Kazadzis, S.; Papayannis, A.

    2014-03-01

    We examine sunsets painted by famous artists as proxy information for the aerosol optical depth after major volcanic eruptions. Images derived from precision colour protocols applied to the paintings were compared to online images, and found that the latter, previously analysed, provide accurate information. Aerosol optical depths (AODs) at 550 nm, corresponding to Northern Hemisphere middle latitudes, calculated by introducing red-to-green (R / G) ratios from a large number of paintings to a radiative transfer model, were significantly correlated with independent proxies from stratospheric AOD and optical extinction data, the dust veil index, and ice core volcanic indices. AODs calculated from paintings were grouped into 50-year intervals from 1500 to 2000. The year of each eruption and the 3 following years were defined as "volcanic". The remaining "non-volcanic" years were used to provide additional evidence of a multidecadal increase in the atmospheric optical depths during the industrial "revolution". The increase of AOD at 550 nm calculated from the paintings grows from 0.15 in the middle 19th century to about 0.20 by the end of the 20th century. To corroborate our findings, an experiment was designed in which a master painter/colourist painted successive sunsets during and after the passage of Saharan aerosols over the island of Hydra in Greece. Independent solar radiometric measurements confirmed that the master colourist's R / G ratios which were used to model his AODs, matched the AOD values measured in situ by co-located sun photometers during the declining phase of the Saharan aerosol. An independent experiment was performed to understand the difference between R / G ratios calculated from a typical volcanic aerosol and those measured from the mineral aerosol during the Hydra experiment. It was found that the differences in terms of R / G ratios were small, ranging between -2.6% and +1.6%. Also, when analysing different parts of cloudless skies of

  15. Preference for and discrimination of paintings by mice.

    PubMed

    Watanabe, Shigeru

    2013-01-01

    I measured preference for paintings (Renoir vs. Picasso or Kandinsky vs. Mondrian) in mice. In general mice did not display a painting preference except for two mice: one preferred Renoir to Picasso, and the other preferred Kandinsky to Mondrian. Thereafter, I examined discrimination of paintings with new mice. When exposure to paintings of one artist was associated with an injection of morphine (3.0 mg/kg), mice displayed conditioned preference for those paintings, showing discrimination of paintings by Renoir from those by Picasso, and paintings by Kandinsky from those by Mondrian after the conditioning. They also exhibited generalization of the preference to novel paintings of the artists. After conditioning with morphine for a set of paintings consisting of two artists, mice showed discrimination between two sets of paintings also from the two artists but not in association with morphine. These results suggest that mice can discriminate not only between an artist's style but also among paintings of the same artist. When mice were trained to discriminate a pair of paintings by Kandinsky and Renoir in an operant chamber equipped with a touch screen, they showed transfer of the discrimination to new pairs of the artists, but did not show transfer of discrimination of paintings by other artists, suggesting generalization.

  16. Preference for and Discrimination of Paintings by Mice

    PubMed Central

    Watanabe, Shigeru

    2013-01-01

    I measured preference for paintings (Renoir vs. Picasso or Kandinsky vs. Mondrian) in mice. In general mice did not display a painting preference except for two mice: one preferred Renoir to Picasso, and the other preferred Kandinsky to Mondrian. Thereafter, I examined discrimination of paintings with new mice. When exposure to paintings of one artist was associated with an injection of morphine (3.0 mg/kg), mice displayed conditioned preference for those paintings, showing discrimination of paintings by Renoir from those by Picasso, and paintings by Kandinsky from those by Mondrian after the conditioning. They also exhibited generalization of the preference to novel paintings of the artists. After conditioning with morphine for a set of paintings consisting of two artists, mice showed discrimination between two sets of paintings also from the two artists but not in association with morphine. These results suggest that mice can discriminate not only between an artist’s style but also among paintings of the same artist. When mice were trained to discriminate a pair of paintings by Kandinsky and Renoir in an operant chamber equipped with a touch screen, they showed transfer of the discrimination to new pairs of the artists, but did not show transfer of discrimination of paintings by other artists, suggesting generalization. PMID:23762346

  17. [Disease in Velázquez' painting].

    PubMed

    Schüller Pérez, A

    2000-01-01

    A short biographical abstract of Painter Velázquez and his artistical and cultural background with relation to this own time is given. His whole work and of the court and official jobs he had has, been analysed. Together with his artistical vocation and great capacity and aptitude for painting, he felt the ambition to seek a position of nobility. A peculiar research of the pathological aspects appearing in his pictures has been made, regardless of the technical characteristics of his painting and style. For this purpose, his paintings have been classified in still lives, religious pictures, mythological pictures, portraits of royal male and female family members, portraits of ordinary people, big peoples such as Las Lanzas, Las Hilanderas and Las Meninas, etc., to conclude with the really singular group of buffoons, dwarfs, jesters and mad people. The pathological issues have been commented. A list of bibliographical references is also added.

  18. One year of Puma Painting: site experiences

    NASA Astrophysics Data System (ADS)

    Stein, Matthew R.

    1999-11-01

    The PumaPaint project is a web robot that allows users to create original artwork on the World Wide Web. The site allows control of a PUMA 760 robot equipped with four paintbrushes; jars of red, green, blue and yellow paint and white paper attached to an easel. Users must download a JavaTM interface allowing interactive control of the robot. This interface contains two windows showing live camera views of the work site and various controls for connecting and disconnecting to the robot, viewing the task status and controlling the painting task. During the first year of operation of the site, June 3rd, 1998 to June 2nd 1999, approximately 5,000 users produced 390 canvases. This paper presents summary data from one year of operation, discusses the author's experiences in operating the site and examines some of the artwork produced.

  19. Toward a behavioral toxicology of paint thinner.

    PubMed

    Colotla, V A; Lorenzana-Jiménez, M; Rodríguez, R

    1980-01-01

    Few experiments have been carried out to evaluate the effects of toxic industrial substances such as the solvents on operant behavior. Laboratory rats trained in a mult FR DRL reinforcement schedule showed a differential impairment in performance when exposed to various doses of paint thinner in the experimental chamber, the FR performance being more sensitive to the solvent than DRL responding. Another study of rats working under a FI schedule suggested that the effects of paint thinner are rate-dependent, a finding which suggests a similarity of thinner with the amphetamines in regard to the behavioral effect. Two other experiments addressed to the behavioral effects of chronic exposure to the solvent showed a decrease in locomotor activity and an impaired acquisition of a complex temporal discrimination task in laboratory rats exposed to paint thinner during four, eight of sixteen weeks. These findings are suggestive of brain dysfunction associated with thinner inhalation but further experiments are needed for more definite conclusions. PMID:7442918

  20. Focal cerebral lesions and painting abilities.

    PubMed

    Mazzucchi, Anna; Sinforiani, Elena; Boller, François

    2013-01-01

    Focal lesions such as strokes significantly affect painting production in the vast majority of artists. In particular, painters, when they resume painting, show changes in their painting style. In exceptional cases, there may be an apparent improvement in style, but in most cases, the changes represent nothing short of deterioration. This, however, varies according to the hemisphere affected. Painters with left-hemisphere lesions tend to show an inability to deal adequately with perspective and also tend to use simplified colors with fewer nuances. One often witnesses an evolution toward simpler, often "naïve" techniques, and at times rigid geometric repetitive features. Painters with right-hemisphere lesions also become unable to represent tridimensionality. In addition, their figures are often drawn in very summary fashion, with lack of coordination between volumes and space and a chromatic impoverishment; their main problem, however, is visuospatial, leading to neglect of the left side of the canvas.