Gangster, victim or both? The interdiscursive construction of sameness and difference in self-presentations.

PubMed

Sandberg, Sveinung

2009-09-01

The paper conceptualizes two contradictory discourses, both used by ethnic minority drug dealers in a street drug market in Oslo, Norway. Oppression discourse includes personal narratives of unemployment, racism and psycho-social problems, often combined with stories about the government and city council being unwilling to help. Drug dealers use the discourse to justify drug dealing and violence, both for themselves and in meetings with welfare organizations. Gangster discourse, on the other hand, includes a series of personal narratives emphasizing how hard, smart, and sexually alluring the young men are. Drug dealers use this discourse to gain self-respect and respect from others, and it dominates interactions on the street. An important argument in this paper is that the discursive practice of criminals inspires theoretical perspectives on criminal practice. Oppression and gangster discourses have inspired, respectively, neutralization and subculture theory. When the same people use both discourses, however, the picture becomes more complicated. The 'bilingual' discursive practice of the street drug dealers reflects the ambivalent role of the researcher, and a Scandinavian institutional and social context where street drug dealers have extensive contact with a welfare state apparatus. The paper still suggests that similar interdiscursivity may have been sacrificed in previous research to produce more coherent theoretical frameworks.

The Applicability of Army Design Methodology to the Federal Bureau of Investigation

DTIC Science & Technology

2011-05-19

fighting crime , terrorism and espionage, while responding to new threats by organizing, equipping and adapting. Throughout the gangster era of the 1930s...the FBI armed its agents for the first time, and organized itself to fight gangsters who were accustomed to committing violent crimes and crossing...to transform the FBI into an effective domestic intelligence agency with the goal of preventing terrorist attacks and serious crime .7 These efforts

M by Fritz Lang (Germany, 1931) Phenomenology of Evil: a serial killer and his social group.

PubMed

Secchi, Cesare

2015-10-01

In 1931 an unknown murderer of little girls (Peter Lorre) is terrorizing the city of Berlin. We see him entice a new victim, the little Elsie Beckmann, who is coming home from school: whistling a tune by Grieg, he buys her a balloon from a blind beggar. When her corpse is discovered, the police undertake a major mobilization aimed at seeking the serial killer in the criminal underworld; meanwhile, the ever more terrified population starts to see the dangerous murderer in everyone. Since the roundups and incursions into the seediest parts of town disturb the gangsters' activities, the leaders of organized crime, headed by Schränker (Gustav Gründgens), take it upon themselves also to hunt down the solitary child-killer, engaging the community of beggars. Every corner of the city is catalogued and sifted by the dual activity of the police and the gangsters. The 'monster', a former psychiatric patient, mild and harmless in manner, is finally tracked down via two parallel routes: the clue of a cigarette packet enables Inspector Lohmann (Otto Wernicke) to track down the serial killer's address, while the blind beggar recognizes the whistled tune. The murderer is identified by a 'slap' from a young criminal which leaves an M marked in chalk on a shoulder of the man's overcoat. Thus he is caught and undergoes a kind of trial at the hands of the gangsters who tie him up in order to lynch him, but they are interrupted by the arrival of the forces of law and order. Copyright © 2015 Institute of Psychoanalysis.

The Disabled: Media's Monster.

ERIC Educational Resources Information Center

Bogdan, Robert; And Others

1982-01-01

From the early nineteenth century to the present, horror, gangster, and adventure films, television, the comics, and newspapers have shown physical and mental disabilities to connote murder, violence, and danger. Such false portrayals have promoted negative public attitudes toward people with disabilities. (Author/MJL)

At Work in the Genre Laboratory: Brian DePalma's "Scarface."

ERIC Educational Resources Information Center

Welsch, Tricia

1997-01-01

Postulates that, if genres serve as problem-solving constructs for the cultures they reflect and are fundamentally conservative structures committed to temporary resolutions of the hopeless contradictions that produce their dramas, then Brian DePalma's "Scarface" exemplifies the ways gangster films of the 1980s redefined generic…

Charting Relationships in American Popular Film. Part II.

ERIC Educational Resources Information Center

Burke, Ken

1998-01-01

Explores the concept of genre evolution through the experimental, classic, refinement, and deconstructivist phases of American films. A series of detailed diagrams present a synthesis of influences and developments in the western, supercop, detective, gangster, futuristic science fiction, fantasy, outer space science fiction, horror, musical, and…

American Film Genres: Approaches to a Critical Theory of Popular Film.

ERIC Educational Resources Information Center

Kaminsky, Stuart M.

This book is divided into twelve sections and contains photographs from many of the films discussed. The introduction defines film genre and describes the general theories behind this book; "The Individual Film" analyzes the film "Little Caesar" as it relates to the genre of gangster films; "Comparative Forms"…

Egyptian Film: Gender and Class Violence Three Cycles.

ERIC Educational Resources Information Center

Al-Obaidi, Jabbar A.

2000-01-01

Examines the level of physical and verbal violence by gender and social class in Egyptian films in three cycles: romantic musicals and melodramas; war and political genres; and drug and gangster films. Concludes that the outrageous level of violence does not accurately reflect the real society. (Contains 20 references.) (LRW)

The New Folk Devils: Muslim Boys and Education in England

ERIC Educational Resources Information Center

Shain, Farzana

2011-01-01

Muslim boys, once regarded as passive, hard working and law-abiding, have been recast in the public imagination in recent years. Now the stereotypical image is of volatile, aggressive hotheads who are in danger of being brainwashed into terrorism, or of would-be gangsters who are creating no-go areas in English towns and cities. This timely and…

[Baseball.

ERIC Educational Resources Information Center

Shannon, John, Ed.

1992-01-01

This student newsletter issue speaks to the subject of baseball. The first article, on who rules baseball, discusses the problems that the developing sport had with gambling, and the struggle between the owners and gangsters for control of the game. The article describes the scandal involving the Chicago White Sox in the 1919 World Series and the…

Mexican Americans in the Era of World War II: Studying the Sleepy Lagoon Case and Zoot Suit Riots

ERIC Educational Resources Information Center

Ramirez, Axel Donizetti

2012-01-01

When the author was growing up in East Los Angeles his mother told him about the "classy" gangsters of East L.A. who wore Zoot Suits. Through research, he learned that the Zoot Suiters were much more than well-dressed Latinos: they had a sense of honor and pride and exhibited class under adverse circumstances. In August of 1942, Jose Diaz, a…

Rethinking Culture on the Streets: Agency, Masculinity, and Style in the American City.

ERIC Educational Resources Information Center

Diamond, Andrew

2001-01-01

Reviews three books on street gangs that examine the formation of gangs between the 1940s and 1970s (a period that predates their connection to drug trafficking), look at masculinity in gang culture following the advent of their connection to drug trafficking, and highlight the role of the gangster in American culture in the 1920s and 1930s. (SM)

Celebrity traumatic deaths: are gangster rappers really "gangsta"?

PubMed

Ball, Chad G; Dixon, Elijah; Parry, Neil; Salim, Ali; Pasley, Jason; Inaba, Kenji; Kirkpatrick, Andrew W

2013-08-01

Celebrity injury-related deaths are a common topic of conversation and receive wide media coverage. Despite stereotypes and broad generalizations, it is unclear if the mechanisms of demise echo those of the general population. The objective of this study was to evaluate the epidemiology underlying celebrity traumatic deaths. We evaluated all known injury-related deaths in celebrities (musicians, athletes, actors, politicians and celebrity socialites) that occurred between Jan. 1, 2000, and Sept. 1, 2011. Exclusion criteria were drug/alcohol overdoses and suicides. We used standard statistical methodology. Among 389 celebrities who died because of their injuries, motor vehicle collisions remained the most common mechanism overall. Rappers and politicians had a higher proportion of deaths due to interpersonal violence than all other celebrities. Gunshot wounds were most common in these cohorts (83% and 63%, respectively). Rappers and athletes also died at a younger mean age than other celebrities. Sport-related deaths were most common in boxing and mixed martial arts. Additional mechanisms included airplane crashes, animal interactions and recreational activities. Despite occasionally exotic scenarios, most celebrities die of injury mechanisms similar to those of the general population. It is also apparent that rappers and politicians die by violent means at young and middle ages, respectively, more commonly than all other celebrities.

The History of MIS-Y: U.S. Strategic Interrogation During World War II

DTIC Science & Technology

2002-08-01

27Ian Dear, Escape and Evasion, (London, UK: Arms and Armour Press, 1997), 11. 28Lloyd R. Shoemaker, The Escape Factory (New York: St. Martin’s...soldiers are beginning to understand that they are the underdogs carrying the weight of the bureaucracy. 11. Building up the Nazi Gangster Ideal. In...and Evasion: Prisoner of War Breakouts and the Routes to Safety in World War Two. New York: Arms and Armour Press, 1997. DeForest, Orrin, and David

Faked headaches becoming real.

PubMed

Haan, Joost

2013-06-01

In the gangster movie White Heat, the main character, Cody (played by James Cagney), suffers from 2 headache attacks. Here, I analyze these attacks by using the International Headache Society criteria, but an unequivocal diagnosis is not possible. Nevertheless, the attacks play an important role in the narrative and--as representation of something between "real" (mimesis) and not real--provide a ground for reflection on how to think of headache in general. © 2013 American Headache Society.

Gangsters, Pranksters, and the Invention of Trick-or-Treating, 1930-1960

ERIC Educational Resources Information Center

Kawash, Samira

2011-01-01

For most children in North America, Halloween is one of the most exciting holidays of the year. But some critics insist that its emphasis on ready-made costumes, store-bought candy, and trick-or-treating seduces children into cultural passivity and socializes them to mindless consumption. These critics argue that trick-or-treating was an inherited…

Violent youth groups in Indonesia: the cases of Yogyakarta and Nusa Tenggara Barat.

PubMed

Kristiansen, Stein

2003-01-01

Problems of violent youth groups have escalated in Indonesia, following economic recession, unemployment, and weakened state institutions. Young people have been hit by the lack of income and broken expectations. In consequence, youth groups emerge and arrange for members' economic revenue as well as identity creation and confidence. Religion in some cases is used to legitimize violence and to strengthen the boldness of group members. The paper offers a brief overview of gangster (preman) traditions in Indonesia. Empirical findings on violent youth groups in the two selected provinces are presented within a multi-factor analytical framework, where the need for income and identity strengthening, political élite interests, and the lack of law enforcement contribute to explaining criminal and vigilante violence. Interviews with leaders and members of movements engaged in violent actions offer insights into a problem that threatens national security and control.

Homosexual men (and lesbian men) in a heterosexual genre: three gangster films from Hong Kong.

PubMed

Grossman, A

2000-01-01

Of the East Asian film genres that have captured the attention of film goers internationally, it should be of little surprise that martial and heroically masculine genres have been the most popular, for violent action translates well into any language. Although it has been no secret that male martiality often leaks into homoerotic desire (on the part of the audience, too), three Hong Kong films from 1998 have finally explicated the generic homosexuality that the action genre has been (defensively) ashamed to admit all along. However, rather than posit this textual homosexuality as transgressive, the generic forces under which these films operate rewrite their homosexualities, both gay and lesbian, into generic modes fashioned around regressive oppositions of gender, and not progressive liberations of sexuality.

Changing images of violence in Rap music lyrics: 1979-1997.

PubMed

Herd, Denise

2009-12-01

Rap music has been at the center of concern about the potential harmful effects of violent media on youth social behavior. This article explores the role of changing images of violence in rap music lyrics from the 1970s to the 1990s. The results indicate that there has been a dramatic and sustained increase in the level of violence in rap music. The percentage of songs mentioning violence increased from 27 per cent during 1979-1984 to 60 per cent during 1994-1997. In addition, portrayals of violence in later songs are viewed in a more positive light as shown by their increased association with glamor, wealth, masculinity, and personal prowess. Additional analyses revealed that genre, specifically gangster rap, is the most powerful predictor of the increased number of violent references in songs. The discussion suggests that violence in rap music has increased in response to the complex interplay of changing social conditions such as the elevated levels of youth violence in the 1980s and changing commercial practices within the music industry.

'National Hero and Very Queer Fish': Empire, Sexuality and the British Remembrance of General Gordon, 1918-72.

PubMed

Jones, Max

2015-01-01

This article presents the first detailed study of General Gordon's remembrance in Britain between 1918 and 1972. Previous scholars have exaggerated the impact of Lytton Strachey's Eminent Victorians (1918). Strachey damaged Gordon's reputation, but part one reveals how several commentators forcefully rebutted Eminent Victorians; official commemorations, books, radio plays, and films celebrated Gordon in the 1930s, as empire featured prominently in mass culture. Didactic uses of his example by the state diminished after 1945, but parts 2 and 3 show how writers used Gordon's story to engage with new debates about Britain's role in the world, immigration and sexuality. The article reveals how a fascination with the sexuality of heroes inspired men as diverse as Viscount Robin Maugham and East End gangster Ronnie Kray to identify with Gordon. Maugham's works and the feature film Khartoum (1966) expressed nostalgia for empire during decolonization, but American screenwriter Robert Ardrey also drew on his experiences in the Congo to present a dark vision of African savagery in Khartoum, a vision performed at Pinewood studios by black immigrants from London's slums. The article questions Edward Berenson's emphasis on the 'charismatic aura' of heroes, emphasizing instead the diversity of engagements inspired through different genre.